Fantasia on the Rondo from the Piano Sonata in A major K. 331 by Wolfgang Amadeus Mozart, arranged for harp by Ekaterina Afanasieva (2015). Composed by Fazil Say. Arranged by Ekaterina Afanasieva. This edition: Saddle stitching. Sheet music. Der Finalsatz der Sonate A-Dur KV 331 von Wolfgang Amadeus Mozart, das Rondo Alla Turca, ist eines der bekanntesten Klavierstucke uberhaupt. An diese Popularitat knupft das als effektvolle Zugabe entstandene Stuck von Faz?l Say in der Bearbeitung fur Harf. Classical. Single sheet. Composed 1993. Op. 5b. 8 pages. Duration 4'. Schott Music #ED22797. Published by Schott Music

Piano Accompaniment; Soprano (Vocal Score) - intermediate to advanced

SKU: HL.49045623

Vocal Piano Score. Composed by Fazil Say. This edition: Saddle stitching. Sheet music. Vocal Score. Classical. Softcover. Composed 2012. Op. 44. 38 pages. Duration 20'. Schott Music #ED22589. Published by Schott Music (HL.49045623).

ISBN 9790001161275. UPC: 841886029170. 9.0x12.0x0.166 inches. German.

In his set of five lieder with finale, Fazil Say sets a selection of contrasting poems from Goethe's cycle West-Eastern Divan in which the poet skillfully intertwines the intellectual Western world with oriental mysticism. Say creates passages of aria and recitative, the latter being characterised by the conventional accompaniment almost devoid of rhythm beneath quasi-improvisational vocal style, where the aria sections are passionate and dramatic. Arabic rhythms and melodies dominate the metrically varied structures of bars in multiples of nine which typify Say's music. In his settings of the texts Say attaches great importance to comprehensibility, writing vocal lines that consist primarily of syllabic steps and intervalic leaps, with extended melismatic sections written as vocalises. Contents: - I Offenbar Geheimnis - II Fetwa - III Zu besserem Verstandnis - IV Tefkir Nameh - V Betrogener, betruge! - VI Finale.

Orchestra Soli SATB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Vc, Cb - Level 2

SKU: CA.2709705

Composed by Carl Maria von Weber. Edited by Karin Wollschlager. Sacred vocal music, Masses, Latin. Choral Score. WeV A.2. 32 pages. Duration 40 minutes. Carus Verlag #CV 27.097/05. Published by Carus Verlag (CA.2709705).

ISBN 9790007188962. Key: E flat major. Latin.

Carl Maria von Weber wrote his Missa sancta no. 1 in E flat major in just two months, despite his heavy workload as Kapellmeister at the Dresden court. The work acquired the nickname Freischutz Mass because the composer interrupted work on his opera of the same name in January and February 1818 to compose the mass. And so Weber presented himself to his new employer King Friedrich August I of Saxony as a versatile composer, for as well as his main task of developing a German opera alongside the existing Italian opera at court, his duties also included writing church music. In the Mass Weber responded to the local conditions in a particular way: he took into account liturgical practice at the Dresden court by adding an Offertorium to the sections of the mass ordinary, setting this as a bravura aria specially written for the Dresden star soprano Filippo Sassaroli. Because of the reverberant acoustics in the Hofkirche, he avoided rapid changes of harmony. Although the Mass was perceived as too operatic by critics, it was very well received by audiences and also pleased the King. * Practically oriented edition based on the sources, performance material available on sale for the first time * Easy to medium difficulty level * Text of the Mass includes an Offertorium in accordance with liturgical practice at the Dresden court at the time.

Chorus (with soloists) and piano (solos: S. A. 7T. Bar. 4B - choir: SAATTBB - picc.2.2.2.2 - 4.2.3.0 - timp.perc(2) - hp - str)

SKU: BR.EB-2066

Comic Opera in 2 Acts. Composed by Peter Cornelius. Edited by Max Hasse. Arranged by Waldemar von (KA) Baussnern. Choir; Softbound. Edition Breitkopf. Opera; Music theatre; Romantic. Piano/Vocal Score. 240 pages. Breitkopf and Haertel #EB 2066. Published by Breitkopf and Haertel (BR.EB-2066).

ISBN 9790004160770. 7.5 x 10.5 inches.

Text by the composer Translation: engl. (M. E. Browne) Place: Bagdad Characters: Der Kalif (baritone) - Baba Mustapha, ein Kadi (tenor) - Margiana, seine Tochter (soprano) - Bostana, eine Verwandte (alto) - Nureddin (tenor) - Abul Hassan Ali Ebn Bekar, Barbier (bass) - 1. Muezzin (bass) - 2. Muezzin (tenor) - 3. Muezzin (tenor) - Ein Sklave (tenor) - Vier Bewaffnete (2 Tenore, 2 Basse) Corneliuss opera got off to a bad start, to say the least: the scandal provoked at the first performance in Weimar in 1858 led to protests and ultimately to the resignation of Franz Liszt as court opera director. It was not until 1904 that the opera was played again in that city and proved that the scandal had not been caused by the work but by Liszts aesthetic views. The score was long considered as the ideal example of a musical comedy with a far too complicated plot. Today, however, many prominent commentators beg to differ: This is one of the sunniest scores ever written. Music in the spirit of Mozart and Mendelssohn: a highly delicate mixture of classical formal rigor and romantic irony, heightened with just a touch of exquisite sensuality that has just wafted in from the Orient. It is practically incomprehensible how Cornelius could have been regarded as a composer of the Wagner school for practically a century. With its intricate fusing of comedy, lyricism and sentimentality, it is precisely the opera that Schubert, Schumann, E.T.A. Hoffmann and Mendelssohn were unable to write. (Hans Zender).