SKU: BR.PB-32004
Passion Music After Bach
ISBN 9790004215838. 10 x 12.5 inches.
This Passion oratorio Gethsemane und Golgatha was composed in the astonishingly short period from 22 to 28 July 1838 on a text by the evangelist Wilhelm Schuber, a close friend of Friedrich Schneider's. The premiere took place on Good Friday, 29 March 1839, in the Dessau Castle and City Church under the composer's direction. Contemporary reviews rank the curious work ... with respect to the form, in line with the Passions of the great J. S. Bach, constructed with such pious meaning and high art [...] and then get rather similarly carried away in effusive statements. The composer himself took utmost control of how his work was to be used and also most effectively involved the listening congregation in the performances by using for the chorales melodies that were sufficiently familiar from the worship service. At the same time, Schneider points out that the work was to be performed only in an ecclesiastical context. Purely as a Passion oratorio, Gethsemane und Golgatha fits in between the Johann Sebastian Bach Passions and Carl Loewe's Das Suhnopfer des neuen Bundes.Passion Music After Bach.
SKU: BR.EB-32004
ISBN 9790004186305. 7.5 x 10.5 inches.
SKU: BR.CHB-5310-02
ISBN 9790004412305. 7.5 x 10.5 inches. German.
Oliver Hilmes's four new editions of Karg-Elert's most substantial choral works are being published with the same consistency and compactness shown by Karg-Elert when he wrote them in 1912/13. The reception of Karg-Elert's works, which has been quite strong in the organ domain, now obtains decisive impulses in a new direction. Joining the previously published choral canzonas Benedictus Op. 82 No. 1 and Vom Himmel hoch Op. 82 No. 2 are Naher, mein Gott, zu dir Op. 81 and the Passion Canzona Op. 84. Particularly charming is the unique instrumental color with which Karg-Elert sensitively enhances the choral sound in each work of this little group.,,Die eminent wichtige Neuausgabe der Choralkanzonen wird hoffentlich diesen grandiosen Kompositionen Karg-Elerts endlich die Stellung zukommen lassen, die sie im Bereich von Musik in der Kirche eigentlich seit ihrer Entstehung verdient hatten. (Jorg Stodthoff, Forum Kichenmusik)During his middle creative period, Karg-Elert developed his own, unmistakable choral style. His few choral works, which stem from the years 1912 and 1913, unquestionably belong to his major works from this period.
SKU: BR.PB-5390
During his middle creative period, Karg-Elert developed his own, unmistakable choral style. His few choral works, which stem from the years 1912 and 1913, unquestionably belong to his major works from this period.
ISBN 9790004211236. 9 x 12 inches. German.
SKU: HL.49003135
ISBN 9780946535132. UPC: 884088991623. 8.25x11.75x0.436 inches. English.
This anthology of 72 music examples, consisting of the Teacher's Manual, Pupil's Questions, Music Book and two recordings on CD or cassettes, is intended to provide comprehensive resource materials for the listening component of the GCSE music syllabuses. The extracts have been selected especially to illustrate the periods, styles and rudiments of music encompassed within the syllabuses, and the four components of the publication produced to ensure maximum assistance to the teacher in the classroom. Selected contents: MUSIC IN THE LATE RENAISSANCE O quam gloriosum est regnum * T. Morley: MUSIC IN THE BAROQUE ERA: H. Purcell: Hark, each tree (from Ode for St Cecilia's Day) * A. Vivaldi: Second Allegro (from Op. 3 No. 11) * G.F. Handel: Lascia ch'io * J.S. Bach: Erschienen ist der herrliche Tag (BWV 629) * F. Couperin: Le Petit-Rein MUSIC IN THE ROMANTIC PERIOD: F. Schubert: Am Meer (from Schwanengesang) * H. Berlioz: Un Bal (from Symphonie fantastique) * F. Chopin: Mazurka (Op. 7 No. 5) * R. Schumann: Fantasiestuck (Op. 73 No. 1) * R. Wagner: Prelude (to Tristan and Isolde) * R. Strauss: Epilog (from Till Eulenspiegels lustige Streiche) * MUSIC IN THE TWENTIETH CENTURY: B. Bartok: Third movement (from Sonata for two Pianos and Percussion) * K. Stockhausen: Zyklus * C. Berberian: Stripsody * JAZZ AND POP: F. Molton: Peace in the Valley * Bix Beiderbecke and his Gang: Jazz Me Blues * The Platters: Only You * E. Fitzgerald: Mack the Knife * S. Getz and A. Gilberto: The Girl From Ipanema and more.
SKU: HL.48022430
A passionate, fiery work written for the 2010 Turku Cello Competition. Although a virtuoso piece in grand Romantic style, it also includes a twinkle of humour.
SKU: FG.55009-638-7
ISBN 979-0-55009-638-7.
A passionate, fiery work written for the 2010 Turku Cello Competition. Although a virtuoso piece in grand Romantic style, it includes a twinkle of humour.
SKU: BR.OB-5311-11
Music text of the Leipziger Mendelssohn-Ausgabe, which was able to take into consideration the newly accessible autograph score for the first time
ISBN 9790004339954. 10 x 12.5 inches.
The new Breitkopf Urtext edition presents the music text of the Leipziger Mendelssohn-Ausgabe, which was able to take into consideration the newly accessible autograph score for the first time. Moreover, the bilingual piano-vocal score contains the first-ever correct underlay of the English vocal text which William Bartholomew worked out in close collaboration with Mendelssohn.,,Diese vorbildliche Ausgabe erscheint sicher nicht zufallig rechtzeitig vor dem Mendelsohnjahr 2009. (Rainer Goede, Kirchenkunst)Music text of the Leipziger Mendelssohn-Ausgabe, which was able to take into consideration the newly accessible autograph score for the first time.
SKU: BR.EB-1920
ISBN 9790004160718. 7.5 x 10.5 inches. French / German / English.
SKU: BR.PB-685
ISBN 9790004200025. 9 x 12 inches.
SKU: BR.CHB-301-94
Piano vocal score by the composer
In late March 1851, Robert Schumann was sent a copy of the fairy tale Der Rose Pilgerfahrt. He was so inspired by Moritz Horn's text that he immediately composed the piano score.
ISBN 9790004400920. 6.5 x 9.5 inches.
Simultaneously, he corresponded with the poet about cuts and revisions of the libretto, and, towards the end of the year, even let himself be persuaded by friends to orchestrate it. Der Rose Pilgerfahrt was given its first performances in Dusseldorf and Leipzig in February and March 1852 in this full-scored version before being printed in late 1852.Piano vocal score by the composerIn late March 1851, Robert Schumann was sent a copy of the fairy tale Der Rose Pilgerfahrt. He was so inspired by Moritz Horn's text that he immediately composed the piano score.
SKU: BR.OB-5311-16
ISBN 9790004339848. 10 x 12.5 inches.
SKU: BR.CHB-301-85
ISBN 9790004400890. 6.5 x 9.5 inches.
SKU: BR.OB-5311-27
ISBN 9790004339879. 10 x 12.5 inches.
SKU: BR.OB-5311-30
ISBN 9790004339886. 10 x 12.5 inches.
SKU: BR.CHB-301-88
ISBN 9790004400906. 6.5 x 9.5 inches.
SKU: BR.PB-32025
ISBN 9790004215135. 10 x 12.5 inches.
Successful from the outsetFriedrich Schneider's second oratorio Das Weltgericht was an immediate success at its 1820 premiere in Leipzig. The initial triumph of the work, which the appearance of Mendelssohn's oratorio Paulus only gradually diminished, helped the new type of choral oratorio to its breakthrough. To this day the work has been considered the high point of the German oratorio genre between Haydn and Mendelssohn as where the storyline is essentially borne by the choir. With the appearance of this Urtext edition taken over from the catalogue of the Pfefferkorn music publishers, the Last Judgment is once again fully available. Also for sale in addition to the score is the very playable piano reduction prepared by the composer himself.
SKU: BR.OB-5311-15
ISBN 9790004339831. 10 x 12.5 inches.
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