SKU: HL.14032192

ISBN 9788759858394. 12.0x16.5x0.78 inches. International (more than one language).

Symphony No. 6 for orchestra, 1997-99. Preface / Program Note:... with the Lord a day is like a thousand years, and a thousand years is like a day(New Testament, 2 Peter 3:8)My SYMPHONY NO. 6 was commissioned by the Danish National Radio Symphony Orchestra, the Gteborg Symphony Orchestra and the Oslo Philharmonic Orchestra, to be premiered at the millenium 2000.The subtitle AT THE END OF THE DAY can be understood literally or it can mean when all is added up. However, in my opinion, nothing ever quite adds up, there is always something missing, any ending will be provisional ...This symphony appears to end only a few minutes into the first movement, the first passage, as the music fades away to almost-silence, after a start of flying colours. But then there is still something, a small motive (first heard in the initial sound-waves) which reappears, hesitant, but persistent, and this embryo is what leads on the musical progression. An agitated section of many instrumental voices comes next, until all the voices become obsessed with the same phrase, a see-saw motive based on thirds. This section evolves into almost martial ferocity, when broken off by a tutti descent into an extreme bass-world (a bass-world which actually permeates the whole symphony, emplyoing instruments that I have never used before: double-bass tuba, double-bass trombone, double-bass clarinet, and bass flute).The second movement, the second passage, apparently takes off where the first passage ended, but now the events are more ambiguous, and the same music may be perceived as fast-moving one moment and slow-moving the next. This section is a kind of passacaglia, the characteristic baroque bass-variation.Without a break follows the third and last passage, in a contrasting high register. The music is rhythmically knotty as well as freely flowing. As in the beginning of the symphony, a never-ending descent or fall breaks off the events, and at the very end a delta of new beginnings, of other worlds, is revealed ....The symphony is dedicated to Helle, my wife. - Per Norgard.

SKU: AP.43754S

UPC: 038081496269. English.

The perfect level for very young players, this arrangement is designed to sound great at almost any tempo. Enjoy! (2:00).

About Orchestra Expressions

Play great songs such as Over the Rainbow, Batman, This Land Is Your Land, and Star Wars (Main Title). Listen to and play a variety of styles of music: popular, traditional, classical, folk and patriotic. Read and write music; compose and improvise. Perform in a concert and play for your family and friends. Be a conductor of the orchestra. Learn about composers, such as Antonin Dvorak, Johann Pachelbel, Jacques Offenbach, Pytor Ilyich Tchaikovsky, Giuseppe Verdi, George M. Cohan, George Frideric Handel, Ludwig van Beethoven, Johann Sebastian Bach, Wolfgang Amadeus Mozart, Giacomo Puccini, Georges Bizet, Neal Hefti, and John Williams. Discover how music and art are related. Learn about a variety of musical ensembles including string orchestra, full orchestra, mariachi band, steel drum band, dixieland jazz band, rock band, and more. Play music from around the world, including North America, Europe, Latin America, Asia, and Africa.

SKU: AP.49061S

ISBN 9781470645816. UPC: 038081565217. English.

Hanerot Halalu, arranged by Paul Riggio, is a Hanukkah selection for a younger string orchestra. The rich harmonies will make every orchestra sound full and mature. Each section is given a chance to shine as it employs independence of parts in both pitch and rhythm. Infinitely adaptable to ensembles of almost any size, directors will love programming this work as it is a tuneful and touching representation of the holiday season. Set in a traditional folk-music style, this beautiful arrangement will be a wonderful selection for a well-rounded holiday performance. (2:30).

SKU: AP.49061

ISBN 9781470645809. UPC: 038081565200. English.

Hanerot Halalu, arranged by Paul Riggio, is a Hanukkah selection for a younger string orchestra. The rich harmonies will make every orchestra sound full and mature. Each section is given a chance to shine as it employs independence of parts in both pitch and rhythm. Infinitely adaptable to ensembles of almost any size, directors will love programming this work as it is a tuneful and touching representation of the holiday season. Set in a traditional folk-music style, this beautiful arrangement will be a wonderful selection for a well-rounded holiday performance. (2:30).

SKU: FG.706309-15-6

ISBN 979-0-706309-15-6.

Juhani Nuorvala's hit piece for orchestra which has been performed by almost every professional orchestra in Finland.

SKU: HL.48024114

ISBN 9780851628363. UPC: 888680708900. 8.25x11.75 inches. Hawkes Pocket Score 1390.

Chorale (2001-02), for orchestra, is a kind of musical meditation on the chorale Es ist genug from Bach's cantata O Ewigkeit, du Donnerwort, itself a harmonisation of J R Ahle's 1662 hymn. Nick Kimberley's preface outlines the context of the Bach original and refers to Alban Berg's use of the chorale in his Violin Concerto almost 300 years later. In contrast to both of these works, Lindberg's Chorale has no extra-musical agenda. The composer explains that he took the harmonic structure of the chorale and embedded it in his own harmonies. “I make an analogy with the rise and fall of the tide. When the tide is in, the sea-bed is invisible; but when the tide goes out, you see the rock formation on the sea-bed.” Tribute is a short show-piece for full orchestra composed in 2004 as a gift to celebrate the 20th anniversary of Esa-Pekka Salonen's debut with the Los Angeles Philharmonic.

SKU: HL.49018927

ISBN 9790001174268.

Despite the Concertante Overture being almost 60 years old, the piece nevertheless captures listeners through its young and carefree freshness. The string orchestra is joined by solo winds and percussion. Hummel's music is so colourful, vivid and powerful that the listener can immediately imagine how the curtain rises upon a play while this music is played.The differentiated score, with its chamber music layout, can be mastered by good amateur ensembles and music students.

SKU: AP.48093S

UPC: 038081558721. English.

Full of energy and life, Streaks of Thunder, an original piece by Bob Phillips, includes moments of sheer exuberance as well as reflection. The series of memorable melodies and driving rhythms streak through all sections in an almost call and response between upper and lower strings. Excitement abounds in this piece, making it a great opener or closer! (4:15) This title available in MakeMusic Cloud.

SKU: AP.48093

UPC: 038081558714. English.

Full of energy and life, Streaks of Thunder, an original piece by Bob Phillips, includes moments of sheer exuberance as well as reflection. The series of memorable melodies and driving rhythms streak through all sections in an almost call and response between upper and lower strings. Excitement abounds in this piece, making it a great opener or closer! (4:15) This title is available in MakeMusic Cloud.

SKU: HL.14019121

ISBN 9781844492954. 9.0x12.0x0.303 inches.

Commissioned by the first Sibelius Conductor's Competition held in Helsinki in May 1995, as an obligatory piece to be rehearsed by all the competitors, Arena was performed in its totality at the annual Avanti! Chamber Orchestra's festival in Porvoo (Finland). Thematic thinking has never been a main feature in Lindberg's music, but here horizontal lines (one would not yet dare to call them melodies) gain some independence, for example in ornamental figures and in the intense cello solo around the middle of the piece. Arena also reveals some clearly new material - Lindberg has talked about Beethoven-like formal thinking, referring to a passage where the sense of movement seems to accelerate to an extreme so that finally one perceives only a motionless surface. Another new element - which was already used to some extent at the warmly hovering ending of Aura - is the almost romantic sound world and the suspension of the harmonies in the final climax, which can make one think of Mahler and Berg, or Lindberg's grand predecessor and compatriot, Sibelius. This is the Score, published by Chester Music; the duration of the pieces is approximately 16 minutes.