SKU: GI.G-7853
UPC: 785147785309. English, Spanish. Text Source: Revised Order of Mass 2010, Lectionary for Mass
 Misa Una Santa Fe/One Holy Faith Mass offers a multitude of performance options, making this fully bilingual setting perfect for any parish. This comprehensive Mass contains every acclamation you'll need for the liturgical year plus additional verses for the Gospel Acclamations (including Lent), bilingual intercessions, the Preface dialogue, every form of the Memorial Acclamation, and a sung setting of the Our Father. And everything can be sung in Spanish, English, or any combination of the two. This setting works well with an ensemble of piano, guitars, and optional percussion, but also with organ. The use of brass quartet and timpani will enhance the Eucharistic Acclamations and add a festive dimension to this thoroughly appealing Mass setting.  This is the choral edition and as such contains only parts for the choir. No keyboard accompaniment is included in this edition. For the keyboard accompaniment see G-7853A. Brass Quartet, Timpani, Flute, Oboe and Percussion parts are optional. Horn in F can be substituted for Trombone I. Percussion part includes claves and bongos or congas.
SKU: GI.G-6896
UPC: 785147689607. English. Text by James Chepponis.
This composition may be performed with the scored forces (including brass quartet, percussion and handbells, to name a few), or it may be simplified by using only soloist, congregation, and piano/guitar accompaniment. The text emphasizes the kingdom of God and the gifts of the Spirit. Appropriate for Pentecost, confirmation, and celebrations of ministry. Guitar, C instrument, brass quartet, percussion (suspended cymbal and timpani) and handbell parts are optional Horn in F can be substituted for Trombone I.
SKU: GI.G-8709
UPC: 785147870906. English. Text Source: Ref.: Luke 4:18, alt., vv.: Steven Van Wye. Text by Steven Van Wye. Scripture: Luke 4:18.
“The Spirit of God†proves to be a definitive example of excellence in new congregational/assembly writing, providing an uplifting text and confident harmonies that your choir and assembly will easily learn. Flexible instrumentation makes this piece perfect for a keyboard/guitar ensemble, or brass quartet with timpani. The Brass Quartet and Timpani parts are optional. Horn in F can be substituted for Trombone I. For cantor or soloist.
SKU: MN.60-5021
UPC: 688670650215. English.
A festive concertato for All Saints, Pentecost, and general use, this begins with a lengthy introduction (options for a shorter intro are specified). Using the tune WIE SCHON LEUCHTET, the composer has fashioned an upbeat setting of this hymn for congregation, soprano descant, SATB choir, and organ. The use of brass quartet and timpani is optional. Stanza one is in unison, stanza two is a choral variation for SATB choir, accompanied. There is an interlude which draws from the introduction, and stanza four is unison with descant.
SKU: MN.80-106
UPC: 688670801068. English.
This cheerful set of Eucharistic Acclamations, based on the Christmas melody Resonet in laudibus, was written for assembly, SATB, and organ with optional brass quartet. It is clear that Matthew Koraus knows what works for an assembly. The Holy, Holy and the Amen involve the congregation in a call-and-response fashion, which, combined with the use of a familiar melody, makes it very easy for them to participate. Each of the three memorial acclamations are included, as are two versions of the Amen, one simple and one more involved. For Christmas through the Baptism of the Lord; also appropriate for Advent in a pared down presentation.
SKU: MN.60-0004
UPC: 688670600043. English.
This setting pairs Kathleen R. Moore's 2010 text with MERLE'S TUNE, a Hal Hopson hymn tune found in over 30 hymnals. First used for the 2019 Presbyterian Association of Musicians conference at Montreat, this hymn concertato has optional brass quintet and timpani parts. Stanza 1 is in unison, Stanza 2 could be for solo voices, quartet, or SATB, Stanza 3 is for sopranos accompanied by the rest of the choir humming (using Hopson's original harmonization) and Stanza 4 is unison with descant concluding with Amens.
SKU: GI.G-9789
UPC: 785147978909. English.
The brass quartet and timpani parts are optional. Horn in F is a substitute for Trombone I.
SKU: GI.G-7508
UPC: 785147750802. English. Text Source: Inspired by a speech of Martin Luther King Jr., about the Montgomery march. Text by Shirley Erena Murray.
If this text, inspired by Martin Luther King's speech about the Montgomery march, doesn't sufficiently summon one's attention, then combining it with this musical setting will quite certainly accomplish that goal. “Truth pressed to the earth . . . Justice trampled down . . . Love nailed to a Cross . . . through these resurrections we have hope.†A piece with much gravitas. Brass quartet or quintet and timpani part is optional Tuba part is optional Horn in F can be substituted for Trombone I.
SKU: MN.60-6200
UPC: 688670662003. English. Text: James E. Seddon. 1 Peter 2:9-12.
An original hymn tune ASSUMPTION is used as the basis for this stirring concertato. The text by James E. Seddon is based on 1 Peter 2:9-12. The theme of the text is to challenge the Church to remember and embrace its mission. Optional parts for brass quartet and timpani are available. Useful for church celebrations, ordinations, and installations.
SKU: MN.50-5049
UPC: 688670550492. English.
Michael Burkhardt's arrangement of this tune (Henry Gerike) and text (Jaroslav Vajda) makes the perfect festival anthem for Ascension. The use of the congregation is optional, as is the brass quartet. Either way, the organ part is exciting enough to carry things along beautifully.
SKU: SU.29080011
Text by Peter DavidsonSATB, Flute, Oboe, Clarinet, Bassoon (or Horn), Piano, String Quartet Duration: 5'20 Composed: 2014 Published by: TLM Music Publishing.
SKU: GI.G-8206
UPC: 785147820604. English. Text Source: Based on Confessions of St. Augustine. Text by Tony Alonso.
With a text based on Confessions of St. Augustine, this song of comfort extols the surety of God’s love for us. Appropriate for times of reflection or meditation, this moving work sings of the peace found when we allow our restless hearts to find a home in God. While effective with piano and choir alone, the addition of string quartet, flute, and horn in F adds depth and enhances the legato line of the melody. For cantor or soloist. Instrument parts are optional.
SKU: GI.G-6896INST
UPC: 785147689690. English. Text by James Chepponis.
The C instrument, brass quartet and percussion (suspended cymbal and timpani) parts are optional. Horn in F can be substituted for Trombone I.
SKU: GI.G-9789INST
UPC: 785147978992. English. Text by James Chepponis.
SKU: GI.G-9194INST
UPC: 785147919490. English. Text Source: Adeste fideles, John F. Wade, ca. 1711–1786, English tr. Frederick Oakeley, 1802–1880, alt.; Translation: Frederick Oakeley. Text by John F. Wade.
The instrument parts are for brass quartet or quintet. The tuba part is optional and horn in F can substitute for trombone I. The organ accompaniment is printed in the full score.
SKU: GI.G-4903
UPC: 785147490302. English. Text by Victoria M. Tufano.
Woodwind quartet and string quintet parts are optional.
SKU: SU.50020760
SATB Chorus, Flute, Clarinet, Trumpet, French Horn, String Quartet & Double Bass Published by: Seesaw Music.
SKU: MN.50-5018
UPC: 688670550188. Text: Terry Kirts.
So this is true: We are one body in the Lord. The opening words are proclaimed by the choir and echoed by the organ and brass, and what follows is creative and musically satisfying, but never predictable. The brass is tacet during a short, introspective middle section. The mostly homophonic choral writing and the judicious use of brass allow the text- a unique interpretation of 1 Corinthians 12- to be primary.Instrumental parts packet includes: Trumpet I and II in B-flat and C, Trombone I and II, Horn in F (sub for Trombone I), Organ.
SKU: MN.60-4019
UPC: 688670640193. English.
A bright concertato setting of this powerful Easter hymn. The piece begins with dialog between the brass and the choir, then immediately involves the congregation. The congregation sings in unison while the choir augments the singing with parts. A choral stanza, then a final stanza with congregation and descant serve as the conclusion to this very useful setting.
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