Piano Solo. Performed by Jelly Roll Morton. By Ferdinand Morton. Piano Solo Composer Collection. Size 9x12 inches. 48 pages. Published by Hal Leonard.

(Jazz Play-Along Volume 119). By Jelly Roll Morton. Jazz Play Along. Softcover with CD. 88 pages. Published by Hal Leonard

By Ferdinand Jelly Roll Morton. Edited by James Dapogny. For 2 Alto Saxophones, 2 Tenor Saxophones, 3 Trumpets, 2 Trombones, Piano, Guitar, Doublebass, Drum. Modern, Jazz, Orchestral. Set of Parts. Duration circa 4-7 minutes. Published by Edition Peters

By Jelly Roll Morton. For 5-part ensemble (brass quintet or woodwind quintet). Swiss import. Score and parts. Published by Editions Marc Reift. (EMR 5424)
Level: 3+.

Guitar - Intermediate

SKU: MB.31060M

Perfect binding. Jazz. Book and online audio. 180 pages. Mel Bay Publications, Inc #31060M. Published by Mel Bay Publications, Inc (MB.31060M).

ISBN 9781513468051. 8.75x11.75 inches.

As aspiring fingerpicking guitarists started expanding their horizons from folk, blues, and ragtime in the 1970s, it was only logical to look towards early jazz tunes as a vast source for new possibilities. For one thing, they could follow the same evolutionary path from ragtime to jazz that had been taken by pianists such as Jelly Roll Morton and Harlem stride players like James P. Johnson and Fats Waller. These musicians all composed in a variety of styles, but their most ambitious piano solos expanded on the classic ragtime format developed by the likes of Scott Joplin, James Scott, and Joseph Lamb, using several strains that usually changed keys at least once. Morton, the self-proclaimed inventor of jazz, would record versions of tunes like King Porter Stomp and The Original Jelly Roll Blues that are similar to straight ragtime performances, and others where there is lots of room left for embellishment and jazz improvisation.

The present collection is a bonanza for guitarists who want to tackle advanced arrangements along the lines of ragtime but featuring jazz age harmonies from the playing of Jelly Roll Morton, Louis Armstrong, Bix Beiderbecke, WC Handy, the Original Dixieland Jazz Band and other early jazz legends. The 32 arrangements included are by a wide assortment of guitarists including Ernie Hawkins, Pat Donohue, Lasse Johansson, Duck Baker, Ton Van Bergeyk, Sandy Shalk, Steve McWilliam, and Dorian Henry.

Titles include: Oh, You Beautiful Doll, I’ve Got The Blues, High Society, St. Louis Blues, Davenport Blues, Poor Butterfly, Dixie Jass Band One-Step, Memphis Blues, Big Foot Ham, Grandpa’s Spells, The Original Jelly Roll Blues, Midnight Mama, Milenberg Joys, Fizz Water, Back Home in Indiana, Sweet Georgia Brown, Red Wing (An Indian Intermezzo), There’ll Be Some Changes Made, Way Down Yonder In New Orleans, Charleston, Where The Morning Glories Grow, Limehouse Blues, Susie (of the Islands), I Need Some Pettin’, Weather Bird, Cornet Chop Suey, Kansas City Stomps, King Porter Stomp, Jubilee Stomp, Take It Easy, If I Had You, Moonlight Serenade

Jazz Ensemble 2 Alto saxophones, 2 Tenor saxophones, 3 trumpet, 2 trombonne, piano, guitar, double bass, Dr

SKU: PE.EP68488

Composed by Jelly Roll Morton. Jazz Ensembles. Edition Peters. Score. 36 pages. Edition Peters #98-EP68488. Published by Edition Peters (PE.EP68488).

ISBN 9790300758893. English.

At the end of 1938, Jelly Roll Morton (1890-1941) returned to New York from his years in Washington, D.C. Recent publicity had made a comeback seem possible, and he hoped to recapture the prominent place in the jazz world that he had held in the 1920s. Still well known, though mainly as a New Orleans music pioneer, he understood that in order to be taken seriously as a contemporary artist, he needed to form a big band like those of his competition, such as Duke Ellington, Count Basie, Benny Goodman, and Tommy and Jimmy Dorsey. In the 1920s Morton's recordings and tours featured a ten-piece band following the first-generation big-band format. But in the late 1930s, larger groups were popular, so Morton assembled a conventional '30s band consisting of four saxophones, six brass, and four rhythm. The band was to open at the Golden Gate Ballroom in Harlem on April 17th, 1939, but on opening night Morton collapsed before going onstage. During his recuperation from the asthma and heart problems that dogged him, the band broke up, never to reassemble. Only six items written for that band's instrumentation are known to exist: Morton's arrangements of his own compositions -- Finger Breaker, GanJam, Good Old New York, Mister Joe, and Stop and Go -- and an arrangement, Mamies' Blues, by another artist. -- James Dapogny (Editor)

As an editor, Dapogny shows his customary sound musical scholarship and deep knowledge of Morton's style....The publishers are to be congratulated for bringing this fascinating work into the public domain, which throws a totally new light on 'Mister Jelly Lord.' Who knows what he would have achieved had he lived beyond his alleged 51 years?--Martin Litton, for JUST JAZZ (Feb 2011)

Big band (Clarinet (Solo), Soprano Sax 1, Soprano Sax 2, Tenor Sax, Baritone Sax, Trumpet 1 (Solo), Trumpet 2-3, Trombone 1-3, Piano (Solo), Banjo (optional), Bass, Drums) - advanced to difficult

SKU: M7.SMP-171

Swing. Composed by Jelly Roll Morton. Arranged by Jackson Stock. Sheet music. Swing. Score and parts. Handelsware #SMP 171. Published by Handelsware (M7.SMP-171).

English.

This chart is destined to become a best-seller because of its unique and exciting format ... an orchestration of Jelly Roll Morton's original recording of one of his most famous compositions. The arranger has successfully captured the spirit of the '20's with the modern big band. Scored for 5 woodwinds (incl. clarinet and 2 soprano saxes) 6 brass and 4 rhythm, this is one piece that your band and audiences will ask for again and again. 5-3-3-4.

4 Saxophones SATBar

SKU: AP.1-ADV7606

For SATBar Saxophone Quartet. Composed by Jelly Roll Morton. Arranged by Fred Sturm. Quartet; Solo Small Ensembles; Woodwind - Saxophone Quartet. Advance Music. Jazz; Standard. Score and Part(s). Advance Music #01-ADV7606. Published by Advance Music (AP.1-ADV7606).

ISBN 9783892216728. UPC: 805095076066. English.

Black Bottom Stomp is a quick 2-beat jazz chart. The composition is abundant with rapid orchestrational shifts, heavy technical demands, structural logic, and Jelly Roll's inimitable sense of humor. No improvisation required. Arranged for SATB saxophone quartet by Fred Sturm.

Piano. Book and CD package. Size 9x12 inches. 40 pages. Published by Homespun Listen and Learn Series. (699094)

Guitar - Intermediate

SKU: MB.GW1074

DVD, Method. Fingerpicking. DVD. 112 pages. Mel Bay Publications, Inc #GW1074. Published by Mel Bay Publications, Inc (MB.GW1074).

5.75X4 inches.

This lesson is intended for players who are seeking a greater understanding of how to get beyond basic open chords, or first position, use the full fretboard. We will do so by understanding the concept of a movable shape. The tunes selected will slowly introduce you to a variety of shapes commonly used by the old-time masters to unlock the neck. In addition to learning these examples, I?ll talk about the logic that makes movable shapes work, empowering you to create your own uses for them. You will learn tunes that have become standards in the fingerstyle repertoire by Sam McGee, Big Bill Broonzy and Maybelle Carter. As well, I teach two arrangements I have put together of an old-time fiddle tune and a Jelly Roll Morton piano blues. Titles include: Angeline the Baker, Franklin Blues, Railroad Blues, Saturday Night Rub, Amos Johnson Rag, Victory Rag and Buddy Bolden?s Blues Detailed tab/music PDF file on the DVD. 112 minutes. DVD is region 0, playable worldwide.

By Ton Van Bergeyk. For Guitar: Flatpicking, Fingerpicking. Guitar Methods. Book/3-CD Set. 20 pages. Published by Mel Bay Publications, Inc

Arranged by Wynton Marsalis. Swing, Jazz. Score and parts. Published by Jazz Lines Publications (JL.JLP-7205).

60 Exercises for the Beginning to Professional Pianist. Musicians Institute Press (Instruction taken from the curriculum of MI). Size 9x12 inches. 112 pages. Published by Musicians Institute Press. ISBN 0634093266.