| Requiem Orchestra [Study Score / Miniature] Schott
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra (St...(+)
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra (Study Score) SKU: HL.49018099 Boy Soprano, Soprano, Tenor, Flugelhorn, Mixed Chorus, and Chamber Orchestra Study Score. Composed by Harald Weiss. This edition: Paperback/Soft Cover. Sheet music. Study Score. Classical. Softcover. Composed 2008/2009. 188 pages. Duration 100'. Schott Music #ED20619. Published by Schott Music (HL.49018099). ISBN 9790001158428. UPC: 884088567347. 8.25x11.75x0.457 inches. Latin - German. On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of 'letting go'. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: 'I will return the key of my door'. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though 'in an ocean' of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: 'So teach us to number our days, that we may apply our hearts unto wisdom'. This cannot be expressed more plainly.I have begun the requiem with a solo boy's voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent 'lux aeterna'. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: 'Entreiss dich, Seele, nun der Zeit, entreiss dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen' ['Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morning'] and later: 'Und die Seele unbewacht will in freien Flugen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben' ['And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfold']. Or Joseph von Eichendorff whose text evokes a distant song in his lines: 'Und meine Seele spannte weit ihre Flugel aus. Flog durch die stillen Lande, als floge sie nach Haus' ['And my soul spread its wings wide. Flew through the still country as if homeward bound.']Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven's late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my 'renewed' occupation with the 'old' country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a 'homecomer'. Harald WeissColonia de San PedroMarch 2009. $93.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| How the Grinch Stole Christmas (featuring Youre a Mean One, Mr. Grinch, He Carves the Roast Beast, and Welcome Christmas) Orchestra - Easy Alfred Publishing
Arranged by Jerry Brubaker. Arr. Jerry Brubaker. For Full Orchestra. Full Orches...(+)
Arranged by Jerry Brubaker. Arr. Jerry Brubaker. For Full Orchestra. Full Orchestra. Pop Intermediate Full Orchestra. Movie; Novelty; Secular. Conductor Score and Parts. 256 pages. Published by Alfred Publishing. Level: 2.5 (grade 2.5).
$70.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| How the Grinch Stole Christmas (featuring Youre a Mean One, Mr. Grinch, He Carves the Roast Beast, and Welcome Christmas) Orchestra [Score] - Easy Alfred Publishing
Arranged by Jerry Brubaker. Arr. Jerry Brubaker. For Full Orchestra. Full Orches...(+)
Arranged by Jerry Brubaker. Arr. Jerry Brubaker. For Full Orchestra. Full Orchestra. Pop Intermediate Full Orchestra. Movie; Novelty; Secular. Conductor Score. 20 pages. Published by Alfred Publishing. Level: 2.5 (grade 2.5).
$9.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| A Joyous Celebration Orchestra [Score] - Easy Highland/Etling
Orchestra - Grade 2.5 SKU: AP.45882S Composed by Scott Watson. Performanc...(+)
Orchestra - Grade 2.5 SKU: AP.45882S Composed by Scott Watson. Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Score. 8 pages. Duration 2:55. Highland/Etling #00-45882S. Published by Highland/Etling (AP.45882S). UPC: 038081523880. English. With its bright, hopeful melody and infectious rhythms, this original piece by Scott Watson, A Joyous Celebration, is perfect to program for any celebratory occasion, or to open or close your concert. Optimistic harmonies and recurring syncopations in the opening section give way to broad, expansive strokes in a brief, contrasting section. A fortissimo climax leads to the welcome return of the jubilant opening theme. The joyful music drives to a sparkling finish, conveying the feeling that anything is possible! (2:55). $9.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| A Joyous Celebration Orchestra - Easy Highland/Etling
Orchestra - Grade 2.5 SKU: AP.45882 Composed by Scott Watson. Performance...(+)
Orchestra - Grade 2.5 SKU: AP.45882 Composed by Scott Watson. Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Score and Part(s). 110 pages. Duration 2:55. Highland/Etling #00-45882. Published by Highland/Etling (AP.45882). UPC: 038081523873. English. With its bright, hopeful melody and infectious rhythms, this original piece by Scott Watson is perfect to program for any celebratory occasion, or to open or close your concert. Optimistic harmonies and recurring syncopations in the opening section give way to broad, expansive strokes in a brief, contrasting section. A fortissimo climax leads to the welcome return of the jubilant opening theme. The joyful music drives to a sparkling finish, conveying the feeling that anything is possible! (2:55). $49.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Tidings of Joy Orchestra [Score and Parts] Shawnee Press
Full Orchestra (Print) Choral (Orchestra Accompaniment) SKU: HL.334240 (+)
Full Orchestra (Print) Choral (Orchestra Accompaniment) SKU: HL.334240 A Celtic Christmas Celebration. Composed by Joseph M. Martin. Shawnee Sacred. Cantata, Christmas, General Worship, Sacred. Softcover. Duration 2700 seconds. Published by Shawnee Press (HL.334240). ISBN 9781540085146. UPC: 840126909050. 8.5x14.0x2.735 inches. Inspired by Celtic music traditions and time-honored carols, this new work overflows with seasonal spirit. From prophecy to Epiphany, the cantata covers the entire Christmas story and wraps it in jubilant and approachable music. Supported by encouraging narration, dazzling orchestrations and a complete line of support products, this spectacular work will be a warm holiday welcome to your community of faith. Songs include: A Christmas Invitation; A Festival Gathering of Carols; Upon the Wind, There Comes a Song; From the Prophet Comes a Promise; A Song of Joy; The Silent Stars Go By; Comfort and Joy; Look to the Silver Sky; Sing of a Merry Christmas; Glad Tidings of Great Joy. Score and Parts for Full Orchestra (fl 1-2/pic, ob/eng hn, cl 1-2, bn, hn 1-2, tpt 1-3, tbn 1-2, tba, timp, perc 1-2, hp, pno, vn 1-2, va, vc, db) available as a Printed Edition and as a digital download. Score and Parts for Celtic Consort (pno, gtr, fl/pwhis, cl, bls, perc, vn, vc) available as a Printed Edition and as a digital download. Score and Parts for Chamber Orchestra (pno, fl, cl, tpt 1-2, tbn, bls, perc, kybd strings) available as a digital download. $350.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| A Child Is Born - Full Orchestral Score and Parts Orchestra [Score and Parts] Monarch Music
(A Christmas Worship Experience of the Christ-Light). By Mary Mcdonald. Arranged...(+)
(A Christmas Worship Experience of the Christ-Light). By Mary Mcdonald. Arranged by Laura Kathryn Rosser. For full orchestra. Cantatas. Christmas. Orchestral score and parts. Published by Monarch Music
$349.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Bethlehem's Child - Full Score and Parts plus CD with Printable Parts Orchestra [Score] Lorenz Publishing Company
By Lloyd Larson. Arranged by Victor C Johnson. For orchestration (2 flutes, oboe...(+)
By Lloyd Larson. Arranged by Victor C Johnson. For orchestration (2 flutes, oboe, 2 clarinets, bassoon, 2 horns, 3 trumpets, 2 trombones, tuba, 2 percussion, harp, piano, 2 violins, viola, cello, bass). Cantatas. Christmas, Sacred. Full score, set of part
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| Graduation Suite Orchestra [Score] - Easy Belwin
Orchestra - Grade 2.5 SKU: AP.49435S I. Processional: Pomp and Circums...(+)
Orchestra - Grade 2.5 SKU: AP.49435S I. Processional: Pomp and Circumstance March No. 1 and II. Recessional: Rondeau from Premiere Suite. Composed by Edward Elgar and Jean-Joseph Mouret. Arranged by Michael Story (ASCAP). Full Orchestra; MakeMusic Cloud; Performance Music Ensemble; Single Titles. Belwin Intermediate String/Full Orchestra. Form: March. Score. Duration 3:45. Belwin Music #00-49435S. Published by Belwin Music (AP.49435S). ISBN 9781470650612. UPC: 038081571393. English. A must for any regal ceremony. The traditional Pomp and Circumstance has been scored for young full orchestra, or strings alone. It includes a processional and the majestic Rondeau from Premiere Suite as the recessional. This arrangement would be an outstanding graduation choice for any level orchestra performing without graduating seniors. A welcome necessary arrangement for every library. (3:45) This title is available in MakeMusic Cloud. $9.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| New World Symphony Orchestra [Score and Parts] - Intermediate Alfred Publishing
First Movement. By Antonin Dvorak. Arranged by Merle J. Isaac. By Antonin Dvorak...(+)
First Movement. By Antonin Dvorak. Arranged by Merle J. Isaac. By Antonin Dvorak / arr. Merle Isaac. For Full Orchestra. Full Orchestra. Concert Full Orchestra. Conductor Score and Parts. 240 pages. Duration 8:56. Published by Alfred Publishing. Level: 3.5 (grade 3.5).
$73.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| New World Sym 1st Mvmt Orchestra [Score] - Intermediate Alfred Publishing
By Antonin Dvorak. Arranged by Merle J. Isaac. By Antonin Dvorak / arr. Merle Is...(+)
By Antonin Dvorak. Arranged by Merle J. Isaac. By Antonin Dvorak / arr. Merle Isaac. For Full Orchestra. Full Orchestra. Concert Full Orchestra. Level: 3.5 (grade 3.5). Conductor Score. 36 pages. Published by Alfred Publishing.
$9.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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