Orchestra SSTB voice soli, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 clarinos/trumpets, timpani, 2 violins, viola, cello, double bass

SKU: CA.5148614

Komodie mit Musik. Composed by Wolfgang Amadeus Mozart. This edition: urtext. Stuttgart Urtext Edition: Mozart. Violoncello. Incidental music. Single Part, Cello. Composed 1786. KV 486. 12 pages. Duration 28 minutes. Carus Verlag #CV 51.486/14. Published by Carus Verlag (CA.5148614).

ISBN 9790007225186. Language: German. Text: Stephanie der Jungere, Johann Gottfried. Text: Johann Gottfried, Stephanie der Jungere.

Der Schauspieldirektor (The Impresario) was composed in the spring of 1786 to fulfill a commission from Joseph II for performance during a visit to Vienna by the Governor-General of the Netherlands. The visitors were meant to be entertained with a short German and an Italian musical comedy during a festival arranged on short notice in Schonbrunn Palace. The choice of composers fell to Mozart and Salieri. Both pieces spoofed the theatrical practices of the day. Der Schauspieldirektor, by Gottlieb Stephanie the Younger, has a loosely-constructed plot that hinges on the vanity of opera singers and the empty-headedness of many traveling companies. Frank Lustig wants to create a new theatrical troupe, for which Herr Eiler is willing to supply money, but only on condition that his lady friend is allowed to join. In the course of the piece, appearances are made by other ladies with resonant names who want to be retained as singers and who attempt to outdo each other until reason is allowed to prevail. Score and part available separately - see item CA.5148600.

Orchestra SSTB voice soli, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 clarinos/trumpets, timpani, 2 violins, viola, cello, double bass

SKU: CA.5148611

Komodie mit Musik. Composed by Wolfgang Amadeus Mozart. This edition: urtext. Stuttgart Urtext Edition: Mozart. Violin 1. Incidental music. Single Part, Violin 1. Composed 1786. KV 486. 16 pages. Duration 28 minutes. Carus Verlag #CV 51.486/11. Published by Carus Verlag (CA.5148611).

ISBN 9790007225155. Language: German. Text: Stephanie der Jungere, Johann Gottfried. Text: Johann Gottfried, Stephanie der Jungere.

Der Schauspieldirektor (The Impresario) was composed in the spring of 1786 to fulfill a commission from Joseph II for performance during a visit to Vienna by the Governor-General of the Netherlands. The visitors were meant to be entertained with a short German and an Italian musical comedy during a festival arranged on short notice in Schonbrunn Palace. The choice of composers fell to Mozart and Salieri. Both pieces spoofed the theatrical practices of the day. Der Schauspieldirektor, by Gottlieb Stephanie the Younger, has a loosely-constructed plot that hinges on the vanity of opera singers and the empty-headedness of many traveling companies. Frank Lustig wants to create a new theatrical troupe, for which Herr Eiler is willing to supply money, but only on condition that his lady friend is allowed to join. In the course of the piece, appearances are made by other ladies with resonant names who want to be retained as singers and who attempt to outdo each other until reason is allowed to prevail. Score and part available separately - see item CA.5148600.

Orchestra SSTB voice soli, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 clarinos/trumpets, timpani, 2 violins, viola, cello, double bass

SKU: CA.5148609

Komodie mit Musik. Composed by Wolfgang Amadeus Mozart. This edition: urtext. 1x 51.486/21 flute 1, 1x 51.486/22 flute 2, 1x 51.486/23 oboe 1, 1x 51.486/24 oboe 2, 1x 51.486/25 clarinet 1, 1x 51.486/26 clarinet 2, 1x 51.486/27 bassoon 1, 1x 51.486/28 bassoon 2, 1x 51.486/31 horn 1, 1x 51.486/32 horn 2, 1x 51.486/33 clarino 1, 1x 51. Stuttgart Urtext Edition: Mozart. Harmony parts. Incidental music. Set of Orchestra Parts. Composed 1786. KV 486. 92 pages. Duration 28 minutes. Carus Verlag #CV 51.486/09. Published by Carus Verlag (CA.5148609).

ISBN 9790007225148. Language: German. Text: Stephanie der Jungere, Johann Gottfried. Text: Johann Gottfried, Stephanie der Jungere.

Der Schauspieldirektor (The Impresario) was composed in the spring of 1786 to fulfill a commission from Joseph II for performance during a visit to Vienna by the Governor-General of the Netherlands. The visitors were meant to be entertained with a short German and an Italian musical comedy during a festival arranged on short notice in Schonbrunn Palace. The choice of composers fell to Mozart and Salieri. Both pieces spoofed the theatrical practices of the day. Der Schauspieldirektor, by Gottlieb Stephanie the Younger, has a loosely-constructed plot that hinges on the vanity of opera singers and the empty-headedness of many traveling companies. Frank Lustig wants to create a new theatrical troupe, for which Herr Eiler is willing to supply money, but only on condition that his lady friend is allowed to join. In the course of the piece, appearances are made by other ladies with resonant names who want to be retained as singers and who attempt to outdo each other until reason is allowed to prevail. Score and parts available separately - see item CA.5148600.

SKU: BR.BV-308

Composed by Barbara Rieder. Softbound. Buchverlag Breitkopf & Hartel (Music Books).

A lively work-book for all young students who have acquired a certain confidence after studying their instrument and reading music. The theoretical material explained previously is now practically deepened in a playful manner and visually illustrated.<. Music pedagogy. Book. 64 pages. Breitkopf and Haertel #BV 308. Published by Breitkopf and Haertel (BR.BV-308).

ISBN 9783765103087. 8.5 x 11.5 inches. German.

Dies herrliche Arbeitsheft vermittelt kindgerecht wesentliche Grundregeln der Musiksprache. Viele Spielanregungen bringen die Theorie zum Klingen. Eine ideale Erganzung fur jeden Instrumental-Unterricht! Witzig illustriert.(JAKO)Hier liegt ein gut durchdachtes, grosszuzig gestaltetes Lehr-, Ubungs- und Spielheft fur den Unterricht der Harmonielehre vor, den Kinder etwa im Grundschulalter im Zusammenhang mit ihrer musikalischen Instrumentalausbildung erhalten.(Andreas Unterumsberger, Musik in der Schule )Insgesamt ist das nicht immer beliebte Gebiet der Harmonielehre in seinen elementaren Kapiteln hier kindernah und interessant dargestellt. Zur Anwendung also freundlich empfohlen!(Andreas Unterumsberger, Musik in der Schule ).

20 Intermediate to Early Advanced Pieces with Practice and Performance Tips. Composed by Various. Edited by Immanuela Gruenberg. Classical, Classical Instruction. Softcover. Published by Hal Leonard

Brass Band - Grade 3

SKU: BT.AMP-174-030

Composed by Philip Sparke. Anglo Music Midway Series. Concert Piece. Set (Score & Parts). Composed 2006. Anglo Music Press #AMP 174-030. Published by Anglo Music Press (BT.AMP-174-030).

9x12 inches. English-German.

Cornet Rock takes a look back at the history of pop music in the 1950’s and gives the young band a chance to rock and roll with the cornets taking the lead. Treat your cornets to this lively solo section feature.

Met dit vlotte werk zet u de cornetsectie in de spotlights.

Cornet Rock führt uns zurück in die Anfangszeit des Rock ’n’ Roll, als die ersten Musikboxen der Jugend die Freiheit bescherten, sich nach Herzenslust diesem neuartigen Musikstil hinzugeben. In dieser schwungvollen Reminiszenz an die fünfziger Jahre von Philip Sparke spielen die Cornets die führende Rolle.

Il est temps de mettre en vedette votre registre des cornets !

Piano

SKU: FG.55011-354-1

Time Machine - piano pieces for children. Composed by Harri Vuori. Fennica Gehrman #55011-354-1. Published by Fennica Gehrman (FG.55011-354-1).

ISBN 9790550113541.

Harri Vuori's pedagogical piano collection for children is a thrilling adventure into the very heart of music-making. Hannu Hyrske has drawn illustrations that support the story and will make your imagination run wild. The pieces are suitable for young pianists: staccatos, legatos and arpeggios are covered, as are some more modern methods, like clusters and pedal sounds.

Vocal

SKU: HL.49002642

Vocal Score. Composed by Sir Michael Tippett. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical. Piano reduction. Composed 1966-1970. 318 pages. Duration 80'. Schott Music #ED11075. Published by Schott Music (HL.49002642).

ISBN 9790220107672. UPC: 073999347685. 8.25x11.75x0.832 inches. English.

A house, too, can be a battlefield, and a garden a wilderness. The house here belongs to Faber and Thea: middle-class, middle-aged, probably more than middle-income and in a mid-matrimonial rut of mutual laissez-faire. Also in the house is their young ward Flora, to whom Faber has been making sexual advances. And there are visitors. Thea's sister Denise is taking a break from other distant battlefields, where she is engaged in the struggle against oppression. A black writer, Mel, is here as well with his white lover Dov, a musician: the first homosexual couple to be 'out' on the operatic stage.These people's entanglementswith each other but also, and more importantly, within themselveshave to be addressed, as in Tippett's first opera. But this time the Mozart model is Cosi fan tutte, and the lessons of myth are clothed in the language of psychiatry, as practised by Mangus, the Don Alfonso who may not be as much in control as he would hope. In the last act he stages a performance of The Tempest, which comes adrift. Perhaps more has been achieved in the middle act, a swirl of short scenes ending in an exchange of songs between Flora and Dovan exchange, too, of homages to Schubert and the blues, both held in the magic of this lustrous score.(Paul Griffiths)

2 (2pic).1.ca.Ebcl.2 (2: bcl).1.cbn-4.4.2.1-timp.3perc (s.d., t.d., b.d., jazz kit, cym., sus.cym., w.bl., t.bl., tamb., casts., wh., metal bar or heavy triangle, tam-tam, xyl., vib., glock., claves, small rattle)-hp.cel.pno.egtr/ehpd-str

Reduced version:
1 (pic).1 (ca).1 (Ebcl, bcl).1 (cbn)-3.2.2.0-2perc (timp., t.d., jazz kit, cym., t.bl., tamb., casts., metal bar or heavy tri., tam-tam, vib., glock., tub.bells, cl., rattle)-hp.pno (cel).egtr-str: 3 vns (3: va).va.vc.db.

Concert Band Concert Band - Grade 2.5

SKU: FJ.B1722S

Score Only. Composed by William Owens. Concert Band. FJH Young Band. Programmatic. Score. Duration 4:15. The FJH Music Company Inc #98-B1722S. Published by The FJH Music Company Inc (FJ.B1722S).

English.

This programmatic work illustrates the eeriness and ferocity of a vast, sub-zero wilderness uninhabitable by man. With optional piano part, the opening calm includes dissonant ostinato patterns paired with semi-melodic motifs. The ensuing storm erupts with driving rhythms and a bold melody as the music barrels into a whirlwind of flurry before returning to a sense of unsettled calm. A highly engaging work.

(As Pants the Hart for S.A.T.B. Chorus, Tenor (or Soprano) solo, and Organ). By Charles Ives (1874-1954). Edited by Robert Ross. For SATB Chorus, Tenor (or Soprano) voice solo, Organ. Choral. Octavo. Standard notation. 16 pages. Duration 3 minutes, 30 sec

(A Medley of Waltzes Made Famous in Disney Films). Arranged by Greg Anderson. For Piano. This edition: Piano Duo (2 Pianos, 4 Hands). Book; Duet or Duo; Piano Duo (2 Pianos, 4 Hands). Anderson and Roe Duos and Duets. Form: Medley. Pop; Recital. Advanced. 28 pages. Published by Alfred Music Publishing

Unison (High Voice & Divisi) and Organ in Latin. Composed by James Macmillan. Boosey & Hawkes Sacred Choral. Octavo. Boosey & Hawkes #M060133886. Published by Boosey & Hawkes

Chamber Music High voice, Piano

SKU: PR.111402890

Composed by Ricky Ian Gordon. Full score. 44 pages. Duration 20 minutes. Theodore Presser Company #111-40289. Published by Theodore Presser Company (PR.111402890).

ISBN 9781491134672. UPC: 680160685264.

Whatâ??s in a name? While the title is French for â??Eight Flower Songs,â? the texts are all in English. The poemsâ?? flowers metaphorically evoke fragrance, love and loss, life and death, rebirth and regrowth. Perhaps the texture and beauty of Gordonâ??s music are themselves French. The 20-minute song cycle draws on poems from Wordsworth to Dorothy Parker, as well as from contemporary poets including the composer himself.
When So-Chung Shinn came to me with the idea of commissioning a song cycle with her spectacular husband Tony Lee, she had in mind something having to do with flowers. Tony had asked her what she wanted for her birthday, and she said she wanted to be behind the creating of a new work. Lucky me, I was the recipient of the commission. So-Chung sent me a little description of all the flowers she loves, but I had to take the idea and create a narrative in my head.It is always a matter of pleasing the commissioner, yet coming up with something you can get behind and hear music for as well. I already knew I wanted to use my â??Tulipsâ? poem which is really about the arc of a relationship as represented through the life span of the Tulips, and, in many ways, disappointment; and Dorothy Parkerâ??s â??One Perfect Rose,â? which is wry, bitter, cynical, and funny, in a way only Dorothy Parker can so pithily express.I thought of Jane Kenyonâ??s exquisite â??Peonies at Dusk,â? because knowing she died so young (46) of leukemia, the poem has such a particular resonance, almost humanizing the Peonies, casting the moon as a sentient being, illustrating so beautifully how connected everything is, alive here, and revolving around these exquisite blossoms. Then, I remembered her husband Donald Hallâ??s poem â??Her Garden,â? which he wrote after Jane died, his grief intermingled with his inability to care for what she had created, to keep alive what so represented her aliveness, broken as he was, and I felt I already had a story.I found the Wordsworth, because it felt like pure joy to me, but also, if each of the songs has a color in my head, â??The Daffodilsâ? is pure yellow and a good place to start. My partner Kevin and I live on a lake, and every year, the first Daffodils, the shock of yellows, the oranges, the blinding whites, after the long snowy winters, sing of the newness that is about to enfold us in its green miraculousness.At first, the cycle ended with the Langston Hughes poem â??Cycle,â? or â??New Flowers,â? because it was lovely, and about rebirth, which is obviously optimistic, and apt, but then, my friend Telmo Dos Santos, a wonderful Canadian poet whom I met at Banff, sent me his poem â??Afterlife With Lilacs,â? having no idea what I was working on. I felt I had to add it because it is so dazzling, and it immediately felt like the missing link. Finally, there were unfortunately rights issues, namely, we could not, no how, get in touch with the Langston Hughes Estate, after so many happy collaborations.After almost a yearâ??s frustration, I wrote my own text, â??Play, Orpheus,â? which ended up being fortuitous, because the first time I met So-Chung, she entered the room and the most exquisite scent of Lillies of the Valley, Muguet de Bois, filled the room. I went right over to her and rudely put my nose to her neck, for the intoxication of the scent. So â??Play, Orpheusâ? is for So-Chung, to remind us of the precious treasures of this world flowers remind us of. Everything and everyone lives and dies, lives and dies. Death and resurrection.And of course, this is music, this is song, so the inclusion of the God of music, Orpheus, seems apt. Huit Chansons de Fleurs is really about what flowers represent, their radiance, their flickering impermanence, the way they are used to celebrate, as well as to mourn...... and of course, their fragrance. Their fragrance.Ricky Ian GordonJuly 28, 2021.

Orchestra Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Flute 1, Flute 2, Horn 1, Horn 2, Narrator, Oboe 1, Oboe 2, Percussion, Piccolo, Timpani, Trumpet 1, Trumpet 2, Viola, Violin 1, Violin 2, Violoncello

SKU: PR.416413320

A Children's Guide to the Instruments for Narrator and Orchestra. Composed by Daniel Dorff. Daniel Dorff (original story). Full score. With Standard notation. 96 pages. Duration 14 minutes. Theodore Presser Company #416-41332. Published by Theodore Presser Company (PR.416413320).

ISBN 9781491111956. UPC: 680160632398. 9 x 12 inches. Text: Daniel Dorff. Daniel Dorff (original story).

Commissioned by the Sacramento Symphony to be a contemporary American-sounding alternative to Britten’s guide to the instruments, BILLY AND THE CARNIVAL uses jazzrock-infused symphonic excitement to tell the story of a young boy who discovers musicians coming to his park to play a concert. Within the course of the story, every instrument is introduced by name followed by a characteristic solo. The companion coloring book illustrates the script and is a stand-alone educational tool with games and puzzles. The coloring book may be ordered with your organization’s name printed on the cover and has been used by the Colorado Symphony as handouts for its educational program. Recorded on Bridge Records.