| The Beatles Fake Book Fake Book [Fake Book] - Intermediate Hal Leonard
C Edition. Performed by The Beatles. Fake Book (Includes melody line and chords)...(+)
C Edition. Performed by The Beatles. Fake Book (Includes melody line and chords). Size 9x12 inches. 176 pages. Published by Hal Leonard.
(1)$45.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Beatles: The Beatles - Complete Scores
Band Scores [Sheet music] Hal Leonard
Performed by The Beatles. For voice(s), guitar(s), bass guitar, drum set and key...(+)
Performed by The Beatles. For voice(s), guitar(s), bass guitar, drum set and keyboard. Format: full score. With vocal melody, lyrics, standard guitar notation, guitar tablature, standard bass notation, bass tablature, chord names and drum notation. Classic rock, pop rock and psychedelic rock. Popular boxed gift set. Includes complete transcriptions of all instrumental and vocal parts. Series: Hal Leonard Transcribed Scores. 1136 pages. 7.25x10.88 inches. Published by Hal Leonard.
(67)$99.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Colours of the World Violin [Sheet music + Audio access] - Intermediate De Haske Publications
Violin - intermediate SKU: BT.DHP-1033470-404 14 contemporary pieces f...(+)
Violin - intermediate SKU: BT.DHP-1033470-404 14 contemporary pieces from around the world. Composed by Jos Van Den Dungen. Educational Tool. Book with Online Audio. Composed 2021. 32 pages. De Haske Publications #DHP 1033470-404. Published by De Haske Publications (BT.DHP-1033470-404). ISBN 9789043161756. 9x12 inches. International. Colours of the World is a varied, swinging collection of pieces each of which has its own colour. They include not only tango, blues, tex mex and Cuban but also house, Balkan and folk. To be able to play the pieces well youwill need to have some playing experience: sometimes the third position is used and vibrato is also desirable. However, these fourteen pieces are relatively easy to play and you will gain much pleasure from them. Great attentionhas been paid to the accompaniment recordings which are available online in MP3 format - the musicians are specialists in their field, so each piece has its own original atmosphere.
Veertien speelstukken vormen in Colours of the World een prettig en afwisselend geheel. De enigszins handige violist met kennis van drie posities zal zich deze cocktail van stijlen zeker laten smaken. Diverseinspiratiebronnen van over de hele wereld zijn gebruikt, waaronder Hongarije, Cuba, Argentinië, Amerika, Ierland en Marokko, maar ook uit verschillende periodes, bijvoorbeeld de riddertijd. De begeleidingsopnames (online inmp3-formaat beschikbaar) zijn ingespeeld door muzikanten die zijn gespecialiseerd in hun eigen stijl: van stevige rock en tex-mex tot Balkanklanken en housemuziek.
Colours of the World ist eine bunte Mischung von Stücken in Stilen aus aller Welt. Dazu gehören z. B. Tango, Blues, Tex-Mex, kubanische Musik, House u. v. m. Die Stücke erfordern ein gutes Rhythmusgefühl undeinen ausreichenden Tonumfang. Die online im MP3-Format verfügbaren Begleitaufnahmen wurden von professionellen Musikern eingespielt. Dabei wurden für die Stilarten typische Instrumente wie z. B. Becken oder Akkordeonverwendet, sodass die Stücke alle eine eigene, ursprüngliche Atmosphäre ausstrahlen.
Colours of the World (« Couleurs du monde ») est le recueil idéal pour tout violoniste ayant une certaine expérience du jeu en première, deuxième et troisième positions, et qui souhaite partir ladécouverte de styles et dâ??horizons musicaux nouveaux. Jos van den Dungen sâ??est inspiré de musiques en provenance du monde entier (Irlande, Hongrie, Ã?tats-Unis, Cuba, Argentine, Maroc, entre autres) et de différentes époques.Laissez-vous séduire par les superbes pistes d'accompagnement disponibles en ligne au format MP3. Du rock la house en passant par les sonorités chaleureuses de la musique des Balkans et tex-mex, ce recueil vous proposedâ??excellents moments musicaux.
Colours of the World propone musiche in diversi stili musicali quali tango, blues, tex-mex, house, musiche balcaniche e folk. Le registrazioni audio accessibili online come file MP3 permettono di suonare con un accompagnamentofornito da musicisti professionisti. $25.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Movie Fake Book - 3rd Edition
Fake book [Fake Book] - Intermediate Hal Leonard
C Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 448 pa...(+)
C Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 448 pages. Published by Hal Leonard.
(1)$39.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| House of Blues Presents Learn to Play Beginner Keyboards - DVD Piano solo - Easy Fred Russell Publishing
By Margolis, Albert. Instrumental Reference. House of Blues. Education. Beginne...(+)
By Margolis, Albert. Instrumental Reference. House of Blues. Education. Beginner. DVD, Instrumental Tutor. Text language: English. Published by Fred Russell Publishing
$19.99 $15.992 (20% off) See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Chaconne Piano solo Schott
Transcription from Partita No. 1 in D Minor BWV1004 Piano Solo. Composed by ...(+)
Transcription from Partita
No. 1 in D Minor BWV1004
Piano Solo. Composed by
Martin Stadtfeld. Piano Solo.
Classical. Softcover. 24
pages. Schott Music #ED23299.
Published by Schott Music
$21.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Best of Gospel Hymnal (Book)
Choral [Sheet music] Brentwood-Benson
Spiral bound. Benson Publications. Gospel. Vocal songbook. With vocal score. Pub...(+)
Spiral bound. Benson Publications. Gospel. Vocal songbook. With vocal score. Published by Brentwood-Benson Music Publishing
(20)$11.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Beatles - The Capitol Albums, Volume 2 Piano, Vocal and Guitar [Sheet music] Hal Leonard
Performed by The Beatles. Piano/Vocal/Chords Songbook (Arrangements for piano an...(+)
Performed by The Beatles. Piano/Vocal/Chords Songbook (Arrangements for piano and voice with guitar chords). Softcover. Published by Hal Leonard
$19.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Irving Berlin: Irving Berlin Fake Book - C Edition
Fake Book [Fake Book] - Intermediate Hal Leonard
Composed by Irving Berlin. For voice and C instrument. Format: fakebook (spiral ...(+)
Composed by Irving Berlin. For voice and C instrument. Format: fakebook (spiral bound). With vocal melody, lyrics and chord names. Standards and vocal standards. Series: Hal Leonard Fake Books. 183 pages. 9x12 inches. Published by Hal Leonard.
(2)$24.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Serenata Concert band - Intermediate/advanced De Haske Publications
Concert Band; Euphonium (Score) - Grade 4 SKU: HL.4008219 For Euphoniu...(+)
Concert Band; Euphonium (Score) - Grade 4 SKU: HL.4008219 For Euphonium and Concert Band Solo Spectrum Series. Composed by Jan Van der Roost. De Haske Concert Band. Concert. Duration 720 seconds. De Haske Publications #033383. Published by De Haske Publications (HL.4008219). UPC: 196288139102. While composing Serenata, Jan Van der Roost didn't focus too much on virtuosity, acrobatics or spectacle. Instead, he wanted to let the solo instrument shine as a melodic and expressive voice. And indeed: the warm sound of the euphonium touches the heart of the audience straight away in the first section with a melodious theme. Then follows a rigaudon, a noble and elegant dance from the Renaissance era. Despite the fact that some of the variations on the main theme require some technique and agility, the overall character mostly remains songful. The composition as a whole builds further on these two musical ingredients, but thanks to a clever alternation of melodic and technical passages, it offers a nice stylistic diversity to the listeners. The band is definitely not 'just accompanying' but fully participates and begins a dialogue with the soloist: both musical partners have their say. The end is more spectacular and sonorous, giving an extra boost of energy to the soloist as well as the band in a grand finale! $40.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Serenata Concert band - Intermediate/advanced De Haske Publications
Concert Band; Euphonium (Score & Parts) - Grade 4 SKU: HL.4008218 For ...(+)
Concert Band; Euphonium (Score & Parts) - Grade 4 SKU: HL.4008218 For Euphonium and Concert Band Solo Spectrum Series. Composed by Jan Van der Roost. De Haske Concert Band. Concert. Duration 720 seconds. De Haske Publications #033383. Published by De Haske Publications (HL.4008218). UPC: 196288139096. 9.0x12.0 inches. While composing Serenata, Jan Van der Roost didn't focus too much on virtuosity, acrobatics or spectacle. Instead, he wanted to let the solo instrument shine as a melodic and expressive voice. And indeed: the warm sound of the euphonium touches the heart of the audience straight away in the first section with a melodious theme. Then follows a rigaudon, a noble and elegant dance from the Renaissance era. Despite the fact that some of the variations on the main theme require some technique and agility, the overall character mostly remains songful. The composition as a whole builds further on these two musical ingredients, but thanks to a clever alternation of melodic and technical passages, it offers a nice stylistic diversity to the listeners. The band is definitely not 'just accompanying' but fully participates and begins a dialogue with the soloist: both musical partners have their say. The end is more spectacular and sonorous, giving an extra boost of energy to the soloist as well as the band in a grand finale! $215.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Elvis Fake Book Fake Book [Fake Book] - Intermediate Hal Leonard
Performed by Elvis Presley. Fake Book (Includes melody line and chords). Size 9....(+)
Performed by Elvis Presley. Fake Book (Includes melody line and chords). Size 9.3x12 inches. 152 pages. Published by Hal Leonard.
(2)$22.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Just Standards Real Book (E-flat Edition) Fake Book [Fake Book] Alfred Publishing
Fakebook for Eb instruments. Series: Just Real Books Series, Fake Book. 408 page...(+)
Fakebook for Eb instruments. Series: Just Real Books Series, Fake Book. 408 pages. Published by Alfred Publishing.
(1)$39.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | |
| Anthology of Love Songs - Gold Edition Piano, Vocal and Guitar [Sheet music] Hal Leonard
(E-Z Play Today #343). By Various. E-Z Play Today. Softcover. 288 pages. Publish...(+)
(E-Z Play Today #343). By Various. E-Z Play Today. Softcover. 288 pages. Published by Hal Leonard
$19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| A Selection of Easy Piano Pieces Piano solo Breitkopf & Härtel
Piano SKU: BR.EB-8031 Piano Lessons by Frederic Chopin. Composed b...(+)
Piano SKU: BR.EB-8031 Piano Lessons by Frederic Chopin. Composed by Frederic Chopin. Edited by Heinz Walter. Solo instruments; Softcover. Edition Breitkopf. Romantic period. Score. 24 pages. Breitkopf and Haertel #EB 8031. Published by Breitkopf and Haertel (BR.EB-8031). ISBN 9790004174340. 9 x 12 inches. This series of easy piano music for teaching purposes presents pupils in the lower and lower middle grades with a carefully chosen selection of well-known and lesserknown compositions by important masters. The volumes are deliberately kept small in extent, since it is more stimulating for children to change the teaching material frequently. When the aspiring pianist has dealt successfully with the works of Frederic Chopin for the first time, he will have left the elementary level of instruction behind. The following selection of easy pieces also requires security of technique and capability of musical expression in order to enable the florid sound of Chopin's piano music to unfold. As much as works like the Prelude in D flat major or the Walz in A minor may tempt one to premature endeavours, a study of Chopin's music should not be attempted too early. In the following five Preludes, the two Valses and the Nocturne in G minor (six Mazurkas have been published in a separate folio), the editor has made a selection of pieces, which can be mastered by the pupil (with the exception of opus 28/15 and opus 28/20), even if a limited facility and finger stretch is present. Because of the finger stretch required for some chords, a different distribution of the hands has been indicated or simplifications have been suggested. An introduction to the Tempo rubato, taking style into consideration, is a task lying within teacher's responsibility. Indications for pedal use were added by the editor. Heinz Walter, Salzburg, Fall 1979. $18.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Concerto Piano solo Theodore Presser Co.
Orchestra Piano SKU: PR.11641861SP Composed by William Kraft. Part. 35 pa...(+)
Orchestra Piano SKU: PR.11641861SP Composed by William Kraft. Part. 35 pages. Duration 21 minutes. Theodore Presser Company #116-41861SP. Published by Theodore Presser Company (PR.11641861SP). UPC: 680160685202. What?! - my composer colleagues said - A concerto for the piano? It's a 19th century instrument! Admittedly we are in an age when originally created timbres and/or musico-technological formulations are often the modus operandi of a piece. Actually, this Concerto began about two years ago when, during one of my creative jogs, the sound of the uppermost register of the piano mingled with wind chimes penetrated my inner ear. The challenge and fascination of exploring and developing this idea into an orchestral situation determined that some day soon I would be writing a work for piano and orchestra. So it was a very happy coincidence when Mona Golabek phoned to tell me she would like discuss the Ford Foundation commission. After covering areas of aesthetics and compositional styles, we found that we had a good working rapport, and she asked if I would accept the commission. The answer was obvious. Then began the intensive thought process on the stylistic essence and organization of the work. Along with this went a renewed study of idiomatic writing for the piano, of the kind Stravinsky undertook with the violin when he began his Violin Concerto. By a stroke of great fortune, the day in February 1972 that I received official notice from the Ford Foundation of the commission, I also received a letter from the Guggenheim Foundation informing me I had been awarded my second fellowship. With the good graces of Zubin Mehta and Ernest Fleischmann, masters of my destiny as a member of the Los Angeles Philharmonic, I was relieved of my orchestral duties during the Hollywood Bowl season. Thus I was able to go to Europe to work and to view the latest trends in music concentrating in London (the current musical melting pot and showcase par excellence), Oslo, Norway, for the Festival of Scandinavian Music called Nordic Days, and Warsaw, Poland, for its prestigious Autumn Festival. Over half the Concerto was completed in that summer and most of the rest during the 72-73 season with the final touches put on during a month as Resident Scholar at the Rockefeller Foundation's Villa Serbelloni in Bellagio, Italy. So much for the external and environmental influences, except perhaps to mention the birds of Sussex in the first movement, the bells of Arhus (Denmark) in the second movement and the bells of Bellagio at the end of the Concerto. Primary in the conception was the personality of Miss Golabek: she is a wonderfully vital and dynamic person and a real virtuoso. Therefore, the soloist in the Concerto is truly the protagonist; it is she (for once we can do away with the generic he) who unfolds the character and intent of the piece. The first section is constructed in the manner of a recitative - completely unmeasured - with letters and numbers by which the conductor signals the orchestra for its participation. This allows the soloist the freedom to interpret the patterns and control the flow and development of the music. The Concerto is actually in one continuous movement but with three large divisions of sufficiently contrasting character to be called movements in themselves. The first 'movement' is based on a few timbral elements: 1) a cluster of very low pitches which at the beginning are practically inaudibly depressed, and sustained silently by the sostenuto pedal, which causes sympathetic vibrating pitches to ring when strong notes are struck; 2) a single powerful note indicated by a black note-head with a line through it indicating the strongest possible sforzando; 3) short figures of various colors sometimes ominous, sometimes as splashes of light or as elements of transition; 4) trills and tremolos which are the actual controlling organic thread starting as single axial tremolos and gradually expanding to trills of increasingly larger and more powerful scope. The 'movement' begins in quiescent repose but unceasingly grows in energy and tension as the stretching of a string or rubber band. When it can no longer be restrained, it bursts into the next section. The second 'movement,' propelled by the released tension, is a brilliant virtuosic display, which begins with a long solo of wispy percussion, later joined in duet with the piano. Not to be ignored, the orchestra takes over shooting the material throughout all its sections like a small agile bird deftly maneuvering through nothing but air, while the piano counterposes moments of lyricism. The orchestra reaches a climax, thrusting us into the third 'movement' which begins with a cadenza-like section for the piano. This moves gently into an expressive section (expressive is not a negative term to me) in which duets are formed with various instruments. There are fleeting glimpses of remembrances past, as a fragmented recapitulation. One glimpse is hazily expressed by strings and percussion in a moment of simultaneous contrasting levels of activity, a technique of which I have been fond and have utilized in various fixed-free relationships, particularly in my Percussion Concerto, Contextures and Games: Collage No. 1. The second half of the third 'movement; is a large coda - akin to those in Beethoven - which brings about another display of virtuosity, this time gutsy and driving, raising the Concerto to a final climax, the soloist completing the fragmented recapitulation concept as well as the work with the single-note sforzando and low cluster from the very opening of the first movement. $47.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Andrew Lloyd Webber: The Essential Andrew Lloyd Webber Collection Piano, Voice [Sheet music] - Intermediate Hal Leonard
Composed by Andrew Lloyd Webber. For voice and piano. Format: piano/vocal/chords...(+)
Composed by Andrew Lloyd Webber. For voice and piano. Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics and chord names. Broadway. 238 pages. 9x12 inches. Published by Hal Leonard.
(2)$29.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Beatles A-I Lyrics and Chords [Sheet music] Hal Leonard
By The Beatles. Piano Chord Songbook. Softcover. 232 pages. Published by Hal Leo...(+)
By The Beatles. Piano Chord Songbook. Softcover. 232 pages. Published by Hal Leonard
$16.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Activate! Feb/Mar 07 Choral Unison Heritage Music Press
By Kris Kropff. For Unison voices and Orff instruments (games and CD included). ...(+)
By Kris Kropff. For Unison voices and Orff instruments (games and CD included). General music. Published by Heritage Music Press.
$29.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| For the Mystic Harmony Theodore Presser Co.
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Bongos, Castanets, Celesta,...(+)
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Bongos, Castanets, Celesta, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Contrabass Clarinet, Contrabassoon, English Horn, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Horn 3 and more. SKU: PR.16500100F Hymns for Wind Ensemble. Composed by Dan Welcher. Sws. Full score. 48 pages. Duration 10 minutes, 41 seconds. Theodore Presser Company #165-00100F. Published by Theodore Presser Company (PR.16500100F). ISBN 9781491114421. UPC: 680160669783. 9 x 12 inches. Commissioned for a consortium of high school and college bands in the north Dallas region, FOR THEMYSTIC HARMONY is a 10-minute inspirational work in homage to Norwood and Elizabeth Dixon,patrons of the Fort Worth Symphony and the Van Cliburn Competition. Welcher draws melodic flavorfrom five American hymns, spirituals, and folk tunes of the 19th century. The last of these sources toappear is the hymn tune For the Beauty of the Earth, whose third stanza is the quatrain: “For the joy of earand eye, For the heart and mind’s delight, For the mystic harmony, Linking sense to sound and sight,â€giving rise to the work’s title. This work, commissioned for a consortium of high school bands in the north Dallas area, is my fifteenth maturework for wind ensemble (not counting transcriptions). When I asked Todd Dixon, the band director whospearheaded this project, what kind of a work he most wanted, he first said “something that’s basically slow,†butwanted to leave the details to me. During a long subsequent conversation, he mentioned that his grandparents,Norwood and Elizabeth Dixon, were prime supporters of the Fort Worth Symphony, going so far as to purchase anumber of high quality instruments for that orchestra. This intrigued me, so I asked more about his grandparentsand was provided an 80-page biographical sketch. Reading that article, including a long section about theirdevotion to supporting a young man through the rigors of the Van Cliburn International Piano Competition fora number of years, moved me very much. Norwood and Elizabeth Dixon weren’t just supporters of the arts; theywere passionate lovers of music and musicians. I determined to make this work a testament to that love, and tothe religious faith that sustained them both. The idea of using extant hymns was also suggested by Todd Dixon,and this 10-minute work is the result.I have employed existing melodies in several works, delving into certain kinds of religious music more than a fewtimes. In seeking new sounds, new ways of harmonizing old tunes, and the contrapuntal overlaying of one tunewith another, I was able to make works like ZION (using 19th-century Revivalist hymns) and LABORING SONGS(using Shaker melodies) reflect the spirit of the composers who created these melodies, without sounding likepastiches or medleys. I determined to do the same with this new work, with the added problem of employingmelodies that were more familiar. I chose five tunes from the 19th century: hymns, spirituals, and folk-tunes.Some of these are known by differing titles, but they all appear in hymnals of various Christian denominations(with various titles and texts). My idea was to employ the tunes without altering their notes, instead using aconstantly modulating sense of harmony — sometimes leading to polytonal harmonizations of what are normallysimple four-chord hymns.The work begins and ends with a repeated chime on the note C: a reminder of steeples, white clapboard churchesin the country, and small church organs. Beginning with a Mixolydian folk tune of Caribbean origin presentedtwice with layered entrances, the work starts with a feeling of mystery and gentle sorrow. It proceeds, after along transition, into a second hymn that is sometimes connected to the sea (hence the sensation of water andwaves throughout it). This tune, by John B. Dykes (1823-1876), is a bit more chromatic and “shifty†than mosthymn-tunes, so I chose to play with the constant sensation of modulation even more than the original does. Atthe climax, the familiar spiritual “Were you there?†takes over, with a double-time polytonal feeling propelling itforward at “Sometimes it causes me to tremble.â€Trumpets in counterpoint raise the temperature, and the tempo as well, leading the music into a third tune (ofunknown provenance, though it appears with different texts in various hymnals) that is presented in a sprightlymanner. Bassoons introduce the melody, but it is quickly taken up by other instruments over three “verses,â€constantly growing in orchestration and volume. A mysterious second tune, unrelated to this one, interrupts it inall three verses, sending the melody into unknown regions.The final melody is “For the Beauty of the Earth.†This tune by Conrad Kocher (1786-1872) is commonly sung atThanksgiving — the perfect choice to end this work celebrating two people known for their generosity.Keeping the sense of constant modulation that has been present throughout, I chose to present this hymn in threegrowing verses, but with a twist: every four bars, the “key†of the hymn seems to shift — until the “Lord of all, toThee we praise†melody bursts out in a surprising compound meter. This, as it turns out, was the “mystery tuneâ€heard earlier in the piece. After an Ivesian, almost polytonal climax, the Coda begins over a long B( pedal. At first,it seems to be a restatement of the first two phrases of “For the Beauty†with long spaces between them, but it soonchanges to a series of “Amen†cadences, widely separated by range and color. These, too, do not conform to anykey, but instead overlay each other in ways that are unpredictable but strangely comforting.The third verse of “For the Beauty of the Earth†contains this quatrain:“For the joy of ear and eye, –For the heart and mind’s delightFor the mystic harmonyLinking sense to sound and sightâ€and it was from this poetry that I drew the title for the present work. It is my hope that audiences and performerswill find within it a sense of grace: more than a little familiar, but also quite new and unexpected. $25.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Elvis Presley: Paperback Songs Elvis Melody line, Lyrics and Chords [Fake Book] Hal Leonard
Performed by Elvis Presley. For voice and c instrument. Format: fakebook. With v...(+)
Performed by Elvis Presley. For voice and c instrument. Format: fakebook. With vocal melody, lyrics, chord names and guitar chord chart. Rock Ôn' roll and rockabilly. Series: Hal Leonard Paperback Songs. 255 pages. 4.1x6.7 inches. Published by Hal Leonard.
$7.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The 16-Bar Theatre Audition - Tenor Tenor voice, Piano [Sheet music] - Intermediate Hal Leonard
(100 Songs Excerpted for Successful Auditions). Edited by Michale Dansicker. For...(+)
(100 Songs Excerpted for Successful Auditions). Edited by Michale Dansicker. For tenor voice solo and piano accompaniment. Vocal Collection. Broadway, Movies and Pop. Difficulty: medium. Songbook. Vocal melody, lyrics, piano accompaniment, chord names and introductory text. 174 pages. Published by Hal Leonard
$24.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Abduction From The Seraglio Score/parts Concert band - Advanced De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: HL.44002021 Die Entfuhrung aus de...(+)
Concert Band/Harmonie - Grade 5 SKU: HL.44002021 Die Entfuhrung aus dem Serail. Composed by Wolfgang Amadeus Mozart. De Haske Concert Band. Set (Score & Parts). Composed 2003. De Haske Publications #1033503-010. Published by De Haske Publications (HL.44002021). UPC: 073999726251. Wonderful! But, aren't there too many notes? asked the emperor Joseph II. No, all notes are necessary. This is new music, replied Mozart. This is a famous anecdote about the premiere of the opera Die Entfuhrung aus dem Serail (The Abduction from the Seraglio), which took place on July 16, 1782 at the Burgtheater Wien (Vienna). It illustrates Mozart's ambition and self-confidence. Throughout Mozart's lifetime, Die Entfuhrung aus dem Serail was his most successful work outside of Vienna. It is still a much-performed opera.Tohru Takahashi has made a lively arrangement of the overture in its original key, C major. It will sound even better if your band has Turkish percussioninstruments at its disposal.
Tijdens het leven van Mozart was Die Entfuhrung aus dem Serail (The Abduction from the Seraglio) zijn succesvolste werk buiten Wenen. Deze dynamische opera wordt nog altijd veel uitgevoerd. Tohru Takahashi maakte eenlevendig arrangement van de ouverture in de oorspronkelijke toonsoort, C majeur.
Zu Mozarts Lebzeiten war Die Entfuhrung aus dem Serail die erfolgreichste Oper ausserhalb Wiens und noch heute wird sie oft gespielt. Tohru Takahashi schuf ein lebendiges Arrangement der Ouverture in der ursprunglichen Tonart C-Dur. Wenn Ihr Blasorchester uber Schlaginstrumente aus der turkischen Musik verfugt, konnen Sie damit den Klang noch ausschmucken. Ein grosses klassisches Meisterwerk, das nun auf die Interpretation Ihres Blasorchesters wartet. $159.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Definitive Paul Simon Songbook Melody line, Lyrics and Chords [Sheet music] Music Sales
The Definitive Paul Simon Songbook by Paul Simon. For Melody Line, Lyrics and Ch...(+)
The Definitive Paul Simon Songbook by Paul Simon. For Melody Line, Lyrics and Chords. Music Sales America. Folk Rock. Softcover. 560 pages. Paul Simon Music #PS11594. Published by Paul Simon Music
(1)$45.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Elvis Book Melody line, Lyrics and Chords - Easy Hal Leonard
Performed by Elvis Presley. Easy Guitar (Simplified arrangements for guitar). Si...(+)
Performed by Elvis Presley. Easy Guitar (Simplified arrangements for guitar). Size 9x12 inches. 144 pages. Published by Hal Leonard.
(1)$26.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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