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| I stand with my open grave before me (Ich steh mit einem Fuss im Grabe)
Choral SATB
Carus Verlag
Soli SATB, SATB Choir, Ob, 2 Vl, Va, Bc SKU: CA.3115605 Cantata for th...(+)
Soli SATB, SATB Choir, Ob, 2 Vl, Va, Bc SKU: CA.3115605 Cantata for the 3rd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Epiphany. Choral Score. Composed 1729. BWV 156. 2 pages. Duration 17 minutes. Carus Verlag #CV 31.156/05. Published by Carus Verlag (CA.3115605). ISBN 9790007186791. Language: German/English. Ich steh mit einem Fuss im Grabe (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle. As in several other cantatas that use texts from this poet, Bach opens the work with a sinfonia, most likely taken from an earlier concerto that didn't survive and is later reused as the slow movement of the famous harpsichord concerto in F minor BWV 1056. In the first aria, the poet combines his text with a well-known chorale, a technique that is often found in Bach's cantatas, particularly those from the pre-Leipzig period. The cantata is comprised of six short movements; the choir is used only in the final chorale. Score available separately - see item CA.3115600. $3.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| I stand with my open grave before me (Ich steh mit einem Fuss im Grabe)
Choral SATB
Carus Verlag
Soli SATB, SATB Choir, Ob, 2 Vl, Va, Bc SKU: CA.3115619 Cantata for th...(+)
Soli SATB, SATB Choir, Ob, 2 Vl, Va, Bc SKU: CA.3115619 Cantata for the 3rd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Complete orchestral parts. Sacred vocal music, Cantatas, Epiphany. Set of Orchestra Parts. Composed 1729. BWV 156. Duration 17 minutes. Carus Verlag #CV 31.156/19. Published by Carus Verlag (CA.3115619). ISBN 9790007208813. Language: German/English. Ich steh mit einem Fuss im Grabe (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle. As in several other cantatas that use texts from this poet, Bach opens the work with a sinfonia, most likely taken from an earlier concerto that didn't survive and is later reused as the slow movement of the famous harpsichord concerto in F minor BWV 1056. In the first aria, the poet combines his text with a well-known chorale, a technique that is often found in Bach's cantatas, particularly those from the pre-Leipzig period. The cantata is comprised of six short movements; the choir is used only in the final chorale. Score and parts available separately - see item CA.3115600. $80.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| I stand with my open grave before me (Ich steh mit einem Fuss im Grabe)
Choral SATB
Carus Verlag
Soli SATB, SATB Choir, Ob, 2 Vl, Va, Bc SKU: CA.3115603 Cantata for th...(+)
Soli SATB, SATB Choir, Ob, 2 Vl, Va, Bc SKU: CA.3115603 Cantata for the 3rd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Epiphany. Vocal score. Composed 1729. BWV 156. 24 pages. Duration 17 minutes. Carus Verlag #CV 31.156/03. Published by Carus Verlag (CA.3115603). ISBN 9790007186784. Language: German/English. Ich steh mit einem Fuss im Grabe (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle. As in several other cantatas that use texts from this poet, Bach opens the work with a sinfonia, most likely taken from an earlier concerto that didn't survive and is later reused as the slow movement of the famous harpsichord concerto in F minor BWV 1056. In the first aria, the poet combines his text with a well-known chorale, a technique that is often found in Bach's cantatas, particularly those from the pre-Leipzig period. The cantata is comprised of six short movements; the choir is used only in the final chorale. Score available separately - see item CA.3115600. $10.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| I stand with my open grave before me (Ich steh mit einem Fuss im Grabe)
Choral SATB
Carus Verlag
Soli SATB, SATB Choir, Ob, 2 Vl, Va, Bc SKU: CA.3115649 Cantata for th...(+)
Soli SATB, SATB Choir, Ob, 2 Vl, Va, Bc SKU: CA.3115649 Cantata for the 3rd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Organ. Sacred vocal music, Cantatas, Epiphany. Single Part, Organ. Composed 1729. BWV 156. 12 pages. Duration 17 minutes. Carus Verlag #CV 31.156/49. Published by Carus Verlag (CA.3115649). ISBN 9790007208820. Language: German/English. Ich steh mit einem Fuss im Grabe (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle. As in several other cantatas that use texts from this poet, Bach opens the work with a sinfonia, most likely taken from an earlier concerto that didn't survive and is later reused as the slow movement of the famous harpsichord concerto in F minor BWV 1056. In the first aria, the poet combines his text with a well-known chorale, a technique that is often found in Bach's cantatas, particularly those from the pre-Leipzig period. The cantata is comprised of six short movements; the choir is used only in the final chorale. Score and part available separately - see item CA.3115600. $13.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| I stand with my open grave before me (Ich steh mit einem Fuss im Grabe)
Choral SATB
Carus Verlag
ATB vocal soli, SATB choir, oboe, 2 violins, viola, basso continuo SKU: CA.31...(+)
ATB vocal soli, SATB choir, oboe, 2 violins, viola, basso continuo SKU: CA.3115611 Cantata for the 3rd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music, Cantatas, Epiphany. Single Part, Violin 1. Composed 1729. BWV 156. 8 pages. Duration 17 minutes. Carus Verlag #CV 31.156/11. Published by Carus Verlag (CA.3115611). ISBN 9790007208776. Text language: German/English. Ich steh mit einem Fuss im Grabe (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle. As in several other cantatas that use texts from this poet, Bach opens the work with a sinfonia, most likely taken from an earlier concerto that didn't survive and is later reused as the slow movement of the famous harpsichord concerto in F minor BWV 1056. In the first aria, the poet combines his text with a well-known chorale, a technique that is often found in Bach's cantatas, particularly those from the pre-Leipzig period. The cantata is comprised of six short movements; the choir is used only in the final chorale. Score and part available separately - see item CA.3115600. $6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| I stand with my open grave before me (Ich steh mit einem Fuss im Grabe)
Choral SATB
Carus Verlag
ATB vocal soli, SATB choir, oboe, 2 violins, viola, basso continuo SKU: CA.31...(+)
ATB vocal soli, SATB choir, oboe, 2 violins, viola, basso continuo SKU: CA.3115614 Cantata for the 3rd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Basso continuo. Sacred vocal music, Cantatas, Epiphany. Single Part, basso continuo. Composed 1729. BWV 156. 8 pages. Duration 17 minutes. Carus Verlag #CV 31.156/14. Published by Carus Verlag (CA.3115614). ISBN 9790007208806. Text language: German/English. Ich steh mit einem Fuss im Grabe (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle. As in several other cantatas that use texts from this poet, Bach opens the work with a sinfonia, most likely taken from an earlier concerto that didn't survive and is later reused as the slow movement of the famous harpsichord concerto in F minor BWV 1056. In the first aria, the poet combines his text with a well-known chorale, a technique that is often found in Bach's cantatas, particularly those from the pre-Leipzig period. The cantata is comprised of six short movements; the choir is used only in the final chorale. Score and part available separately - see item CA.3115600. $6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| I stand with my open grave before me (Ich steh mit einem Fuss im Grabe)
Choral SATB
Carus Verlag
ATB vocal soli, SATB choir, oboe, 2 violins, viola, basso continuo SKU: CA.31...(+)
ATB vocal soli, SATB choir, oboe, 2 violins, viola, basso continuo SKU: CA.3115621 Cantata for the 3rd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Oboe. Sacred vocal music, Cantatas, Epiphany. Single Part, Oboe. Composed 1729. BWV 156. 4 pages. Duration 17 minutes. Carus Verlag #CV 31.156/21. Published by Carus Verlag (CA.3115621). Text language: German/English. Ich steh mit einem Fuss im Grabe (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle. As in several other cantatas that use texts from this poet, Bach opens the work with a sinfonia, most likely taken from an earlier concerto that didn't survive and is later reused as the slow movement of the famous harpsichord concerto in F minor BWV 1056. In the first aria, the poet combines his text with a well-known chorale, a technique that is often found in Bach's cantatas, particularly those from the pre-Leipzig period. The cantata is comprised of six short movements; the choir is used only in the final chorale. Score and part available separately - see item CA.3115600. $6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| I stand with my open grave before me (Ich steh mit einem Fuss im Grabe)
Choral SATB
Carus Verlag
ATB vocal soli, SATB choir, oboe, 2 violins, viola, basso continuo SKU: CA.31...(+)
ATB vocal soli, SATB choir, oboe, 2 violins, viola, basso continuo SKU: CA.3115612 Cantata for the 3rd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Violin 2. Sacred vocal music, Cantatas, Epiphany. Single Part, Violin 2. Composed 1729. BWV 156. 8 pages. Duration 17 minutes. Carus Verlag #CV 31.156/12. Published by Carus Verlag (CA.3115612). ISBN 9790007208783. Text language: German/English. Ich steh mit einem Fuss im Grabe (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle. As in several other cantatas that use texts from this poet, Bach opens the work with a sinfonia, most likely taken from an earlier concerto that didn't survive and is later reused as the slow movement of the famous harpsichord concerto in F minor BWV 1056. In the first aria, the poet combines his text with a well-known chorale, a technique that is often found in Bach's cantatas, particularly those from the pre-Leipzig period. The cantata is comprised of six short movements; the choir is used only in the final chorale. Score and part available separately - see item CA.3115600. $6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| I stand with my open grave before me (Ich steh mit einem Fuss im Grabe)
Choral SATB
Carus Verlag
ATB vocal soli, SATB choir, oboe, 2 violins, viola, basso continuo SKU: CA.31...(+)
ATB vocal soli, SATB choir, oboe, 2 violins, viola, basso continuo SKU: CA.3115613 Cantata for the 3rd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Cantatas, Epiphany. Single Part, Viola. Composed 1729. BWV 156. 4 pages. Duration 17 minutes. Carus Verlag #CV 31.156/13. Published by Carus Verlag (CA.3115613). ISBN 9790007208790. Text language: German/English. Ich steh mit einem Fuss im Grabe (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle. As in several other cantatas that use texts from this poet, Bach opens the work with a sinfonia, most likely taken from an earlier concerto that didn't survive and is later reused as the slow movement of the famous harpsichord concerto in F minor BWV 1056. In the first aria, the poet combines his text with a well-known chorale, a technique that is often found in Bach's cantatas, particularly those from the pre-Leipzig period. The cantata is comprised of six short movements; the choir is used only in the final chorale. Score and part available separately - see item CA.3115600. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| I stand with my open grave before me (Ich steh mit einem Fuss im Grabe)
Choral SATB
Carus Verlag
Soli SATB, SATB Choir, Ob, 2 Vl, Va, Bc SKU: CA.3115600 Cantata for th...(+)
Soli SATB, SATB Choir, Ob, 2 Vl, Va, Bc SKU: CA.3115600 Cantata for the 3rd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Epiphany. Full score. Composed 1729. BWV 156. 28 pages. Duration 17 minutes. Carus Verlag #CV 31.156/00. Published by Carus Verlag (CA.3115600). ISBN 9790007186777. Language: German/English. Ich steh mit einem Fuss im Grabe (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle. As in several other cantatas that use texts from this poet, Bach opens the work with a sinfonia, most likely taken from an earlier concerto that didn't survive and is later reused as the slow movement of the famous harpsichord concerto in F minor BWV 1056. In the first aria, the poet combines his text with a well-known chorale, a technique that is often found in Bach's cantatas, particularly those from the pre-Leipzig period. The cantata is comprised of six short movements; the choir is used only in the final chorale. $20.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Fret thee not, thou mortal soul (Argre dich, o Seele, nicht)
Choral SATB
Carus Verlag
Soli SATB, SATB Choir, 2 Ob, Tl (Eh), Fg, 2 Vl, Va, Bc SKU: CA.3118653 (+)
Soli SATB, SATB Choir, 2 Ob, Tl (Eh), Fg, 2 Vl, Va, Bc SKU: CA.3118653 Cantata for the 7th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Advent. Vocal score. Composed 1723. BWV 186. 48 pages. Duration 40 minutes. Carus Verlag #CV 31.186/53. Published by Carus Verlag (CA.3118653). ISBN 9790007186517. Key: G minor / c dorian. Language: German/English. The cantata Argre dich, o Seele, nicht BWV 186 is in a sense the companion work to the much better-known cantata Herz und Mund und Tat und Leben BWV 147. Both were composed in Advent 1716 as Bach's last two cantatas for the Weimar court, and both were arranged for another Sunday in Bach's first Leipzig cantata cycle by the addition of recitatives and a large-scale chorale movement, heard at the end of both parts. The sound of the Cantata BWV 186 is characterized by the four-part woodwind ensemble writing. The final chorale, heard twice, anticipates the opening choruses of the chorale cantatas from Bach's second cycle. Cantata BWV 186 for the 7th Sunday after Trinity is a considerably expanded reworking of a Weimar Advent cantata of 1716. Only the text survives of the Advent cantata, but Diethard Hellmann has been able to reconstruct the work from the later version (Carus 31.186). Score available separately - see item CA.3118600. $16.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Now has the hope and the strength (Nun ist das Heil und die Kraft)
Choral SATB - Advanced
Carus Verlag
SATB/SATB choir, 2 oboes, oboe d'amore, 3 trumpets, timpani, 2 violin, viola, ba...(+)
SATB/SATB choir, 2 oboes, oboe d'amore, 3 trumpets, timpani, 2 violin, viola, basso continuo - Level 5 SKU: CA.3105050 Chorus for St. Michael's Day. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. This edition: Paperbound. German title: Nun Ist Das Heil Und Die Kraft (Kubik). Sacred vocal music, Cantatas, Special days. Full score. Composed circa 1740. BWV 50. 44 pages. Duration 5 minutes. Carus Verlag #CV 31.050/50. Published by Carus Verlag (CA.3105050). ISBN 9790007131241. Key: D major. Language: German/English. Composed in the late period, around 1740 A lively discussion about the choral movement Nun ist das Heil und die Kraft has been carried on, in which not only all previous assumptions have been called into question-including Bach's authorship-but also show how little we know about the history of this magnificent movement. Even though there is little to refute the 1982 presumption that the work was handed down in the form of an arrangement, the question remains open concerning the identity of the arranger, as well as the alleged form of the original design. Therefore it seemed appropriate to forego any attempts at reconstruction. Rather, for the present new edition the music has been critically examined and commented upon based on the surviving copy from Bach's circle. Score available separately - see item CA.3105000. $22.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| On Jesus Christ's ascent on high (Auf Christi Himmelfahrt allein)
Choral SATB
Carus Verlag
ATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, oboe da caccia, trumpe...(+)
ATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, oboe da caccia, trumpet, 2 horns, 2 violins, viola, basso continuo SKU: CA.3112809 Cantata for the Feast of Ascension. Composed by Johann Sebastian Bach. Edited by Julia Ronge. This edition: urtext. 1x 31.128/21 oboe 1, 1x 31.128/22 oboe 2, 1x 31.128/23 oboe d'amore, 1x 31.128/24 oboe da caccia, 1x 31.128/31 horn 1, 1x 31.128/32 horn 2, 1x 31.128/33 trumpet. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, Cantatas, Ascension. Set of Orchestra Parts. Composed 1725. BWV 128. Duration 22 minutes. Carus Verlag #CV 31.128/09. Published by Carus Verlag (CA.3112809). ISBN 9790007207700. Text language: German/English. Text: von Ziegler, Christiane Mariane. Text by Christiane Mariane von Ziegler. After breaking off the annual cantata cycle at the end of March 1725 Bach set a series of cantata texts by the Leipzig poet Christiana Mariana von Ziegler, who maintained one of the first literary-musical salons. The large scale chorale chorus ties this work to the chorale cantatas. The central bass aria Auf,auf, mit hellem Schall with solo trumpet is note-worthy since in place of a middle section in the aria, here Bach employs an accompagnato recitative. Score and parts available separately - see item CA.3112800. $37.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| I am content with my good fortune (Ich bin vergnugt mit meinem Glucke)
Choral SATB - Intermediate
Carus Verlag
Solo soprano voice, SATB choir, oboe, 2 violins, viola, basso continuo - Level 3...(+)
Solo soprano voice, SATB choir, oboe, 2 violins, viola, basso continuo - Level 3 SKU: CA.3108405 Cantata for the Sunday of Septuagesima. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Ich bin vergnugt mit meinem Glucke. Sacred vocal music, Cantatas, Special days, Praise and thanks. Choral Score. Composed circa 1727. BWV 84. 2 pages. Duration 16 minutes. Carus Verlag #CV 31.084/05. Published by Carus Verlag (CA.3108405). ISBN 9790007045708. Key: E minor / b minor. Language: German/English. Score available separately - see item CA.3108400. $2.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| All cantate be by God's commandment (Alles nur nach Gottes Willen)
Choral SATB - Intermediate
Carus Verlag
Orchestra SAB vocal soli, SATB choir, 2 oboes, 2 violins, viola, basso continuo ...(+)
Orchestra SAB vocal soli, SATB choir, 2 oboes, 2 violins, viola, basso continuo - Grade 3 SKU: CA.3107211 Cantata for the 3rd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Alles nur nach Gottes Willen. Sacred vocal music, Cantatas, Epiphany. Single Part, Violin 1. Composed 1726. BWV 72. 8 pages. Duration 20 minutes. Carus Verlag #CV 31.072/11. Published by Carus Verlag (CA.3107211). ISBN 9790007044572. Key: A minor. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck. Score available separately - see item CA.3107200. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| So greatly God esteemed the world (Also hat Gott die Welt geliebt)
Choral SATB - Intermediate
Carus Verlag
Orchestra SB vocal soli, SATB choir, 2 oboes, taille (english horn), horn, corne...(+)
Orchestra SB vocal soli, SATB choir, 2 oboes, taille (english horn), horn, cornet, 3 trombones, 2 violins, viola, cello piccolo, basso continuo - Grade 3 SKU: CA.3106803 Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. This edition: Paperbound. German title: Also hat Gott die Welt geliebt. Sacred vocal music, Cantatas, Whitsun. Vocal score. Composed 1725. BWV 68. 44 pages. Duration 20 minutes. Carus Verlag #CV 31.068/03. Published by Carus Verlag (CA.3106803). ISBN 9790007044138. Key: D minor. Language: German/English. Text: von Ziegler, Christiane Mariane. Text: Christiane Mariane von Ziegler. Score available separately - see item CA.3106800. $10.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Glory now give to God in heaven
Choral SATB - Easy
Carus Verlag
SSATB choir, violin, organ (colla parte: 2 oboes, 3 strings) - Level 2 SKU: C...(+)
SSATB choir, violin, organ (colla parte: 2 oboes, 3 strings) - Level 2 SKU: CA.4011214 Aus: Magnificat. Composed by Johann Sebastian Bach. Edited by Gunter Graulich. Arranged by Paul Horn. German title: Gloria. Sacred vocal music, Mass sections, Christmas. Single Part, Cello/Double Bass. BWV 243a, 7. 2 pages. Duration 2 minutes. Carus Verlag #CV 40.112/14. Published by Carus Verlag (CA.4011214). ISBN 9790007062286. Key: D major. Language: Latin/English. Setting in E flat major, transposed into D major. Score and part available separately - see item CA.4011200. $2.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Uns ist ein Kindlein heut geborn
Choral SATB - Easy
Carus Verlag
SATB choir - Level 2 SKU: CA.315660 Composed by Bartholomaus Gesius, Joha...(+)
SATB choir - Level 2 SKU: CA.315660 Composed by Bartholomaus Gesius, Johann Sebastian Bach, and Sethus Calvisius. Separate edition with choral collection. Sacred vocal music, Christmas Carols, Advent, Christmas. Full score. BWV 414 (daraus). Duration 2 minutes. Carus Verlag #CV 03.156/60. Published by Carus Verlag (CA.315660). ISBN 9790007153779. Key: A major. Language: German. Original in G major. $1.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| I have placed all my confidence (Ich habe meine Zuversicht)
Choral SATB
Carus Verlag
Soli SATB, SATB Choir, 2 Ob, Tl (Eh), 2 Vl, Va, Vc, organ obl, Bc SKU: CA.311...(+)
Soli SATB, SATB Choir, 2 Ob, Tl (Eh), 2 Vl, Va, Vc, organ obl, Bc SKU: CA.3118800 Cantata for the 21st Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Pieter Dirksen. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, End of the church year, Trinity. Full score. Composed 1728. BWV 188. 64 pages. Duration 25 minutes. Carus Verlag #CV 31.188/00. Published by Carus Verlag (CA.3118800). ISBN 9790007181567. Language: German/English. The cantata Ich habe meine Zuversicht BWV 188 comes from the so-called Picander cycle and was written for the 21st Sunday after Trinity in 1728 or 1729. There are some particular problems associated with its transmission. The original set of parts was lost, and the manuscript score only survives in fragmentary form. Probably as early as the 18th century the score was divided up into numerous separate parts in order to make more money, or to be able to provide as many Bach relics as possible for posterity. The first movement, an instrumental sinfonia, is missing apart from the final bars. We simply know that this sinfonia is based on the 3rd movement of the Harpsichord Concerto BWV 1052 in D minor and that instead of the harpsichord, an obbligato organ was envisaged. Its successful reconstruction by the baroque specialist and organist Pieter Dirksen now makes it possible to perform the cantata again complete with the introductory sinfonia. $47.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| My blessed Jesus, gone forever (Mein liebster Jesus ist verloren)
Choral SATB
Carus Verlag
Soli ATB, SATB Choir, 2 Obda, 2 Vl, Va, Bc, [Cemb] SKU: CA.3115403 Can...(+)
Soli ATB, SATB Choir, 2 Obda, 2 Vl, Va, Bc, [Cemb] SKU: CA.3115403 Cantata for the 1st Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Benedikt Lessmann. Stuttgart Urtext Edition: Bach vocal. Cantatas, Epiphany. Vocal score. Composed before 1724. BWV 154. 28 pages. Duration 17 minutes. Carus Verlag #CV 31.154/03. Published by Carus Verlag (CA.3115403). ISBN 9790007187156. Language: German/English. The cantata Mein liebster Jesus ist verloren BWV 154 was first performed on 9 January 1724, the 1st Sunday after Epiphany. The structure and extent of the work are unusual: it comprises eight, instead of the usual six movements. With a duration of around 15 minutes, it is a concise work. As well as this, at the beginning of the cantata there is an aria instead of the usual opening chorus. A chorale features at the end and in the third movement. Its brevity and straightforward arias make this cantata suitable for inclusion in any church service, and is easy for amateur ensembles to master. Score available separately - see item CA.3115400. $11.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Whatever God ordains is right (Was Gott tut, das ist wohlgetan)
Choral SATB - Intermediate
Carus Verlag
SATB choir, organ, [melody instrument] - Level 3 SKU: CA.303560 Aus: D...(+)
SATB choir, organ, [melody instrument] - Level 3 SKU: CA.303560 Aus: Die Elenden sollen essen. Composed by Johann Sebastian Bach and Severus Gastorius. Separate edition with choral collection. Sacred vocal music, Fear and trust, Wedding, Praise and thanks. Full score. Composed 1723. BWV 75, No. 7. Duration 2 minutes. Carus Verlag #CV 03.035/60. Published by Carus Verlag (CA.303560). ISBN 9790007174156. Key: G major. Text language: German. Text: Rodigast, Samuel. Text by Samuel Rodigast. $2.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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