SKU: AP.48722
ISBN 9781470644130. UPC: 038081560342. English.
Teach violin with the popular Suzuki Violin School! The Suzuki Method of Talent Education is based on Shinichi Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Shinichi Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the mother-tongue approach. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school, such as the Suzuki Violin School. Suzuki lessons are generally given in a private studio setting with additional group lessons. The student listens to the recordings and works with their Suzuki violin teacher to develop their potential as a musician and as a person. This Suzuki Book and CD is integral for Suzuki violin lessons. This International Edition of the Suzuki Violin School, Volume 1 features: * Engravings in a 9 x 12 format * New editing of pieces, including bowings and fingerings * 16 additional pages * Additional exercises, some from Shinichi Suzuki, plus additional insight and suggestions for teachers * Glossary of terms in English, French, German, and Spanish * Musical notation guide * Fingerboard position * CD features new recordings by Hilary Hahn in collaboration with pianist Natalie Zhu, as well as piano accompaniment only tracks for play-along purposes. Titles: Principles of Study and Guidance * Twinkle, Twinkle, Little Star Variations (Suzuki) * Lightly Row (Folk Song) * Song of the Wind (Folk Song) * Go Tell Aunt Rhody (Folk Song) * O Come, Little Children (Folk Song) * May Song (Folk Song) * Long, Long Ago (Bayly) * Allegro (Suzuki) * Perpetual Motion (Suzuki) * Allegretto (Suzuki) * Andantino (Suzuki) * Etude (Suzuki) * Minuet 1, Minuett III from Suite in G Minor for Klavier, BWV 822 (Bach) * M.
About Suzuki Method
The Suzuki Method is based on the principle that all children possess ability and that this ability can be developed and enhanced through a nurturing environment. All children learn to speak their own language with relative ease and if the same natural learning process is applied in teaching other skills, these can be acquired as successfully. Suzuki referred to the process as the Mother Tongue Method and to the whole system of pedagogy as Talent Education. The important elements of the Suzuki approach to instrumental teaching include the following:an early start (aged 3-4 is normal in most countries); the importance of listening to music; learning to play before learning to read; -the involvement of the parent; a nurturing and positive learning environment; a high standard of teaching by trained teachers; the importance of producing a good sound in a balanced and natural way; core repertoire, used by Suzuki students across the world; social interaction with other children. Suzuki students from all over the world can communicate through the language of music.
SKU: BA.BA10012-75
ISBN 9790006503117. 32.5 x 25.5 cm inches. Text: Salomo Franck.
Study score = TP 1012.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from Bärenreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
SKU: BA.BA10012-74
ISBN 9790006503100. 32.5 x 25.5 cm inches. Text: Salomo Franck.
SKU: BA.BA05897-74
ISBN 9790006563043. 32.5 x 25.5 cm inches.
Chorale settings form a central part of Telemann's oeuvre. His 1754 setting of the church hymn Christus, der ist mein Leben, based on Melchoir Vulpius' melody from the Hamburg Hymnal, is especially well-suited to display his mastery in depicting the words of the chorale. The so-called Ausfullungsbass (a vocal bass added to the principal bass in tutti passages) was probably necessitated by the acoustical properties of Hamburg's churches.This is the first Urtext edition of this highly successful chorale setting which is based on Georg Philipp Telemann Musical Works. The score contains a realisation of the continuo part.* First Urtext edition based on Georg Philipp Telemann Musical Works* An attractive addition to the repertoire with a view to the Telemann Year 2017* Bilingual Foreword (Ger/Eng)* Uncluttered idiomatic piano reduction.
SKU: BA.BA05897-75
ISBN 9790006563067. 32.5 x 25.5 cm inches.
SKU: BA.BA09079-75
ISBN 9790006531400. 32.5 x 25.5 cm inches. Text: Felix Mendelssohn Bartholdy.
Latin text from the Vulgate (Psalm 113). German text by Felix Mendelssohn Bartholdy after Psalm 115 from the Lutheran Bible.
SKU: BA.BA09079-74
ISBN 9790006531394. 32.5 x 25.5 cm inches. Text: Felix Mendelssohn Bartholdy.
SKU: BA.BA07671-74
ISBN 9790006531769. 32.5 x 25.5 cm inches.
SKU: BA.BA07671-75
ISBN 9790006531776. 32.5 x 25.5 cm inches.
SKU: BA.BA10068-75
ISBN 9790006490462. 32.5 x 25.5 cm inches.
SKU: BA.BA10068-74
ISBN 9790006490455. 32.5 x 25.5 cm inches.
SKU: BA.BA04709-74
ISBN 9790006453498. 32.5 x 25.5 cm inches. Key: C minor.
SKU: BA.BA04709-75
ISBN 9790006453504. 32.5 x 25.5 cm inches. Key: C minor.
SKU: HP.C6247P
UPC: 763628262471. Washington Gladden; Joel Raney.
Original anthem with words by Washington Gladden This gospel-driven anthem incorporates the classic hymn text, 'O Master, let me walk with thee in lowly paths of service free. 'The powerful original refrain brings it altogether for a passionate prayer to follow Jesus.
SKU: BA.BA10175-74
ISBN 9790006491544. 32.5 x 25.5 cm inches.
Study score = TP 1175.
SKU: BA.BA10175-75
ISBN 9790006491551. 32.5 x 25.5 cm inches.
SKU: HL.51481940
UPC: 840126989564. 9.0x12.0x0.024 inches.
SKU: BA.BA10130-75
ISBN 9790006490950. 32.6 x 25.6 cm inches.
Study score = TP 1130.
SKU: BA.BA10130-74
ISBN 9790006490943. 32.6 x 25.6 cm inches.
SKU: BA.BA02876-74
ISBN 9790006426812. 27 x 19 cm inches.
SKU: BA.BA10010-75
ISBN 9790006561568. 32.5 x 25.5 cm inches.
SKU: BA.BA04892-74
ISBN 9790006459551. 32.5 x 25.5 cm inches. Key: E-flat major.
SKU: BA.BA10010-74
ISBN 9790006561551. 32.5 x 25.5 cm inches.
SKU: BA.BA04763-75
ISBN 9790006455874. 32.5 x 25.5 cm inches. Key: B-flat major.
SKU: BA.BA04763-74
ISBN 9790006455867. 32.5 x 25.5 cm inches. Key: B-flat major.
SKU: BA.BA04892-75
ISBN 9790006459568. 32.5 x 25.5 cm inches. Key: E-flat major.
SKU: HL.51481551
UPC: 196288207160. 9.25x12.0x0.082 inches.
Tchaikovsky spent the summer and autumn of 1880 at his sister's country estate in Kam'ianka, Ukraine, where he sought peace and relaxation. But after a short time the desire to work took hold of him again. “I'm sketching a symphony or string quintet just now; I don't know where it's going yet,†he wrote to his friend and patroness Nadezhda von Meck. In the end it turned out to be a Serenade for String Orchestra, which numbers among his most beautiful inspirations and is today a central work in the genre. The four movements captivate with their diverse moods – be it the Mozartian first movement “in the form of a sonatinaâ€, the elegant Waltz, the melancholy “Elegia†or the rousing Finale. For this new source-critical edition it was possible to consult the autograph in Moscow as well as the early printed editions into which Tchaikovsky sometimes entered a number of minor revisions. Clear the stage for the new reference edition of this indispensable work of the string-orchestra repertoire!
About Henle Urtext
What I can expect from Henle Urtext editions:
SKU: HL.51481552
UPC: 196288207177. 9.25x12.0x0.073 inches.
SKU: BA.BA06380-75
ISBN 9790006478804. 27 x 19 cm inches.
SKU: BA.BA08841-74
ISBN 9790006541218. 32.5 x 25.5 cm inches.
Prelude a l'apres-midi d'un faune, often referred to as the first composition of the modern era, is one of Debussy's most popular and frequently performed orchestral works. The piece comes down to us in an array of sources, and several important ones are drawn upon for the first time in Baerenreiter's new scholarly-critical edition. Most of the currently available editions are based on the first edition from 1895 which, however, contains many engraver errors. When the corresponding orchestral parts are also taken into consideration, countless discrepancies are revealed.
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