SKU: SP.TS236
ISBN 9781585609871. UPC: 649571002367.
Creative Jazz Piano Arranging for Real Fake Book Tunes is a method and songbook written by Michael Tarro. This new title for Jazz Piano is a culmination of more than thirty years of experience in teaching piano. It contains musical concepts and explains many techniques for any jazz pianist to develop their own interpretive style. This instructional collection teaches how to create variations of simple melodies of many well-known standards as written in every Fake-Book which includes: A phenomenal collection of the most popular jazz standards ever written. Complete original jazz piano arrangements clearly notated with precision. Improvised solos are transcribed in their entirety with strict adherence to detail offering incredibly valuable jazz piano techniques for developing interpretive skills. A recording of every arrangement performed by the author, Michael Tarro with A bonus track of Tarro's award winning Big Band single, Traveling Theme. Creative Jazz Piano Arranging provides a logical approach towards creating arrangements of simple well-known melodies. This powerful tool in developing performance excellence is one of the first steps toward becoming an incredible jazz pianist. Gentle Rain by Louis Bonfa, Don t Blame Me by Jimmy McHugh, Sharp Nine Blues and Traveling Theme by Mike Tarro, My Romance and Hello Young Lovers by Rodgers and Hammerstein, When Sunny Gets Blue by Marvin Fischer, Days Of Wine and Roses by Mancini and Johnny Mercer, Nearness Of You and Georgia On My Mind by Hoagy Carmichael, Sweet Georgia Brown written by Ben Bernie, Maceo Pinkard and Kenneth Casey, When I Fall In Love by Victor Young, and Don't Get Around Much Anymore and I Got It Bad and That Ain't Good by Sir Duke Ellington.
SKU: SU.91480570
Text: Angier Brock.
SATB Chorus, Organ Duration: 7' Text: Angier Brock Composed: 2010 Published by: Subito Music Publishing YouTube: Ms. Brock’s moving poem is lyrical throughout. Even in its beautiful originality, the poem invokes The Book of Common Prayer and biblical scripture (the latter through references to dust and breath from Genesis 2 to the final line of the poem invoking the opening of Psalm 62). Ms. Brock’s poetry is also filled with wonderful twists on traditional texts (such as in the creative and reverse naming of the Trinity in speaking of Inventing Wind, Generous Christ, and Luminous God). Musically, the main melodic material of the piece is immediately heard on a solo organ color accompanied by organ strings over a recurring pedal pulse on the pitch C. The chorus soon enters with the first stanza of the text. As this stanza unfolds, the harmony starts to gradually change as the pulsing pedal rhythm begins to move upward by step. An organ interlude, reflective of the opening introduction, soon emerges (though now over a C-sharp recurring pedal pulse), and leads to a similar choral setting as found in stanza one. As the poem’s second stanza moves forward, it eventually folds into the more harmonically rich stanza three. A fast, dance-like section evolves at Inventing Wind, what a lively dance your energy creates! eventually bringing the work to its climax point. The spirit of dance soon subsides and leads to a quiet and gentle close on the words …for you alone my soul in silence waits. Minimum order quantity: 8 copies. To order quantities fewer than 8, please email customer service at sales@subitomusic.com.
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