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FRENCH HORN
Cello, Orchestra
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Petite Clarinette, Clarinette … (4)
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Biography (4)
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Choeur SATB et Orchestre (3)
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Franz Joseph Haydn: Cello Concerto No.1 In C Hob.VIIb: Cello: Parts
Cello, Orchestra
Barenreiter
Haydn composed the C Major Cello Concerto between 1762 and 1765 almost certainl...
(+)
Haydn composed the C Major Cello Concerto between 1762 and 1765 almost certainly for cellist Joseph Weigl of the Esterházy Orchestra. The complete autograph score has never been found but orchestral parts were discovered in 1961 in the Prague National Museum.
19.00 GBP - Sold by Musicroom UK
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Fanfares
Cello, Orchestra
Barenreiter
This study score is based on the score and complete performance material of Dvor...
(+)
This study score is based on the score and complete performance material of Dvorák's famous B minor Cello Concerto (BA 9045) edited by Jonathan Del Mar and published in 2011. In addition the study score contains a Foreword by Dvorák scholar Jan Smaczny.Like every other major 19th-century cello concerto, Dvorák's concerto resulted from a collaboration between the composer and a virtuoso musician. Several passages in Dvorák's autograph were written by the cellist Hanus Wihan but Bärenreiter's edition now reveals that some details in the orchestral parts are also in his writing, showing just how closely the two musicians were working together.The editor Jonathan Del Mar has conscientiously examined every available source, including two that have hitherto been either ignored or crucially undervalued. His research has led to a benchmark edition that reconstructs, for the first time since its initial publication in 1896, Dvorák's definitive version of the solo part. It differs from previous editions in practically every measure and hundreds of corrections have also been made to the orchestral parts. - Includes Dvorák's final and definitive version of the solo cello part - Incorporates new discoveries regarding the collaboration between Dvorák and Wihan - With Feuermann's and Casals's alternative versions of a passage in the first movement - Detailed Foreword (Eng/Cz/Ger) / Violoncelle Et Orchestre
25.15 EUR - Sold by LMI-partitions
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Antonín Dvo?ák: Cello Concerto In B Minor Op.104 (Critical Report): Cello: Score
Cello, Orchestra
Barenreiter
Like every other great 19th-century solo concerto Dvorák?s famous Cello Concer...
(+)
Like every other great 19th-century solo concerto Dvorák?s famous Cello Concerto was a collaboration between composer and virtuoso. It has long been known that certain solo passages in Dvorák?s autograph score were actually written by the cellist Hanu? Wihan; but Bärenreiter?s edition now reveals that some details in the Orchestral parts are also in his writing showing just how closely the two musicians were working together.The editor Jonathan Del Mar has painstakingly examined all the surviving sources including two that have hitherto been either ignored or crucially undervalued in order to produce anauthoritative edition which restores for the first time since the original edition was published in 1896 - Dvorák?s final and definitive version of the solo Cello part. This differs in details in almost every bar from the version found in all other modern editions while hundreds of corrections have also been made to the Orchestral parts.- With Dvorák?s final and definitive version of the solo Cello part.- With hundreds of corrections in the solo Cello part as well as the Orchestral parts.- With hitherto unknown details regarding the collaboration between Dvorák and Wihan.- With Dvorák?s original Piano reduction.- With Feuermann's and Casals' alternatives to a passage in the first movement.- Full score performance material (BA9045) Cello & Piano (BA9045-90) & Facsimile (BVK1849) available for sale.
33.50 GBP - Sold by Musicroom UK
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Antonín Dvo?ák: Cello Concerto In B Minor Op.104 (Full Score): Cello: Score
Cello, Orchestra
[Sheet music]
Barenreiter
b minor-Like every other great 19th-century solo concerto Dvorák?s famous Cell...
(+)
b minor-Like every other great 19th-century solo concerto Dvorák?s famous Cello Concerto was a collaboration between composer and virtuoso. It has long been known that certain solo passages in Dvorák?s autograph score were actually written by the cellist Hanu? Wihan; but Bärenreiter?s edition now reveals that some details in the Orchestral parts are also in his writing showing just how closely the two musicians were working together.The editor Jonathan Del Mar has painstakingly examined all the surviving sources including two that have hitherto been either ignored or crucially undervalued in order to produce anauthoritative edition which restores for the first time since the original edition was published in 1896 - Dvorák?s final and definitive version of the solo Cello part. This differs in details in almost every bar from the version found in all other modern editions while hundreds of corrections have also been made to the Orchestral parts.- With Dvorák?s final and definitive version of the solo Cello part.- With hundreds of corrections in the solo Cello part as well as the Orchestral parts.- With hitherto unknown details regarding the collaboration between Dvorák and Wihan.- With Dvorák?s original Piano reduction.- With Feuermann's and Casals' alternatives to a passage in the first movement.- Full score performance material (BA9045) Cello & Piano (BA9045-90) & Facsimile (BVK1849) available for sale.
62.00 GBP - Sold by Musicroom UK
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Robert Schumann: Concerto for Cello and Orchestra (Concertstück): Cello and
Cello, Orchestra
Peters
Original Version. Schumann?s Cello Concerto Rediscovered In her first Urtext edi...
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Original Version. Schumann?s Cello Concerto Rediscovered In her first Urtext edition for Edition Peters, internationally renowned cellist Josephine Knight reveals Robert Schumann?s original version of his Cello Concerto in A minor Op. 129 ? a piece he actually called a ?Concertstück? ? removing generations of inauthentic editorial interventions. This is the only available modern scholarly edition of the work as Schumann originally conceived it, and restores the text from October 1850, based on the composer?s manuscript held in the Biblioteka Jagiello?ska in Kraków. This Full Score matches the separately available edition for Cello and Piano (EP 73488). Matching orchestral material is also available from the publisher. Only modern Urtext edition based on Schumann?s original 1850 manuscript Many new corrections and clarifications, especially to the cello part Scholarly preface detailing history of the work and this edition by editor Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music London Cello Part contains Josephine Knight's fingering and bowing suggestions Critical Commentary Cello and piano edition available separately from Edition Peters: orchestral parts available for rental Recording of the Concertstück featuring Josephine Knight available from Dutton Robert Schumann?s tragic last years have mired many of his greatest works in unnecessary doubt. The story of the suppression of his Violin Concerto by well-meaning friends is relatively well-known. Few, however, know that the version of the Cello Concerto that is routinely heard today is so far from Schumann?s original conception of the work ? not only in details of phrasing and articulation, but also featuring a different ending with a bold final flourish from the cello. Composed in a burst of inspiration in two weeks in October 1850 shortly after he and Clara had moved to Düsseldorf, Schumann (who in 1850 was still in good health) never heard the piece performed. In an effort to promote a performance of the work, he gave the score to the cellist Robert Emil Bockmühl. Bockmühl made revisions that Schumann resisted, and the hoped-for performance never happened. Schumann?s health failed and he died aged just 46 in 1856. The Concerto, in an already substantially revised form, was premiered in 1860 but it was not given significant recognition until it was championed by Pablo Casals in the 20th century by which time (and since) the text for the work had accreted additions and alterations from generations of soloists. Now Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music, London has returned to the original 1850 manuscript of the work, which is in the Biblioteka Jagiello?ska in Kraków, to reveal Schumann?s original thoughts for the first time in a modern Urtext edition. The edition reflects Schumann?s original conception of the work as a Concertstück and restores Schumann?s musical text, free of posthumous interventions. ?My ultimate wish,? says the editor, ?is to give performers both access to, and confidence that they are playing from, an edition which is a true representation of the piece in its original form, no matter how much more difficult this might be. I found that incorporating the changes enabled the piece to take on a completely different character ? one that is lighter and happier, even ?cheerful?, as Schumann himself described the work.'
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Franz Joseph Haydn: Cello Concerto No.1 In C Hob.VIIb: Cello: Part
Cello, Orchestra
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Haydn composed the C Major Cello Concerto between 1762 and 1765 almost certainl...
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Haydn composed the C Major Cello Concerto between 1762 and 1765 almost certainly for cellist Joseph Weigl of the Esterházy Orchestra. The complete autograph score has never been found but orchestral parts were discovered in 1961 in the Prague National Museum.
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Franz Joseph Haydn: Cello Concerto No.1 In C Hob.VIIb: Cello: Score
Cello, Orchestra
[Sheet music]
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Haydn composed the C Major Cello Concerto between 1762 and 1765 almost certainl...
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Haydn composed the C Major Cello Concerto between 1762 and 1765 almost certainly for cellist Joseph Weigl of the Esterházy Orchestra. The complete autograph score has never been found but orchestral parts were discovered in 1961 in the Prague National Museum.
30.50 GBP - Sold by Musicroom UK
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Franz Joseph Haydn: Cello Concerto No.1 In C Hob.VIIb: Cello: Part
Cello, Orchestra
Barenreiter
Haydn composed the C Major Cello Concerto between 1762 and 1765 almost certainl...
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Haydn composed the C Major Cello Concerto between 1762 and 1765 almost certainly for cellist Joseph Weigl of the Esterházy Orchestra. The complete autograph score has never been found but orchestral parts were discovered in 1961 in the Prague National Museum.
7.00 GBP - Sold by Musicroom UK
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Franz Joseph Haydn: Cello Concerto No.1 In C Hob.VIIb: Cello: Part
Cello, Orchestra
Barenreiter
Haydn composed the C Major Cello Concerto between 1762 and 1765 almost certainl...
(+)
Haydn composed the C Major Cello Concerto between 1762 and 1765 almost certainly for cellist Joseph Weigl of the Esterházy Orchestra. The complete autograph score has never been found but orchestral parts were discovered in 1961 in the Prague National Museum.
7.00 GBP - Sold by Musicroom UK
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Per Nørgård: Cantica Concertante: Orchestra: Score
Cello, Orchestra
Wilhelm Hansen
Per Nørgård's Cantica Concertante for Violoncello Solo and Chamber Orchestra (...
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Per Nørgård's Cantica Concertante for Violoncello Solo and Chamber Orchestra (2012). Based on CANTICA for cello and piano (1977). The present orchestral version was edited by Steve Ferrein in collaboration with the composer. Parts are available on hire: hire@ewh.dk
42.50 GBP - Sold by Musicroom UK
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Edward Elgar: Concert E Op.85: Mixed Ensemble: Study Score
Cello, Orchestra
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Edward Elgar’s concerto for violoncello his last major work is a cleanl...
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Edward Elgar’s concerto for violoncello his last major work is a cleanly structured and emotionally charged composition. It is no wonder that this work is of central importance in the cello literature. Jonathan Del Mar’s editorial skills show themselves in the exacting placement of dynamics articulation and expression markings. The edition restores all Elgar’s solo cello fingerings and bowings and offers a facsimile of the original solo cello part in the critical commentary. Jonathan Del Mar also documents the performing tradition of the work and its recording under Elgar’s baton.This is the last word on this famous work a referenceedition for every cellist!First ever critical editionAll existing sources consultedFirst ever critical commentaryFull score & parts (BA9040) cello & piano (BA9040-90) and study score format 22.5 x 16.5cm (TP398) available for sale
18.00 GBP - Sold by Musicroom UK
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John Williams: Theme from Schindler's List (Cello and Orchestra): Orchestra and
Cello, Orchestra
Hal Leonard
Score and Parts-Performance time - ca. 4:00
229.99 GBP - Sold by Musicroom UK
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Mozart Wolfgang Amadeus - Violinkonzert A-dur Kv 219 - Cello Solo, Orchestra
Cello, Orchestra
Breitkopf & Härtel
Composer : Mozart, Wolfgang Amadeus Edition : Score, urtext Editor : Eisen, Cl...
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Composer : Mozart, Wolfgang Amadeus Edition : Score, urtext Editor : Eisen, Cliff Separate Parts available on demand
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Antonio Vivaldi: Concerto in E minor: Cello: Score and Parts
Français
Cello, Orchestra
[Score and Parts]
Leduc, Alphonse
for cello and string quintet (or string orchestra)
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Concerto For Cello And Chamber Orchestra. Score And Parts
Cello, Orchestra
[Sheet music]
Kompozitor
/ Violoncelle Et Orchestre / 52 pages / Partition
11.35 EUR - Sold by LMI-partitions
(Seller in french langage)
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François Couperin: Pièces En Concert: String Ensemble: Score and Parts
Cello, Orchestra
[Sheet music]
Leduc, Alphonse
Couperin's Concert Pieces for Cello and String Quartet accompaniment is an excit...
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Couperin's Concert Pieces for Cello and String Quartet accompaniment is an exciting addition to the string repertoire for its slightly unusual instrumentation. François Couperin (1668-1733) is often nicknamed 'Couperin the Great' to distinguish him from other members of the musical family. Concert Piecesis made up of five movements; 1) Prelude 2) Sicilienne 3) The Trumpet 4) The Complaint and 5) Devil's Air. Couperin's moods are expressed through choices of keys adventurous harmonies and discords. With a significant amount of variation and inspiration Concert Pieces isessential to the repertoire of aspiring advanced String Quartets and solo cellists.
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