SKU: BR.EB-8876
ISBN 9790004184660. 0 x 0 inches. German / English.
The Three Tenors Are ComingOn the opera stage, the tenor is often the most eminent protagonist. Whether as ardent lover or tragic hero, he is in the limelight to show lyrical sensitivity, sonorous euphony and smoothness, a maximum of nuances. The vocal range creates high expectations and provides an extraordinary aura.The three volumes for tenor represent the grand finale of the most comprehensive collection of repertoire for all vocal genres, with 16 volumes.Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres. (Peter Anton Ling, editors) OperAria - repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance) with comments on the arias information on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera's plot an evaluation from the singer's point of view with phonetic assistant and text assistant aria texts in the original language spoken by native speakers as an audio file (mp3)aria texts in German and English translations as a text file (pdf)available for download.
SKU: GI.G-317209
ISBN 9781574631746. UPC: 884088572112.
This book is a must-read for anyone interested in acquiring a back-stage tour of symphony life, not included in the price of a box-office ticket! GAIN a behind-the-scenes look at the orchestra as a family, its discipline, artistry, and devotion, the overwhelming audition process, and the good and bad about the orchestra-musicians' profession. LEARN about the love-hate relationship between musicians and conductors as the author shares his experiences performing under conductors Josef Krips, Seiji Ozawa, Edo DeWaart, Herbert Blomsted, Michael Tilson Thomas, Eugene Ormandy, Igor Stravinsky, Aaron Copland, and Arthur Fiedler. DISCOVER conductors' dictatorial control, interpretative powers, and technical skills, as revealed through quotes from James Levine, John Barbariolli, Gustav Mahler, Daniel Barenboim, and Herbert von Karajan. EXAMINE comments from Leonard Bernstein, Arturo Toscanini, Carl Nielsen, and Lou Harrison that bring a unique awareness to avante-garde music in the chapter titled Cruel and Unmusical. UNDERSTAND the difference between conducting talent and composing talent and how rare it is to possess both. Click here for a YouTube video on The Great American Symphony Orchestra.
SKU: BR.OB-5237-30
ISBN 9790004331620. 10 x 12.5 inches.
Ludwig van Beethoven conceived his Seventh Symphony in the summer of 1811 in the Bohemian spa of Teplitz. The fair copy of the score autograph was made the following year. The work was heard for the first time on 8 December 1813 in the auditorium of the Vienna University, when the Seventh was given its first, enthusiastically applauded audition - together with the programmatic symphony Wellington's Victory or the Battle of Victoria op. 91.The present Urtext edition is the first to be based on the evaluation of all the sources transmitted for the work.The score contains the complete Critical Report. Observations deemed particularly important, as well as divergences from established editions, are clearly marked within it.Words are not enough to praise this exemplary edition, resulting from many years of systematic editorial work on the sources. Breitkopf's source-critical, practice-oriented edition by Clive Brown and Peter Hauschild will provide valuable new impulses in the interpretation of Beethoven's music. (Kurt Masur, 2006)This is the first new edition of the 7th Symphony for which all surviving sources have been examined. The examination brought up a number of text-critical problems with respect to divergent readings. (Peter Hauschild).
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