| Dietrich Buxtehude: New Edition Of The Complete Organ Works, Volume 5 Organ Barenreiter
(Chorale Settings Mi-W, BuxWV 207 - 224) Composed by Dietrich Buxtehude (1637-17...(+)
(Chorale Settings Mi-W, BuxWV 207 - 224) Composed by Dietrich Buxtehude (1637-1707), edited by Christoph Albrecht. For organ. Format: organ solo book. With organ notation. Baroque. 83 pages. 12x9.5 inches. Published by Baerenreiter-Ausgaben.
$44.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Dietrich Buxtehude: New Edition Of The Complete Organ Works, Volume 2 Organ Barenreiter
(Freely-Composed Organ Works) Composed by Dietrich Buxtehude (1637-1707), edited...(+)
(Freely-Composed Organ Works) Composed by Dietrich Buxtehude (1637-1707), edited by Christoph Albrecht. For organ. Format: organ solo book. With organ notation and thematic index. Baroque. 73 pages. 12x9.5 inches. Published by Baerenreiter-Ausgaben.
$44.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sonate D-dur [Score and Parts] EMB (Editio Musica Budapest)
Chamber Music for Strings and Piano (CHAMBER MUSI) SKU: HL.50511752 Fu...(+)
Chamber Music for Strings and Piano (CHAMBER MUSI) SKU: HL.50511752 Fur Viola da gamba (Bratsche, Violoncello), Violone (Violoncello, Kontrabass) und Basso Continuo. By Arpad Pejtsik. By Dietrich Buxtehude. Baroque. EMB. Score and parts. Editio Musica Budapest #Z13876. Published by Editio Musica Budapest (HL.50511752). ISBN 9790080138762. 9.0x12.0x0.115 inches. Dietrich Buxtehude; Arpad Pejtsik. Territorial restrictions may apply. Please ask before ordering. $11.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Dietrich Buxtehude: New Edition Of The Complete Organ Works, Volume 1 Organ Barenreiter
(Freely-Composed Organ Works) Composed by Dietrich Buxtehude (1637-1707), edited...(+)
(Freely-Composed Organ Works) Composed by Dietrich Buxtehude (1637-1707), edited by Christoph Albrecht. For organ. Format: organ solo book. With organ notation, thematic index and introductory text. Baroque. 72 pages. 12x9.5 inches. Published by Baerenreiter-Ausgaben.
$44.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Dietrich Buxtehude: Organ Works Volume 2: Preludes And Fugues, Toccatas Organ Wilhelm Hansen
By Dietrich Buxtehude. For Organ. Baroque. Sheet Music. 158 pages. Published by ...(+)
By Dietrich Buxtehude. For Organ. Baroque. Sheet Music. 158 pages. Published by Edition Wilhelm Hansen.
$49.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Jesu, My Heart's Treasure (Jesu, meine Freude) Choral [Sheet music] Kalmus
SSB with SSB Soli (German, Latin Language Edition). Composed by Dietrich Buxtehu...(+)
SSB with SSB Soli (German, Latin Language Edition). Composed by Dietrich Buxtehude (1637-1707). Choral (Sacred); Choral Worship Cantata; Larger Works; Masterworks; Performance Music Ensemble; Worship Resources. Kalmus Edition. Baroque; Masterwork; Sacred. Book. 24 pages. Kalmus Classic Edition #00-K06130. Published by Kalmus Classic Edition
$6.99 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Dietrich Buxtehude: New Edition Of The Complete Organ Works, Volume 3 Organ Barenreiter
(Freely-Composed Organ Works) Composed by Dietrich Buxtehude (1637-1707), edited...(+)
(Freely-Composed Organ Works) Composed by Dietrich Buxtehude (1637-1707), edited by Christoph Albrecht. For organ. Format: organ solo book. With organ notation and thematic index. Baroque. 84 pages. 12x9.5 inches. Published by Baerenreiter-Ausgaben.
$44.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Samtliche Orgelwerke Band IV Organ Breitkopf & Härtel
By Dietrich Buxtehude. This edition: paperback. Edition Breitkopf. 92 pages. Pub...(+)
By Dietrich Buxtehude. This edition: paperback. Edition Breitkopf. 92 pages. Published by Breitkopf and Haertel (German import).
$44.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Dietrich Buxtehude: New Edition Of The Complete Organ Works, Volume 4 Organ Barenreiter
(Chorale Settings A-Me, BuxWV 177-206) Composed by Dietrich Buxtehude (1637-1707...(+)
(Chorale Settings A-Me, BuxWV 177-206) Composed by Dietrich Buxtehude (1637-1707), edited by Christoph Albrecht. For organ. Format: organ solo book. With thematic index and introductory text. Baroque. 89 pages. 12x9.5 inches. Published by Baerenreiter-Ausgaben.
(1)$44.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Compositions Piano solo [Sheet music] Alfred Publishing
By Dietrich Buxtehude. For Piano. Piano Collection. Masterwork. Book. 116 pages....(+)
By Dietrich Buxtehude. For Piano. Piano Collection. Masterwork. Book. 116 pages. Published by Alfred Publishing.
(1)$14.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Keyboard Music of the Baroque and Rococo Piano solo [Score] Breitkopf & Härtel
Piano SKU: BR.SMV-60004 Composed by Walter Georgii. Edited by Walter Geor...(+)
Piano SKU: BR.SMV-60004 Composed by Walter Georgii. Edited by Walter Georgii. Solo instruments; Softbound. Monuments of German Music. Baroque; Early classical. Score. 96 pages. Breitkopf and Haertel #SMV 60004. Published by Breitkopf and Haertel (BR.SMV-60004). ISBN 9790004571446. 0 x 0 inches. English. Volume 1: Werke aus England William Byrd (Praludium, A Gigg) John Bull (Praludium, Dr. Bull's Juell) Giles Farnaby (Tower Hill) Henry Purcell (Praludium C, A Ground in Gamur) Werke aus Holland Jan Sweelinck (Variationen uber das Lied ,, Est-ce Mars) Werke aus Italien Girolamo Frescobaldi (Ballettto mit Corrente) Alessandro Poglietti (Capriccio ,, uber dass Hennergeschrey) Bernardo Pasquini (Tre Arie) Werke aus Frankreich Jacques Champion de Chambonnieres (Drei Tanzstucke) Louis Couperin (Drei Tanzstucke) Nicolas Antoine Le Begue (Gavotte mit Double) Werke aus Deutschland Johann Jakob Froberger (Suite C ,,Lamento) Georg Muffat (Passacaglia g) Johann Pachelbel (Ciacona f) Ferdinand Tobias Richter (Toccatina d) Johann Krieger (Partita G) Johann Kaspar Ferdinand Fischer (Praludium D, Chaconne G) Johann Kuhnau (Biblische Historie Nr. 4) Matthias Weckmann (Toccata e) Jan A. Reinken (Fuge g) Dietrich Buxtehude (Suite uber den Choral ,,Auf meinen lieben Gott) Georg Bohm (Praludium, Fuge und Postludium) Volume 2: Domenico Scarlatti (10 Sonaten) Francois Couperin (Les Gastes da la grande et ancienne Mxnxstrxndxsx, Passacaille, Les Baricades Misterieuses, Les Moissoneurs) Jean Philippe Rameau (Musette en Rondeau, Gavotte, 2 Menuette, La Poule, L'Egiptienne, L'Enharmonique) Louis Claude Daquin (Le Coucou) Jean Francois Dandrieu (Le Gemissante) Georg Philipp Telemann (Fantasien E-dur und e-moll) Gottlieb Muffat (6. Suite aus den Componimenti musicali d-moll) Volume 3: B. Galuppi (Sonate) Padre Martini (Praludium und Fuge, Gavotte) P. D. Paradisi (Sonate) Etienne Nicolas Mehul (Menuett) Georg Christoph Wagenseil (Divertimento) Johann Schobert (Sonate) W. Friedemann Bach (Fuga, Fuga, Polonaise) Ph. E. Bach (Sonate, Rondo, Fantasia, Rondo, Fantasia) Johann Christian Bach (Sonate op. 17 Nr. 2) Georg Benda (Largo, Presto) Johann Wilhelm Hassler (Grande Gigue op. 31). $18.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Baroque Organ Works: The Ultimate Collection Organ CD Sheet Music
SKU: SU.00220558 Keyboard, Organ. CD (PDF Scores). CD Sheet Music #002205...(+)
SKU: SU.00220558 Keyboard, Organ. CD (PDF Scores). CD Sheet Music #00220558. Published by CD Sheet Music (SU.00220558). This CD Sheet Musicâ?¢ collection brings together several hundred works by 17th and 18th masters of the Baroque organ tradition. Composers include: Buxtehude (Preludes, Toccatas, Fuges, Chorale Preludes); Froberger (Canzonas, Capriccios, Fantasias, Ricercares, Toccatas); Handel (Concertos); Pachelbel (Preludes, Toccatas, Fantasies, Fugues, Ricercares, Chorale Preludes, Fugues on the Magnificat, Canon in D); Sweelinck (Chorale Preludes and Variations, Fantasias, Variations on Secular Songs and Dances, Toccatas); and more Also includes biographies and relevant articles from the 1911 edition of Grove's Dictionary of Music and Musicians 1100 pages Please note, customers using Macintosh computers running macOS Catalina (version 10.5) have reported hardware compatibility issues with this product. If you encounter these issues, we recommend copying the entire contents of the disk to a contained folder on a thumb drive or other storage device for use on your Mac. $20.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Keyboard Music of the Baroque and Rococo Piano solo [Score] Breitkopf & Härtel
Piano SKU: BR.SMV-60005 Composed by Walter Georgii. Edited by Walter Geor...(+)
Piano SKU: BR.SMV-60005 Composed by Walter Georgii. Edited by Walter Georgii. Solo instruments; Softbound. Monuments of German Music. Baroque; Early classical. Score. 102 pages. Breitkopf and Haertel #SMV 60005. Published by Breitkopf and Haertel (BR.SMV-60005). ISBN 9790004571453. 0 x 0 inches. English. Volume 1: Werke aus England William Byrd (Praludium, A Gigg) John Bull (Praludium, Dr. Bull's Juell) Giles Farnaby (Tower Hill) Henry Purcell (Praludium C, A Ground in Gamur) Werke aus Holland Jan Sweelinck (Variationen uber das Lied ,, Est-ce Mars) Werke aus Italien Girolamo Frescobaldi (Ballettto mit Corrente) Alessandro Poglietti (Capriccio ,, uber dass Hennergeschrey) Bernardo Pasquini (Tre Arie) Werke aus Frankreich Jacques Champion de Chambonnieres (Drei Tanzstucke) Louis Couperin (Drei Tanzstucke) Nicolas Antoine Le Begue (Gavotte mit Double) Werke aus Deutschland Johann Jakob Froberger (Suite C ,,Lamento) Georg Muffat (Passacaglia g) Johann Pachelbel (Ciacona f) Ferdinand Tobias Richter (Toccatina d) Johann Krieger (Partita G) Johann Kaspar Ferdinand Fischer (Praludium D, Chaconne G) Johann Kuhnau (Biblische Historie Nr. 4) Matthias Weckmann (Toccata e) Jan A. Reinken (Fuge g) Dietrich Buxtehude (Suite uber den Choral ,,Auf meinen lieben Gott) Georg Bohm (Praludium, Fuge und Postludium) Volume 2: Domenico Scarlatti (10 Sonaten) Francois Couperin (Les Gastes da la grande et ancienne Mxnxstrxndxsx, Passacaille, Les Baricades Misterieuses, Les Moissoneurs) Jean Philippe Rameau (Musette en Rondeau, Gavotte, 2 Menuette, La Poule, L'Egiptienne, L'Enharmonique) Louis Claude Daquin (Le Coucou) Jean Francois Dandrieu (Le Gemissante) Georg Philipp Telemann (Fantasien E-dur und e-moll) Gottlieb Muffat (6. Suite aus den Componimenti musicali d-moll) Volume 3: B. Galuppi (Sonate) Padre Martini (Praludium und Fuge, Gavotte) P. D. Paradisi (Sonate) Etienne Nicolas Mehul (Menuett) Georg Christoph Wagenseil (Divertimento) Johann Schobert (Sonate) W. Friedemann Bach (Fuga, Fuga, Polonaise) Ph. E. Bach (Sonate, Rondo, Fantasia, Rondo, Fantasia) Johann Christian Bach (Sonate op. 17 Nr. 2) Georg Benda (Largo, Presto) Johann Wilhelm Hassler (Grande Gigue op. 31). $18.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Music of the Baroque Recorder Ensemble [Score and Parts] Edward B. Marks Music Company
Score and Parts. By Various Composers. Recorder Ensemble. Size 6.7x10.5 inches. ...(+)
Score and Parts. By Various Composers. Recorder Ensemble. Size 6.7x10.5 inches. 24 pages. Published by Marks.
(2)$10.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Masters of the Baroque 2 Violins and Basso Peters
By Various. For 2 violin, cembalo (organ) (violoncello ad lib). 5 Pieces,and Tri...(+)
By Various. For 2 violin, cembalo (organ) (violoncello ad lib). 5 Pieces,and Trio Sonatas by Becker,Buxtehude,Foerster,Reinken,Schop. Published by C.F. Peters.
$22.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Baroque Keyboard Anthology Volume 1 Piano solo [Sheet music + CD] - Intermediate Schott
24 Works for Piano. Composed by Various. Edited by Robin Bigwood. Piano. Sof...(+)
24 Works for Piano. Composed
by Various. Edited by Robin
Bigwood. Piano. Softcover
with CD. Schott Music
#ED13601. Published by Schott
Music
$19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Baroque Era - Intermediate to Advanced Piano Solo Piano solo - Intermediate/advanced Hal Leonard
The World's Great Classical Music. By Various. World's Greatest Classical Music....(+)
The World's Great Classical Music. By Various. World's Greatest Classical Music. Size 9x12 inches. 232 pages. Published by Hal Leonard.
(2)$24.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| In Dulci Jubilo Choral 3-part SAB [Sheet music] Alfred Publishing
By Dietrich Buxtehude. For Choir. (SAB). Choral Worship Cantata. Kalmus Edition...(+)
By Dietrich Buxtehude. For Choir. (SAB). Choral Worship Cantata. Kalmus Edition. Masterwork; Sacred, Christmas. Book. 16 pages. Published by Alfred Publishing.
$5.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Dietrich Buxtehude: Gott, Hilf Mir (Score) [Score] Music Sales | | |
| Organ Works Organ [Score] Breitkopf & Härtel
Organ SKU: BR.EB-9306 Urtext - Critical Source Edition of the Free Org...(+)
Organ SKU: BR.EB-9306 Urtext - Critical Source Edition of the Free Organ Works. Composed by Dietrich Buxtehude. Edited by Harald Vogel. Solo instruments; Softbound. Edition Breitkopf. Renaissance/early Baroque; Baroque. Score. 84 pages. Breitkopf and Haertel #EB 9306. Published by Breitkopf and Haertel (BR.EB-9306). ISBN 9790004187708. 12 x 9 inches. This edition is the result of Harald Vogel's many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17th- and 18th-century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the Einzelanmerkungen. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude's free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary).Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on Die Fuge um Bach. Besides the description of the inclusion of triple measures into the C notation and the irregularities of the voice mutation in the polyphonic structures, this also included a discussion about the justification of the inner textual criticism. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude's work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the indicators of the fantastic style is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude's work.In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Lulea University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lubeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude's organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands.
pure source edition (no mixture of different transmissions) comprehensive commentary (Vol. I/2 & II) (with texts about the sources, chronology, use of keys, liturgic placement as well as detailed critical remarks, incl. music examples (in German only))good page turnsflexible division of voices (on 2 or 3 systems, good legibility)contains facsimiles. $45.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Organ Works Organ [Score] Breitkopf & Härtel
Organ SKU: BR.EB-9415 Urtext - Critical Source Edition of the Free Org...(+)
Organ SKU: BR.EB-9415 Urtext - Critical Source Edition of the Free Organ Works. Composed by Dietrich Buxtehude. Edited by Harald Vogel. Solo instruments; Softbound. Edition Breitkopf. Renaissance/early Baroque; Baroque. Score. 192 pages. Breitkopf and Haertel #EB 9415. Published by Breitkopf and Haertel (BR.EB-9415). ISBN 9790004188897. 12 x 9 inches. This edition is the result of Harald Vogel's many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17th- and 18th-century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the Einzelanmerkungen. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude's free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary).Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on Die Fuge um Bach. Besides the description of the inclusion of triple measures into the C notation and the irregularities of the voice mutation in the polyphonic structures, this also included a discussion about the justification of the inner textual criticism. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude's work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the indicators of the fantastic style is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude's work.In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Lulea University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lubeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude's organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands.
pure source edition (no mixture of different transmissions) comprehensive commentary (Vol. I/2 & II) (with texts about the sources, chronology, use of keys, liturgic placement as well as detailed critical remarks, incl. music examples (in German only))good page turnsflexible division of voices (on 2 or 3 systems, good legibility)contains facsimiles. $90.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Organ Works Organ [Score] Breitkopf & Härtel
Organ SKU: BR.EB-9305 Urtext - Critical Source Edition of the Free Org...(+)
Organ SKU: BR.EB-9305 Urtext - Critical Source Edition of the Free Organ Works. Composed by Dietrich Buxtehude. Edited by Harald Vogel. Solo instruments; Softbound. Edition Breitkopf. Renaissance/early Baroque; Baroque. Score. 84 pages. Breitkopf and Haertel #EB 9305. Published by Breitkopf and Haertel (BR.EB-9305). ISBN 9790004187692. 12 x 9 inches. This edition is the result of Harald Vogel's many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17th- and 18th-century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the Einzelanmerkungen. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude's free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary).Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on Die Fuge um Bach. Besides the description of the inclusion of triple measures into the C notation and the irregularities of the voice mutation in the polyphonic structures, this also included a discussion about the justification of the inner textual criticism. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude's work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the indicators of the fantastic style is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude's work.In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Lulea University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lubeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude's organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands.
pure source edition (no mixture of different transmissions); comprehensive commentary (Vol. I/2 & II) (with texts about the sources, chronology, use of keys, liturgic placement as well as detailed critical remarks, incl. music examples (in German only)); good page turnsflexible division of voices (on 2 or 3 systems, good legibility); contains facsimiles. Contains the Critical Commentary of the subvolumes I/1 and I/2. $50.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Organ Works Organ [Score] Breitkopf & Härtel
Organ SKU: BR.EB-9304 Urtext - Critical Source Edition of the Free Org...(+)
Organ SKU: BR.EB-9304 Urtext - Critical Source Edition of the Free Organ Works. Composed by Dietrich Buxtehude. Edited by Harald Vogel. Solo instruments; Softbound. Edition Breitkopf. Renaissance/early Baroque; Baroque. Score. 108 pages. Breitkopf and Haertel #EB 9304. Published by Breitkopf and Haertel (BR.EB-9304). ISBN 9790004187685. 12 x 9 inches. This edition is the result of Harald Vogel's many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17th- and 18th-century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the Einzelanmerkungen. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude's free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary).Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on Die Fuge um Bach. Besides the description of the inclusion of triple measures into the C notation and the irregularities of the voice mutation in the polyphonic structures, this also included a discussion about the justification of the inner textual criticism. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude's work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the indicators of the fantastic style is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude's work.In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Lulea University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lubeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude's organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands.
pure source edition (no mixture of different transmissions); comprehensive commentary (Vol. I/2 & II) (with texts about the sources, chronology, use of keys, liturgic placement as well as detailed critical remarks, incl. music examples (in German only)); good page turnsflexible division of voices (on 2 or 3 systems, good legibility); contains facsimiles. The corresponding Critical Commentary is contained in Volume I/2 (EB 9305). $50.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Suite No. 1 Guitar Classical guitar [Score] - Advanced Productions OZ
Guitar solo - Advanced SKU: DZ.DZ-4308 Composed by Giorgio Mirto. Score. ...(+)
Guitar solo - Advanced SKU: DZ.DZ-4308 Composed by Giorgio Mirto. Score. Les Productions d'OZ #DZ 4308. Published by Les Productions d'OZ (DZ.DZ-4308). ISBN 9782898522253. Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.
FRANCESCO BIRAGHI
Au lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture àlaquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'Ã
Âuvre m'a amené àtrouver des titres qui invitaient l'interprète àapprofondir l'inspiration esthétique de l'Ã
Âuvre. J'ai donc suggéré àGiorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu àquatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée àla Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue àla manière de Buxtehude (qui vivait àLübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né àHalle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait àMagdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'Ã
Âuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'Ã
Âil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des Ã
Âuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'àcelle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'Ã
Âuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'àla fin de la Chaconne de Magdebourg. Je souhaite àGiorgio et àë notre û Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.
FRANCESCO BIRAGHI. $12.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Piano Works, Vol. 3 Piano solo LudwigMasters Publications
Piano Solo SKU: AP.36-M159691 Composed by Dietrich Buxtehude. Arranged by...(+)
Piano Solo SKU: AP.36-M159691 Composed by Dietrich Buxtehude. Arranged by Emilius Bangert. Method/Instruction; Piano, Collections; Reference Textbooks; Solo; Solo Small Ensembles. Master Piano Series. Book. LudwigMasters Publications #36-M159691. Published by LudwigMasters Publications (AP.36-M159691). ISBN 9798888521625. UPC: 676737751470. English. Danish composer and organist Dietrich Buxtehude (1637-1707) is a prime example of the North German baroque school and an influence on Johann Sebastian Bach's style. The works in this three-volume collection were found in a family-book, which for centuries was handed down in the Danish family of Ryge until their discovery in the mid-20th century. The collection of 19 suites, 6 works of variation, and 3 anonymous works (likely by Buxtehude) have been compiled and edited by Emilius Bangert. Vol. 1 includes Suites I-X; Vol. 2 includes Suites XI-XIX; Vol. 3 includes Works of variation and anonymous works. These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months. $9.95 - See more - Buy online | | |
| Piano Works, Vol. 1 Piano solo LudwigMasters Publications
Piano Solo SKU: AP.36-M159491 Composed by Dietrich Buxtehude. Arranged by...(+)
Piano Solo SKU: AP.36-M159491 Composed by Dietrich Buxtehude. Arranged by Emilius Bangert. Performance Music Ensemble; Solo Piano. Master Piano Series. Book. LudwigMasters Publications #36-M159491. Published by LudwigMasters Publications (AP.36-M159491). UPC: 660355143854. English. Danish composer and organist Dietrich Buxtehude (1637-1707) is a prime example of the North German baroque school and an influence on Johann Sebastian Bach's style. The works in this three-volume collection were found in a family-book, which for centuries was handed down in the Danish family of Ryge until their discovery in the mid-20th century. The collection of 19 suites, 6 works of variation, and 3 anonymous works (likely by Buxtehude) have been compiled and edited by Emilius Bangert. Vol. 1 includes Suites I-X; Vol. 2 includes Suites XI-XIX; Vol. 3 includes Works of variation and anonymous works. These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months. $9.95 - See more - Buy online | | |
| Piano Works, Vol. 2 Piano solo LudwigMasters Publications
Piano Solo SKU: AP.36-M159591 Composed by Dietrich Buxtehude. Arranged by...(+)
Piano Solo SKU: AP.36-M159591 Composed by Dietrich Buxtehude. Arranged by Emilius Bangert. Performance Music Ensemble; Solo Piano. Master Piano Series. Book. LudwigMasters Publications #36-M159591. Published by LudwigMasters Publications (AP.36-M159591). UPC: 660355143878. English. Danish composer and organist Dietrich Buxtehude (1637-1707) is a prime example of the North German baroque school and an influence on Johann Sebastian Bach's style. The works in this three-volume collection were found in a family-book, which for centuries was handed down in the Danish family of Ryge until their discovery in the mid-20th century. The collection of 19 suites, 6 works of variation, and 3 anonymous works (likely by Buxtehude) have been compiled and edited by Emilius Bangert. Vol. 1 includes Suites I-X; Vol. 2 includes Suites XI-XIX; Vol. 3 includes Works of variation and anonymous works. These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months. $9.95 - See more - Buy online | | |
| In Te Domine Speravi Choral 3-part SAB Hal Leonard
Choral (SAB Choir) SKU: HL.286176 Creating Artistry. Composed by D...(+)
Choral (SAB Choir) SKU: HL.286176 Creating Artistry. Composed by Dietrich Buxtehude. Edited by Ryan Kelly. Henry Leck Creating Artistry. Concert. Octavo. 16 pages. Published by Hal Leonard (HL.286176). UPC: 888680893477. 6.75x10.5 inches. The opportunity to perform Baroque music in an authentic style is a gift for young singers and limited forces. Buxtehude composed this piece for SAB choir and the figured bass has been realized for this edition. The “Colla Parte” practice from this stylistic period is made available in this edition as the three voice parts have been transcribed for C instruments. Detailed performance notes are included from the editor. $2.25 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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