Chamber Music Flute(s)

SKU: PR.494032000

Composed by Karen North. Collection. Theodore Presser Company #494-03200. Published by Theodore Presser Company (PR.494032000).

UPC: 680160686186.

This captivating collection of 30 works for unaccompanied flute, offers refreshing and exhilarating repertoire for intermediate level flute players. Be inspired as you discover scenes of natural beauty - starry skies, a dragonfly, bird songs; enjoy lively dances with elves and ghosts; and immerse yourself in music of tender reflection. The collection features contemporary composers from around the world, with exclusively commissioned works, together with inspiring new arrangements of music by 19th and 20th century masters. Inspiring music for flute players, and suitable for concert, exam, or festival performances. Composers: Wendy Beardall-Norton, Johannes Brahms, Cecile Chaminade, Ansje De Groef, Ignacy Dobrzynski, Hans Engelmann, Emma Greenhill, Greg Harradine, Jolin Jiang, Elena Kats-Chernin, Fanny Mendelssohn, Merryl Neille, Suzanne Palmer-Holton, Sergei Rachmaninoff, Jon Raybould, Gary Schocker, Angel Villoldo. Specifications: * Contents: 30 pieces * Standard: Intermediate level (some Advanced) * Key signatures: up to two sharps and three flats * Time signatures: 4/4, 3/4, 2/4, 12/8, 6/8, 5/8, 3/8 and mixed metre * Pitch range: Middle C to Bb6 (top Bb) * Techniques: Flutter tonguing, stamping, clapping (3 works)   Free flute recordings for every piece can be found at https://www.youtube.com/channel/UC14kQiYx9ksLFQplZRzN3hA For preview pages, please visit https://www.theyoungfluteplayer.com/flutemusic.
This captivating collection of 30 works for unaccompanied flute, offers refreshing and exhilarating repertoire for intermediate level flute players.Be inspired as you discover scenes of natural beauty – starry skies, a dragonfly, bird songs; enjoy lively dances with elves and ghosts; and immerse yourself in music of tender reflection.The collection features contemporary composers from around the world, with exclusively commissioned works, together with inspiring new arrangements of music by 19th and 20th century masters.Inspiring music for flute players, and suitable for concert, exam, or festival performances.Composers: Wendy Beardall-Norton, Johannes Brahms, Cécile Chaminade, Ansje De Groef, Ignacy Dobrzyński, Hans Engelmann, Emma Greenhill, Greg Harradine, Jolin Jiang, Elena Kats-Chernin, Fanny Mendelssohn, Merryl Neille, Suzanne Palmer-Holton, Sergei Rachmaninoff, Jon Raybould, Gary Schocker, Ángel Villoldo.Specifications:• Contents: 30 pieces• Standard: Intermediate level (some Advanced)• Key signatures: up to two sharps and three flats• Time signatures: 4/4, 3/4, 2/4, 12/8, 6/8, 5/8, 3/8 and mixed metre• Pitch range: Middle C to Bb6 (top Bb)• Techniques: Flutter tonguing, stamping, clapping (3 works) Free flute recordings for every piece can be found at https://www.youtube.com/channel/UC14kQiYx9ksLFQplZRzN3hAFor preview pages, please visit https://www.theyoungfluteplayer.com/flutemusic.

Choral SAB choir, piano

SKU: CF.CM9730

Composed by Andrew Steffen. 16 pages. Duration 2 minutes, 48 seconds. Carl Fischer Music #CM9730. Published by Carl Fischer Music (CF.CM9730).

ISBN 9781491161098. UPC: 680160919697. Key: E lydian. English. The Vastness of the Universe Jonas Hallgrimsson (1807-1845).

About Jonas Halgrimsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him. The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself. Reflecting on the cosmos and origin of the heavens, the poetry illicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven.... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward. https://digicoll.library.wisc.edu/Jonas/Alheim/Alheim.html A good friend asked if I would write a song for her ensemble. The parameters were that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson's writings. There is such a need for three-part music that is both exciting, accessible, and challenging. Director's Note Truly consider how the work can come to 'life' off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page! Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles Accompaniment Note The accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.
AboutJónas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry illicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven....   The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.     https://digicoll.library.wisc.edu/Jonas/Alheim/Alheim.htmlA good friend asked if I would write a song for her ensemble.  The parameters were that it had to be three-part with a limited range in the Bass part.  With these stipulations I began to write.  I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings.   There is such a need for three-part music that is both exciting, accessible, and challenging. Director’s NoteTruly consider how the work can come to ‘life’ off the page.  Rise and fall with phrase and sometimes each note.  The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensemblesAccompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm.  So long as the momentum of the work is pressed onward, you are doing this work justice.

Choral Descant, Piano, Tambourine, alto voice, soprano 1, soprano 2

SKU: CF.CM9624

Psalm 23. Composed by Meredith Tompkins. Fold. Performance Score. 12 pages. Duration 4 minutes, 10 seconds. Carl Fischer Music #CM9624. Published by Carl Fischer Music (CF.CM9624).

ISBN 9781491156971. UPC: 680160915538. 6.875 x 10.5 inches. Key: G minor. English, English. Adapted from NKJV.

With a variety of musical elements reminiscent of Eastern European and Middle Eastern folk songs, Tompkins aptly utilizes the cultural background of Biblical poetry in this dance-like setting for the emerging treble chorus. Mood shifts in the piano part, chorus, and text make this an excellent piece for experimenting with a variety of timbres, vocal colors, and expression. Highly suitable for year-round programming needs.
Adonai, My Shepherd (Psalm 23) is an English translation* of a song taken from the Tehillim (Psalms), an ancient Hebrew text which is also part of a larger collection of sacred writings, called the Ketuvim. The book of Psalms can also be found in the Bible's Old Testament. Designed to recognize the cultural background of the poetry, the musical elements of this piece are reminiscent of Eastern European and Middle Eastern folk songs. The tambourine has been added as a rhythmic device, appropriate to some types of Middle Eastern folk music, and to suggest a dance-like atmosphere. Mood shifts in the piano, chorus and text make this an excellent piece for experimenting with a variety of timbres, vocal colors and expression. For ensembles looking to incorporate added artistic dimension to performances, choirs are encouraged to make use of the performance space through creative blocking and/or movement appropriate to the style of each section. *English translation is adapted from The Complete Jewish Bible, (tr. Stern, used with permission) and The New King James Version (ed. Farstad). https://www.britannica.com/art/tambourine.
Adonai, My Shepherd (Psalm 23) is an English translation* of a song taken from the Tehillim (Psalms), an ancient Hebrew text which is also part of a larger collection of sacred writings, called the Ketuvim. The book of Psalms can also be found in the Bible’s Old Testament.Designed to recognize the cultural background of the poetry, the musical elements of this piece are reminiscent of Eastern European and Middle Eastern folk songs. The tambourine has been added as a rhythmic device, appropriate to some types of Middle Eastern folk music, and to suggest a dance-like atmosphere.Mood shifts in the piano, chorus and text make this an excellent piece for experimenting with a variety of timbres, vocal colors and expression. For ensembles looking to incorporate added artistic dimension to performances, choirs are encouraged to make use of the performance space through creative blocking and/or movement appropriate to the style of each section.*English translation is adapted from The Complete Jewish Bible, (tr. Stern, used with permission) and The New King James Version (ed. Farstad).https://www.britannica.com/art/tambourine.

Guitar

SKU: DB.35-00954

E-Gitarre von Anfang an inkl. mp3-CD. Composed by Christoph Gruber and Robert Morandell. Plucked string music. Electric guitar method. Book & MP3 CD. 120 pages pages. Doblinger Music Publishers #35-00954. Published by Doblinger Music Publishers (DB.35-00954).

ISBN 9790012203735.

Ganzheitliches Lernen mit allen Sinnen / bunte Gitarrensaiten zur leichteren Orientierung / Zielgruppe: SchulerInnen ab 7 Jahren, die von Anfang an E-Gitarre lernen mochten / geeignet auch zum E-Gitarrenunterricht fur klassisch ausgebildete LehrerInnen / Powerchords und Akkorde / fur Einzel- und Gruppenunterricht350 rockige Playalongs auf der beiliegenden CD #-# Bonusmaterial auf www.rockodil.at#-#LehrerhandBook als Download #-# Gratis Plektrum im Book #-# Passend dazu - mehrfarbiger Saitensatz: http://www.doblinger.at/de/Artikel/DR-Multicolor-Neon-Electric-MCE-010.htm und http://www.doblinger.at/de/Artikel/DR-Multicolor-Neon-Electric-MCE-09.htm

Die Kreativitat der Schuler/innen wird gefordert, indem sie von Anfang an komponieren, improvisieren und mit dem Rhythmusspiel selbst verschiedene Rhythmen zusammenstellen - so groovt sogar das Uben! (Musikerziehung 2/2014). #-# Insgesamt ist 'Rockodil' ein gelungenes, sehr gut ausgestattetes LehrBook fur den E-Gitarrenunterricht mit Kindern. Wer aber denkt, das 'Rockodil' stammt von der Schildkrote ab, irrt! Auf rund 110 Seiten gehts zur Sache: Noten, Fingerubungen, Akkorde und Rhythmik sind hier clever und ehrgeizig vereint. Ob das der Entwicklung des (Schul-)Kindes entspricht, ist wohl individuell verschieden (e-gitarre-lernen.blogspot.co.at am 7.2.2015). #-# Eine MP3-CD mit unzahligen Titeln und Playbacks sorgt fur Motivation. Ein angenehmer Nebeneffekt: Auch klassische Gitarrenlehrer konnen mit diesem Band junge und jungste (E-)Gitarristen (ab 7 Jahre) sinnvoll im Unterricht begleiten (Akustik Gitarre 1/2015). #-# ,,Dieses Book ist nicht nur total lustig gestaltet, nein auch super super einfach zu verstehen fur Jung und Alt. Ich kann inzwischen schon ein paar leichte Lieder spielen und mit der beiliegenden Playalong CD zum Mitspielen komm ich mir schon vor wie ein Rockstar. Es macht irren Spass, wirklich, manchmal nehme ich mir vor, nur eine Viertelstunde zu uben, aber dann kann ich nicht mehr aufhoren und ich sitz schon wieder eine Stunde (Patricia Salcher auf amazon.de am 20.2.2015). #-# ,,wunderschones Layout, super Texte, ideal fur E-Gitarreneinsteiger, sehr ansprechend! ausserordentlich kindgerecht, durchgehend farbig gestaltet, enthalt eine MP3-CD mit allen Stucken (KZ auf amazon.de am 19.11.2014).

By James Swearingen. Concert band. Band Book/Method-Instruction. Conductor book. Composed 2011. Published by C.L. Barnhouse

By James Swearingen. Concert band. For tenor saxophone/3rd Bb clarinet. Band Book/Method-Instruction. Part book. Composed 2011. Published by C.L. Barnhouse

(Concert Band Score Only). By Kevin Puts. For Concert Band (Score). BandQuest. 22 pages. Published by American Composers Forum

Soprano voice & Piano

SKU: SU.28120450

For Soprano & Piano. Composed by Alla Pavlova. Vocal/Choral, Solo Voice. Accompanied by piano, Russian. Score. Subito Music Corporation #28120450. Published by Subito Music Corporation (SU.28120450).

Two songs from Poems by Anna Akhmatova: The Eyes, Begging for Mercy and The Dream - Composed in 1979 in Moscow - Recorded for Alla's first CD by Bolshoi Theatre soprano Elena Zimenkova - available on Soundcloud at https://soundcloud.com/user-488634947/the-eyes-begging-for-mercy-for-mezzo-soprano-and-piano-by-alla-pavlova and https://soundcloud.com/user-488634947/the-dream Soprano & Piano Duration: 4'10 Composed: 2006 Published by: Alla Pavlova.

Arranged by Mark Hayes. For Choir. (SSA). Choral Octavo. Spiritual, Christmas. Level: Level 3 (grade L3). Choral Octavo. 12 pages. Published by Alfred Publishing.