| Simply Classic Orchestral and Operatic Masterworks, Book 2 Piano solo [Sheet music] - Intermediate Alfred Publishing
Arranged by Margaret Goldston. For Piano. Piano Collection. Masterwork; Opera. L...(+)
Arranged by Margaret Goldston. For Piano. Piano Collection. Masterwork; Opera. Level: Early Intermediate. Book. 32 pages. Published by Alfred Publishing.
$7.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Piano Concerto No. 1 in D minor Op. 15 Breitkopf & Härtel
Violoncello (solo: pno - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.OB-3210-23(+)
Violoncello (solo: pno - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.OB-3210-23 Urtext based on the Brahms Complete Edition of the Gesellschaft der Musikfreunde in Vienna. Composed by Johannes Brahms. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). EB 6043 is printed in score form; two copies are needed for performance. Have a look into study score PB 3654. Solo concerto; Romantic. Part. 8 pages. Duration 43'. Breitkopf and Haertel #OB 3210-23. Published by Breitkopf and Haertel (BR.OB-3210-23). ISBN 9790004300725. 10 x 12.5 inches. Johannes Brahms' first Piano Concerto was the fruit of a complex, protracted, and extremely trying creative process. Its origin goes back to a sonata in D minor for two pianos conceived in spring 1854. The impulse for the creation of the main subject was however a shocking event: According to Joseqph Joachim, the theme originated after hearing about Schumanns suicide attempt. A few months earlier, Schumann had revealed Brahms to the musical world in his essay New Paths. In this article, Brahms is extolled as the musician who is called to give expression to the feeling of his times in an ideal fashion. The unusually rapid genesis of the D-minor sonata and its prevailingly dark, monumental mood can be interpreted as an impassioned compositional response to Schumann's suicide attempt. However, the year-long struggle to arrive at the final form of the work should perhaps also be seen in the context of the resounding praise of Schumann's prophetic article. Brahms undoubtly felt a growing inner pressure to live up to the expectations aroused therein.Together with Clara Schumann, Brahms played the three so far existing movements of the sonata, but he was very self-critical. He felt that he had not been able to realize the monumentality he had envisioned, and which Clara Schumann felt, by merely doubling the piano sound. He soon decided to transform the sonata into a symphony (his first orchestral project). However, this idea did not seem to fit his vision either. Only in spring 1855 did he strike upon the definitive solution: a piano concerto. With Brahms as soloist, this concerto premiered in 1859, though he initially had little success. He wrote to Joachim about one of the first performances that the concerto was a brilliant and unmistakable - failure. This hardly surprised Brahms, for he was undoubtedly aware of the newness of the work, which surpassed the expectations of the audience. The work's complex structure and symphonic dimensions, the solo part's rejection of showy, elegant brilliance, and the uniquely Brahmsian orchestral density it maintains throughout; all of these qualities inevitably exasperated audiences at first - until they raised this work to the ranks of the most celebrated concertos of all time. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Great Classical Themes - Lower Intermediate Piano solo [Sheet music] - Intermediate Hal Leonard
Piano Solo Mixed Folio (Intermediate to advanced piano arrangements with no lyri...(+)
Piano Solo Mixed Folio (Intermediate to advanced piano arrangements with no lyrics). Size 9x12 inches. 232 pages. Published by Hal Leonard.
(4)$16.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Only Piano Album You'll Ever Need Piano solo Music Sales | | |
| Classical Masterpieces Piano solo [Sheet music] - Intermediate Hal Leonard
For solo piano. Format: piano solo book. Baroque, classical period and romantic ...(+)
For solo piano. Format: piano solo book. Baroque, classical period and romantic period. Series: The World's Great Classical Music. 232 pages. 9x12 inches. Published by Hal Leonard.
$19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Beethoven - Super Easy Songbook Easy Piano - Beginner Hal Leonard
Composed by Ludwig van Beethoven (1770-1827). Super Easy Songbook. Classical. ...(+)
Composed by Ludwig van
Beethoven (1770-1827). Super
Easy Songbook. Classical.
Softcover. Published by Hal
Leonard
$9.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Piano Concerto No. 1 Concert band - Advanced Baton Music
Concert band Piano and concert band - Grade 5 SKU: BF.BM863-SCORE Compose...(+)
Concert band Piano and concert band - Grade 5 SKU: BF.BM863-SCORE Composed by Pyotr Ilyich Tschaikowsky. Arranged by Jos van de Braak. Baton Music instrumental series. Full score. Baton Music #BM863-SCORE. Published by Baton Music (BF.BM863-SCORE). The 'Piano Concerto No. 1' in B-flat minor, Op. 23, is one of the most popular of Tschaikowsky's compositions and among the best known of all piano concertos. The concerto follows the traditional form of three movements. The introduction's theme is notable for its apparent formal independence from the rest of the movement. Despite its very substantial nature, this theme is only heard twice, and it never reappears at any later point in the concerto. But everyone can point this concerto by hearing only the first 4 notes of the concerto. Dutch arranger Jos van de Braak transcribed the complete concerto for piano with accompaniment of a Symphonic Band. $93.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Piano Concerto No. 1 Concert band - Advanced Baton Music
Concert band Piano and concert band - Grade 5 SKU: BF.BM863-SET Composed ...(+)
Concert band Piano and concert band - Grade 5 SKU: BF.BM863-SET Composed by Pyotr Ilyich Tschaikowsky. Arranged by Jos van de Braak. Baton Music instrumental series. Full Score and set of parts. Baton Music #BM863-SET. Published by Baton Music (BF.BM863-SET). The 'Piano Concerto No. 1' in B-flat minor, Op. 23, is one of the most popular of Tschaikowsky's compositions and among the best known of all piano concertos. The concerto follows the traditional form of three movements. The introduction's theme is notable for its apparent formal independence from the rest of the movement. Despite its very substantial nature, this theme is only heard twice, and it never reappears at any later point in the concerto. But everyone can point this concerto by hearing only the first 4 notes of the concerto. Dutch arranger Jos van de Braak transcribed the complete concerto for piano with accompaniment of a Symphonic Band. $433.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| The Essential Collection: Brahms Gold Piano solo [Sheet music] Chester
The Gold Series. Composed by Johannes Brahms (1833-1897). Music Sales America. C...(+)
The Gold Series. Composed by Johannes Brahms (1833-1897). Music Sales America. Classical. Softcover. 96 pages. Chester Music #CH66231. Published by Chester Music
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| “American Suite”, in A Major, Op. 98 Flute and Piano Carl Fischer
Chamber Music flute, piano SKU: CF.WF232 Composed by Antonin Dvorak. Edit...(+)
Chamber Music flute, piano SKU: CF.WF232 Composed by Antonin Dvorak. Edited by Robert Stallman. Arranged by Robert Stallman. Set of Score and Parts. With Standard notation. 28+16 pages. Carl Fischer Music #WF232. Published by Carl Fischer Music (CF.WF232). ISBN 9781491153772. UPC: 680160911271. Known internationally for superior flute editions, Robert Stallman continues his considerable expansion of the flute repertoire with re-creations, or “new†works for flute by Bach, Mozart, Schubert, Beethoven, Chopin, Dvořák, and other great composers.Conceived originally as a work for solo piano, this arrangement of Dvořák’s Suite in A Major for flute and piano is based on both the piano and orchestra versions. It is one in a series of Stallman’s “new†works for flute. Dvořák composed the Suite in A Major in 1894, inspired by his happy and fruitful stay in the “New World†—a period that produced some of his greatest works, full of thematic freshness, raw energy and folk influences, both American and Old World Czech. The “New World†Symphony, Cello Concerto, “American†Quartet, String Quintet in E≤ Major, the Violin Sonatina and this A Major Suite are all cut from the same musical cloth—textured with his personal impressions of the Wild West’s fascinating Indian and Afro-American music, its God-fearing and friendly people, its vast open spaces and its awe-inspiring natural beauty. PrefaceConceived originally as a work for solo piano, the Suite in A Major was composed by Dvořák in 1894, during his famous two-year visit to the United States. He wrote the work in a mere ten days, and a year later made a full orchestration of it. The Suite was first performed in this second version in 1910 in Prague at the Rudolfinum. Dvořák, who died in 1904, never had a chance to hear a performance of this stirring orchestral realization.The Suite was inspired by the composer’s happy and fruitful stay in the “New Worldâ€, especially by his unforgettable summers spent in the quiet Czech-American village of Spillville, Iowa—a period that produced some of his greatest works, full of thematic freshness, raw energy and folk influences, both American and Old World Czech. The “New World†Symphony, Cello Concerto, “American†Quartet, String Quintet in Eb Major, the Violin Sonatina and this A Major Suite are all cut from the same musical cloth—textured with his personal impressions of the Wild West’s fascinating Indian and Afro-American music, its God-fearing and friendly people, its vast open spaces and its awe-inspiring natural beauty.Several of the Suite’s affecting melodies find echoes in these other, better known compositions of this American period. Wistful themes abound in all five movements, reflecting Dvořák’s transformative American experience as it found resonance in his own emotions. Contrasting with deeply felt, contemplative passages are Dvořák’s joyous and tempestuous expressions, which open the second, third and final movements.This arrangement for flute and piano is based on both the piano and orchestra versions. It is one in a series of my “new†works for flute by some of our greatest composers and I am delighted to add it to the collection. I predict that the A Major Suite will become a popular addition to our Romantic recital repertoire, much like the Dvořák Sonatina.—Robert StallmanMarblehead, Mass.June 1, 2018. $16.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Solo Pieces for the Beginning Flutist
Flute and Piano [Sheet music + CD] - Easy Mel Bay
Compiled and arranged by Dona Gilliam and Mizzy McCaskill. For Flute. solos. Cla...(+)
Compiled and arranged by Dona Gilliam and Mizzy McCaskill. For Flute. solos. Classic. Level: Beginning. Book/CD Set. Size 8.75x11.75. 52 pages. Published by Mel Bay Publications, Inc.
(2)$15.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Viola Repertoire 6 Viola - Intermediate The Frederick Harris Music Company
Viola - Intermediate SKU: FH.VA6 Viola Series, 2013 Edition. Compo...(+)
Viola - Intermediate SKU: FH.VA6 Viola Series, 2013 Edition. Composed by The Royal Conservatory. Viola Series, 2013 Edition. Book/CD. The Frederick Harris Music Company #VA6. Published by The Frederick Harris Music Company (FH.VA6). ISBN 978-1-55440-568-8. This groundbreaking series for viola offers a sound and progressive collection of Repertoire, Recordings, Etudes, Technique, and Orchestral Excerpts for the aspiring virtuoso. Representing all major style periods and a variety of genres, Viola Series, 2013 Edition offers all the music and tools needed to support a comprehensive course of study from the beginner to advanced levels. A rich and varied selection of music in each of these nine progressive volumes of repertoire appeals to violists of all ages. From the Preparatory Level through Level 8, students will be exposed to quality selections originally written for viola, fun arrangements of traditional fiddle and folk tunes, as well as contemporary pieces by notable composers such as Violet Archer, Carey Cheney, and Fritz Kriesler. Concertos: Concerto in B flat Major - Hoffmeister, Franz Anton arr. Alison A. Copland - First Movement Premier Solo, op. 77, no. 1 - Dancla, Charles Concerto in C Major - Schmitt, Joseph arr. Bernhard Pauler - First Movement Sonatas: Sonata in E Minor, HWV 375 - Handel, George Frideric arr. Harold Birston - Second Movement - Third Movement Solo per alto viola (The Billiard Sonata) - Giardini, Felice arr. Christine Donkin - Second Movement - Third Movement Sonata in B flat Major - Stamitz, Carl - First Movement Concert Repertoire: Couplets de folies - Marais, Marin arr. Paul Doktor Hebrew Melody No. 1 - Joachim, Joseph Air with Variations (The Harmonious Blacksmith) - Handel, George Frideric arr. Watson Forbes Orientale - Granados, Enrique arr. Christine Donkin elegie, op. 44 - Glazunov, Aleksandr Unaccompanied Repertoire: Fantasia No. 1 in E flat Major, TWV 40:14 - Telemann, Georg Philipp - First Movement - Second Movement Suite No. 1 in G Major, BWV 1007 - Bach, Johann Sebastian - First Movement: Prelude - Second Movement: Gigue. $45.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Rondo for Horn Concert band - Intermediate Opus III Wind Orchestra Publications
Grade 3 SKU: CL.012-3682-75 From Concerto No. 1, 3rd Movement. Com...(+)
Grade 3 SKU: CL.012-3682-75 From Concerto No. 1, 3rd Movement. Composed by Richard Strauss. Arranged by Glover. Concert Band. Spotlight Series. Audio recording available separately (item CL.WFR365). Oversized, spiral-bound score. Composed 2009. Duration 5 minutes, 23 seconds. Opus III Wind Orchestra Publications #012-3682-75. Published by Opus III Wind Orchestra Publications (CL.012-3682-75). Feature your horn soloist with concert band in this arrangement of the famous Rondo (third movement) from Richard Strauss' first horn concerto. This standard-repertoire solo is a must for all serious hornists, and the accompaniment is ideal for concert band. A great programming choice for your outstanding horn player. About C.L. Barnhouse Spotlight Series The Barnhouse Spotlight series includes publications for solo instruments with concert band accompaniment. These publications are designed to feature outstanding members of your band as soloist, and to provide unique and entertaining programming options. Solo parts are graded more difficult than the band accompaniments $25.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Viola Repertoire 2 Viola The Frederick Harris Music Company
Viola - Late Elementary SKU: FH.VA2 Viola Series, 2013 Edition. Co...(+)
Viola - Late Elementary SKU: FH.VA2 Viola Series, 2013 Edition. Composed by The Royal Conservatory. Viola Series, 2013 Edition. Book/CD. The Frederick Harris Music Company #VA2. Published by The Frederick Harris Music Company (FH.VA2). ISBN 978-1-55440-564-0. This groundbreaking series for viola offers a sound and progressive collection of Repertoire, Recordings, Etudes, Technique, and Orchestral Excerpts for the aspiring virtuoso. Representing all major style periods and a variety of genres, Viola Series, 2013 Edition offers all the music and tools needed to support a comprehensive course of study from the beginner to advanced levels. A rich and varied selection of music in each of these nine progressive volumes of repertoire appeals to violists of all ages. From the Preparatory Level through Level 8, students will be exposed to quality selections originally written for viola, fun arrangements of traditional fiddle and folk tunes, as well as contemporary pieces by notable composers such as Violet Archer, Carey Cheney, and Fritz Kriesler. Concertos, Concertinas, and Fantasias: Concerto in E Minor, op. 35 - Rieding, Oskar - First Movement Concertino in the Style of Antonio Vivaldi, op. 15 - Kuechler, Ferdinand - Third Movement Concertino No. 4 in C Major, op. 22 - Breval, Jean-Baptiste - Third Movement: Finale The Infant Paganini: Fantasia - Mollenhauer, Eduard Baroque Repertoire: Chaconne - Handel, George Frideric arr. Peter Heilbut Sarabande - Handel, George Frideric arr. Christine Gale Giguetta - Bach, Johann Sebastian arr. Constance Seely-Brown Ombra mai fu (Never Was a Shade), from Serse - Handel, George Frideric arr. Gaston Borch Polonaise, BWV Anh. 119 - attr. Bach, Johann Sebastian arr. Jason Noble Two Dances - Hasse, Johann Adolf arr. Johannes Palaschko Concert Repertoire: Andante grazioso - Mozart, Wolfgang Amadeus arr. Jason Gray and Katharine Rapoport Wiegenlied (Lullaby) - Wolf, Hugo Dark Mood - Archer, Violet On the Road - Teehan, Rob Rigadoon - Jacon, Gordon March, from The Nutcracker - Tchaikovsky, Pyotr Il'yich arr. Jason Noble Hen and Rooster - Konicek, Zdenek. $31.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Noches en los jardines de Espana Piano and Orchestra Breitkopf & Härtel
Piano/harpsichord and orchestra (solo: pno - 3(picc).3(cor ang).2.2 - 4.2.3.1 - ...(+)
Piano/harpsichord and orchestra (solo: pno - 3(picc).3(cor ang).2.2 - 4.2.3.1 - timp.perc - hp - cel - str) SKU: BR.EB-11450 Impresiones sinfonicas - Urtext. Composed by Manuel de Falla. Edited by Ullrich Scheideler. Orchestra; Softbound. Edition Breitkopf. In Cooperation with G. Henle Verlag Solo concerto; Symphonic poem; Late-romantic; Early modern. Piano reduction. 68 pages. Duration 23'. Breitkopf and Haertel #EB 11450. Published by Breitkopf and Haertel (BR.EB-11450). ISBN 9790201814506. 9.5 x 12 inches. Composed by Manuel de Falla during his lengthy residence in Paris, these three symphonic impressions for piano and orchestra are an expressive work bringing the southern Spanish gardens, which are laid out in the European and Arabic-Moorish tradition, to life. The influence of contemporary French music is noticeable in this composition. Despite many modifications, involving among other things, the scoring, number of movements, as well as layout and content, the basic idea of a nocturnal impression is retained from the outset. The work was finished - and likewise the orchestral material - only shortly before its premiere on 9 April 1916, which was a great success. World War I prevented its publication, though further performances followed, played then from manuscript material. The Urtext edition presented by Ullrich Scheideler takes as the main source the first edition of the score. The Critical Report gives detailed information about the source situation. $35.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Noches en los jardines de Espana Piano and Orchestra Breitkopf & Härtel
Piano/harpsichord and orchestra (solo: pno - 3(picc).3(cor ang).2.2 - 4.2.3.1 - ...(+)
Piano/harpsichord and orchestra (solo: pno - 3(picc).3(cor ang).2.2 - 4.2.3.1 - timp.perc - hp - cel - str) SKU: BR.PB-15153 Impresiones sinfonicas - Urtext. Composed by Manuel de Falla. Edited by Ullrich Scheideler. Orchestra; Softbound. Partitur-Bibliothek (Score Library). In Cooperation with G. Henle Verlag Solo concerto; Symphonic poem; Late-romantic; Early modern. Full score. 92 pages. Duration 23'. Breitkopf and Haertel #PB 15153. Published by Breitkopf and Haertel (BR.PB-15153). ISBN 9790004215586. 10 x 12.5 inches. Composed by Manuel de Falla during his lengthy residence in Paris, these three symphonic impressions for piano and orchestra are an expressive work bringing the southern Spanish gardens, which are laid out in the European and Arabic-Moorish tradition, to life. The influence of contemporary French music is noticeable in this composition. Despite many modifications, involving among other things, the scoring, number of movements, as well as layout and content, the basic idea of a nocturnal impression is retained from the outset. The work was finished - and likewise the orchestral material - only shortly before its premiere on 9 April 1916, which was a great success. World War I prevented its publication, though further performances followed, played then from manuscript material. The Urtext edition presented by Ullrich Scheideler takes as the main source the first edition of the score. The Critical Report gives detailed information about the source situation. $78.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Quicksilver Theodore Presser Co.
Chamber Music Piano, alto Saxophone SKU: PR.114419850 Composed by Stacy G...(+)
Chamber Music Piano, alto Saxophone SKU: PR.114419850 Composed by Stacy Garrop. Sws. See lengthy program note on prefatory page. Set of Score and Parts. 44+24 pages. Duration 23 minutes. Theodore Presser Company #114-41985. Published by Theodore Presser Company (PR.114419850). ISBN 9781491135808. UPC: 680160681044. 9 x 12 inches. Both a spectacular concerto for saxophone, and a dramatic tone poem on Roman mythology, QUICKSILVER is a 23-minute concerto for Alto Saxophone and Wind Ensemble by one of the sax literature’s most commissioned and admired composers.Through worded captions as well as gorgeously expressive tone painting, Movement 1 depicts the birth and childhood pranks of Mercury, Movement 2 shows him escorting souls to the gates of the Underworld, and Movement 3 is a phantasmagoric finale portraying Mercury as messenger amid the conflicts of other mythological figures. There are many YouTube performances available, both in the original version with Wind Ensemble, and with Piano. In addition to being another name for the element mercury, “quicksilver†is used to describe something that changes quickly or is difficult to contain. My concerto of the same name was inspired by the Roman god Mercury, as well as the mercurial nature of the saxophone: unpredictable, very lively, and volatile. Mercury (known as Hermes in Greek mythology) is best known for his winged shoes, which allowed him to fly swiftly as the messenger of his fellow Olympians. Mercury had other duties too, including serving as the god of merchants, travelers, and tricksters; he also ushered souls of the departed to the Underworld.Quicksilver tells three tales of the Roman god. The first movement (Antics of a Newborn God) opens with the birth of Mercury; after he takes his first steps, he toddles around, gleefully looking for mischief. He stumbles across a herd of cows that belong to his brother Apollo; Mercury slyly lets the cows out of their pen before toddling onward with his mischief-making.In the second movement (Guiding Souls to the Underworld), Pluto, god of the Underworld, bids Mercury to bring him fresh souls. The movement begins with death-knells tolling for humans who are about to die; Mercury picks up these souls and leads them down to the gates of the Underworld.The third and final movement (Messenger of Olympus) depicts Mercury as he is busily running errands for various gods and goddesses. We first encounter him mid-flight as he dashes to earth to find Aeneas, a Trojan lieutenant who had been run out of Troy by the invading Greeks. Aeneas is on a quest to find land on which to establish a new city that would eventually become Rome. While traveling, he is distracted from his quest when he meets the beautiful queen Dido. They live together for many years before Mercury intervenes; he chastises Aeneas for giving up on his quest and persuades him to pick it up again. As Aeneas mournfully resumes his journey, we hear Dido perish of a broken heart. Mercury then takes to the skies to seek out Perseus, who is preparing to kill Medusa, the hideous gorgon who has snakes for hair and a gaze that turns those who catch her glance into stone. Mercury advises Perseus on how to slay Medusa and lends Perseus his sword to do the deed. We hear Perseus victorious in the beheading of Medusa, after which Mercury takes to the skies once more to fly home to Olympus. $34.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Treach'rous world, I do not trust you (Falsche Welt, dir trau ich nicht) Choral SATB Carus Verlag
Solo Soprano voice, SATB Choir, 3 Oboes, basson, 2 trumpets, 2 Violin, Viola, Ba...(+)
Solo Soprano voice, SATB Choir, 3 Oboes, basson, 2 trumpets, 2 Violin, Viola, Basso continuo SKU: CA.3105209 Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. 1x 31.052/21 oboe 1, 1x 31.052/22 oboe 2, 1x 31.052/23 oboe 3, 1x 31.052/24 bassoon, 1x 31.052/31 horns 1 and 2, 1x 31.052/32 horn 2. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Cantatas, End of the church year, Trinity. Set of Orchestra Parts. Composed 1726. BWV 52. Duration 18 minutes. Carus Verlag #CV 31.052/09. Published by Carus Verlag (CA.3105209). ISBN 9790007206307. Language: German/English. Text: Birkmann, Christoph. It only became apparent a few years ago that the text of the soprano cantata Falsche Welt, dir trau ich nicht came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology student and Bach pupil Christoph Birkmann, printed in 1728 in Nuremberg. Birkmann was probably therefore the author of the text. The cantata was written for the 23rd Sunday after Trinity, which fell on 24 November 1726 in the year of its first performance. As in other cantatas in the first annual cycle, Bach chose an instrumental sinfonia as the opening movement - here the first movement of the 1st Brandenburg Concerto. The soprano soloist has two recitatives and two arias, in which the falsehood of the world is juxtaposed with trust in God. The cantata text is rounded off with the first verse of the chorale In dich hab ich gehoffet, scored for four-part chorus, as is usual with Bach. With the use of two horns and three oboes added to the string ensemble, the cantata has colorful and varied orchestration. Score and parts available separately - see item CA.3105200. $30.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Clarinet Repertoire 5 Clarinet - Intermediate The Frederick Harris Music Company
Clarinet - Intermediate SKU: FH.WC5 Clarinet Series, 2013 Edition....(+)
Clarinet - Intermediate SKU: FH.WC5 Clarinet Series, 2013 Edition. Composed by The Royal Conservatory. Clarinet Series, 2013 Edition. Book/CD. 56/28 pages. The Frederick Harris Music Company #WC5. Published by The Frederick Harris Music Company (FH.WC5). ISBN 978-1-55440-581-7. This new series offers a sequenced approach to the study of clarinet from the beginner to advanced levels. With a progressive collection of Repertoire, Etudes, Recordings, Orchestral Excerpts, and Technique, the Clarinet Series, 2014 Edition provides complete support for teachers and students at every level of study. Nine progressive volumes of Repertoire expose students to a wealth of music from the earliest works for clarinet to accompanied and unaccompanied contemporary compositions. Students will explore some of the most definitive solo pieces written for clarinet, along with popular folk tunes, Klezmer melodies, Classical solos, and contemporary compositions that incorporate traditional and extended techniques. Technical Repertoire: Concerto in B flat Major: Third Movement - Johann Stamitz, arr. Helmut May Cantilene, op. 64 - Paul-Agricole Genin Clarinet on the Town - Ralph Hermann Clarinet Concerto No. 3: First Movement - Johann Melchior Molter, arr. Pamela Weston Sonate: Second Movement - Paul Hindemith Summer Fancy - William O. Smith Lyrical Repertoire: Sonata, op. 120, no. 1: Fourth Movement - Johannes Brahms Tableau, from Le Cid - Jules Massenet Fantasy Pieces, op. 43: First Movement - Niels W. Gade Fantasy Pieces, op. 43: Second Movement - Niels W. Gade Fantasiestuecke, op. 73, no. 1 - Robert Schumann Concerto No. 2 in F Minor, op. 5: Second Movement - Bernhard Crusell, arr. Pamela Weston Clarinet Quintet in E flat Major, op. 23: Second Movement - Heinrich Baermann, arr. Arthur H. Christmann Concerto No. 1 in C Minor, op. 26: Second Movement - Louis Spohr, arr. Arthur H. Christmann. $39.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Favorite Classical Melodies Flute [Sheet music + CD] Cherry Lane
(Flute). By Various. Arranged by David Pearl. Instrumental. Softcover with CD. 2...(+)
(Flute). By Various. Arranged by David Pearl. Instrumental. Softcover with CD. 20 pages. Published by Cherry Lane Music
$10.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Tchaikovsky's Greatest Hits String Orchestra [Score and Parts] - Intermediate Hal Leonard
By Peter Ilyich Tchaikovsky. Arranged by Elliot A. Del Borgo. Music for String O...(+)
By Peter Ilyich Tchaikovsky. Arranged by Elliot A. Del Borgo. Music for String Orchestra. Size 9x12 inches. Published by Hal Leonard.
$40.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Treach'rous world, I do not trust you (Falsche Welt, dir trau ich nicht) Choral SATB Carus Verlag
Solo Soprano voice, SATB Choir, 3 Oboes, basson, 2 trumpets, 2 Violin, Viola, Ba...(+)
Solo Soprano voice, SATB Choir, 3 Oboes, basson, 2 trumpets, 2 Violin, Viola, Basso continuo SKU: CA.3105231 Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Stuttgart Urtext Edition: Bach vocal. Horns 1 and 2. Cantatas, End of the church year, Trinity. Single Part, Horn 1 and 2. Composed 1726. BWV 52. 4 pages. Duration 18 minutes. Carus Verlag #CV 31.052/31. Published by Carus Verlag (CA.3105231). Language: German/English. Text: Birkmann, Christoph. It only became apparent a few years ago that the text of the soprano cantata Falsche Welt, dir trau ich nicht came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology student and Bach pupil Christoph Birkmann, printed in 1728 in Nuremberg. Birkmann was probably therefore the author of the text. The cantata was written for the 23rd Sunday after Trinity, which fell on 24 November 1726 in the year of its first performance. As in other cantatas in the first annual cycle, Bach chose an instrumental sinfonia as the opening movement - here the first movement of the 1st Brandenburg Concerto. The soprano soloist has two recitatives and two arias, in which the falsehood of the world is juxtaposed with trust in God. The cantata text is rounded off with the first verse of the chorale In dich hab ich gehoffet, scored for four-part chorus, as is usual with Bach. With the use of two horns and three oboes added to the string ensemble, the cantata has colorful and varied orchestration. Score and part available separately - see item CA.3105200. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Favorite Classical Themes - Book 1 (soprano Recorder) Recorder Leduc, Alphonse
Recorder SKU: HL.48183547 Composed by Rose-Marie Janzen. Leduc. Classical...(+)
Recorder SKU: HL.48183547 Composed by Rose-Marie Janzen. Leduc. Classical. Softcover. 17 pages. Alphonse Leduc #AL25696. Published by Alphonse Leduc (HL.48183547). UPC: 888680870232. 6.0x9.5x0.126 inches. Favorite Classical Themes - Book 1 is the first book of a series for Soprano Recorder. It features twenty famous themes, regrouped and arranged for the instrument by Rose-Marie Janzen. Using a range not too high, this book can be used by any young player or teacher and features tunes more or less difficult that correspond to different level of difficulty. It includes: 1. Te Deum, extract, by Marc-Antoine Charpentier 2. Les Saisons, ?Printemps? (Spring), by Antonio Vivaldi 3. Tambourin, extract, by Jean-Philippe Rameau 4. L?harmonieux forgeron, theme and variation, by George-Frederic Handel 5. Passion selon Saint Matthieu, choral, by J. S. Bach 6. ?Jesus que ma joie demeure?, ritournelle, by J. S. Bach 7. Quatuor ?L?empereur?, theme of the 2nd movement, by Joseph Haydn 8. Une petite musique de nuit, minuet theme, by Mozart 9. La chasse du jeune Henri, extract, by E. N. Mehul 10. Concerto de Violon, Rondo theme, by Beethoven 11. Neuvieme Symphonie, Hymne a la joie, by Beethoven 12. La truite by Schubert 13. Marche Nuptiale, extract, by Felix Mendelssohn-Bartholdy 14. Le gai laboureur by Schumann 15. Faust, ?Paresseuse fille??, by Charles Gounod 16. Berceuse by Johannes Brahms 17. L?Arlesienne, ?Marche des Rois?, by Georges Bizet 18. Carmen, ?Avec la garde montante?, by Georges Bizet 19. Symphonie ?du nouveau monde?, Largo theme, by Antonin Dvorak 20. Le lac des cygnes, Lake theme, by Tchaikovsky . $16.20 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Treach'rous world, I do not trust you (Falsche Welt, dir trau ich nicht) Choral SATB Carus Verlag
Solo Soprano voice, SATB Choir, 3 Oboes, basson, 2 trumpets, 2 Violin, Viola, Ba...(+)
Solo Soprano voice, SATB Choir, 3 Oboes, basson, 2 trumpets, 2 Violin, Viola, Basso continuo SKU: CA.3105211 Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Stuttgart Urtext Edition: Bach vocal. Violin 1. Cantatas, End of the church year, Trinity. Single Part, Violin 1. Composed 1726. BWV 52. 8 pages. Duration 18 minutes. Carus Verlag #CV 31.052/11. Published by Carus Verlag (CA.3105211). ISBN 9790007206314. Language: German/English. Text: Birkmann, Christoph. It only became apparent a few years ago that the text of the soprano cantata Falsche Welt, dir trau ich nicht came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology student and Bach pupil Christoph Birkmann, printed in 1728 in Nuremberg. Birkmann was probably therefore the author of the text. The cantata was written for the 23rd Sunday after Trinity, which fell on 24 November 1726 in the year of its first performance. As in other cantatas in the first annual cycle, Bach chose an instrumental sinfonia as the opening movement - here the first movement of the 1st Brandenburg Concerto. The soprano soloist has two recitatives and two arias, in which the falsehood of the world is juxtaposed with trust in God. The cantata text is rounded off with the first verse of the chorale In dich hab ich gehoffet, scored for four-part chorus, as is usual with Bach. With the use of two horns and three oboes added to the string ensemble, the cantata has colorful and varied orchestration. Score and part available separately - see item CA.3105200. $6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Treach'rous world, I do not trust you (Falsche Welt, dir trau ich nicht) Choral SATB Carus Verlag
Solo Soprano voice, SATB Choir, 3 Oboes, basson, 2 trumpets, 2 Violin, Viola, Ba...(+)
Solo Soprano voice, SATB Choir, 3 Oboes, basson, 2 trumpets, 2 Violin, Viola, Basso continuo SKU: CA.3105221 Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Stuttgart Urtext Edition: Bach vocal. Oboe 1. Cantatas, End of the church year, Trinity. Single Part, Oboe 1. Composed 1726. BWV 52. 8 pages. Duration 18 minutes. Carus Verlag #CV 31.052/21. Published by Carus Verlag (CA.3105221). Language: German/English. Text: Birkmann, Christoph. It only became apparent a few years ago that the text of the soprano cantata Falsche Welt, dir trau ich nicht came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology student and Bach pupil Christoph Birkmann, printed in 1728 in Nuremberg. Birkmann was probably therefore the author of the text. The cantata was written for the 23rd Sunday after Trinity, which fell on 24 November 1726 in the year of its first performance. As in other cantatas in the first annual cycle, Bach chose an instrumental sinfonia as the opening movement - here the first movement of the 1st Brandenburg Concerto. The soprano soloist has two recitatives and two arias, in which the falsehood of the world is juxtaposed with trust in God. The cantata text is rounded off with the first verse of the chorale In dich hab ich gehoffet, scored for four-part chorus, as is usual with Bach. With the use of two horns and three oboes added to the string ensemble, the cantata has colorful and varied orchestration. Score and part available separately - see item CA.3105200. $6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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