SKU: MB.22157
ISBN 9780786683123. UPC: 796279112130. 8.5 X 11 inches.
The Complete Blues/Rock Drummer is an advanced instruction book specializing in blues and blues/rock beats. This book includes fills and instrumentals, both with and without drums for play-along. About half of the book features advanced beats with fills and the other half consists of instrumentals. Drummers interested in studying blues will learn much from this book.There is challenging material for you to practice. The Complete Blues/Rock Drummer is a unique source for those interested in this genre. Like most musical styles, the breadth of blues music is vast, taking on many forms throughout different parts of the United States. Our aim is to focus on a few styles and demonstrate the drumming that is associated with each style. After that, its your turn to play-along and come up with your own parts or play the transcription of each song. Remember there isnt a single all-inclusive book that will cover everything there is to know about blues or any style for that matter. This book provides practical ideas for blues and blues/rock.
SKU: AP.20309G
ISBN 9783947998586. UPC: 038081558233. English.
ROCK-O-PATION ? the rocking counterpart to the classic snare book Syncopation for the Modern Drummer by Ted Reed ? is more than just an exercise book. Now you an perfect your sight-reading in the rock idiom in a systematic way. The bilingual edition (English/German) offers speciffc exercises in 4/4, but also in odd and even changing meters. For each reading exercise, there are suggestions for bass drum and hi-hat patterns to transfer the snare-only exercise to the drum set. This way you practice both, sight-reading and coordination and Sperie makes suggestions to incorporate these patterns into your own drum grooves. Completing the exercises in this book will prepare you for all the challenges you will face as a pop and rock drummer.
SKU: HL.391273
ISBN 9781705156841. UPC: 196288028796. 9.0x12.0x0.404 inches.
Drumming in a Band: Stuff you Can Use, by Rob Mitzner, can prepare drummers to play almost any kind of gig. The target audience is drummers with 2 or more years of playing experience who want to learn to play in a band. All of the material presented comes from the author's real-world experience in recording sessions and band situations. Based around â??Groove Workshopsâ? that include 53 bass/drums groove play-alongs, styles explored include rock, drum'n'bass, RandB/soul, reggae, World, roots, blues, jazz, odd time, and more. Within these styles, specific substyles and classic influences are examined, with grooves and rhythm section approaches used by Billy Cobham, James Brown, Steve Jordan, David Garibaldi, J Dilla, Robert Glasper, Art Blakey, and many others. Other substyles studied include bluegrass, New Orleans Second Line, boogaloo, blues, various shuffles, grungy rock, jazz brushes, and much more. The package also includes 18 full-length original song play-along tracks with New York bands and top session players, including Woodhead, Simon Garrett, Dave Ross, Luke Buck, Andrea Capozzoli, MC Frontalot, Will Reynolds, Eric Price, Michael Gallant, Lars Potteiger, Chris Cheek, Dmitry Ishenko, Yana Davydova, Matthew Milligan, John Shannon, Jared Sims, Gaby Alter, Schaffer the Darklord and Miss Eaves. Audio files with and without drums are included for every groove, along with detailed charts, transcriptions, road maps and lead sheets. There is also a section on how to make your own charts. There is video and analysis for every track, with interviews, anecdotes, and pro tips for the drummer from all the various musicians. Product Details: â?¢ 175 pages total â?¢ 73 videos and over 150 mp3 audio files â?¢ Charts, transcriptions and road maps (and how to create your own) â?¢ Interviews with all the musicians on the drummer's role in the band.
SKU: BT.DHP-1115033-400
ISBN 9789043134996. 9x12 inches. German.
This method for drummers has evolved from practical work and is intended for pop and rock drummers soon to play with a band. Right from the start, students are invited to practice rhythms and fills as well as to apply them in pieces of various style. There is also a section for theory, reading skills and technique (rudiments). The edition comes with a CD featuring all rhythms and fills (MP3-format) for listening and playing-along. Diese Schlagzeugschule richtet sich an Pop- und Rock-Drummer. Vom Fleck weg spielt der Anfänger auf dem Drumset Rhythmen und Fills und Stücke verschiedener Musikstile. Au�erdem werden Theorie, Notenlesen und Technik (Rudiments) vermittelt. Auf der CD werden Beispiele aller Rhythmen und Fills in MP3-Format mitgeliefert. Die Stücke sind darauf jeweils in einer vollständigen Version und einer Version ohne Schlagzeugstimme enthalten. Diese Schule wurde aus der Praxis heraus entwickelt und ausführlich von Lehrern und Schülern erprobt.
SKU: HL.14002373
ISBN 9788759810637. English.
This book is designed for the intermediate/advanced drummer to improve musical, technical control and reading ability, and presents several rhythmic styles, such as funk, jazz and Latin. I'm not trying to educate you on the 'correct' Cuban or Brazilian grooves, but have used this music as an inspiration for different phrashings and concepts. In the notes you can find book recommendations to explore the styles fully. Please feel free to use the material creatively, like repeating bars when you feel like it. You can also use the pieces for advanced sight reading, but I suggest that you take time to look carefully at the dynamics and stickings. All the stickings are basedon a right handed player (please reverse them if you are left handed). The basic concept is to have rhythmic compositions with basic classical notation and technique, that you can play on a drumset or on a practice pad with your feet stompin' at the floor. The first part is snare and bassdrum with hi-hat foot suggestions. Later in the book hi-hat (with stick) and snarerim are added. The advantage of these concepts is that playing through these etudes is very closely related to what is going on in modern music. Especially important for players in Jazz, Rock and Latin, but also very useful for a classical percussionist who needs solid music training. The last part of this book is a few pages of technique studies and rhythmic concepts that is related to the compositions. The purpose is not to include all basic strokes and principles (there are already many great books for that) but to show you some concepts that I have found useful and special through my years of playing and teaching. Michael Axen.
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