By Ernest Kramer. For Piano. This edition: 2 copies included. Piano Duo (2 Pianos, 4 Hands). Intermediate level piece for the Piano Duo event with the National Federation of Music Clubs (NFMC) Festivals Bulletin 2008-2009-2010. Level: Intermediate (grade 4/5). 8 pages. Published by Alfred Publishing.

Piano 4 hands - Level 2

SKU: LM.VV141

Composed by Ernest Van De Velde. Classical. Score. Editions Van de Velde #VV141. Published by Editions Van de Velde (LM.VV141).

ISBN 9790560051413.

VAN de VELDE E. : Ma premiere valse - Ma premiere polka - Premier menuet.

Composed by Ernesto Lecuona (1896-). For solo piano. Format: piano solo book. With introductory text. Latin and spanish. 192 pages. 9x12 inches. Published by Edward B. Marks Music

Guitar - intermediate

SKU: M7.DUX-867

Edited by Michael Langer. Sheet music with CD. Performance book. 110 pages. Edition Dux Verlag #DUX 867. Published by Edition Dux Verlag (M7.DUX-867).

ISBN 9783868493221.

46 Stücke von südamerikanischen Komponisten mit Gitarrenmusik verschiedenster Länder und Stile. Nach Schwierigkeitsgrad gereiht mit detaillierten Fingersätzen.

(for Flute). By Joachim Andersen, Ernesto Kohler, Benoit Tranquil Berbiguier. Arranged by Mary Karen Clardy. For Flute. This edition: The optional second flute part is available as free download from the publisher's website. 65 pages. Published by Universal Edition

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-1084574-010

Composed by Ernest Gold. Arranged by Naohiro Iwai. New Sounds for Concert Band. TV-Film-Musical-Show. Set (Score & Parts). Composed 2008. De Haske Publications #DHP 1084574-010. Published by De Haske Publications (BT.DHP-1084574-010).

9x12 inches. English-German-French-Dutch.

De Amerikaanse componist Ernest Gold, van geboorte Oostenrijker, schreef de prachtige score voor de film Exodus. Deze werd in 1960 door Otto Preminger gemaakt op basis van de roman van Leon Uris, die handelt over het ontstaanvan de staat Israël. De filmmuziek was goed voor een Academy Award en twee Grammy’s. De ontroerende titelsong is een klassieker geworden. Naohiro Iwai schreef dit mooie arrangement voor harmonieorkest.

Exodus ist ein Film aus dem Jahre 1960 über die Jahre nach dem zweiten Weltkrieg, als zahlreiche jüdische Menschen nach Palästina auswanderten und dort vor genau sechzig Jahren den Staat Israel gründeten. Ernest Gold, der selbst 1938 von Österreich in die USA emigrieren musste, schrieb die Musik zu diesem Film und wurde dafür mit einem Oscar und einem Grammy ausgezeichnet. Naohiro Iwai schuf diese Bearbeitung der bewegenden Titelmelodie aus dem Film.Aufnahme auf CD: I Got Rhythm (DHR 07-017-3)

Le navire Exodus, immortalisé dans le film éponyme d'Otto Preminger, était parti du port de Sète, dans le sud de la France, en juillet 1947. son bord, des Juifs émigrant clandestinement d'Europe vers la Palestine, alors sous mandat britannique. L’épopée de l’Exodus achèvera de précipiter la fin du mandat des Anglais en Palestine et aboutira la création de l'Etat d'Israël, il y a tout juste soixante ans. La bande originale du film, écrite par Ernest Gold, fut couronnée par l'Oscar de la Meilleure Musique Originale (1960).

(10 Solo Pieces from Pablo Casals' Repertoire for Cello and Piano Accompanim). By Pablo Casals Ernest Bloch. Edited by Marion Feldman, Pablo Casals. Arranged by Theodore Moses-Tobani. For Cello, Piano. 76 pages. Published by Carl Fischer

Choral Cello, Flute, Harp, Oboe, Percussion, Piano, Viola, Violin 1, Violin 2, alto voice, bass voice, soprano voice, tenor voice

SKU: PR.31241902S

From Terra Nostra. Composed by Stacy Garrop. Full score. Duration 3:15. Theodore Presser Company #312-41902S. Published by Theodore Presser Company (PR.31241902S).

UPC: 680160690589. English.

Commissioned by the San Francisco Choral Society and the Piedmont East Bay Children’s Choir, Terra Nostra is a 70-minute oratorio on the relationship between our planet and humankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. Part I: Creation of the World explores various creation myths from different cultures, culminating in a joyous celebration of the beauty of our planet. Part II: The Rise of Humanity examines human achievements, particularly since the dawn of our Industrial Age, and how these achievements have impacted the planet. Part III: Searching for Balance questions how to create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. In addition to the complete oratorio, stand-alone movements for mixed chorus, and for solo voice with piano, are also available separately.
Terra Nostra focuses on the relationship between our planet and mankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. The oratorio is divided into three parts:Part I: Creation of the World celebrates the birth and beauty of our planet. The oratorio begins with creation myths from India, North America, and Egypt that are integrated into the opening lines of Genesis from the Old Testament. The music surges forth from these creation stories into “God’s World” by Edna St. Vincent Millay, which describes the world in exuberant and vivid detail. Percy Bysshe Shelley’s “On thine own child” praises Mother Earth for her role bringing forth all life, while Walt Whitman sings a love song to the planet in “Smile O voluptuous cool-breathed earth!” Part I ends with “A Blade of Grass” in which Whitman muses how our planet has been spinning in the heavens for a very long time.Part II: The Rise of Humanity examines the achievements of mankind, particularly since the dawn of the Industrial Age. Lord Alfred Tennyson’s “Locksley Hall” sets an auspicious tone that mankind is on the verge of great discoveries. This is followed in short order by Charles Mackay’s “Railways 1846,” William Ernest Henley’s “A Song of Speed,” and John Gillespie Magee, Jr.’s “High Flight,” each of which celebrates a new milestone in technological achievement. In “Binsey Poplars,” Gerard Manley Hopkins takes note of the effect that these advances are having on the planet, with trees being brought down and landscapes forever changed. Percy Bysshe Shelley’s “A Dirge” concludes Part II with a warning that the planet is beginning to sound a grave alarm.Part III: Searching for Balance questions how we can create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. Three texts continue the earth’s plea that ended the previous section: Lord Byron’s “Darkness” speaks of a natural disaster (a volcano) that has blotted out the sun from humanity and the panic that ensues; contemporary poet Esther Iverem’s “Earth Screaming” gives voice to the modern issues of our changing climate; and William Wordsworth’s “The World Is Too Much With Us” warns us that we are almost out of time to change our course. Contemporary/agrarian poet Wendell Berry’s “The Want of Peace” speaks to us at the climax of the oratorio, reminding us that we can find harmony with the planet if we choose to live more simply, and to recall that we ourselves came from the earth. Two Walt Whitman texts (“A Child said, What is the grass?” and “There was a child went forth every day”) echo Berry’s thoughts, reminding us that we are of the earth, as is everything that we see on our planet. The oratorio concludes with a reprise of Whitman’s “A Blade of Grass” from Part I, this time interspersed with an additional Whitman text that sublimely states, “I bequeath myself to the dirt to grow from the grass I love…”My hope in writing this oratorio is to invite audience members to consider how we interact with our planet, and what we can each personally do to keep the planet going for future generations. We are the only stewards Earth has; what can we each do to leave her in better shape than we found her?

Choral Cello, Flute, Harp, Oboe, Percussion, Piano, Viola, Violin 1, Violin 2, alto voice, bass voice, soprano voice, tenor voice

SKU: PR.31241902A

From Terra Nostra. Composed by Stacy Garrop. Set of Score and Parts. Duration 3:15. Theodore Presser Company #312-41902A. Published by Theodore Presser Company (PR.31241902A).

UPC: 680160690510. English.

Commissioned by the San Francisco Choral Society and the Piedmont East Bay Children’s Choir, Terra Nostra is a 70-minute oratorio on the relationship between our planet and humankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. Part I: Creation of the World explores various creation myths from different cultures, culminating in a joyous celebration of the beauty of our planet. Part II: The Rise of Humanity examines human achievements, particularly since the dawn of our Industrial Age, and how these achievements have impacted the planet. Part III: Searching for Balance questions how to create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. In addition to the complete oratorio, stand-alone movements for mixed chorus, and for solo voice with piano, are also available separately.
Terra Nostra focuses on the relationship between our planet and mankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. The oratorio is divided into three parts:Part I: Creation of the World celebrates the birth and beauty of our planet. The oratorio begins with creation myths from India, North America, and Egypt that are integrated into the opening lines of Genesis from the Old Testament. The music surges forth from these creation stories into “God’s World” by Edna St. Vincent Millay, which describes the world in exuberant and vivid detail. Percy Bysshe Shelley’s “On thine own child” praises Mother Earth for her role bringing forth all life, while Walt Whitman sings a love song to the planet in “Smile O voluptuous cool-breathed earth!” Part I ends with “A Blade of Grass” in which Whitman muses how our planet has been spinning in the heavens for a very long time.Part II: The Rise of Humanity examines the achievements of mankind, particularly since the dawn of the Industrial Age. Lord Alfred Tennyson’s “Locksley Hall” sets an auspicious tone that mankind is on the verge of great discoveries. This is followed in short order by Charles Mackay’s “Railways 1846,” William Ernest Henley’s “A Song of Speed,” and John Gillespie Magee, Jr.’s “High Flight,” each of which celebrates a new milestone in technological achievement. In “Binsey Poplars,” Gerard Manley Hopkins takes note of the effect that these advances are having on the planet, with trees being brought down and landscapes forever changed. Percy Bysshe Shelley’s “A Dirge” concludes Part II with a warning that the planet is beginning to sound a grave alarm.Part III: Searching for Balance questions how we can create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. Three texts continue the earth’s plea that ended the previous section: Lord Byron’s “Darkness” speaks of a natural disaster (a volcano) that has blotted out the sun from humanity and the panic that ensues; contemporary poet Esther Iverem’s “Earth Screaming” gives voice to the modern issues of our changing climate; and William Wordsworth’s “The World Is Too Much With Us” warns us that we are almost out of time to change our course. Contemporary/agrarian poet Wendell Berry’s “The Want of Peace” speaks to us at the climax of the oratorio, reminding us that we can find harmony with the planet if we choose to live more simply, and to recall that we ourselves came from the earth. Two Walt Whitman texts (“A Child said, What is the grass?” and “There was a child went forth every day”) echo Berry’s thoughts, reminding us that we are of the earth, as is everything that we see on our planet. The oratorio concludes with a reprise of Whitman’s “A Blade of Grass” from Part I, this time interspersed with an additional Whitman text that sublimely states, “I bequeath myself to the dirt to grow from the grass I love…”My hope in writing this oratorio is to invite audience members to consider how we interact with our planet, and what we can each personally do to keep the planet going for future generations. We are the only stewards Earth has; what can we each do to leave her in better shape than we found her?

Melody, Lyrics & Simplified Chords in the Key of C. By Various. Fake Book (Includes melody line and chords). Softcover. Size 9x12 inches. 200 pages. Published by Hal Leonard.

I. Farfallina (Butterfly) 2. Lucciola (Firefly). Composed by Italian Folk Song and Tuscan Folk Song. Arranged by Christi Jones. Fold. Octavo. 8 pages. Duration 2 minutes, 35 seconds. BriLee Music #BL1123. Published by BriLee Music

Concert Band; Orchestra 2.2.3+BCl.2: 3Sax(AAT; opt.): 2.3.3.1: Perc(1-2): Hp.Clst.Gtr: Str (9-8-7-6-5 in set): Pno Cond Score in set

SKU: AP.36-A672690

Composed by Ernesto Lecuona. Arranged by Morton Gould. Full Orchestra, Conductor Score & Parts. Kalmus Orchestra Library. Score and Part(s). LudwigMasters Publications #36-A672690. Published by LudwigMasters Publications (AP.36-A672690).

UPC: 659359666292. English.

The Cuban composer and pianist Ernesto Lecuona (1896-1963) wrote many works labelled as Afro-Cuban, and sorting them all can be difficult. While some are lost and others are scattered about, the 1930 piano suite titled Danzas Afro-Cubanas, a collection of six of the dances, remains a core group in the style. La Comparsa (Carnival Procession) is the sixth dance in the suite, and it is based on the traditional parade and ceremony that occurs during Carnival season in Cuba. This composition starts with the gradual approach of the procession and carries one through all the excitement until the last faint notes of the departing parade die away in the distance. This version for full orchestra has been arranged by Morton Gould (1913-1996). Instrumentation: 2.2.3+BCl.2: 3Sax(AAT; opt.): 2.3.3.1: Perc(1-2): Hp.Clst.Gtr: Str (9-8-7-6-5 in set): Pno Cond Score in set.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Piano

SKU: AP.36-M130291

Composed by Ernest Von Dohnanyi. Performance Music Ensemble; Solo Piano. Master Piano Series. Part(s). LudwigMasters Publications #36-M130291. Published by LudwigMasters Publications (AP.36-M130291).

UPC: 660355067501. English.

A collection of ten bagatelles, inspired by a poem of the same name by Viktor Heindl. Contents: 1. Widmung 2. Marsch der lustigen Bruder 3. An Ada 4. Freund Victor's Mazurka 5. Spharenmusik 6. Valse aimable 7. Um Mitternacht 8. Tolle Gesellschaft 9. Morgengrauen 10. Postludium.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.