SKU: HL.50512030

ISBN 9790080147603. A/4 inches. Laszlo Dubrovay.

This work, composed in 1971, was intended for professional performers. It was written with post-Webern, free twelve-tone technique; its sound is characterized by frequent use of all twelve notes in the construction of the harmony, and by wide spacing of dissonant intervals or the crowding of them into dense blocks. These short character pieces contain a great variety of gestures and emotions, ranging from witty playfulness through violent -Sturm und Drang- behaviour that shatters every framework, to mournful lamentation and hope of hymnic redemption.

SKU: BT.EMBZ14760

This work, composed in 1971, was intended for professional performers. It was written with post-Webern, free twelve-tone technique its sound is characterized by frequent use of all twelve notes in the construction of the harmony, and by wide spacing of dissonant intervals or the crowding of them into dense blocks. These short character pieces contain a great variety of gestures and emotions, ranging from witty playfulness through violent Sturm und Drang behaviour that shatters every framework, to mournful lamentation and hope of hymnic redemption.

Das 1971 komponierte Werk entstand für professionelle Interpreten. Bei seiner Komposition wurde die post-Webernsche, freie Zwölftontechnik angewandt. Seine Klangwelt wird durch den Zusammenbau aller zwölf Töne zu einer Harmonie, durch die Positionierung der dissonanten Tonintervalle in weiten Lagen oder deren Komprimierung in große Blocks charakterisiert. Die kurzen Charakterstücke beinhalten viele Gesten und Emotionen, die von der witzigen Verspieltheit über das aggressive, jegliche Rahmen zersprengendes Sturm und Drang-Verhalten, bis hin zum Trauerlied und der hymnischen Erlösungshoffnung reichen.