Composed by Burton Lane. For voice and piano. Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics, chord names, black & white photos and introductory text. Broadway. 176 pages. 9x12 inches. Published by Hal Leonard.

Performed by Judy Garland. For voice and piano. Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics, chord names and black & white photos. Vocal Standards, Traditional Pop and Movies. 298 pages. 9x12 inches. Published by Hal Leonard.

Opera in Two Acts. By Mark Adamo. Vocal Score. Size 9x12 inches. 400 pages. Published by G. Schirmer, Inc.

By Various. E-Z Play Today (Easy big-note right-hand-only arrangements for piano, organ, and electronic keyboard). Softcover. 392 pages. Published by Hal Leonard.

By Damian Cranmer. For Voice & piano. Caccini: Amarilli, mia bella; Carissimi: Vittoria, vittoria; Attr. Stradella: Pieta, signore; Legrenzi: Che fiero costume; A. Scarlatti: Gia il sole dal Gange; O cessate di piagarmi; Rugiadose odorose; Se Florinda e fedele; Spesso vibra per suo gioco; Bononcini: Per la gloria d'adorarvi; Attr. Lotti: Pur dicesti; Attr. Pergolesi: Se tu m'ami; Caldara: Come raggio di sol;. Level: 6, 7, 8. 80 pages. Published by ABRSM (Associated Board of the Royal Schools of Music).

Late 19th Century Italian Songs. By Various. Arranged by Riccardo Allorto. Vocal Collection. Size 9x12 inches. 112 pages. Published by Ricordi.

Songbook (spiral bound) for voice and piano. 143 pages. Published by Alfred Publishing.

Missa Sancti Nicolai by Franz Joseph Haydn (1732-1809). Choir Sacred. Choral (Sacred); Choral Worship Cantata; Larger Works; Masterworks; Score; Worship Resources. Faber Edition. Classical; Masterwork; Sacred. Published by Faber Music

Voice and piano

SKU: LM.28860

Composed by Benoit Menut and Marguerite Labrousse. Method, studies. Score and CD. Editions Henry Lemoine #28860. Published by Editions Henry Lemoine (LM.28860).

ISBN 9790230988605.

Dime, artillerito, donde vas ? (Dis, petit artilleur, ou vas-tu ?, chant populaire des Asturies) - Felicella (Des bienheureuses, chant populaire napolitain) - Negro Spiritual - BRITTEN Benjamin : There's none to soothe (Personne pour apaiser) - COPLAND Aaron : Simple Gifts (De simples dons) - FLOTOW Friedrich von : Jagerlied der Nancy (Chant de chasse de Nancy) - GOUNOD Charles : Venise - GRIEG Edvard : Die alte Mutter (La Vieille Mere) - MACHAUT Guillaume de : Douce dame jolie - MENDELSSOHN Felix : Minnelied im Mai (Chanson d'amour de mai) - MENUT Benoit : Heureux qui, comme Ulysse - PURCELL Henry : Air du printemps - RHENE-BATON : La Chanson du Bois d'Amour - SAINT-SAENS Camille : Danse macabre.

Vocal and Piano (Voice and Piano)

SKU: HL.50487684

Composed by N. Bretan. 20th Century. EMB. Classical. Book [Softcover]. Editio Musica Budapest #Z13636. Published by Editio Musica Budapest (HL.50487684).

ISBN 9790080136362. Bach (23 x 30,2 cm) inches. Hungarian, English. Nicolae Bretan.

Nicolae Bretan (1887-1968) was a great singer and composer who had the keys to create great lieder. He understood that the imagery of poetry deeply stirs the subconscious, that verbal images must be weighed and translated with precise yet unmeasurab le artistry into rhythm and harmony. Given songs that penetrate the listener's psyche, that arouse the listener's humanity, that increase the listener's sense of beauty, the singer has munch of his work already done for him. And the singer who sings Bretan is far ahead on the pathways to his audience's mind and heart. The listeners sense new doors onto vistas of order and beauty, torment and calm. This release of energy withinthe audience is the secret of art. Art is eternity's dialogue in whic h the listener participates, which the listener fills in with his own emotion, his own experience... Frederica von Stade

Nicolae Bretan (1887-1968) war ein Sanger und Komponist der das Geheimnis der grossen Liedschopfung kannte. Erwusste, dass das poetische Bild das Unterbewusste zutiefst aufwuhlt, dass das poetische Wort mit praziser und vollendeter kunstlerischer Meisterschaft in Rhythmen und Harmonien verwandelt werden muss. Dadurch, dass diese Lieder in die Seele des Horers dringen, das Humane, in ihm erwecken, seinen Sinn fur Schonheit steigern, wird dem Sanger seine Arbeit erleichtert. Und der Interpret, der Bretan singt, befindet sich in jenen hohen Gefilden und auf Wegen die zum Herz und Verstand des Publikums fuhren. Seine Horer erahnen Pfade zu neuen Ordnungen undSchonheiten, zu Erregung und Stille. Dieser Ausbruch von Energien im Inneren des Zuhorers ist das Geheimnis der Kunst. Die Kunst ist der Dialog der Ewigkeit, an dem das Publikum teilnimmt, den es mit seinen eigenen Emotionen und Erfahrungen erganzt... Frederica von Stade.