SKU: M7.ART-42145
ISBN 9783866421455.
In 'Alles Gute zum Klavierspielen!' finden Sie sowohl Kompositionen von Tatjana Davidoff als auch ihre neu gesetzten Bearbeitungen schöner und beliebter Klavierliteratur aus der Zeit des Barock über die Klassik bis hin zur Romantik. Eine ausgesprochen schöne Sammlung ausgewählter Stücke von Johann Sebastian Bach, Ludwig van Beethoven, Georg Friedrich Händel, Johann Christoph Friedrich Bach, Edvard Grieg, Johann Pachelbel, Franz Joseph Haydn, Pjotr Iljitsch Tschaikowsky, Léo Delibes und Jacques Offenbach. Diese neuen Klavierarrangements sind leicht bis mittelleicht arrangiert und gut spielbar. Sie ermöglichen einen Zugang zu Werken, deren Originalfassung die technischen Möglichkeiten des Klavierspielers zunächst noch überfordern könnte. Die Neufassung der hier ausgewählten Stücke soll Ihnen vor allem viel Freude bei Ihrem Klavierspiel bereiten.
SKU: M7.DOHR-11275
ISBN 9790202022757.
SKU: HF.FH-3381
ISBN 9790203433811. 9 x 12 inches.
1. Solfeggio fur Flote (Agnesens, Udo); 2. Solfeggio fur Altflote in G (Baader-Nobs, Heidi); 3. Joshua, fur Grosse Flote (Brandt, Christopher); 4. Solfege Sous-si, sans-fa fur Piccoloflote (Brandmuller, Theo); 5. Solfeggio fur Altblockflote (Buchholz, Thomas); 6. 5-7-9, Solfeggio fur Flote (Burkholz, Thomas); 7. Solfeggio, fur Flote (Eun-Hwa, Cho); 8. Etude fur Friedrich den Grossen fur Piccolo-Flote oder Flote (Dinescu, Violeta); 9. Solfeggio fur Flote solo (Eggert, Moritz); 10. geradlinig, fur Flote (Elikowski-Winkler, Sebastian); 11. Solfeggio uber sol, fa und la fur jede Stimme (Emeliantseva, Irina); 12. Solfeggio fur Sopranblockflote (Gatzmaga, Johann Lukas); 13. Miniatur 9/61 fur Querflote solo (Gerwin, Thomas); 14. kattethym fur Flote (Glandien, Lutz); Solfeggio fur Traversflote und Sprechstimme (Gubler, Rico); 15. Solfeggien fur F. von seiner ghostwriterin fur Flote (Heller, Barbara); 16. Sol-fedch-o fur Flote (Hildebrandt, Johannes K.); 17. 3 Farben fur Piccoloflote (Hirsch, Michael); 18. Ming II, Solfeggio fur Flote (Hoche, Hubert); 19. Solfeggion fur Flote solo (Hoyer, Ralf); 20. Solfeggio fur Friedrich II fur Alt- oder Bassflote solo (Iranyi, Gabriel); 21. approche II fur Flote (Jann, Matthias); 22. Petit hommage a Frederic II fur Flote (Katzer, Georg); 23. Solfeggio fur Flote (Keller, Hermann); 24. Solfeggio du roi et pour le roi fur Flote (Keller, Max E.); 25. Solfeggio fur Flote oder Oboe in G-Dur (Kirchner, Danny); 26. Solfeggio in F fur Flote (Kobjela, Detlef); 27. Solfeggio Rosettafur Friedrich II fur Flote (Kram, Christian FP); 28. Solfeggio fur Friedrich fur Grosse Flote, Piccoloflote, Altflote und Kuckucksflote (Kratzschmar, Wilfried); 29. Solfeggion (to his brain) fur Querflote (Krimitza, Vasiliki); 30. Solfeggio fur Flote (Levitskiy, Benjamin); 31. Je m' en fifre fur Flote (Lienenkamper, Stefan); 32. Solfeggio fur Flote solo (Ludwig, Marcus Botho); 33. Hochtief - Tiefhoch / a Solfeggio for Piccolo (Mack, Dieter); 34. Solfeggio nach einem Cornet-Thema fur Piccolo (Matthus, Siegfried); 35. Solfeggion No. X fur Altflote in G (Merkel, Marcus); 36. Solfeggio per flauto alto (Meyer, Krzysztof); 37. ...und Friedrich der Grosse, fur Flote (MOller, Mathias Monrad); 38. Die bunten Vogel des Konigs fur Floteninstrumente (Muller, Alfred Thomas); 39. Solfeggio fur Flote (Muller-Goldboom, Gerhardt); 40. Flotenspiel fur Floten (Munch, Christian); 41. Solfeggio 1, 2 fur Flote (Nather, Gisbert); 42. Solfeggio per Flauto (Natschinski, Gerd); 43. SOL fur Flote (oder Bassflote) solo (Nemtsov, Sarah); 44. 3 Solfeggien Hommage a F. R. (Fridericus Rex) fur Flote (Neubert, Gunter); 45. Solfeggio fur Flote (Oehring, Helmut); 46. Solfeggio 1 fur F-r-i-E-D-r-i-C-H & Solfeggio 2 fur Friedrich fur Flote (Pfundt, Reinhard); 47. Solfeggio ... no words ... fur Flote (Pinnock, Naomi); 48. Solfeggio fur Flote (Pomorin, Sibylle); 49. Divertimento (mit kaputter Klappe) fur Flote (Querfurth, Kaspar); 50. Solfeggio fur grosse Flote (Reinhold, Gregor und Steffen); 51. Abschied fur Flote (Riehm, Rolf); 52. contrapunctum fur Flote (Romero, Lula); 53. Solfeggio fur grosse Flote solo (Sanders, Arne); 54. Solfeggio fur Bassflote (Schafer, Patrick); 55. Solfeggio fur Flote solo (Schellhase, Steffen); 56. Solfeggien fur Flote, in Erinnerung an den flotenden Friedrich II, Konig von Preussen (Schenker, Friedrich); 57. Solfeggio fur und mit F. fur Flote (Schleiermacher, Steffen); 58. Seul avec des ombres fur Altflote in G oder grosse Flote (Seither, Charlotte); 59. Ithaka. Exzerpt fur grosse Flote oder Bassflote solo (Stabler, Gerhard); 60. Ri - Ri, Solfeggio fur Friedrich II, fur Flote solo (Stier, Sebastian); 61. Solfeggio En bateau fur Flote (Ternes, Tina); 62. Solfeggio (Burleske) fur Flote solo (Thiel, Wolfgang); 63. Piccolino solfeggio per Federico per Flauto traverso (Thiele, Siegfried); 64. Solfeggio f. F. fur Flote (Treibmann, Karl Ottomar); 65. Solfeggio fur Flote solo (Waschk, Arno); 66. Solfeggio fur Flote (Wiegand, Mario); 67. VI. for Carin Levine (Williamson, Gordon); 68. Solfeggio fur Flote (Witte, Michael); 69. articolazione e tempo fur Flote (Zapf, Helmut).
SKU: BT.EMBZ14699
The four composer-sons of Johann Sebastian Bach were figures of decisive importance in the transitional period between the Baroque and Viennese classicism. Around the middle of the 18th century they were influential not only as composers but also as virtuoso players of keyboard instruments in promoting the enormous change in style that took place during those decades. This volume offers a selection of the genres typical of the keyboard works by Bach's sons, thereby also giving students an excellent introduction to Viennese classicism and to the works of Haydn, Mozart and Beethoven. Contains ABRSM Piano Syllabus pieces, Grades 3-6.Vier Söhne Johann Sebastian Bachs, die in die Fußstapfen des Vaters traten, sind bedeutende Figuren der 'Übergangszeit' zwischen dem Barock und der Wiener Klassik. Nicht nur als Komponisten sondern auch als Meister der Tasteninstrumente wirkten sie gegen Mitte des 18. Jahrhunderts massiv an dem enormen Stilwechsel mit, welcher sich in diesen Jahrzehnten vollzog. Das vorliegende Heft bietet dem Schüler eine Auswahl an charakteristischen Gattungen von Werken der Bach-Söhne für Tasteninstrumente und führt sie dadurch ausgezeichnet in die Wiener Klassik, in die Stücke von Haydn, Mozart und Beethoven ein.
SKU: BT.CAZJSBCELL01
For more than a century guitarists have been irresistibly drawn to Bach’s remarkable cello suites. Here, for the first time, are the first four in the easiest and most resonant guitar keys. Suites I–IV must betransposed to work on the guitar, whereas Suite V is always played in A minor, in Bach’s own lute version, and the equally demanding Suite VI can only be played in its original key of D.By adding as little aspossible, these arrangements preserve the integrity of the originals, in which melody, bass and harmony are woven effortlessly into a single fabric. They also, crucially, offer the guitarist Bach at a lower level of difficultythanhis music for lute or unaccompanied violin.Another unique feature is the inclusion of optional ‘improvised’ divisions – suggestions for the additional ornamentation of passages to reflect typical18th-century performance practice.This is an essential addition to any guitarist's library with selected movements featured in the 2009 ABRSM guitar syllabus (Grades 5-8).“This publication beatsthe others hands down; no contest. I can’t see me needing any other edition of these four suites. They are that good. Buy with confidence.”Classical Guitar
SKU: HL.286931
0.244 inches.
For more than a century guitarists have been irresistibly drawn to Bach's remarkable cello suites. Here, for the first time, are thefirst four in the easiest and most resonant guitar keys. Suites I-IV must be transposed to work on the guitar, whereas Suite V is always played in A minor, in Bach's own lute version, and the equally demanding Suite VI can only be played in its original key of D. By adding as little as possible, these arrangements preserve the integrity of the originals, in which melody, bass and harmony are woven effortlessly into a single fabric. They also, crucially, offer the guitarist Bach at a lower level of difficulty than his music for lute or unaccompanied violin. Another unique feature is the inclusion of optional 'improvised' divisions - suggestions for the additional ornamentation of passages to reflect typical 18th-century performance practice. This is an essential addition to any guitarist's library with selected movements featured in the 2009 ABRSM guitar syllabus (Grades 5-8). This publication beats the others hands down; no contest. I can't see me needing any other edition of these four suites. They are that good. Buy with confidence. Classical Guitar.
SKU: HL.49011396
ISBN 9790001099813. UPC: 073999740660. 9.0x12.0x0.168 inches.
This work of the composer and theatre music director from Berlin, probably created at the end of the 18th century, consists of three movements and bears the characteristic features of the Berlin School. It is a representative large-scale concertante work.
SKU: BT.EMBZ8544
An ABRSM syllabus title.
SKU: HL.49011319
ISBN 9790001099080. UPC: 884088087173. 9.0x12.0x0.113 inches.
The edition is part of the ABRSM syllabus (grade 5).
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