SKU: AP.38451S

UPC: 038081438795. English.

A fantastic original piece for full orchestra, players and audiences will delight in this new work. Perfect for any occasion, this is a celebratory piece expressing the joy and exhilaration of a new beginning.

SKU: AP.48091S

ISBN 9781470654399. UPC: 038081554686. English.

Century One Tusonic by Richard Meyer will take your students on an amazing journey. This celebratory and futuristic-sounding overture is the perfect opener or closer for any concert. Tuneful, energetic, and highly emotional, the piece presents a sonic kaleidoscope of playing styles that will challenge every section of the advanced string orchestra. The unexpected harmonies and exotic rhythms give this selection a cinematic sound that is sure to intrigue your students and your audience. Brief solos for violin and cello are included. (6:00).

SKU: AP.45882S

UPC: 038081523880. English.

With its bright, hopeful melody and infectious rhythms, this original piece by Scott Watson, A Joyous Celebration, is perfect to program for any celebratory occasion, or to open or close your concert. Optimistic harmonies and recurring syncopations in the opening section give way to broad, expansive strokes in a brief, contrasting section. A fortissimo climax leads to the welcome return of the jubilant opening theme. The joyful music drives to a sparkling finish, conveying the feeling that anything is possible! (2:55).

SKU: CF.C1232

ISBN 9781491160923. UPC: 680160919529. Transcribed by John Stafford Smith.

The celebratory and dramatic rendition of The Star-Spangled Banner by Sean O'Loughlin, first arranged for brass and percussion, is now beautifully scored for full orchestra. O'Loughlin's popular arrangement has become a favorite of both the Oregon Symphony and Baltimore Symphony brass players, being played at sporting events including Portland Trailblazers NBA basketball games, Baltimore Orioles baseball games, and Baltimore Ravens football games.With fanfare flourishes and colorful touches, this grand arrangement gives each section an opportunity to play the melody, making for a truly dynamic experience.

SKU: CF.C1232F

ISBN 9781491161371. UPC: 680160919963. Transcribed by John Stafford Smith.

The celebratory and dramatic rendition of The Star-Spangled Banner first arranged for brass and percussion by Sean O'Loughlin is now beautifully scored for full orchestra. O'Loughlin's popular arrangement has become a favorite of both the Oregon Symphony and Baltimore Symphony brass players, being played at sporting events including Portland Trailblazers NBA basketball games, Baltimore Orioles baseball games, and Baltimore Ravens football games.With fanfare flourishes and colorful touches, this grand arrangement gives each section an opportunity to play the melody, making for a truly dynamic experience.

SKU: LO.30-3714L

UPC: 000308154320.

CD with Printable Parts for 65/2101L From the collaborative efforts of Lloyd Larson, Mary McDonald, Jay Rouse, and Larry Shackley, Everlasting Light showcases the profound significance of the light of Christ come to earth. An insightful narration by Rose Aspinall incorporates scripture and personal reflection to tie together the compelling combination of powerful original music and beloved carols. Mary McDonald’s celebratory opener, Everlasting Light, acts as the cornerstone of the work. Larry Shackley’s Longing for the Light beautifully portrays a yearning for restoration; Jay Rouse offers a stirring original song with words inspired by Mary’s Songs of Praise found in Luke 1:44-56; and Lloyd Larson’s Shepherds and Angels adds rhythmic and joyful energy. The work concludes with a robust medley of carols that points back to the opening song: He is the Light, Everlasting Light; born a Savior, born this night. He is the One, the Everlasting Son; Child of heaven, He is the Light!.

SKU: LO.30-3694L

UPC: 000308154399.

Set of Parts for 65/2098L This celebratory work from Marty Parks is filled with festive interpretations of classic carols and worshipful original songs that highlight the beauty of the Christmas story. Arranged with practicality in mind, it is sure to make choirs of all sizes and skill levels sound their best. The choral voicings are rich and full while the vocal ranges maintain an accessibility throughout. The orchestration, also written by Marty, beautifully complements the choral writing. From the anticipatory, joy-filled opener, O Come, Emmanuel!, to the exciting finale that combines O Come, All Ye Faithful and Son of the Father’s Love, this incredible selection is filled with the sounds and spirit of Christmas!

SKU: LO.30-2607L

UPC: 000308125986.

Joyful and lively, this arrangement of “Sound His Praise” is energetic from start to finish. Rich harmonies permeate Mary McDonald’s setting as skillfully written, accessible parts ride atop a rejoicing accompaniment. For a truly celebratory performance, be sure to add Mike Lawrence’s stunning optional orchestration! Instrumentation: 2 Fl/Picc, Ob, 2 Cl, Bsn (sub B Cl), 2 Hn (sub 2 A Sax), 3 Tpt, 2 Tbn (sub T Sax/Bari TC), Tbn 3/ Tuba, Timp, Perc, Drum Set, E Bass, Harp, Pno, Vln 1 & 2, Vla, Cello, Bass, String Reduction included.

SKU: BT.MUSM570366712

English.

Le Voyage Dans La Lune is a continuous orchestral score of approximately 14 minutes comprising two outer fast sections and a slower inner section of a dream-like character. The work is directly inspired by the film Le Voyage Dans La Lune (1902), written and directed by the pioneering French film-maker, Georges Méliès. Méliès was influenced by 19th century interests in science and discoveries, as well as the science fiction of Jules Verne. At the same time his work seems fantastic, surreal and satirical. Some critics point out an underlying critique of colonial adventuring. The plot centres on a group of astronomers who decide to launch a rocket to the moon containing a handful of their number. They reach the moon (famously landing on the moon’s face) and then encounter a strange race of aliens, whom they battle and destroy. The return to earth involves a dramatic descent, a plunge into the ocean and then celebratory dancing. The film inhabits a surreal and dream-like space, and uses an idiosyncratic visual language which transforms reality. This inspired an active musical response in my own score, which is by turns abrupt, smooth, lyrical and violent, and expresses something of the strange shifting surfaces and multiple and layered tempos evident in the film. The canons in the horns in the first scene reflect the intense arguments of the astronomers as they consider the project. The slower inner section is inspired by the scenes of the industrial City viewed from its rooftops by the astronomers. It also expresses the wonder of the astronomers as they see the earth rise from the perspective of the moon after their arrival there. The music of the final section is in places conflicted, reflecting the violent encounters with the moon’s inhabitants. It moves into a more harmonious phase at the close to match the celebrations upon the astronomers’ return from their adventuring. The music could be considered to be a surreal mini-opera without voices, voicing instead the characters of the silent screen. - Ed Hughes.