Grade 3.5

SKU: AP.36-52702144

Composed by Lynne Latham. This edition: Latham Music. Performance Music Ensemble; Quartet; String Quartet. LudwigMasters - Latham Music. Score and Part(s). Latham Music Enterprises #36-52702144. Published by Latham Music Enterprises (AP.36-52702144).

ISBN 9781621569749. UPC: 830056001443. English.

Includes optional Violin 2 part for Viola.Contents: Bach, Jesu Joy of Man's Desiring, Air on the G String; Wagner, Bridal Chorus; Mendelssohn, Wedding March; Handel, selections from Royal Fireworks and Water Music, Entrance of the Queen of Sheba; Mouret, Rondeau; Pachelbel Canon; Schubert, Ave Maria; Vivaldi, Largo from Winter; Clarke, Trumpet Voluntary; Purcell, Trumpet Tune.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

SATB choir, 2 oboes, 2 bassoons, 2 clarino/trumpet, timpani, 2 violin, viola, basso continuo

SKU: CA.5132312

Fragment, completed by Maximilian Stadler. Composed by Wolfgang Amadeus Mozart. Edited by Bernhard Janz. Arranged by Abbe Maximilian Stadler. This edition: urtext. Stuttgart Urtext Edition: Mozart. Kyrie In C (Erganzung Stadler). Sacred vocal music, Mass sections. Single Part, Violin 2. Composed 1790 (terminus post quem). KV 323. 4 pages. Duration 3 minutes. Carus Verlag #CV 51.323/12. Published by Carus Verlag (CA.5132312).

ISBN 9790007224899. Language: Latin.

Both of the Kyrie settings in E flat major K. 322 (1778/79) and C major K. 323 (probably not prior to 1790) belong to those works by Mozart which were only handed down as incomplete draft scores. However, in both cases Mozart's original drafts were so extensive and well advanced that Abbe Maximilian Stadler, Mozart's friend and known from the history associated with the Requiem, could complete both settings. In 1830, for the first edition of the Kyrie K. 323 Stadler employed the text of the Marian Antiphon for Easter Regina coeli laetare for the vocal parts. The Carus edition presents both the original text (Kyrie), as well as the text from the first edition (Regina coeli), so that the work may be performed in the Mass or in the context of a solemn Vespers during the time of Easter. Score and part available separately - see item CA.5132300.

SATB choir, 2 oboes, 2 bassoons, 2 clarino/trumpet, timpani, 2 violin, viola, basso continuo

SKU: CA.5132309

Fragment, completed by Maximilian Stadler. Composed by Wolfgang Amadeus Mozart. Edited by Bernhard Janz. Arranged by Abbe Maximilian Stadler. This edition: urtext. 1x 51.323/21 oboe 1, 1x 51.323/22 oboe 2, 2x 51.323/23 2 bassoons, 2x 51.323/31 2 clarinets, 1x 51.323/41 timpani. Stuttgart Urtext Edition: Mozart. Kyrie In C (Erganzung Stadler). Sacred vocal music, Mass sections. Set of Orchestra Parts. Composed 1790 (terminus post quem). KV 323. 14 pages. Duration 3 minutes. Carus Verlag #CV 51.323/09. Published by Carus Verlag (CA.5132309).

ISBN 9790007224875. Language: Latin.

Both of the Kyrie settings in E flat major K. 322 (1778/79) and C major K. 323 (probably not prior to 1790) belong to those works by Mozart which were only handed down as incomplete draft scores. However, in both cases Mozart's original drafts were so extensive and well advanced that Abbe Maximilian Stadler, Mozart's friend and known from the history associated with the Requiem, could complete both settings. In 1830, for the first edition of the Kyrie K. 323 Stadler employed the text of the Marian Antiphon for Easter Regina coeli laetare for the vocal parts. The Carus edition presents both the original text (Kyrie), as well as the text from the first edition (Regina coeli), so that the work may be performed in the Mass or in the context of a solemn Vespers during the time of Easter. Score and parts available separately - see item CA.5132300.

SATB choir, 2 oboes, 2 bassoons, 2 clarinets/trumpet, timpani, 2 violin, viola, basso continuo

SKU: CA.5132319

Fragment, completed by Maximilian Stadler. Composed by Wolfgang Amadeus Mozart. Edited by Bernhard Janz. Arranged by Abbe Maximilian Stadler. This edition: urtext. Stuttgart Urtext Edition: Mozart. Kyrie In C (Erganzung Stadler). Sacred vocal music, Mass sections. Set of Orchestra Parts. Composed 1790 (terminus post quem). KV 323. Duration 3 minutes. Carus Verlag #CV 51.323/19. Published by Carus Verlag (CA.5132319).

ISBN 9790007145729. Language: Latin.

Both of the Kyrie settings in E flat major K. 322 (1778/79) and C major K. 323 (probably not prior to 1790) belong to those works by Mozart which were only handed down as incomplete draft scores. However, in both cases Mozart's original drafts were so extensive and well advanced that Abbe Maximilian Stadler, Mozart's friend and known from the history associated with the Requiem, could complete both settings. In 1830, for the first edition of the Kyrie K. 323 Stadler employed the text of the Marian Antiphon for Easter Regina coeli laetare for the vocal parts. The Carus edition presents both the original text (Kyrie), as well as the text from the first edition (Regina coeli), so that the work may be performed in the Mass or in the context of a solemn Vespers during the time of Easter. Score and parts available separately - see item CA.5132300.

SATB choir, 2 oboes, 2 bassoons, 2 clarino/trumpet, timpani, 2 violin, viola, basso continuo

SKU: CA.5132313

Fragment, completed by Maximilian Stadler. Composed by Wolfgang Amadeus Mozart. Edited by Bernhard Janz. Arranged by Abbe Maximilian Stadler. This edition: urtext. Stuttgart Urtext Edition: Mozart. Kyrie In C (Erganzung Stadler). Sacred vocal music, Mass sections. Single Part, Viola. Composed 1790 (terminus post quem). KV 323. 2 pages. Duration 3 minutes. Carus Verlag #CV 51.323/13. Published by Carus Verlag (CA.5132313).

ISBN 9790007224905. Language: Latin.

Both of the Kyrie settings in E flat major K. 322 (1778/79) and C major K. 323 (probably not prior to 1790) belong to those works by Mozart which were only handed down as incomplete draft scores. However, in both cases Mozart's original drafts were so extensive and well advanced that Abbe Maximilian Stadler, Mozart's friend and known from the history associated with the Requiem, could complete both settings. In 1830, for the first edition of the Kyrie K. 323 Stadler employed the text of the Marian Antiphon for Easter Regina coeli laetare for the vocal parts. The Carus edition presents both the original text (Kyrie), as well as the text from the first edition (Regina coeli), so that the work may be performed in the Mass or in the context of a solemn Vespers during the time of Easter. Score and part available separately - see item CA.5132300.

SATB choir, 2 oboes, 2 bassoons, 2 clarino/trumpet, timpani, 2 violin, viola, basso continuo

SKU: CA.5132311

Fragment, completed by Maximilian Stadler. Composed by Wolfgang Amadeus Mozart. Edited by Bernhard Janz. Arranged by Abbe Maximilian Stadler. This edition: urtext. Stuttgart Urtext Edition: Mozart. Kyrie In C (Erganzung Stadler). Sacred vocal music, Mass sections. Single Part, Violin 1. Composed 1790 (terminus post quem). KV 323. 4 pages. Duration 3 minutes. Carus Verlag #CV 51.323/11. Published by Carus Verlag (CA.5132311).

ISBN 9790007224882. Language: Latin.

Both of the Kyrie settings in E flat major K. 322 (1778/79) and C major K. 323 (probably not prior to 1790) belong to those works by Mozart which were only handed down as incomplete draft scores. However, in both cases Mozart's original drafts were so extensive and well advanced that Abbe Maximilian Stadler, Mozart's friend and known from the history associated with the Requiem, could complete both settings. In 1830, for the first edition of the Kyrie K. 323 Stadler employed the text of the Marian Antiphon for Easter Regina coeli laetare for the vocal parts. The Carus edition presents both the original text (Kyrie), as well as the text from the first edition (Regina coeli), so that the work may be performed in the Mass or in the context of a solemn Vespers during the time of Easter. Score and part available separately - see item CA.5132300.

Grade 3

SKU: CL.031-2214-00

Composed by Niehaus. Jazz Ensemble. Score and set of parts. Composed 1989. Duration 4 minutes, 15 seconds. C.L. Barnhouse #031-2214-00. Published by C.L. Barnhouse (CL.031-2214-00).

A laid back swinger that has stood the test of time! The written out piano solo and licks take the pressure off your less experienced performer. Very nice!

Orchestra SATB vocal soli, SATB choir, 2 oboes, [horn], 2 violins, viola, basso continuo - Grade 3

SKU: CA.3106207

Cantata for the 1st Sunday in Advent. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. This edition: Paperbound. Coppenrath series, Hymns by Martin Luther: Nun komm, der Heiden Heiland. German title: Nun Komm Der Heiden Heiland Ii. Sacred vocal music, Cantatas, Advent, Christmas. Study score. Composed 1724. BWV 62. 56 pages. Duration 23 minutes. Carus Verlag #CV 31.062/07. Published by Carus Verlag (CA.3106207).

ISBN 9790007043599. Key: B minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

Bach's second cantata starting with the text Come now, God's chosen saviour (II) BWV 62 was first performed in 1724 on the 1st Advent Sunday (which, at that time, was the only Advent Sunday with church music in Leipzig) and belongs to the annual cycle of chorale cantatas. As was usual for chorale cantatas, the unknown librettist used the first and last verses of Martin Luther's hymn verbatim for the opening chorus and the concluding chorale but adapted the texts of the inner verses. After two contrasting arias - the one dance-like, the second almost heroic - an almost enraptured accompagnato (Wir ehren diese Herrlichtkeit, und nahen nun zu deiner Krippen), in which the soprano and contralto mostly sing in parallel thirds and sixths, leads to a simple concluding chorale. Score available separately - see item CA.3106200.

Grade 3.5

SKU: CL.012-3123-01

Composed by Sheldon. Concert Band. Heritage of the March Series. Audio recording available separately (items CL.WFR316 & CL.WFR315). Extra full score. Composed 2001. Duration 6 minutes, 23 seconds. Opus III Wind Orchestra Publications #012-3123-01. Published by Opus III Wind Orchestra Publications (CL.012-3123-01).

A spirited composition by popular composer Robert Sheldon which defines the essence of Americana and the Western frontier through engaging melodies, colorful orchestration and interesting rhythms. Perfect for concert or festival programming, the spirit and drive of this exceptional piece will make it a favorite for performers and audiences alike! Highly Recommended!

About Heritage of the March

Full-sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style

Orchestra Violin 1, Violin 2 /Viola and Cello - Grade 3.5

SKU: AP.36-52702009

Composed by Philip Clark. Performance Music Ensemble; String Quartet. Latham Music. Score and Part(s). Latham Music Enterprises #36-52702009. Published by Latham Music Enterprises (AP.36-52702009).

ISBN 9781633610880. UPC: 746241271907. English.

A versatile collection of works pared down for trio from famous chamber works. Composers include Haydn, Mozart, Schubert and Beethoven.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Orchestra Violin 1, 2, Viola and Violoncello - Grade 4.5

SKU: AP.36-50703008

Composed by Lynne Latham. Performance Music Ensemble; String Quartet. Ludwig Masters. Score. 96 pages. Latham Music Enterprises #36-50703008. Published by Latham Music Enterprises (AP.36-50703008).

ISBN 9781621562887. UPC: 746241204127. English.

Six masterpieces from the Romantic era are beautifully arranged in a variety of styles for the grade four to five string quartet, a versatile collection for any string ensemble's library! Titles include: Menuetto No. 1 and No. 2 from Serenade for Orchestra, Op. 11 (Johannes Brahms); Polonaise Op. 40, No. 1 (Frederic Chopin); Andante (Franz Schubert); Selections from L'arlesienne Suite No. 1 (Georges Bizet); Fugue Op. 161, No. 1 (Camille Saint-Saens) and Alla tedesca from Symphony No. 3 (P.I. Tchaikovsky).

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Viola (solos: STB - choir: SATB - 3.2.2.2.dble bsn - 2.2.3.0. - timp - str - bc)

SKU: BR.OB-4381-19

Oratorio. Composed by Franz Joseph Haydn. Stapled. Orchester-Bibliothek (Orchestral Library).

In the late 18th century, Joseph Haydn composed a choral work - The Creation - which set the standard for the sacred oratorio genre that stood long after the Viennese classical era and far beyond the boundaries of the German linguistic spher. Oratorio/passion; Classical. Part. 28 pages. Duration 120'. Breitkopf and Haertel #OB 4381-19. Published by Breitkopf and Haertel (BR.OB-4381-19).

ISBN 9790004306826. 10 x 12.5 inches.

Following sensationally acclaimed premiere performances in Vienna, The Creation was published in several languages and by various publishing houses, including Breitkopf & Hartel in Leipzig. We now know that a continuo instrument was used for Haydn's oratorio as premiered in Vienna. The supplementary continuo part enables an historically accurate reproduction for the first time: the harpsichord (and, increasingly, the pianoforte) fulfilled the important continuo function in the orchestras of the time.

In the late 18th century, Joseph Haydn composed a choral work - The Creation - which set the standard for the sacred oratorio genre that stood long after the Viennese classical era and far beyond the boundaries of the German linguistic sphere.

Woodwinds (solos: STB - choir: SATB - 3.2.2.2.dble bsn - 2.2.3.0. - timp - str - bc)

SKU: BR.OB-4381-30

Oratorio. Composed by Franz Joseph Haydn. Folder. Orchester-Bibliothek (Orchestral Library).

In the late 18th century, Joseph Haydn composed a choral work - The Creation - which set the standard for the sacred oratorio genre that stood long after the Viennese classical era and far beyond the boundaries of the German linguistic spher. Oratorio/passion; Classical. Set of parts. 174 pages. Duration 120'. Breitkopf and Haertel #OB 4381-30. Published by Breitkopf and Haertel (BR.OB-4381-30).

ISBN 9790004306857. 9 x 12 inches.

Following sensationally acclaimed premiere performances in Vienna, The Creation was published in several languages and by various publishing houses, including Breitkopf & Hartel in Leipzig. We now know that a continuo instrument was used for Haydn's oratorio as premiered in Vienna. The supplementary continuo part enables an historically accurate reproduction for the first time: the harpsichord (and, increasingly, the pianoforte) fulfilled the important continuo function in the orchestras of the time.

In the late 18th century, Joseph Haydn composed a choral work - The Creation - which set the standard for the sacred oratorio genre that stood long after the Viennese classical era and far beyond the boundaries of the German linguistic sphere.

Orchestra String Orchestra - Grade 3

SKU: AP.36-54260001

Composed by David G. Hewson. Arranged by Lynne Latham. Performance Music Ensemble; String Orchestra. Ludwig Masters. Score and Part(s). Latham Music Enterprises #36-54260001. Published by Latham Music Enterprises (AP.36-54260001).

UPC: 679360744765. English.

An intense, 16th-note driven homage to the baroque with a thrilling solo cello part which ventures into thumb position. Reminiscent of Palladio from the diamond commercial. Orchestra grade 3; solo grade 4½.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Jazz ensemble - Grade 2

SKU: CL.032-4122-01

Composed by Neeck. Jazz Ensemble. Audio recording available separately (item CL.991-2012-00). Extra full score. Composed 2012. Duration 3 minutes, 26 seconds. C.L. Barnhouse #032-4122-01. Published by C.L. Barnhouse (CL.032-4122-01).

Take a solid rock groove, add some tasty licks, and you get Playin' With Fire. A fun to play, crowd-pleaser perfect for your developing jazz band. Your budding rockers will get a chance to shine in the short solo section (written solo suggestions are included), and this chart can be performed with limited instrumentation. Easy to prepare and fun to play, this will get your band rockin’ in no time!