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| For the Fruit of All Creation
Choral SATB
Hope Publishing Company
Choral SATB choir SKU: HP.C6166 Arranged by Mark Hayes. Piano Accompanime...(+)
Choral SATB choir SKU: HP.C6166 Arranged by Mark Hayes. Piano Accompaniment. Hymn Arrangements, Thanksgiving, Stewardship, Sacred. Octavo. Hope Publishing Company #C6166. Published by Hope Publishing Company (HP.C6166). UPC: 763628161668. Fred Pratt Green. Hymn anthem Opening with a flourish, this hymn anthem launches into the dynamic statement 'Give thanks to God! Let every voice give thanks to God!'For SATB choir with piano accompaniment, this is especially useful for services of thanksgiving and praise. A reproducible part for the congregation to sing on stanza three is included. If you have yet to introduce this glorious hymn to your congregation, here is a festive way to do so. $2.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | | |
| Let Us Have Music for Piano-Vol. 1
Piano solo [Solo Part]
Carl Fischer
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| Vocal Aerobics
Voice solo [DVD]
Huiksi Music Company
Essentials for Today's Singers. By Julie Lyonn Lieberman. DVD. DVD. Published by...(+)
Essentials for Today's Singers. By Julie Lyonn Lieberman. DVD. DVD. Published by Huisku Music.
$23.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| The Praise and Worship Fake Book
Bb Instruments [Fake Book]
Hal Leonard
The Praise and Worship Fake Book (B Flat Edition). By Various. For Bb Instrument...(+)
The Praise and Worship Fake Book (B Flat Edition). By Various. For Bb Instruments. Fake Book. Softcover. 432 pages. Published by Hal Leonard
$34.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| 10 More Anthems for About 10 Singers
Choral 3-part
SAB
Lorenz Publishing Company
(Easy-to-Prepare Anthems for SAB Choirs). By Larry Pugh. For SAB / 2-part choir ...(+)
(Easy-to-Prepare Anthems for SAB Choirs). By Larry Pugh. For SAB / 2-part choir and piano (trumpet, percussion). Choral collection. Sacred, Choral. Choral octavo. Published by Lorenz Publishing Company
$12.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Let All the World In Every Corner Sing
Choral TTBB
Beckenhorst Press
TTBB choir SKU: BP.CU1049 Composed by Courtney and Williams. Arranged by ...(+)
TTBB choir SKU: BP.CU1049 Composed by Courtney and Williams. Arranged by Craig Courtney. Sacred octavos. Sacred. Octavo. Beckenhorst Press #CU1049. Published by Beckenhorst Press (BP.CU1049). Printed product.
A stunning SATB or TTBB choir and piano 4-hands setting of the George Herbert/Ralph Vaughan Williams classic, adapted and edited by Craig Courtney. The brilliant accompaniment adds to the overall impact of this wonderful piece. Particularly effective as a concert opener or closer. $2.25 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Lift Every Voice; Let All Rejoice
Choral 2-part
2-part [Octavo]
Hope Publishing Company
By Franz Joseph Haydn. Arranged by Hal H. Hopson. For Choir. (2-part). Creation...(+)
By Franz Joseph Haydn. Arranged by Hal H. Hopson. For Choir. (2-part). Creation, General Worship, Praise and Sacred. Print Music Single (2-part Mixed). Published by Hope Publishing Company.
$2.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | | |
| Two Preludes on British Hymns
Organ
Composed by John Ignatowski. For organ. Great preludes on two very popular Briti...(+)
Composed by John Ignatowski. For organ. Great preludes on two very popular British hymn tunes. General. Published by CanticaNOVA Publications
$3.25 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Awesome God
Handbells [Score]
Hope Publishing Company
By Rich Mullins. Arranged by Sondra Tucker. For Handbells. Contemporary and Sacr...(+)
By Rich Mullins. Arranged by Sondra Tucker. For Handbells. Contemporary and Sacred. Print Music Single (3-5 oct.). 12 pages. Published by Hope Publishing Company.
Level: L3 .
$7.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | | |
| Duets For The Master
Vocal duet
Beckenhorst Press
By Craig Courtney. (Vocal Duet). Vocal Collections. Sacred. Published by Becken...(+)
By Craig Courtney. (Vocal Duet). Vocal Collections. Sacred. Published by Beckenhorst Press.
(1)$19.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Nun, Gimel, Hei, Shin
Choral 2-part
Alfred Publishing
Composed by Linda Marcus, music by Vicki Tucker Courtney. Choir Sacred. 2-Part C...(+)
Composed by Linda Marcus, music by Vicki Tucker Courtney. Choir Sacred. 2-Part Choir. Choral Octavo. Choral Designs. Chanukah; Jewish Heritage; Sacred; Winter. 12 pages. Published by Alfred Music
$1.85 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Classical Guitar Music Volume 2
Guitar
Classical guitar [CD Sheet Music]
Subito Music
CD Sheet Music (Version 2.0) titles allow you to own a music library that rivals...(+)
CD Sheet Music (Version 2.0) titles allow you to own a music library that rivals the great collections of the world! Version 2.0 improves upon the earlier edition in a number of important ways, including an invaluable searchable table of contents, biographical excerpts, and faster loading. CD Sheet Music (Version 2.0) titles work on PC and Mac systems. Each page of music is viewable and printable using Adobe Acrobat. 1600 pages. Published by Subito Music.
(1)$19.95 - See more - Buy onlinePre-shipment lead time: 3 to 5 business days | | | |
| Every Day in Your Spirit
Hope Publishing Company
By Shirley Murray. Sacred. Print Music Collection (Hymn Texts). Published by Hop...(+)
By Shirley Murray. Sacred. Print Music Collection (Hymn Texts). Published by Hope Publishing Company.
$13.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | | |
| Without Form and Void
Choral SATB
SATB, Piano
Theodore Presser Co.
Choral SATB choir, piano SKU: PR.362034230 A Prologue to THE CREATION ...(+)
Choral SATB choir, piano SKU: PR.362034230 A Prologue to THE CREATION by Franz Joseph Haydn. Composed by Dan Welcher. Sws. Premiered at the Northwest Hills United Methodist Church, Austin, TX. Choral. Performance Score. With Standard notation. Composed July 5 2014. 16 pages. Duration 5:15. Theodore Presser Company #362-03423. Published by Theodore Presser Company (PR.362034230). ISBN 9781598069556. UPC: 680160624225. Letter inches. English. When the Texas Choral Consort asked Welcher to write a short prologue to Haydn's The Creation, his first reaction was that Haydn already presents Chaos in his introductory movement. As he thought about it, Welcher began envisioning a truer void to precede Haydn's depiction of Chaos within the scope of 18th-century classical style - quoting some of Haydn's themes and showing human voices and inhuman sounds in a kind of pre-creation melange of color, mood, and atmosphere. Welcher accepted this challenge with the proviso that his prologue would lead directly into Haydn's masterpiece without stopping, and certainly without applause in between. Scored for mixed chorus and Haydn's instrumentation, Without Form and Void is a dramatically fresh yet pragmatic enhancement to deepen any performance of Haydn's The Creation. Orchestral score and parts are available on rental.
When Brent Baldwin asked me to consider writing a short prologue to THE CREATION, my first response was “Why?â€Â THE CREATION already contains a prologue; it’s called “Representation of Chaosâ€, and it’s Haydn’s way of showing the formless universe. How could a new piece do anything but get in the way? But the more I thought about it, the more it made sense. The Age of Enlightenment’s idea of “Chaos†was just extended chromaticism, no more than Bach used (in fact, Bach went further).Perhaps there might be a way to use the full resources of the modern orchestra (or at least, a Haydn-sized orchestra) and the modern chorus to really present a cosmic soup of unborn musical atoms, just waiting for Haydn’s sure touch to animate them. Perhaps it could even quote some of Haydn’s themes before he knew them himself, and also show human voices and inhuman sounds in a kind of pre-creation mélange of color, mood, and atmosphere. So I accepted the challenge, with the proviso that my new piece not be treated as some kind of “overtureâ€, but would instead be allowed to lead directly into Haydn’s masterpiece without stopping, and certainly without applause. I crafted this five minute piece to begin with a kind of “music of the spheres†universe-hum, created by tuned wine glasses and violin harmonics. The chorus enters very soon after, with the opening words of Genesis whispered simultaneously in as many languages as can be found in a chorus. The first two minutes of my work are all about unborn human voices and unfocused planetary sounds, gradually becoming more and more “coherent†until we finally hear actual pitches, melodies, and words. Three of Haydn’s melodies will be heard, to be specific, but not in the way he will present them an hour from now. It’s almost as if we are listening inside the womb of the universe, looking for a faint heartbeat of worlds, animals, and people to come. At the end of the piece, the chorus finally finds its voice with a single word: “God!â€, and the orchestra finally finds its own pulse as well. The unstoppable desire for birth must now be answered, and it is----by Haydn’s marvelous oratorio. I am not a religious man in any traditional sense. Neither was Haydn, nor Mozart, nor Beethoven. But all of them, as well as I, share in what is now called a humanistic view of how things came to be, how life in its many forms developed on this planet, and how Man became the recorder of history. The gospel according to John begins with a parody of Genesis: “In the beginning was the Word, and the Word was with God, and the Word was God.â€Â  I love that phrase, and it’s in that spirit that I offer my humble “opener†to the finest work of one of the greatest composers Western music has ever known. My piece is not supposed to sound like Haydn. It’s supposed to sound like a giant palette, on which a composer in 1798 might find more outrageous colors than his era would permit…but which, I hope, he would have been delighted to hear. $3.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Contemporary Art Songs for Women
Piano, Voice
Alfred Publishing
(10 Poetic Settings for Female Voices Presented in Two Keys). Composed by Vicki ...(+)
(10 Poetic Settings for Female Voices Presented in Two Keys). Composed by Vicki Tucker Courtney. For with Piano (Female voice). Book; CD; Vocal Collection. 88 pages. Published by Alfred Music
$26.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Stabat mater
Breitkopf & Härtel
Chorus (with soloists) and orchestra (solos: SA - choir: SA(ad lib) - org - str)...(+)
Chorus (with soloists) and orchestra (solos: SA - choir: SA(ad lib) - org - str) SKU: BR.CHB-5171-02 Urtext. Composed by Giovanni Battista Pergolesi. Choir; stapled. Chor-Bibliothek (Choral Library). Baroque period. Choral score. 16 pages. Duration 50'. Breitkopf and Haertel #ChB 5171-02. Published by Breitkopf and Haertel (BR.CHB-5171-02). ISBN 9790004410950. 7.5 x 10.5 inches. In Naples, late in the year 1734, Giovanni Battista Pergolesi obtained a commission from a brotherhood of noblemen to write a new setting of the Stabat mater text in order to replace the work of Alessandro Scarlatti, who had passed away in 1725. This work, too, was to be limited to two vocal parts, which reflects the intimate character of this devotional work. Just a few years after its creation, Pergolesi's Stabat mater setting became known throughout the entire musical world, regardless of all religious boundaries. No other musical work was printed and copied more often in the 18th century than the Stabat mater. The present edition is based on the autograph, which contains corrections and deletions. It seems to have been hastily transcribed from sketches intended for the copyist's use. The publisher thus faced a particularly challenging task here.Besten Dank fur die Bereitstellung von Notenmaterial auf dem letzten Stand fur gerade dieses hervorragende Meisterwerk!(Singende Kirche)Breitkopf stellt zu seiner Ausgabe des Stabat-Maters eine Taschenpartitur zur Verfugung - eine nach den Quellen sorgfaltig erstellte, vorbildliche Ausgabe in ubersichtlichem Druck und ausfuhlichem Vorwort.(Wurttembergische Blatter fur Kirchenmusik). $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | | |
| Allegria for Large Orchestra
Orchestra [Study Score / Miniature]
Schott
Orchestra (Study Score) SKU: HL.49004865 Score. Composed by Werner...(+)
Orchestra (Study Score) SKU: HL.49004865 Score. Composed by Werner Egk. Edition Schott. Classical. Book with Audio-Online. Composed 1952. 132 pages. Schott Music #ED4408. Published by Schott Music (HL.49004865). ISBN 9781423413134. UPC: 073999276947. 6.0x9.0x0.366 inches. Diction lessons on each aria in the series recorded by top language coaches from the Metropolitan Opera and the Juilliard School plus International Phonetic Alphabet and word for word translations
With these book/CDpackages that match the standard aria collections edited by Robert L. Larsen, any singer anywhere has access to the best diction coaching available at a very affordable price. Each aria is recorded twice. In the first version thecoach recites the text as an actor would speak it, showing flow of the language and the mood. The second version is a slow, deliberate lesson, allowing time for the student to repeat each line. These experienced language coachesadapt the “R” in German and French in the slow versions for singers. They also are very sensitive to liaisons between word sounds in the musical settings. The book includes International Phonetic Alphabet for each ariaand word for word translations.
The native speaking professional diction coaches from the Metropolitan Opera and the Juilliard School are: Corradina Caporello for Italian, Pierre Vallet for French, Irene Spiegelmanfor German, Kathryn LaBouff for English, Yveta Synek Graff for Czech, and Gina Levinson for Russian. Companion to 50483986 Coloratura Arias for Soprano.
Diction lessons on each aria in the series recorded by top language coaches from the Metropolitan Opera and the Juilliard School plus International Phonetic Alphabet and word for word translations
With these book/CDpackages that match the standard aria collections edited by Robert L. Larsen, any singer anywhere has access to the best diction coaching available at a very affordable price. Each aria is recorded twice. In the first version thecoach recites the text as an actor would speak it, showing flow of the language and the mood. The second version is a slow, deliberate lesson, allowing time for the student to repeat each line. These experienced language coachesadapt the “R” in German and French in the slow versions for singers. They also are very sensitive to liaisons between word sounds in the musical settings. The book includes International Phonetic Alphabet for each ariaand word for word translations.
The native speaking professional diction coaches from the Metropolitan Opera and the Juilliard School are: Corradina Caporello for Italian, Pierre Vallet for French, Irene Spiegelmanfor German, Kathryn LaBouff for English, Yveta Synek Graff for Czech, and Gina Levinson for Russian. Companion to 50483986 Coloratura Arias for Soprano.
Diction lessons on each aria in the series recorded by top language coaches from the Metropolitan Opera and the Juilliard School plus International Phonetic Alphabet and word for word translations
With these book/CDpackages that match the standard aria collections edited by Robert L. Larsen, any singer anywhere has access to the best diction coaching available at a very affordable price. Each aria is recorded twice. In the first version thecoach recites the text as an actor would speak it, showing flow of the language and the mood. The second version is a slow, deliberate lesson, allowing time for the student to repeat each line. These experienced language coachesadapt the “R” in German and French in the slow versions for singers. They also are very sensitive to liaisons between word sounds in the musical settings. The book includes International Phonetic Alphabet for each ariaand word for word translations.
The native speaking professional diction coaches from the Metropolitan Opera and the Juilliard School are: Corradina Caporello for Italian, Pierre Vallet for French, Irene Spiegelmanfor German, Kathryn LaBouff for English, Yveta Synek Graff for Czech, and Gina Levinson for Russian. Companion to 50483986 Coloratura Arias for Soprano.
Diction lessons on each aria in the series recorded by top language coaches from the Metropolitan Opera and the Juilliard School plus International Phonetic Alphabet and word for word translations
With these book/CDpackages that match the standard aria collections edited by Robert L. Larsen, any singer anywhere has access to the best diction coaching available at a very affordable price. Each aria is recorded twice. In the first version thecoach recites the text as an actor would speak it, showing flow of the language and the mood. The second version is a slow, deliberate lesson, allowing time for the student to repeat each line. These experienced language coachesadapt the “R” in German and French in the slow versions for singers. They also are very sensitive to liaisons between word sounds in the musical settings. The book includes International Phonetic Alphabet for each ariaand word for word translations.
The native speaking professional diction coaches from the Metropolitan Opera and the Juilliard School are: Corradina Caporello for Italian, Pierre Vallet for French, Irene Spiegelmanfor German, Kathryn LaBouff for English, Yveta Synek Graff for Czech, and Gina Levinson for Russian. Companion to 50483986 Coloratura Arias for Soprano.
Diction lessons on each aria in the series recorded by top language coaches from the Metropolitan Opera and the Juilliard School plus International Phonetic Alphabet and word for word translations
With these book/CDpackages that match the standard aria collections edited by Robert L. Larsen, any singer anywhere has access to the best diction coaching available at a very affordable price. Each aria is recorded twice. In the first version thecoach recites the text as an actor would speak it, showing flow of the language and the mood. The second version is a slow, deliberate lesson, allowing time for the student to repeat each line. These experienced language coachesadapt the “R” in German and French in the slow versions for singers. They also are very sensitive to liaisons between word sounds in the musical settings. The book includes International Phonetic Alphabet for each ariaand word for word translations.
The native speaking professional diction coaches from the Metropolitan Opera and the Juilliard School are: Corradina Caporello for Italian, Pierre Vallet for French, Irene Spiegelmanfor German, Kathryn LaBouff for English, Yveta Synek Graff for Czech, and Gina Levinson for Russian. Companion to 50483986 Coloratura Arias for Soprano. $23.95 - See more - Buy online | | | |
| The Essential Collection for Church Pianist II
Piano solo - Intermediate
Hope Publishing Company
Edited by Jane Holstein. Collection. General, Sacred. Book. Published by Hope ...(+)
Edited by Jane Holstein.
Collection. General, Sacred.
Book. Published by Hope
Publishing Company
$69.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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