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The Rake's Progress HPS 739
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Boosey and Hawkes
Opera in three acts. Par STRAWINSKY IGOR. New edition of Stravinsky?s largest wo...
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Opera in three acts. Par STRAWINSKY IGOR. New edition of Stravinsky?s largest work, his only full-length work for the theatre, and his first major work in English. It also represents the culmination of his neoclassical years, after which he started to rethink his musical language. Inspired by an exhibition in Chicago in 1947 of a series of Hogarth prints, the depiction of the ironic progress of the spendthrift heir of a miser from wealth via debt to madness and death is, in essence, retained in the opera. Auden and Kallman's 'fable' wittily grafts onto Hogarth?s quest narrative aspects of, among other sources, Classical pastoral, the Faust legend, fairy tale, circus, the Bible and opera in many different manifestations. This is brilliantly matched by Stravinsky?s music, which takes as its source the whole of operatic history from Monteverdi to Verdi via Rossini and Donizetti and large doses of Mozart, yet it is neither parody nor pastiche. The Rake?s Progress can be appreciated on many levels, which might explain why it is still one of only a handful of 20th-century operas never to have been out of the repertoire. / Date parution : 2023-10-31/ Répertoire / Solistes, Choeur et Orchestre
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Claudio Monteverdi: LOrfeo: Mixed Choir: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Favola in musica in un prologo e cinque atti-Monteverdi’s opera “L&r...
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Favola in musica in un prologo e cinque atti-Monteverdi’s opera “L’Orfeo” based on the legend of Thracian singer Orpheus and his love of Eurydice is a masterpiece of musical declamation and ornamentation. It was first performed during the 1607 carnevale in the “Palazzo Ducale” in Mantua. When an edition remains true to its sources this certainly does not mean that it is not also practical to use as is demonstrated in this Bärenreiter edition of Monteverdi’s “L’Orfeo”. Edited by Rinaldo Alessandrini the new publication follows the Bärenreiter edition of Monteverdi’s “Il ritorno d’Ulisse in patria”. Two contemporary prints of “L’Orfeo” from the years 1609 and 1615 have been passed down to us. Four copies of each of these prints still survive today in public libraries. The later print includes many corrections to the earlier edition and was accordingly used as the primary source for this Bärenreiter edition. However when solving musical problems the editor frequently follows the more coherent style of the earlier print. The numerous interesting variants not only between the two editions but also amongst the eight surviving copies are listed in the critical commentary.This edition of “L’Orfeo” offers in addition to Monteverdi’s somewhat sparse original figures also figures added to the bass line by the editor. The continuo player should however feel free to follow his own judgment. The notation has been when necessary adapted to suit modern practice for example with regard to the clefs. The sections that were originally written in “chiavetta” have been transposed a fifth lower. In the appendix these sections also appear in their original notation in facsimile as well as transposed a fourth lower.Detailed introduction by the editor (Ital/Eng/Ger) on the work’s genesis and performance practiceComprehensive critical commentary (Eng) in the scoreIdiomatic piano reduction
130.00 GBP - Sold by Musicroom UK
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Dido and Aeneas (PURCELL HENRY)
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Score]
Barenreiter
Par PURCELL HENRY. Purcell Dido and Aeneas (Full Score, paperback) The opera ?Di...
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Par PURCELL HENRY. Purcell Dido and Aeneas (Full Score, paperback) The opera ?Dido and Aeneas?, a recount of the well-known story from Book IV of Virgil's Aeneid, has established itself as a favourite with the public. This is due to the skill of composer Henry Purcell and his librettist Nahum Tate, who combined an overriding tragic theme with masterfully inserted comic episodes. Long believed to have been conceived in 1689 for a performance at a ?School for Young Gentlewomen?, scholars have debated the origins of ?Dido? in recent decades, a process hampered by the lack of early musical sources. This edition addresses these challenges and evaluates the earliest sources that reproduce the opera in its surviving form. Surprisingly, these date from the 1770s and 80s, some ninety years after the work was written. Three key manuscripts ? now held at the Bodleian Library in Oxford (UK), at Tatton Park Library which is a National Trust property near Manchester (UK), and at the Wakayama Prefectural Library (Japan) - were all copied from the same original, most likely a handwritten score from 1704 which reappeared in the early 1770s, only to disappear again. This is the first 'Dido' edition based on the Tatton Park manuscript as the main source. It was produced during the second half of the 18th century by Philip Hayes, one of England's most prominent musicians. He was known in musicology for his meticulous copies of Purcell's music, often from the autograph manuscripts. The Bodleian and Wakayama manuscripts are presented in a new light and their role in this edition has been reassessed accordingly. - Urtext edition based for the first time on the Tatton Park manuscript as the main source - Informative Foreword (Eng/Ger) on the genesis, transmission, reception and performance practice - Complete facsimile reproduction of the Chelsea libretto / Date parution : 2023-06-01/ Répertoire / Solistes, Choeur Mixte et Orchestre
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Georg Friedrich Händel: Samson: Opera: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Novello & Co Ltd.
Samson an oratorio for soloists mixed chorus and orchestra by George Frideric ...
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Samson an oratorio for soloists mixed chorus and orchestra by George Frideric Handel libretto by Newburgh Hamilton after Milton’s Samson Agonistes. Edited by Donald Burrows. This latest addition to the Novello Handel Edition is the first complete modern edition of the composer’s longest oratorio prepared after examination of all known contemporary sources both music and word-books. The publication embodies the complete text known to have been performed at the Covent Garden premiere in 1743 as well as identifying the later shorter versions and additions performed regularly by Handel and an Appendix of allfurther variants created by him and performed during his lifetime. It is thus a comprehensive and flexible edition for between four and eight soloists with an abundance of choral writing and some of Handel’s most sublime writing for voices.Includes an historical preface extensive notes on the performance of the different versions and useful practical notes on the interpretation of Handel.
24.99 GBP - Sold by Musicroom UK
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Naïs (RAMEAU JEAN-PHILIPPE)
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Score]
Barenreiter
Opera With A Prologue and Three Acts. Par RAMEAU JEAN-PHILIPPE. Opera With A Pro...
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Opera With A Prologue and Three Acts. Par RAMEAU JEAN-PHILIPPE. Opera With A Prologue Et Three Acts/ Répertoire / Solistes, Choeur Mixte et Orchestre
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Gerald Near: Three Communion Anthems: SATB: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Aureole Editions
Georges BizetCarmenOpera in three actsCritical new edition with the recitatives ...
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Georges BizetCarmenOpera in three actsCritical new edition with the recitatives later composed by Ernest GuiraudFull score (AE129) and vocal score (AE129-90) available for salePerformance material availale for hire AE129-72
155.00 GBP - Sold by Musicroom UK
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La Traviata (VERDI GIUSEPPE)
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Peters
Par VERDI GIUSEPPE. Voice - Piano/ Répertoire / Opéra
52.70 EUR - Sold by LMI-partitions
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Georges Bizet: Les Pêcheurs De Perles: Voice: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
Peters
Opera in 3 Acts.-Georges Bizet's Les Pêcheurs de perles for mixed chorus.
52.00 GBP - Sold by Musicroom UK
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Platée
Deutsch
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Barenreiter
/ Divers / Partition
508.10 EUR - Sold by LMI-partitions
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Armide - Armida
Deutsch
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
/ Chant/Vocal/Choeur
654.30 EUR - Sold by LMI-partitions
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Mozart, Wolfgang Amadeus : The Seven Great Operas K. 366, 384, 492, 527, 588, 620, 621
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Classique / Coffret Partition /
289.00 EUR - Sold by Note4Piano
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St John Passion (Vocal Score) - Old Novello Edition
Soli, Mixted choir and accompaniment
[Vocal Score]
Novello & Co Ltd.
Vocal score for Johann Sebastian Bach's The Passion Of Our Lord for SATB soli, S...
(+)
Vocal score for Johann Sebastian Bach's The Passion Of Our Lord for SATB soli, SATB chorus, orchestra and organ. This volume contains all vocal parts and a piano accompaniment. / Chant/Vocal/Choeur
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Adams J. - Doctor Atomic - Voix
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Schott
Opera in Two Acts / soloists, mixed choir (SATB) and orchestra
103.40 EUR - Sold by Woodbrass
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L'Orfeo: Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
satb (soli), SATB (chorus), Keyboard
Barenreiter
Monteverdi’s opera “L’Orfeo” based on the legend of Thr...
(+)
Monteverdi’s opera “L’Orfeo” based on the legend of Thracian singer Orpheus and his love of Eurydice is a masterpiece of musical declamation and ornamentation. It was first performed during the 1607 carnevale in the “Palazzo Ducale” in Mantua.When an edition remains true to its sources this certainly does not mean that it is not also practical to use as is demonstrated in this Bärenreiter edition of Monteverdi’s “L’Orfeo”. Edited by Rinaldo Alessandrini the new publication follows the Bärenreiter edition of Monteverdi’s “Il ritorno d’Ulisse in patria”.Two contemporary prints of “L’Orfeo” from the years 1609 and 1615 have been passed down to us. Four copies of each of these prints still survive today in public libraries. The later print includes many corrections to the earlier edition and was accordingly used as the primary source for this Bärenreiter edition. However when solving musical problems the editor frequently follows the more coherent style of the earlier print. The numerous interesting variants not only between the two editions but also amongst the eight surviving copies are listed in the critical commentary.This edition of “L’Orfeo” offers in addition to Monteverdi’s somewhat sparse original figures also figures added to the bass line by the editor. The continuo player should however feel free to follow his own judgment. The notation has been when necessary adapted to suit modern practice for example with regard to the clefs. The sections that were originally written in “chiavetta” have been transposed a fifth lower. In the appendix these sections also appear in their original notation in facsimile as well as transposed a fourth lower. Detailed introduction by the editor (Ital/Eng/Ger) on the work’s genesis and performance practice Comprehensive critical commentary (Eng) in the score Idiomatic piano reduction
41.50 GBP - Sold by Musicroom UK
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Georg Friedrich Handel: Utrecht Jubilate: Mixed Choir and Accomp.: Vocal Score
Soli, Mixted choir and accompaniment
Carus Verlag
O Be Joyful - HWV 279
34.00 GBP - Sold by Musicroom UK
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Requiem For Soloists, Mixed Choir And Symphony Orchestra. Piano Score
Soli, Mixted choir and accompaniment
[Sheet music]
Kompozitor
/ Chant/Vocal/Choeur / 56 pages / Partition
22.70 EUR - Sold by LMI-partitions
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Camille Saint-Saëns: Samson et Dalila: Mixed Choir A Cappella: Vocal Score
Soli, Mixted choir and accompaniment
-
Advanced
Barenreiter
Oper in drei Akten
41.00 GBP - Sold by Musicroom UK
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Georg Friedrich Händel: Giulio Cesare in Egitto HVW 17: Vocal Solo: Score
Soli, Mixted choir and accompaniment
Barenreiter
Opera in three acts. ?Giulio Cesare in Egitto? is by far Handel?s most frequentl...
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Opera in three acts. ?Giulio Cesare in Egitto? is by far Handel?s most frequently performed opera owing its success not least to its subject matter, one of the best known love stories in world history. Already during Handel?s lifetime the popular work was often staged and therefore adapted by Handel for each of the performance conditions. The editor Hans Dieter Clausen has succeeded in editorially defining and practically presenting these adaptations ? essentially four versions ? on the basis of a meticulous study of the sources within the framework of the ?Halle Handel Edition?. The new edition allows for a performance of each of the four versions. The version of 1725 is particularly noteworthy because Handel newly devised the role of Sesto for the famous tenor Francesco Borosini. The libretto shows the Roman dictator Cesar in a friendly light. He instructs his enemy, the Egyptian tyrant Tolomeo, how to treat adversaries: he reconciles the widow and son of his enemy Pompeo who was murdered by Tolomeo: he is generous and just, hands on, but also diplomatic, thoughtful, aware of the limits of his power, and susceptible for art and nature. However, the actual protagonist of the opera is Cleopatra. In a masterly way Handel develops her character musically. In his extensive Foreword Hans Dieter Clausen not only decribes the genesis, historical background, reception and the edition of the opera, he also examines the musical and dramaturgical reworking of individual numbers in ?Giulio Cesare?. Handel was such an expert in adapting arias for new purposes and other characters that he did not only meet the needs at hand but often the new version surpassed the original. In this way, the reader gains, in passing, a well-founded insight into Handel?s work methods when designing and redevising his characters. The detailed Critical Commentary includes information on the comprehensive and highly complex source situation as well as on individual editorial decisions.
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Arthur Honegger - Judith, H 57c - Solistes, Sattb, Récitant Et Piano
Soli, Mixted choir and accompaniment
Salabert
1924 - Musical action (oratorio) in three acts - reduction song-piano. Text RenÃ...
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1924 - Musical action (oratorio) in three acts - reduction song-piano. Text René Morax
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Vénus Et Adonis
Soli, Mixted choir and accompaniment
[Sheet music]
Schott
/ Parties Solistes, Danseurs Et Orchestre / Partition
79.40 EUR - Sold by LMI-partitions
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Giuseppe Verdi: Falstaff: Opera
Soli, Mixted choir and accompaniment
Ricordi
Falstaff
34.99 GBP - Sold by Musicroom UK
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