SKU: BA.BA10571-01
ISBN 9790260107632. 33.5 x 26.5 cm inches. Text Language: English. Preface: Brezina, Aleš.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: BA.BA04656-01
ISBN 9790201855929. 33 x 26 cm inches. Key: B-flat major.
Urtext from the G. Henle Complete Edition of the Works of Joseph Haydn. Identical with HN 5592 of G. Henle Verlag, Munich.
SKU: BA.BA05568
ISBN 9790006497362. 33 x 26 cm inches. Language: German. Preface: Martin, Christine / Martin, Dieter. Johann Wolfgang von Goethe.
SKU: BA.BA05512
ISBN 9790006472079. 33.1 x 26.1 cm inches. Text: Georg von Hofmann.
SKU: BA.BA02938
ISBN 9790006427772. 27.6 x 19.8 cm inches.
3 Mess-Kompositionen, 10 Introitus-Kompositionen. Anhang: 3 Modell-Kompositionen zu den Messen. Urtext der Lechner-Gesamtausgabe.
SKU: BA.BA02932
ISBN 9790006427710. 27.7 x 19.6 cm inches.
SKU: BA.BA02937
ISBN 9790006427765. 27.6 x 19.8 cm inches.
24 Kompositionen. Urtext der Lechner-Gesamtausgabe.
SKU: BA.BA04647-02
ISBN 9790201858456. 33 x 26 cm inches. Language: German. Gottfried van Swieten.
Urtext from the G. Henle Complete Edition of the Works of Joseph Haydn. Identical with HN 5845 of G. Henle Verlag, Munich.
SKU: BA.BA04283
ISBN 9790006446643. 27.5 x 19.5 cm inches.
Kompositionen aus Drucken und Handschriften 1566-1585, nicht gesicherte Zuschriften aus Handschriften des spaten 16. Jahrhunderts.
SKU: BA.BA04199
ISBN 9790006444786. 27.5 x 19.5 cm inches.
Sacrae lectiones ex Propheta Iob, Lectiones sacrae novem ex libris Hiob (Die Klagen des Hiob)/ Lectiones matutinae de nativitate Christi.
SKU: BA.BA07814-01
ISBN 9790006498161. 33 x 26 cm inches. Text Language: French, German. Preface: Christin Wollmann.
Continuo realization: Wolfgang Hirschmann.
SKU: BA.BA03410
ISBN 9790006434060. 27.5 x 19.5 cm inches.
SKU: BA.BA05547
ISBN 9790006497089. 33.1 x 25.6 cm inches.
SKU: BA.BA05032-01
ISBN 9790006462049. 33 x 26 cm inches. Language: German. Preface: Dürr, Alfred.
SKU: BA.BA02939
ISBN 9790006427789. 27.5 x 19.5 cm inches.
SKU: BA.BA04194
ISBN 9790006444731. 27.5 x 19.5 cm inches. Text Language: Latin. Preface: Göllner, Marie Louise.
SKU: BA.BA05531
ISBN 9790006472284. 33.1 x 26.3 cm inches. Key: F major.
Urtext of the New Schubert Edition.
SKU: BA.BA04647-01
ISBN 9790201858425. 33 x 26 cm inches. Language: German. Gottfried van Swieten.
Urtext from the G. Henle Complete Edition of the Works of Joseph Haydn. Identical with HN 5842 of G. Henle Verlag, Munich.
SKU: BA.BA04920-01
ISBN 9790006495337. 33 x 26 cm inches. Text Language: Swedish. Preface: Rörby, Margareta.
SKU: BA.BA04020
ISBN 9790006443055. 33 x 26 cm inches. Text Language: English, German. Translation: Walther Siegmund-Schultze, Walther. Charles Jennens.
Saul was given its first performance under Handel’s direction at the Haymarket Theatre, London, on 16 January 1739. The original libretto (dated 1738) refers to the work as “an Oratorio or Sacred Dramaâ€. This libretto was written by Charles Jennens (1700–1770), a wealthy amateur writer from Gopsall, Leicestershire. A letter of 28 July 1735 from Handel to Jennens suggests that a complete raft of the text already existed at that time.Saul occupies an extraordinarily important position in the English oratorio tradition that Handel brought to perfection, standing alongside Israel in Egypt at the end of the first creative period of such works.
SKU: BA.BA05570-01
ISBN 9790006497386. 33 x 26 cm inches. Language: German. Preface: Christine Martin. Text: Helmina von Chezy.
On 20 December 1823 Helmina von Chezy'sRosamundereceived its premiere performance at Vienna's Theater an der Wien. Unfortunately the Viennese version of this drama with ghosts, pirates, attempted poisonings and other horrifying ingredients has not survived - unlike Schubert's popular incidental music which also includes choruses and dances. This music was already highly praised by contemporary critics, with special acknowledgment given tothe genius of this much-loved master. As evidence of its popularity, the overture and theHunters' Chorushad to be encored at the premiere. Now Barenreiter is issuing one of Schubert's best-known compositions in a complete vocal score with piano reduction.
SKU: BA.BA05307
ISBN 9790006467068. 33.1 x 25.7 cm inches.
SKU: BA.BA06851
ISBN 9790006496723. 34.3 x 27.3 cm inches.
Over the years Janácek’s uvre has increasingly received the recognition it so richly merits and performances of his works are becoming more and more frequent. This development is, however, offset by a manuscript tradition so disorderly that some of Janácek’s works continue, as before, to be played in versions which are heavily adapted, corrupt or otherwise contrary to the composer’s intentions. Thus, a critical edition of Janácek’s music is indispensable for scholars and performers alike.This edition presents an authentic printed text based on all available sources for each work. In addition to the musical text, each volume also contains a critical report (Czech/German), a rendition of deleted or rejected versions, and a comprehensive appendix of facsimiles.
SKU: BA.BA03408
ISBN 9790006434046. 27.5 x 19.5 cm inches.
SKU: HL.49042434
ISBN 9783795794491. 10.25x13.5x1.141 inches. German.
Carl Maria von Weber's fame rests mainly on 'Der Freischutz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as 'Preciosa', 'Oberon', and 'Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music; cantatas, odes and other occasional works; stage works; lieder and vocal works; orchestral works; chamber music; music for piano; piano reductions; miscellanea, arrangements and orchestrations; works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references.
SKU: BA.BA05853
ISBN 9790006497928. 33 x 25.8 cm inches. Language: German. Text: Zimmermann, Joachim Johann Daniel / Ramler, Karl Wilhelm.
Telemann’s passion oratorio “Der Tod Jesu†was composed in 1754-55, roughly at the same time as the same-named highly regarded work by Carl Heinrich Graun. Both pieces are settings of the same libretto by Karl Wilhelm Ramler. In this late work, Telemann consciously contrasts the carefully crafted recitatives with musically reduced solemn choruses to obtain an emotional reading of the Passion text.This vocal score complements the Urtext score of this moving passion oratorio which is published as part of the “Georg Philipp Telemann Musical Worksâ€. The complete orchestral material is available on hire.
SKU: BA.BA03409
ISBN 9790006434053. 27.5 x 19.5 cm inches.
SKU: BA.BA08854
ISBN 9790006527915. 33.7 x 25.8 cm inches. Text Language: French. Preface: Bouissou, Sylvie / Davy-Rigaux, Cécile / Herlin, Denis. Text: Leclerc de La Bruère, Charles-Antoine.
The first version of “Dardanusâ€, which was performed at the end of 1739, was composed apparently in only six months and marks a particularly productive phase in Rameau’s career. In a period of only six years five of his major works were performed at the Acadmie Royale de Musique in Paris.The theme is taken from Greek mythology: The opera describes the war between Teucer (the future founder of Troy), his Phrygian people and the army of Dardanus.
SKU: BA.TP01143
ISBN 9790006205332. 22.5 x 16.5 cm inches. Language: German. Preface: Glöckner, Andreas.
Little is known about the genesis ofLobe den Herrn, meine SeeleBWV 143.A transcription from the 19th century was for a long time considered the only source; the musical text of theNew Bach Editionwas based on this material. Recently however a copy of the score from 1762 has become available. It offers a more reliable musical text, rendering a complete revision of the cantata necessary. On the basis of this new source, the work is presented here as part of theNew Bach Edition - Revisedin what is presumably its original form in C major with three trumpets. This orchestration is more typical of Bach's writing than the version for three horns in the surviving B-flat major version.- Revised Urtext edition of the Weimar Cantata- Based on theNew Bach Edition - Revised
SKU: BA.BA05621
ISBN 9790006472871. 31 x 24.3 cm inches. Key: B-flat major. Preface: Rossana Dalmonte.
Urtext der Neuen Schubert-Ausgabe.
© 2000 - 2024 Home - New realises - Composers Legal notice - Full version
