SKU: YM.GTL01096748
ISBN 9784636952544.
10 Arrangement with TAB and commentary for guitar playing1. Grandfather's Old Clock; 2. Sugar Song and Bitter Step; 3. Firework; 4. Nandemonaiya; 5. Senbon Sakura; 6. Marunouchi Sadistic; 7. Mosaic Roll; 8. Wellcome to Japari Park; 9. Love; 10. Silhouette.
SKU: YM.GTL01095254
10 Arrangement with TAB and commentary for guitar playing1. Hanamizuki; 2. Lemon; 3. Rakujitu(Sunset); 4. 366 days; 5. Ugoku Ugoku(Move, Move); 6. Kataomoi(Feeling); 7. Connect; 8. Kanzen Kankaku Dreamer; 9. Zenzenzenya; 10. Katharsis.
SKU: HL.49019327
ISBN 9783795747558. UPC: 841886018204. 9.0x12.0x0.2 inches.
This volume contains everything needed for guitar lessons: 58 easy original guitar pieces by Aguado, Mertz, Diabelli, Carulli, Sor or Carcassi, but also easy-to-play arrangements of classical music from the fields of orchestral music, chamber music or opera. Among them are themes from Vivaldi's Four Seasons, from Handel's Music for the Royal Fireworks, Mozart's Magic Flute, Beethoven's Symphony No. 9 or Verdi's Chorus of the Hebrew Slaves. It is this volume's concern to make classical masterpieces of concert literature accessible to children by means of such rather easy arrangements and make them enjoy classical music. All pieces are recorded on the accompanying CD to make it easier for the pupils to study and master the works.
SKU: HL.49046946
ISBN 9783795785055. UPC: 196288087601. 9.0x12.0x0.118 inches.
Whether for lessons or the first little concerts - 'Easy Concert Pieces' for guitar contains easy and well-known solo pieces, carefully selected according to technical and musical demands: Vol. 1 easy, Vol. 2 intermediate. Apart from original guitar pieces by Aguado, Mertz, Diabelli, Carulli, Sor, or Carcassi, this edition also contains easily playable arrangements of classical masterpieces such as Vivaldi's 'Four Seasons', Handel's 'Fireworks Music', Mozart's 'Magic Flute' or Verdi's 'Chorus of Hebrew Slaves'. The arrangements want to provide access to the masterpieces of concert literature and encourage the joy of classical music.All pieces are recorded and are available for download.
SKU: HL.50493073
TECNICHE E METODO PER LO STUDIO IMPROVVISAZIONE E SVILUPPO DEL FRASEGGIO SULLA CHITARRA.
SKU: GH.GE-11464
ISBN 979-0-070-11464-6. A4 inches.
Work note by the composer: When I received the news of this commission, I had no idea what it would lead to. Writing for guitar solo is not the same as composing for orchestra where you have forty voices where you can easily mask an entire section. Here you are very naked to the bone. The starting point for this work was from J.S. Bach's Chaconne in D-minor that Johannes had performed in concert, originally written for violin but there is a version transcribed for guitar and piano made by Ferruccio Busoni. When I went to Cortona (in Tuscany, Italy) completed the southern mentality of this work. Arpalineais actually a merged word in Italian language. Arpa means harp, however in a musical context it's more or less resembled with the word arpeggio, which means broken chords. Lineameans line. The work is divided in three parts. I. Arpeggio: It starts with an opening chaconne-like sequence and is marked with a certain depth in which the chords starts to separate from the organum note in the bass and it culminates into a section called with rhythmical focus. These sections alternates, variates which each other. The middle section has a playful and childish atmosphere where the guitarist knocks on the body of the guitar resembling a Spanish folk instrument cajon. This is leading to a section which tends more to a very aggressive fusion-like riff that loses control and reaches its climax at the end. II. Linea: The static rhytmical pulse is now disintegrated and it forms more or less sort of a free, improvisational state in a rubatolike tempo. The character is described as a very hot day with temperatures rising above 37! C (or 100! F) where you can hardly do anything just sitting dozed off and pespiring because of the extreme heat watching a huge fog coming up in the evening that spreads around the Tuscan atmosphere. III. Finale: It starts off with fast one-note ostinati then more and more notes pop up like a gradual rain storm with thunder strikes! And eventually it leads to that is a large flood through the streets of an medieval Southern town. The work ends with a short circuit slapped strings along with extremely fast tremolos that reaches higher and louder as possible! Benjamin Staern
SKU: HL.14061123
SKU: UT.DM-24
ISBN 9790215304383. 9 x 12 inches.
«Come è possibile conciliare il divertimento con l?apprendimento? Le esigenze degli allievi con quelle degli insegnanti?»In altre parole: «Come si può definire un percorso didattico che sia nello stesso tempo divertente, perché i bambini possano divertirsi a suonare fin dall?inizio; facile, cioè strutturato in modo tale da poter essere usato veramente da tutti, indipendentemente dalle doti musicali naturali o dal tempo disponibile per lo studio; efficace, per superare i classici ostacoli dei principianti (difficoltà di lettura e di comprensione melodico-ritmica dello spartito; difficoltà di collegare ciò che si legge e si conosce all?esecuzione) e per sviluppare quelle prime basi del linguaggio musicale (intonazione, senso ritmico, comprensione armonica, fraseggio), che permetteranno in seguito di affrontare i repertori desiderati?»Queste sono le classiche domande, che molti insegnanti si pongono. La risposta, che nasce dalla mia ventennale esperienza di insegnante di chitarra in scuole di musica comunali e private, è: «Partendo dalla realtà dell?allievo e lasciandosi guidare dalle sue esigenze musicali in continua evoluzione». Coerentemente con questo postulato, ho iniziato un?attenta osservazione dei miei allievi allo scopo di capire ciò di cui avevano bisogno per cominciare a suonare la chitarra e cercando di intuire, decodificare e concretizzare in musica i loro segnali. Il metodo di ricerca e i risultati ottenuti sono descritti dettagliatamente nelle Note per l?insegnante.
SKU: HL.50579920
SKU: M7.PPV-20046438
ISBN 9783941531444.
So spielt ihr den Woodstock-Rock! In den Sechzigern herrschte in der englischen Musiklandschaft ein buntes Treiben: Eric Clapton, Keith Richards, Pete Townshend, Jeff Beck oder Peter Green waren allesamt bluesbegeisterte Rockgitarristen und mischten die Szene auf. Richtig Schwung in die Szene kam aber erst, als Animals-Bassist und Musikmanager Chase Chandler den Amerikaner Jimi Hendrix nach London brachte. Unter den Musikern setzte ein regelrechter Wettbewerb ein: Wer machte die wildeste Show? Wer hatte die besten Riffs und spielte die schnellsten Licks? Wer setzte die abgefahrensten psychedelischen Effekte ein? Effekte wie Pedal-Fuzz und Wah nutzen Der Uptempo-Song Purple Lady kracht richtig los mit typischen Effekten wie Wah-wah und Fuzz. In Flying Wings findet ihr die Zutaten für eine grandiose Ballade mit den typischen verziert gespielten Akkorden und einem melodischen Heldensolo. Mit diesen und anderen Songs steigst du ein in die wabernden Sounds der 60s und verwandelst deine Gitarre in ein Feuerwerk aus Crazy Licks, fuzzigen Riffs und kreischenden Lead-Sounds.
SKU: HL.14061111
SKU: BT.SINFJ105
ISBN 9788884001566.
(SJ. 105)Metodologie essenziali per un chitarrista modernoImpostazione, scale, intervalli, le 5 zone della chitarra, triadi, esempi di fraseggi nei vari stili, accordi e giri armonici, esempi di accompagnamento, colori ed effetti.
SKU: M7.MLR-67000
ISBN 9790215106703.
SKU: BT.SINFJ125
ISBN 9788884002969. Italian.
Tecnica e pratica per limprovvisazione jazz sulla chitarraUn compendio di tecniche selezionate per lo sviluppo dellimprovvisazione e una raccolta di studi per lassimilazione progressiva degli elementi melodici principali del fraseggiojazzistico sulla chitarra.
SKU: BT.SINF524
ISBN 9788884004536. Italian.
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