Ukulele - Easy

SKU: YM.GPL01096236

Guitar/Bass/Drum. Studio Ghibli. Sheet music. Yamaha Music Media #GPL01096236. Published by Yamaha Music Media (YM.GPL01096236).

ISBN 9784636962369.

8 short attsnhrmrnyd for easy ukulele.
8Shou Chu Ji You Ke Li Li Du Zou Ge Qu .

1. Carrying You; 2. Hey Let's Go; 3. Cat Bus; 4. Always with Me; 5. Starting the Job; 6. The Promise of the World; 7. Princess Mononoke; 8. Ponyo on the Cliff by the Sea
1. Ban Sui Zhao Ni ; 2. San Bu ; 3. Mao Ba Shi ; 4. Yong Yuan Chang Zai ; 5. Di Yi Fen Gong Zuo ; 6. Shi Jie Zhi Yue ; 7. You Ling Gong Zhu ; 8. Xuan Ya Shang De Jin Yu Ji.

Brass. Studio Ghibli. Score and part. Yamaha Music Media #GPW01096594. Published by Yamaha Music Media

Piano Pop and Vocal. Studio Ghibli. Sheet music. Yamaha Music Media #GWH01095795. Published by Yamaha Music Media

By Maurice Ravel (1875-1937). Arranged by Geoffrey Bergler. Brass Quintet. For 2 trumpets, horn in F, trombone, tuba. French Impressionist Orchestra Transcription. Advanced. Full score and set of parts. Published by Cherry Classics

Piano Solo - Easy-Intermediate

SKU: FP.FLJ36

Composed by John Longmire. Sheet Music and Books. John Longmire's arrangement of famous sea shanty Haul Away Joe, dedicated to his long-time friend John Ireland. Classical. Score. Forsyths Publications #FLJ36. Published by Forsyths Publications (FP.FLJ36).

ISBN 9790570504213.

Famous sea shanty Haul Away Joe, here arranged for solo piano by talented 20th Century British composer John Longmire.

Longmire was born in Gainsborough in 1902 and the publication success of his innovative 'Nine Insect Pieces' in 1924 led to him writing over 50 volumes of music for the piano, many of which remain in print with Forsyth Publishing today. A long-time friend and biographer of John Ireland, they lived together in Guernsey while Ireland wrote some of his finest works and only narrowly escaped the German invasion of 1940, escaping on an overcrowded ferry pursued by a submarine.

After returning to the island post-war, Longmire composed the 'Song of Guernsey' for Princess Elizabeth and the Duke of Edinburgh visit in 1949. Later in 1957, when Elizabeth visited again as Queen, he conducted his 'Song of Welcome' sung by 6600 children in St Peter Port. In 1950 he married and emigrated to New Zealand where he was Music Master at Northcote College, Auckland, conductor of the Royal Auckland Choir and a broadcaster hosting weekly talks on music on NZBC. Returning to Guernsey, he became an examiner for Trinity College of Music, also writing 100 pieces for the exam syllabus and adjudicating for Trinity and the ABRSM internationally.

By Gary Fagan. Concert Band. Concert Band. Young Symphonic. Grade 2.5. Conductor Score and Parts. 260 pages. Published by Alfred Music Publishing

Composed by Peggy Carter. Squareback saddle stitch, Scottish. Celtic / Irish. Book. Mel Bay Publications, Inc #30807. Published by Mel Bay Publications, Inc

Piano; Piano/Keyboard

SKU: HL.49002618

Piano Solo. Composed by Percy Aldridge Grainger. Sheet music. Edition Schott. Classical. 42 pages. Schott Music #ED 11005. Published by Schott Music (HL.49002618).

ISBN 9790220107344. UPC: 884088053413. 9.0x12.0x0.216 inches.

Orchestra Concert Band

SKU: PR.11640976S

For Soprano and Orchestra. Composed by James Primosch. Full score. Duration 18 minutes. Merion Music #116-40976S. Published by Merion Music (PR.11640976S).

UPC: 680160682768. Das Stundenbuch.

This cycle of orchestral songs sets four poems from an early collection by Rilke entitled Das Stundenbuch, or in English, Book of Hours. Although the title refers to a medieval book of prayers for the various times of day and seasons of the liturgical year, Rilke's texts occupy a position some distance from conventional piety. There is a melancholy to the spirituality expressed here, which speaks of an experience of God that is fragmentary, imperfect, and unattainable. The solitude evoked in the second song (as layers of busy activity are gradually peeled away) offers some solace, but the third song is very dark and fierce, filled with a desperate, even manic desire for God. The last song returns to the mood of the first, but now in a global rather than individual context. This song, like the set as a whole, speaks of our world's brokenness, yet strives to stammer fragments of God's name.