SKU: BT.DHP-1125274-070
9x12 inches.
Hungarian Rhapsody N° 2 is the second in a set of 19 Hungarian Rhapsodies by composer Franz Liszt, and is by far the most famous of the set. Few other piano solos have achieved such widespread popularity, offering the pianist the opportunity to reveal exceptional skill as a virtuoso while providing an immediate and irresistible musical appeal for the listener.Both the original piano solo form and the orchestrated version of this composition have found widespread use in animated cartoons. Its themes have also served as the basis of several popular songs.Composed in 1847 and dedicated to Count László Teleki, Hungarian Rhapsody N° 2 was first published as a pianosolo in 1851. Its immediate success and popularity on the concert stage soon led to an orchestrated version, arranged by the composer in collaboration with Franz Doppler. The Japanese composer Tohru Takahashi has made a splendid transcription of this great music for clarinet choir. A wonderful piece of music for an advanced ensemble! De Hongaarse rapsodie nr. 2 is verreweg de beroemdste uit een set van negentien Hongaarse rapsodieën van de hand van componist Franz Liszt. Er zijn maar weinig andere werken voor pianosolo die net zo geliefd zijn. De pianist krijgt in deze rapsodie de mogelijkheid om zijn of haar virtuositeit tentoon te spreiden en een directe, onweerstaanbare muzikale antrekkingskracht op de luisteraar uit te oefenen.Zowel de originele pianosolo als de georkestreerde versie van deze compositie is veel gebruikt in tekenfilms. De themaâ??s die erin voorkomen, hebben ook gediend als basis voor diverse populaire songs.De tweede Hongaarse rapsodie, die werd gecomponeerd in 1847 en isopgedragen aan graaf László Teleki, werd in 1851 voor het eerst uitgegeven als pianosolo, door Senff en Ricordi. Het onmiddellijke succes en de populariteit op het concertpodium leidden tot een georkestreerde versie, die de componist zelf maakte, in samenwerking met Franz Doppler.De Japanse componist Tohru Takahashi heeft deze prachtige muziek bewerkt tot een uitstekende transcriptie voor gevorderd klarinetensemble. Die Ungarische Rhapsodie Nr. 2 ist die bei weitem berühmteste der insgesamt neunzehn Ungarischen Rhapsodien von Franz Liszt und gehört zu den bekanntesten Werken für Klavier solo überhaupt. Virtuos und unwiderstehlich zieht es Zuhörer wie Interpreten gleichermaÃ?en in seinen Bann. Sowohl das originale Klaviersolo als auch die orchestrierte Version dieser Komposition werden häufig in Zeichentrickfilmen verwendet. Die darin vorkommenden Themen dienten auch schon als Basis für diverse Popsongs.Die Ungarische Rhapsodie Nr. 2 aus dem Jahr 1847 wurde 1851 zunächst als Klaviersolo veröffentlicht. Der unmittelbare Erfolg und die Popularität auf der Konzertbühne führten zueiner orchestrierten Version, die der Komponist, in Zusammenarbeit mit Franz Doppler, selbst anfertigte.Die hier vorliegende ausgezeichnete Transkription für fortgeschrittenen Klarinettenchor stammt aus der Feder des japanischen Komponisten Tohru Takahashi. La Rhapsodie hongroise n° 2 est la deuxième dâ??une série de 19 Rhapsodies hongroises de Franz Liszt. Elle est de loin la plus célèbre de la série parce qu'elle permet au pianiste de révéler des compétences de virtuose tout en offrant lâ??auditeur un attrait immédiat et irrésistible.Que ce soit sous sa forme originale pour piano solo ou dans sa version orchestrale, cette composition a souvent été employée dans les dessins animés. Ses thèmes ont également inspiré plusieurs chansons populaires.Composée en 1847 et dédiée au comte László Teleki, la Rhapsodie hongroise n° 2 fut dâ??abord publiée pour piano solo en 1851 par Senff et Ricordi. Son succès immédiat et sapopularité dans les salles de concert engendrèrent rapidement une version pour orchestre, arrangée par le compositeur lui-même en collaboration avec Franz Doppler.Le compositeur japonais Tohru Takahashi a réalisé une splendide transcription de cette oeuvre pour ensemble de clarinettes. Une musique merveilleuse pour des musiciens avancés !
SKU: HL.44012659
UPC: 888680088194.
SKU: HL.44007370
ISBN 9789043128438. UPC: 884088246181. 9x12 inches. English-German-French-Dutch.
The 'czardas' Anitschka depicts the love story of a Hungarian and a gipsy girl called Anitschka. She is not easily seduced by her admirer, but perseverance prevails in this musical tale: all's well that ends well. De csardas Anitschka verklankt de liefdegeschiedenis van een Hongaar en een zigeunermeisje, Anitschka genaamd. Zij laat zich niet zo gemakkelijk verleiden door haar aanbidder, maar de aanhouder wint in dit muzikale verhaal: eind goed,al goed.Der 'Czardas' Anitschka beschreibt die Geschichte einer Liebe zwischen einem Ungarn und einem Zigeunermadchen namens Anitschka. Sie lasst sich nicht leicht von ihrem Bewunderer verfuhren. Beharrlichkeit wird jedoch in dieser musikalischen Erzahlung von Johan Nijs gross geschrieben und so heisst es schliesslich: Ende gut, alles gut. Verzaubern Sie Ihr Publikum mit diesem romantischen Stuck!Das Set enthalt Stimmen fur:Klarinette in EsKlarinette in B 1, 2 ,3 and 4Altklarinette in Es 1 and 2Bassklarinette in BKontraaltklarinette in EsKontrabassklarinette in BCette Åuvre de Johan Nijs est ecrite dans la forme de la czardas, une danse hongroise du XIXe siecle dans laquelle alternent les passages lents et les passages rapides. Anitschka relate a la maniere d'un conte les amours tumultueuses entre une fille tzigane et un jeune prince hongrois.
SKU: AY.CC237
ISBN 9790302116165.
The Piano Concerto No. 24 in C Minor of Wolfgang Amadeus Mozart was composed in Vienna during the winter of 1785-86. It was premiered at the Vienna Burgtheatre in April 1786 only one month before the premiere of his opera The Marriage of Figaro in the same theatre. This piano concerto is one of his few works composed in a minor key, and is also the only one of the solo piano concerti he wrote to include clarinet parts. It is in three movements, (Allegro, Larghetto, Allegretto) and approximately 30 minutes in length.
SKU: BT.DHP-1135507-070
ISBN 9789043138734. 9x12 inches.
Nstrumentation 1 - Conductor 1 - Eb Clarinet 1 - Bb Clarinet 1 1 - Bb Clarinet 2 1 - Bb Clarinet 3 1 - Eb Alto Clarinet 1 - Bb Bass Clarinet 1 - Eb Contralto Clarinet 1 - Bb Contrabass Clarinet Bohemian Rhapsody was een wereldwijde hit voor Queen in 1975/1976, en de heruitgave in 1991 werd ook een groot hitsucces. Het wordt algemeen beschouwd als één van de succesrijkste popnummers aller tijden. Met pop-, opera-, klassieke rapsodie-en rockelementen, is dit nummer een hele uitdaging voor klarinetensemble en saxofoonkwartet! Diesen Popsong der Gruppe QUEEN kennt eigentlich jeder - er zählt zu den wohl erfolgreichsten Hits aller Zeiten. Abwechslungsreich und voller Ãœberraschungen springt die Melodie zwischen verschiedenen Stilen hin- und her. Ein Crossover mit vielenHerausforderung für alle Mitglieder des Ensembles.Lors de sa sortie dans les bacs, Bohemian Rhapsody, immense succès du groupe Queen, bouleversait les conventions : une chanson sans refrain, une ballade, des passages de hard rock, des traits d´opéra... Un concentré de bonheur musical pourEnsemble vent ! Instrumentation : ChÅ“ur de Clarinettes : Clar. Mi / Clar. Si / Clar. Alto / Clar. Basse / Cla. Contralto Mi / Cla. Contrebasse Si. Bohemian Rhapsody, celebre per la sua struttura musicale con un´introduzione a cappella, un segmento in stile ballata che termina con un assolo di chitarra, un passaggio d´opera e una sezione rock, conobbe un enorme successo per il suoapproccio totalmente innovativo. L´immenso successo della band Queen è un vero concentrato di piacere musicale! Strumentazione: Coro di Clarinetti : Clar. Mi♭ / Clar. Si♭ / Clar. contralto / Clar. basso / Cla. Contralto Mi♭ /Cla. contrabasso Si♭.
SKU: AY.CC3680PM
ISBN 9790543577442.
Thomas Tallis composed Spem in alium nunquam habui around the year 1570 based on the Latin text from a response (at Matins for the 3rd lesson, during the 5th week of September) in the Sarum Rite, adapted from the Book of Judith. The first line translates as I have never put my hope in any other but in Thee, God of Israel. Originally scored for eight 5-part choirs, has been arranged here for clarinet choir by Matt Johnston. The 40 core parts for soprano and bass clarinets are provided in the set. Additional parts for E-flat Clarinet, Alto Clarinet, Basset Horn, Contralto Clarinet and String Bass are available upon request.
SKU: P2.30089
Composer Arthur Gottschalk says, Suite Nothings was commissioned by Houston Symphony clarinetist Richard Nunemaker for his Effortless Clarinet Studio. It is dedicated to Michael Perricone, a talented amateur clarinetists and member of Nunemaker's studio, who was diagnosed with Stage 4 cancer just prior to rehearsals for the seventh annual studio recital. Movement 1 ('The March of the Licorice Stick Figures') is a strange little march, at times duple and others compound. Movement 2 ('Weird Harold's Stomp') is a touch more funky, albeit in 13 beat groupings, and owes a partial debt and perhaps apology to jazz legend Herbie Hancock. The final movement is an all-out atonal yet swinging romp, whose theme was originally written for the Band of the First Battalion, Royal Australian Regiment, based in Townsville, Queensland. These guys march into battle with full field packs, their weapons, AND their instruments! Hence the title, 'The Royal Australian Regiment Rondo'..
SKU: RM.CIES05786
ISBN 9790231057867.
SKU: AY.CC3673PM
ISBN 9790543576148.
Antonio Caldara - Crucifixus for Clarinet Choir, arranged by Matt Johnston. Can be performed by 12 B-flat Clarinets and 4 Bass Clarinets, with the possibility of substituting auxiliary clarinets as indicated in the list of instrumentation. Additionally, an optional organ part is provided. Antonio Caldara was an Italian composer of the Baroque era. He was born in Venice and spent most of his life working in various musical positions throughout Italy, including as a composer and musician in the courts of Mantua, Rome, and Vienna. Caldara is perhaps best known for his vocal music, particularly his operas and oratorios. He also composed instrumental music, including sonatas and chamber music. He was particularly known for his use of counterpoint, a technique in which multiple melodic lines are played or sung simultaneously, and for his expressive use of harmony.
SKU: IS.CC6295EM
ISBN 9790365062959.
Patrick Hiketick is a Belgian pianist and composer. As a composer he worked for nearly all theatre companies in Flanders and he wrote over a 100 different theatre plays, amongst which the complete oeuvre of Molière and Shakespeare. He was also the musical director for all Brecht plays for KNS theatre in Antwerp, where he worked as the home composer for 10 years. He than became the musical coordinator for the Royal Ballet of Flanders and he wrote several ballet compositions for symphony orchestra. He has his own close-harmony and jazz trio, and he works freelance as a composer and as artistic director in several musical productions. He composed many clarinet works for the Flanders Clarinet Quartet, and was honoured in Japan with concerts completely dedicated to his works. 'Find your way Home' is a clarinet octet (or choir), dedicated to the Kansai Clarinet Ensemble conducted by prof. Hideaki Iwai.
SKU: IS.CC6296EM
ISBN 9790365062966.
Patrick Hiketick is a Belgian pianist and composer. As a composer he worked for nearly all theatre companies in Flanders and he wrote over a 100 different theatre plays, amongst which the complete oeuvre of Molière and Shakespeare. He was also the musical director for all Brecht plays for KNS theatre in Antwerp, where he worked as the home composer for 10 years. He than became the musical coordinator for the Royal Ballet of Flanders and he wrote several ballet compositions for symphony orchestra. He has his own close-harmony and jazz trio, and he works freelance as a composer and as artistic director in several musical productions. He composed many clarinet works for the Flanders Clarinet Quartet, and was honoured in Japan with concerts completely dedicated to his works. 'Turning Point' is a clarinet octet (or choir), dedicated to the Kansai Clarinet Ensemble conducted by prof. Hideaki Iwai.
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