1954 Version. Composed by Igor Stravinsky (1882-1971). Music Sales America. Russian, Folk. 12 pages. Chester Music #CH75669. Published by Chester Music

(Zhilo dvenadtsat' razboynikov). Arranged by Gregory Smirnov. For TTBB Choir, Bass Solo. Language: Russian

(Choral Score). By Dmitri Shostakovich (1906-1975). For Choral, Orchestra, Piano (Score). Choral Large Works. 88 pages. G. Schirmer #ZN718211. Published by G. Schirmer

New Collected Works of Dmitri Shostakovich - Volumes 85 and 86. Composed by Dmitri Shostakovich (1906-1975). DSCH. Hardcover. 164 pages. Published by DSCH (HL.50600865).

Arranged by Emily Crocker. (3 Part Mixed). Choral. 16 pages. Published by Hal Leonard.

(2+1.2+1.2.2/4.2.0.0,timp,perc,str)

SKU: TM.06087SC

Composed by Anatole Liadow. Score. Lucks Music Library #A1630. Published by Lucks Music Library (TM.06087SC).

Part I = Fluegelhorn (Posthorn); also cued in Trumpet I. 1 copy of Flugelhorn in set. Alto solo in chs.

Arranged by Emily Crocker. (2 part). Choral. 16 pages. Published by Hal Leonard.

Level 3 Tenor Bass, Performance/Accompaniment CD. By Brad White, Glenda Casey, Jan Juneau, Bobbie Douglass. (Tenor Bass Perf/Acc CDs (2)). Essential Elements Choir. CD only. Size 5x5.5 inches. 160 pages. Published by Hal Leonard.

By Modest Petrovich Mussorgsky (1839-1881). Arranged by Vadim Prokhorov. For SATB Choir and piano [or full orchestra] (Mixed Voices). Secular. Choral. Moderately difficult. Octavo. 16 pages

Solo SATBarB

SKU: CA.923300

Arranged by Ludwig Bohme. Contemporary Choir Music. Folk songs, Secular choral music. Full Score. Duration 4 minutes. Carus Verlag #CV 09.233/00. Published by Carus Verlag (CA.923300).

ISBN M-007-24184-1. Language: Russian. Text: Nekrassow, Nikolai Alexejewitsch.

Korobeiniki is perhaps the best-known Russian folk song in the world. Anyone who played Gameboy in days long past will surely still remember the Tetris melody, but perhaps they wouldn't know that this melody comes from Russia and tells a pretty nocturnal romance which allows some leeway for interpretation ... Well - this is Korobeiniki! For this arrangement, I was looking for the greatest possible contrast to the Tetris music: a kind of five-part fugue in five verses for five singers; a folk polyphony, so to speak, which - respectfully but with a twinkle in the eye - turns the contrapuntal art form into an arrangement, but at some point degenerates because one singer likes his folk song tune so much that he can't get enough of it and pushes himself more and more into the foreground ... (Ludwig Bohme).

SATB choir - Level 1

SKU: CA.319880

Composed by A. Kozevnikov. Separate edition with choral collection. Folk songs and settings of folk songs, Secular choral music. Full score. Duration 2 minutes. Carus Verlag #CV 03.198/80. Published by Carus Verlag (CA.319880).

ISBN 9790007156565. Key: A minor. Language: Russian.

SATB choir

SKU: CA.332430

Die goldne Wolke schlief. Composed by Peter Ilyich Tchaikovsky. LIEDERPROJEKT. Separate edition with choral collection. Folk songs and settings of folk songs, Secular choral music. Full score. 2 pages. Carus Verlag #CV 03.324/30. Published by Carus Verlag (CA.332430).

ISBN 9790007182816. Key: F minor. Language: Russian/German. Text: Lermontov, Michail Jurjewitsch.

((Pohtsyeluitsye Mehniya Nyezhna)). Composed by Luke Mayernik. For Cello, Choral, Flute (SATB). Walton Choral. 16 pages. Walton Music #WW1523. Published by Walton Music

Chorus a cappella

SKU: BR.CHB-5234-02

Composed by Fanny Cecile Mendelssohn. Edited by Gottfried Heinz and J. Draheim. Choir; stapled. Chor-Bibliothek (Choral Library). Fanny Hensel's choral works not only stand up to comparison with any of the rich and varied choral works of the Romantic era - they also rank among the best. Very likely to become hits! (Musica). Song; Romantic. Choral score. 4 pages. Breitkopf and Haertel #ChB 5234-02. Published by Breitkopf and Haertel (BR.CHB-5234-02).

ISBN 9790004411537. 7.5 x 10.5 inches. German.

Madame Hensel, Mendelssohn's sister, whose eyes speak intelligence and profundity''. This diary entry made by Robert Schumann in June 1843 succinctly but fittingly characterizes Fanny Hensel, without a doubt the most significant woman composer of the 19th century. Born in Hamburg on 14 November 1805, she was the eldest sister of Felix Mendelssohn Bartholdy and the granddaughter of the philosopher Moses Mendelssohn. In 1829 she married the Prussian court painter and occasional poet Wilhelm Hensel (1794-1861). After her sudden death in Berlin on 14 May 1847 as a result of a stroke, the music journalist Ludwig Rellstab poignantly wrote that she shared the brotherhood ef talent with her famous sibling.Fanny Hensel was given the same excellent and comprehensive musical training as her precocious brother, including composition lessons with Goethe's friend Carl Friedrich Zelter. Felix and Fanny not only loved each other tenderly, but they also maintained an intensive, life-long exchange of ideas which proved musically profitable to both of them. However, it was only in 1846 that Mendelssohn gave up his resistance to Fanny's publication plans. And so, just shortly before her death, she was able to publish a carefully selected sample of her songs and piano pieces.Not only these pieces, but also a few orchestral and chamber-music works (e.g. the String Quartet in E flat major, KM 2255) and, in particular, choral music occupy an important position in her oeuvre. Most of her choral works were written in 1846, and she was able to rehearse them with the chorus she conducted at the famous Sunday Concerts in the Mendelssohn home. She had six of these choral songs published in a revised version under the title Gartenlieder Op. 3 by the Berlin music publisher Bote & Bock. The title of the Gartenlieder brings to mind Mendelssohn's well-known Lieder im Freien zu singen (Opera 41, 48, 59; ChB 4763-4780), published before 1846. But, as far as the quality of their melodic writing, the compositional technique, and the choice of texts are concerned, as well as the perfect balance between folk-like simplicity and polished design, they are as outstanding as the works of her brother.

Fanny Hensel's choral works not only stand up to comparison with any of the rich and varied choral works of the Romantic era - they also rank among the best. Very likely to become hits! (Musica).