| The Book of Urizen - Symphony No. 1 (CD incl.) Concert band [Score and Parts + CD] - Intermediate De Haske Publications
The Book of Urizen is Jacob de Haan his first Symphony for concert band, ...(+)
The Book of Urizen is Jacob de Haan his first Symphony for concert band, solo soprano, and a male narrator in which sound collages of expressions are used. The piece is inspired by the compelling visionary poem of the samename (which the poet illustrated himself) by the Englishman William Blake (1757-1827). The Vision, first movement and The Creation, second movement of The Book of Urizen are available by following editionnumber: DHP 1043551. The Web, the third movement of The Book of Urizen is available by the following edition number: DHP 1125252. Download the audio samples here: track 1, track 2, track 3
In The Book of Urizen - Jacob de Haan zijn eerste symfonie voor harmonieorkest, zangstem (sopraan) en een mannelijke spreekstem - wordt gebruik gemaakt van geluidscollages. De compositie is ge nspireerd op het gelijknamigegedicht van William Blake (1757-1827). The Vision, het eerste deel en The Creation, het tweede deel van The Book of Urizen zijn beschikbaar via volgend editienummer: DHP 1043551. The Web, het derdedeel van The Book of Urizen is verkrijgbaar via editienummer: DHP 1125252. Download audiofragmenten hier: track 1, track 2, track 3
The Book of Urizen ist Jacob de Haan seine erste Symphonie für Blasorchester, Gesang (Sopran) und (männliche) Sprechstimme, in welcher Botschaften durch Geräuschcollagen wiedergegeben werden. Als Inspirationsquelle dienteder gleichnamige Gedichtzyklus des großen englischen Dichters und Malers William Blake (1757-1827). The Vision, erster Satz und The Creation, zweiter Satz von The Book of Urizen sind unter der folgendenEditionsnummer erhältlich: DHP 1043551. The Web, der dritte Satz von The Book of Urizen , ist unter der folgenden Editionsnummer erhältlich: DHP 1125252. Laden Sie hier die Audiosamples herunter: track 1, track 2,track 3
En 1794, l’écrivain, peintre, graveur, enlumineur, visionnaire et philosophe mystique anglais William Blake (1757-1827) dénonce dans The Book of Urizen (Le Livre d’Urizen), la loi de fer du monde moderne. Dans The Book ofUrizen - la première symphonie de Jacob de Haan pour Orchestre d’Harmonie, Soprano et un récitant - des collages sonores sont utilisés. The Vision, la première partie et The Creation, la deuxième partie de TheBook of Urizen sont disponibles sous le numéro d'éditionsuivant: DHP 1043551. The Web, la troisième partie de The Book of Urizen est disponible sous le numéro d'édition suivant: DHP 1125252. Télécharger lesextraits audio ici: track 1, track 2, track 3
The Book of Urizen is a work for concert band, solo soprano, and a male narrator in which sound collages of religious expressions are used. The piece is inspired by the compelling visionary poem of the same name (which the poet illustratedhimself) by the Englishman William Blake (1757-1827), who occupies a unique position in western literature and the visual arts. He was not just a poet and a writer, but he was also a graphic artist, a painter, an illustrator, a spiritualist, areligious visionary, and a mystic philosopher. For the performance of this work, a professional sound system, including two microphones and a CD player, is needed. The three sound collages are three separate tracks on the enclosed CD and can beplayed easily at the right moment. The Book of Urizen bears resemblance to Genesis and Exodus, of which the contents form the basis of the Christian, Jewish, and Islamic faith. Blake adhered to the principle that all religions are in fact one,and that deities reside in human beings. In The Book of Urizen this is represented in “The Net of Religion,†which is spanned over the earth by Urizen. The sound collages, compiled by Jacob de Haan in the studio, find their origin inJerusalem, the Holy City, where the afore-mentioned faiths “come together.†In the first movement of this composition, The Vision, Urizen prepares his vision of the world, and he presents this to the “Eternals.†His vision is rejected,and Urizen locks himself up in his own abstract world. When he does emerge again, he is confronted with rage by the gathered Eternals. Urizen flees the wrath of the Eternals, “the flames of eternal fury,†and enwombs himself in his own world. Whenthe Eternals see Urizen in his “stony sleep,†they wonder if this is death. The blacksmith Los is torn by grief because of the isolation of Urizen. It brings him to rouse his fires, prepare his forge, and to give Urizen’s world concrete form. In thesecond movement, The Creation, Urizen’s world, but also man, woman, and child are created. Los is horrified with the appearance of Urizen’s body. He mourns and pities Urizen, and from his blood a female form comes into being, with thename Enitharmon. The Eternals, fearful of the female form, decide to erect a tent to obstruct their view to eternity. Enitharmon and Los beget a son, called Orc. Los baptizes him as a child of the “fallen world.†Orc is fed at Enitharmon’s breast,which makes a girdle of jealousy restrict Los’ chest. He takes the child to the top of the mountain and chains him down. The cries of Orc awaken Urizen, who explores his world creating instruments of scientific measurement to do so. Los encircles theface of Enitharmon from the sight of Urizen and Orc. She then populates the earth by giving birth to an enormous race.The Web, third movement of The Book of Urizen is now available: DHP 1125252
$533.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Passion Week Choral SATB SATB divisi Musica Russica
Composed by Maximilian Steinberg. For SATB choir (div). 13. Published by Musica ...(+)
Composed by Maximilian Steinberg. For SATB choir (div). 13. Published by Musica Russica
$19.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Benthien A Neue Weg Zum Keyboardspiel Bd3 - Beginner Schott
Keyboard (KEYB+MIDI) - very easy to easy SKU: HL.49032314 Read the mus...(+)
Keyboard (KEYB+MIDI) - very easy to easy SKU: HL.49032314 Read the music and play it straight away. For tuition purposes and individual study - revised, extended and with a new look. Composed by Axel Benthien. This edition: Saddle stitching. Sheet music with MIDI-floppy disk. Edition Schott. Vorbereitung auf mehrstimmiges Spiel (linke Hand) - Improvisation - Rhythmisch-melodische Lebendigkeit. Edition with MIDI-Diskette. 64 pages. Schott Music #ED 7282-01. Published by Schott Music (HL.49032314). ISBN 9783795757021. German. This method is aimed at everybody who wants to learn to play the keyboard, in lessons or self-study, in methodological teaching units with the help of popular songs and useful information: at beginners of every age, but also at wind players, singers or guitarists who wish to become musical 'insiders' and look for a method to approach improvisation, composition, harmony, etc. through keyboard playing. It is especially on the keyboard with its clear, regular layout that scales, chords and harmonic progressions can be shown in a clearer and more systematic way than on any other instrument. Musicians with previous knowledge can start with volume 2 or 3. Volume 3: Seven new chords which can easily and certainly be learnt due to the previous slow increase in difficulty and the increased use of the left hand for independent accompaniments help to prepare for polyphonic playing with both hands. Playing with two hands and with a number of new rhythmic structures which have all been taken from well-known melodies make music-making and learning in this volume a great experience. The knowledge of intervals, exercises for the quick recognition of the intervals, and transposing form the basis of the introduction to harmony provided for in volume 4. $31.00 - See more - Buy online | | |
| Hanns Eisler Complete Edition (HEGA) Breitkopf & Härtel
SKU: BR.SON-507 Hanns Eisler Complete Edition, Series IV, Volume 7 - N...(+)
SKU: BR.SON-507 Hanns Eisler Complete Edition, Series IV, Volume 7 - Nonets. Composed by Hanns Eisler. Edited by Thomas Ahrend. Hardback. Complete Works. Early modern; Music post-1945. Complete Works. 244 pages. Breitkopf and Haertel #SON 507. Published by Breitkopf and Haertel (BR.SON-507). ISBN 9790004802908. 9 x 12 inches. Editorial BoardThomas Phleps (Music), Georg Witte (Writings)Editorial MembersMusic: Oliver Dahin / Johannes C. Gall, Writings: Maren KosterEditorial CommitteeMusic: Hartmut Fladt, Werner Grunzweig, Elmar Juchem, Roland Kluttig, Giselher SchubertWritings: Albrecht Betz, Albrecht Riethmuller, Jurgen Schebera, Friederike WissmannThe editorial works are supported by the Deutsche Forschungsgemeinschaft.Special volumes are made possible with the support of the following foundations:Klockner-Stiftung, Lotto-Stiftung, Hanns und Steffy Eisler StiftungThe goal of the Hanns Eisler Complete Edition (HEGA) is to present to the public all available compositions, writings and letters in an appropriately scholarly form. It takes a historico-critical approach and seeks to document the history of the works and writings by shedding light on their transformations, thus identifying the various versions as witnesses of evolving aesthetic and historical positions. Eislers complete oeuvre (only a limited number of his works had penetrated the publics awareness up until the 1990s) first became the object of an editorial undertaking when the Eisler - Gesammelte Werke (EGW) was founded by Nathan Notowicz. It was later placed under the direction of Manfred Grabs and Eberhardt Klemm, and began issuing its publications in 1968 through the intermediary of the Deutscher Verlag fur Musik in Leipzig. However, only four volumes of music and five volumes of writings were published. The Hanns Eisler Complete Edition pursues the work begun at that time, although it has had to fundamentally revise its editorial principles. In this respect, the Hanns Eisler Complete Edition can be considered as a completely new editorial undertaking. It became necessary to reconceive the organization of the volumes and series as well as the editorial guidelines in order to adapt the standards of historico-critical editing generally applicable today to the specific and sometimes singular circumstances of Eislers works.The Critical Commentaries pertaining to the main volumes follow the music section or, whenever they are too extensive, appear in a special volume.Series I: Choral MusicSeries II: Music for Voice and Instrumental Ensemble or OrchestraSeries III: Music for Voice and PianoSeries IV: Instrumental MusicSeries V: Incidental MusicSeries VI: Film MusicSeries VII: Sketches and FragmentsSeries VIII: Arrangements of works by other composersSeries IX: Writings, Letters and InterviewsSON 501 has been awarded the German Music Edition Prize 2003.SON 502 has been awarded the German Music Edition Prize 2007.
The major upheavals that transformed society and musical aesthetics during the first half of the 20th century also profoundly affected the life of Hanns Eisler, as well as his compositions and writings. The importance and scope of Eislers oeuvre are reason enough to make his works accessible to musical scholarship and practice in a comprehensive fashion. Price reduction for a subscription. $330.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Hanns Eisler Complete Edition (HEGA) Orchestra Breitkopf & Härtel
Orchestra SKU: BR.SON-511 Orchestermusik. Composed by Hanns Eisler...(+)
Orchestra SKU: BR.SON-511 Orchestermusik. Composed by Hanns Eisler. Edited by Knud Breyer. Hardback. Complete Works. Early modern; Music post-1945. Complete Works. 248 pages. Breitkopf and Haertel #SON 511. Published by Breitkopf and Haertel (BR.SON-511). ISBN 9790004803448. 10 x 12.5 inches. Editorial BoardThomas Phleps (Music), Georg Witte (Writings)Editorial MembersMusic: Oliver Dahin / Johannes C. Gall, Writings: Maren KosterEditorial CommitteeMusic: Hartmut Fladt, Werner Grunzweig, Elmar Juchem, Roland Kluttig, Giselher SchubertWritings: Albrecht Betz, Albrecht Riethmuller, Jurgen Schebera, Friederike WissmannThe editorial works are supported by the Deutsche Forschungsgemeinschaft.Special volumes are made possible with the support of the following foundations:Klockner-Stiftung, Lotto-Stiftung, Hanns und Steffy Eisler StiftungThe goal of the Hanns Eisler Complete Edition (HEGA) is to present to the public all available compositions, writings and letters in an appropriately scholarly form. It takes a historico-critical approach and seeks to document the history of the works and writings by shedding light on their transformations, thus identifying the various versions as witnesses of evolving aesthetic and historical positions. Eislers complete oeuvre (only a limited number of his works had penetrated the publics awareness up until the 1990s) first became the object of an editorial undertaking when the Eisler - Gesammelte Werke (EGW) was founded by Nathan Notowicz. It was later placed under the direction of Manfred Grabs and Eberhardt Klemm, and began issuing its publications in 1968 through the intermediary of the Deutscher Verlag fur Musik in Leipzig. However, only four volumes of music and five volumes of writings were published. The Hanns Eisler Complete Edition pursues the work begun at that time, although it has had to fundamentally revise its editorial principles. In this respect, the Hanns Eisler Complete Edition can be considered as a completely new editorial undertaking. It became necessary to reconceive the organization of the volumes and series as well as the editorial guidelines in order to adapt the standards of historico-critical editing generally applicable today to the specific and sometimes singular circumstances of Eislers works.The Critical Commentaries pertaining to the main volumes follow the music section or, whenever they are too extensive, appear in a special volume.Series I: Choral MusicSeries II: Music for Voice and Instrumental Ensemble or OrchestraSeries III: Music for Voice and PianoSeries IV: Instrumental MusicSeries V: Incidental MusicSeries VI: Film MusicSeries VII: Sketches and FragmentsSeries VIII: Arrangements of works by other composersSeries IX: Writings, Letters and InterviewsSON 501 has been awarded the German Music Edition Prize 2003.SON 502 has been awarded the German Music Edition Prize 2007.
The major upheavals that transformed society and musical aesthetics during the first half of the 20th century also profoundly affected the life of Hanns Eisler, as well as his compositions and writings. The importance and scope of Eislers oeuvre are reason enough to make his works accessible to musical scholarship and practice in a comprehensive fashion. Price reduction for a subscription. $330.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Hanns Eisler Complete Edition (HEGA) Orchestra Breitkopf & Härtel
Orchestra SKU: BR.SON-509 Filmmusik zu Nuit et brouillard. Compose...(+)
Orchestra SKU: BR.SON-509 Filmmusik zu Nuit et brouillard. Composed by Hanns Eisler. Edited by Knud Breyer and Oliver Dahin. Hardback. Complete Works. Early modern; Music post-1945. Complete Works. 156 pages. Breitkopf and Haertel #SON 509. Published by Breitkopf and Haertel (BR.SON-509). ISBN 9790004803318. 10 x 12.5 inches. Editorial BoardThomas Phleps (Music), Georg Witte (Writings)Editorial MembersMusic: Oliver Dahin / Johannes C. Gall, Writings: Maren KosterEditorial CommitteeMusic: Hartmut Fladt, Werner Grunzweig, Elmar Juchem, Roland Kluttig, Giselher SchubertWritings: Albrecht Betz, Albrecht Riethmuller, Jurgen Schebera, Friederike WissmannThe editorial works are supported by the Deutsche Forschungsgemeinschaft.Special volumes are made possible with the support of the following foundations:Klockner-Stiftung, Lotto-Stiftung, Hanns und Steffy Eisler StiftungThe goal of the Hanns Eisler Complete Edition (HEGA) is to present to the public all available compositions, writings and letters in an appropriately scholarly form. It takes a historico-critical approach and seeks to document the history of the works and writings by shedding light on their transformations, thus identifying the various versions as witnesses of evolving aesthetic and historical positions. Eislers complete oeuvre (only a limited number of his works had penetrated the publics awareness up until the 1990s) first became the object of an editorial undertaking when the Eisler - Gesammelte Werke (EGW) was founded by Nathan Notowicz. It was later placed under the direction of Manfred Grabs and Eberhardt Klemm, and began issuing its publications in 1968 through the intermediary of the Deutscher Verlag fur Musik in Leipzig. However, only four volumes of music and five volumes of writings were published. The Hanns Eisler Complete Edition pursues the work begun at that time, although it has had to fundamentally revise its editorial principles. In this respect, the Hanns Eisler Complete Edition can be considered as a completely new editorial undertaking. It became necessary to reconceive the organization of the volumes and series as well as the editorial guidelines in order to adapt the standards of historico-critical editing generally applicable today to the specific and sometimes singular circumstances of Eislers works.The Critical Commentaries pertaining to the main volumes follow the music section or, whenever they are too extensive, appear in a special volume.Series I: Choral MusicSeries II: Music for Voice and Instrumental Ensemble or OrchestraSeries III: Music for Voice and PianoSeries IV: Instrumental MusicSeries V: Incidental MusicSeries VI: Film MusicSeries VII: Sketches and FragmentsSeries VIII: Arrangements of works by other composersSeries IX: Writings, Letters and InterviewsSON 501 has been awarded the German Music Edition Prize 2003.SON 502 has been awarded the German Music Edition Prize 2007.
The major upheavals that transformed society and musical aesthetics during the first half of the 20th century also profoundly affected the life of Hanns Eisler, as well as his compositions and writings. The importance and scope of Eislers oeuvre are reason enough to make his works accessible to musical scholarship and practice in a comprehensive fashion. Price reduction for a subscription. $206.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| The Book of Urizen - Symphony No. 1 Concert band - Advanced De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1043551-140 I. The Vision ...(+)
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1043551-140 I. The Vision - II. The Creation. Composed by Jacob De Haan. Sovereign Series. Concert Piece. Score Only. Composed 2004. De Haske Publications #DHP 1043551-140. Published by De Haske Publications (BT.DHP-1043551-140). The Book of Urizen is Jacob de Haan his first Symphony for concert band, solo soprano, and a male narrator in which sound collages of expressions are used. The piece is inspired by the compelling visionary poem of the samename (which the poet illustrated himself) by the Englishman William Blake (1757-1827). The Vision, first movement and The Creation, second movement of The Book of Urizen are available by following editionnumber: DHP 1043551. The Web, the third movement of The Book of Urizen is available by the following edition number: DHP 1125252. Download the audio samples here: track 1, track 2, track 3
In The Book of Urizen - Jacob de Haan zijn eerste symfonie voor harmonieorkest, zangstem (sopraan) en een mannelijke spreekstem - wordt gebruik gemaakt van geluidscollages. De compositie is ge nspireerd op het gelijknamigegedicht van William Blake (1757-1827). The Vision, het eerste deel en The Creation, het tweede deel van The Book of Urizen zijn beschikbaar via volgend editienummer: DHP 1043551. The Web, het derdedeel van The Book of Urizen is verkrijgbaar via editienummer: DHP 1125252. Download audiofragmenten hier: track 1, track 2, track 3
The Book of Urizen ist Jacob de Haan seine erste Symphonie für Blasorchester, Gesang (Sopran) und (männliche) Sprechstimme, in welcher Botschaften durch Geräuschcollagen wiedergegeben werden. Als Inspirationsquelle dienteder gleichnamige Gedichtzyklus des großen englischen Dichters und Malers William Blake (1757-1827). The Vision, erster Satz und The Creation, zweiter Satz von The Book of Urizen sind unter der folgendenEditionsnummer erhältlich: DHP 1043551. The Web, der dritte Satz von The Book of Urizen , ist unter der folgenden Editionsnummer erhältlich: DHP 1125252. Laden Sie hier die Audiosamples herunter: track 1, track 2,track 3
En 1794, l’écrivain, peintre, graveur, enlumineur, visionnaire et philosophe mystique anglais William Blake (1757-1827) dénonce dans The Book of Urizen (Le Livre d’Urizen), la loi de fer du monde moderne. Dans The Book ofUrizen - la première symphonie de Jacob de Haan pour Orchestre d’Harmonie, Soprano et un récitant - des collages sonores sont utilisés. The Vision, la première partie et The Creation, la deuxième partie de TheBook of Urizen sont disponibles sous le numéro d'éditionsuivant: DHP 1043551. The Web, la troisième partie de The Book of Urizen est disponible sous le numéro d'édition suivant: DHP 1125252. Télécharger lesextraits audio ici: track 1, track 2, track 3
The Book of Urizen is a work for concert band, solo soprano, and a male narrator in which sound collages of religious expressions are used. The piece is inspired by the compelling visionary poem of the same name (which the poet illustratedhimself) by the Englishman William Blake (1757-1827), who occupies a unique position in western literature and the visual arts. He was not just a poet and a writer, but he was also a graphic artist, a painter, an illustrator, a spiritualist, areligious visionary, and a mystic philosopher. For the performance of this work, a professional sound system, including two microphones and a CD player, is needed. The three sound collages are three separate tracks on the enclosed CD and can beplayed easily at the right moment. The Book of Urizen bears resemblance to Genesis and Exodus, of which the contents form the basis of the Christian, Jewish, and Islamic faith. Blake adhered to the principle that all religions are in fact one,and that deities reside in human beings. In The Book of Urizen this is represented in “The Net of Religion,†which is spanned over the earth by Urizen. The sound collages, compiled by Jacob de Haan in the studio, find their origin inJerusalem, the Holy City, where the afore-mentioned faiths “come together.†In the first movement of this composition, The Vision, Urizen prepares his vision of the world, and he presents this to the “Eternals.†His vision is rejected,and Urizen locks himself up in his own abstract world. When he does emerge again, he is confronted with rage by the gathered Eternals. Urizen flees the wrath of the Eternals, “the flames of eternal fury,†and enwombs himself in his own world. Whenthe Eternals see Urizen in his “stony sleep,†they wonder if this is death. The blacksmith Los is torn by grief because of the isolation of Urizen. It brings him to rouse his fires, prepare his forge, and to give Urizen’s world concrete form. In thesecond movement, The Creation, Urizen’s world, but also man, woman, and child are created. Los is horrified with the appearance of Urizen’s body. He mourns and pities Urizen, and from his blood a female form comes into being, with thename Enitharmon. The Eternals, fearful of the female form, decide to erect a tent to obstruct their view to eternity. Enitharmon and Los beget a son, called Orc. Los baptizes him as a child of the “fallen world.†Orc is fed at Enitharmon’s breast,which makes a girdle of jealousy restrict Los’ chest. He takes the child to the top of the mountain and chains him down. The cries of Orc awaken Urizen, who explores his world creating instruments of scientific measurement to do so. Los encircles theface of Enitharmon from the sight of Urizen and Orc. She then populates the earth by giving birth to an enormous race.The Web, third movement of The Book of Urizen is now available: DHP 1125252. $70.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| On the Beaten Path -- Beginning Drumset Course, Level 3 Drums [Sheet music + CD + DVD] - Easy Alfred Publishing
(An Inspiring Method to Playing the Drums, Guided by the Legends). Composed by R...(+)
(An Inspiring Method to Playing the Drums, Guided by the Legends). Composed by Rich Lackowski. For Drumset. Artist/Personality; Book; CD; DVD; Method/Instruction; Percussion - Drum Set Method or Collection. On the Beaten Path. Beginner. Published by Alfred Music
$24.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Complete Letters Deutscher Verlag für Musik
SKU: BR.BDV-138 Complete Letters in 35 Volumes and Supplements. Co...(+)
SKU: BR.BDV-138 Complete Letters in 35 Volumes and Supplements. Composed by Richard Wagner. Edited by Gertrud Strobel and Werner Wolf. Linen. Complete works/textbook. Romantic period. Complete Works. 632 pages. Deutscher Verlag fur Musik #BDV 138. Published by Deutscher Verlag fur Musik (BR.BDV-138). ISBN 9783370002300. 0 x 0 inches. German. With the publication of Volume 11 in November 1999, Werner Breigs fundamentally new scholarly concept of Richard Wagners complete letters begins to make itself felt more strongly. The meticulously annotated volumes are illustrated with facsimiles and little known photos. Further enhancing the value of this edition are a number of letters, which were hitherto practically unavailable and are published here for the first time. The commentaries are based on many previously unpublished documents.
Concerning Volume 10 (published one year later than Volume 11) we have obtained the following fax by the English Wagner expert Stewart Spencer, who wittily praises Werner Breig's fundamental new concept:
There is a general problem of reviewing such magnificent volumes. They are the yardstick by which all other writings on Wagner will be judged. It is like sending someone to inspect the standard metre rule in Paris and asking them to review it. All one can say is that it exists and that it is in a class of its own. I'd like to congratulate you on its publication and thank you most warmly for picking up this edition. (Stewart Spencer, October 11, 2000) Im Sommer 1861 kommt es zur endgultigen Trennung des Ehepaars Wagner. Nach Auflosung des gemeinsamen Pariser Haushalts lasst sich Minna Wagner in Dresden nieder wo sie ihre letzten Lebensjahre verbringt. All dies ist in den Briefen detailliert nachzulesen daneben aber auch die kunstlerischen Erfolge des Jahres: In Frankfurt dirigiert Wagner zum ersten Mal seinen ,,Lohengrin (zwolf Jahre nach der Urauffuhrung!) in Leipzig stellt er die ,,Meistersinger-Ouverture vor und in Wien veranstaltet er Konzerte mit Szenen aus seinen Opern. Biographisch einschneidend sind die vollstandige Amnestierung - nun darf Wagner auch wieder den Boden seiner sachsischen Heimat betreten - sowie die weitere Entfremdung und schliesslich die endgultige Trennung von seiner Ehefrau Minna. $83.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Hanns Eisler Complete Edition (HEGA) Orchestra Breitkopf & Härtel
Orchestra SKU: BR.SON-506 Kammersymphonie op.69. Composed by Hanns...(+)
Orchestra SKU: BR.SON-506 Kammersymphonie op.69. Composed by Hanns Eisler. Edited by Tobias Fasshauer. Hardback. Complete Works. Early modern; Music post-1945. Complete Works. 148 pages. Breitkopf and Haertel #SON 506. Published by Breitkopf and Haertel (BR.SON-506). ISBN 9790004802779. 10 x 12.5 inches. Editorial BoardThomas Phleps (Music), Georg Witte (Writings)Editorial MembersMusic: Oliver Dahin / Johannes C. Gall, Writings: Maren KosterEditorial CommitteeMusic: Hartmut Fladt, Werner Grunzweig, Elmar Juchem, Roland Kluttig, Giselher SchubertWritings: Albrecht Betz, Albrecht Riethmuller, Jurgen Schebera, Friederike WissmannThe editorial works are supported by the Deutsche Forschungsgemeinschaft.Special volumes are made possible with the support of the following foundations:Klockner-Stiftung, Lotto-Stiftung, Hanns und Steffy Eisler StiftungThe goal of the Hanns Eisler Complete Edition (HEGA) is to present to the public all available compositions, writings and letters in an appropriately scholarly form. It takes a historico-critical approach and seeks to document the history of the works and writings by shedding light on their transformations, thus identifying the various versions as witnesses of evolving aesthetic and historical positions. Eislers complete oeuvre (only a limited number of his works had penetrated the publics awareness up until the 1990s) first became the object of an editorial undertaking when the Eisler - Gesammelte Werke (EGW) was founded by Nathan Notowicz. It was later placed under the direction of Manfred Grabs and Eberhardt Klemm, and began issuing its publications in 1968 through the intermediary of the Deutscher Verlag fur Musik in Leipzig. However, only four volumes of music and five volumes of writings were published. The Hanns Eisler Complete Edition pursues the work begun at that time, although it has had to fundamentally revise its editorial principles. In this respect, the Hanns Eisler Complete Edition can be considered as a completely new editorial undertaking. It became necessary to reconceive the organization of the volumes and series as well as the editorial guidelines in order to adapt the standards of historico-critical editing generally applicable today to the specific and sometimes singular circumstances of Eislers works.The Critical Commentaries pertaining to the main volumes follow the music section or, whenever they are too extensive, appear in a special volume.Series I: Choral MusicSeries II: Music for Voice and Instrumental Ensemble or OrchestraSeries III: Music for Voice and PianoSeries IV: Instrumental MusicSeries V: Incidental MusicSeries VI: Film MusicSeries VII: Sketches and FragmentsSeries VIII: Arrangements of works by other composersSeries IX: Writings, Letters and InterviewsSON 501 has been awarded the German Music Edition Prize 2003.SON 502 has been awarded the German Music Edition Prize 2007.
The major upheavals that transformed society and musical aesthetics during the first half of the 20th century also profoundly affected the life of Hanns Eisler, as well as his compositions and writings. The importance and scope of Eislers oeuvre are reason enough to make his works accessible to musical scholarship and practice in a comprehensive fashion. Price reduction for a subscription. $206.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Top 50 Christian Hits Easy Piano - Easy Alfred Publishing
Easy Piano. Arranged by Carol Tornquist. Book; Piano - Easy Piano Collection...(+)
Easy Piano. Arranged by
Carol Tornquist. Book; Piano
- Easy Piano Collection;
Piano Supplemental; Worship
Resources. Top 50.
Contemporary Christian;
Sacred. 220 pages. Published
by Alfred Music
$24.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Nelja laulua Aleksis Kiven runoihin Choral TTBB Fennica Gehrman
(Four Songs to Texts by Aleksis Kivi). Composed by Einojuhani Rautavaara (1928-)...(+)
(Four Songs to Texts by Aleksis Kivi). Composed by Einojuhani Rautavaara (1928-). For male choir. Chorus Series 127. Choral score. Text language: Finnish. Published by Fennica Gehrman
$12.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| German Requiem Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra [Study Score / Miniature] Carus Verlag
(nach Worten der Heiligen Schrift). Composed by Johannes Brahms (1833-1897). For...(+)
(nach Worten der Heiligen Schrift). Composed by Johannes Brahms (1833-1897). For SB vocal soli, SATB choir, piccolo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, 3 timpani, harp, 2 violin, viola, cello, contrabass, [organ]. This edition: Paperbound. German title: Ein deutsches Requiem. Requiem, End of the church year, Mourning, death. Study score. Language: German. Op. 45. 256 pages. Duration 70 minutes. Published by Carus Verlag
$27.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Exercises for Three Finger Banjo Banjo - Beginner Mel Bay
Composed by Jack Hatfield. Squareback saddle stitch. Book. Published by Mel Bay ...(+)
Composed by Jack Hatfield. Squareback saddle stitch. Book. Published by Mel Bay Publications, Inc (MB.99783).
$24.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| I Just Can't Stop Loving You Concert band [Score and Parts] - Intermediate De Haske Publications
Composed by Michael Jackson. Arranged by Miho Hazama. Pop and Rock. Set (Score...(+)
Composed by Michael Jackson.
Arranged by Miho Hazama. Pop
and Rock. Set (Score and Parts).
Composed 2012. De Haske
Publications #DHP 1125271-
010. Published by De Haske
Publications
$135.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Dixit Dominus HWV 232 Choral SSATB SSATB, Piano [Reduction] Barenreiter
By George Frideric Handel (1685-1759). Edited by Hans Joachim Marx. Arranged by ...(+)
By George Frideric Handel (1685-1759). Edited by Hans Joachim Marx. Arranged by Andreas Kohs. For soprano voice solo, alto voice solo, tenor voice solo, bass voice solo, SSATB choir , violin (2), viola (2), cello, basso continuo (cello, double bass, organ) (2 Solo Sopranos/Solo Alto/Solo Tenor/Solo Bass/Mixed Choir: SSATB/2 Violins/2 Violas/Violoncello/Basses (Violoncello/Contrabass/Organ)). This edition: Paperback, Urtext edition. Replaces BA 4002-90. Psalm 109. Piano reduction. Language: Latin. HWV 232. 93 pages. Duration 40 minutes. Published by Baerenreiter Verlag
$27.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Book of Urizen - Symphony No. 1 Concert band - Advanced De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1125252-010 III. The Web(+)
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1125252-010 III. The Web. Composed by Jacob De Haan. Concert Piece. Set (Score & Parts). Composed 2020. De Haske Publications #DHP 1125252-010. Published by De Haske Publications (BT.DHP-1125252-010). 9x12 inches. English-German-French-Dutch. The Book of Urizen is Jacob de Haan his first Symphony for concert band, solo soprano, and a male narrator in which sound collages of expressions are used. The piece is inspired by the compelling visionary poem of the samename (which the poet illustrated himself) by the Englishman William Blake (1757-1827). The Vision, first movement and The Creation, second movement of The Book of Urizen are available by following editionnumber: DHP 1043551. The Web, the third movement of The Book of Urizen is available by the following edition number: DHP 1125252. Download the audio samples here: track 4, track 5, track 6
In The Book of Urizen - Jacob de Haan zijn eerste symfonie voor harmonieorkest, zangstem (sopraan) en een mannelijke spreekstem - wordt gebruik gemaakt van geluidscollages. De compositie is ge nspireerd op het gelijknamigegedicht van William Blake (1757-1827). The Vision, het eerste deel en The Creation, het tweede deel van The Book of Urizen zijn beschikbaar onder volgend editienummer: DHP 1043551. The Web, het derdedeel van The Book of Urizen is verkrijgbaar onder editienummer: DHP 1125252. Download audiofragmenten hier: track 4, track 5, track 6
The Book of Urizen ist Jacob de Haan seine erste Symphonie für Blasorchester, Gesang (Sopran) und (männliche) Sprechstimme, in welcher Botschaften durch Geräuschcollagen wiedergegeben werden. Als Inspirationsquelle dienteder gleichnamige Gedichtzyklus des großen englischen Dichters und Malers William Blake (1757-1827). The Vision, erster Satz und The Creation, zweiter Satz von The Book of Urizen sind unter der folgendenEditionsnummer erhältlich: DHP 1043551. The Web, der dritte Satz von The Book of Urizen , ist unter der folgenden Editionsnummer erhältlich: DHP 1125252. Laden Sie hier die Audiosamples herunter: track 4, track 5,track 6
En 1794, l’écrivain, peintre, graveur, enlumineur, visionnaire et philosophe mystique anglais William Blake (1757-1827) dénonce dans The Book of Urizen (Le Livre d’Urizen), la loi de fer du monde moderne. Dans The Book ofUrizen - la première symphonie de Jacob de Haan pour Orchestre d’Harmonie, Soprano et un récitant - des collages sonores sont utilisés. The Vision, la première partie et The Creation, la deuxième partie de TheBook of Urizen sont disponibles sous le numéro d'éditionsuivant: DHP 1043551. The Web, la troisième partie de The Book of Urizen est disponible sous le numéro d'édition suivant: DHP 1125252. Télécharger lesextraits audio ici: track 4, track 5, track 6
The Book of Urizen è una composizione per banda, soprano solo e voce recitante maschile che utilizza collage sonori dalla connotazione religiosa. Jacob de Haan ha attinto alla sua immensa ispirazione ne The Book of Urizen, un affascinante poema dello scrittore e filosofo mistico inglese William Blake (1757-1827). Ai due primi movimenti The Vision e The Creation, si aggiunge ora il terzo affresco: The Web. Per questo movimento sono disponibili anche le parti per il coro. Soprano e voce narrante utilizzano un microfono e il coro può, se desiderato, anch’esso fare utilizzo di microfoni.Per ulteriori informazioni sulle prime due parti, visitateil sito www.dehaske.com. $322.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Book of Urizen - Symphony No. 1 Concert band - Advanced De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1125252-140 III. The Web(+)
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1125252-140 III. The Web. Composed by Jacob De Haan. Concert Piece. Score Only. Composed 2012. 46 pages. De Haske Publications #DHP 1125252-140. Published by De Haske Publications (BT.DHP-1125252-140). 9x12 inches. English-German-French-Dutch. The Book of Urizen is Jacob de Haan his first Symphony for concert band, solo soprano, and a male narrator in which sound collages of expressions are used. The piece is inspired by the compelling visionary poem of the samename (which the poet illustrated himself) by the Englishman William Blake (1757-1827). The Vision, first movement and The Creation, second movement of The Book of Urizen are available by following editionnumber: DHP 1043551. The Web, the third movement of The Book of Urizen is available by the following edition number: DHP 1125252. Download the audio samples here: track 4, track 5, track 6
In The Book of Urizen - Jacob de Haan zijn eerste symfonie voor harmonieorkest, zangstem (sopraan) en een mannelijke spreekstem - wordt gebruik gemaakt van geluidscollages. De compositie is ge nspireerd op het gelijknamigegedicht van William Blake (1757-1827). The Vision, het eerste deel en The Creation, het tweede deel van The Book of Urizen zijn beschikbaar onder volgend editienummer: DHP 1043551. The Web, het derdedeel van The Book of Urizen is verkrijgbaar onder editienummer: DHP 1125252. Download audiofragmenten hier: track 4, track 5, track 6
The Book of Urizen ist Jacob de Haan seine erste Symphonie für Blasorchester, Gesang (Sopran) und (männliche) Sprechstimme, in welcher Botschaften durch Geräuschcollagen wiedergegeben werden. Als Inspirationsquelle dienteder gleichnamige Gedichtzyklus des gro�en englischen Dichters und Malers William Blake (1757-1827). The Vision, erster Satz und The Creation, zweiter Satz von The Book of Urizen sind unter der folgendenEditionsnummer erhältlich: DHP 1043551. The Web, der dritte Satz von The Book of Urizen , ist unter der folgenden Editionsnummer erhältlich: DHP 1125252. Laden Sie hier die Audiosamples herunter: track 4, track 5,track 6
En 1794, lâ??écrivain, peintre, graveur, enlumineur, visionnaire et philosophe mystique anglais William Blake (1757-1827) dénonce dans The Book of Urizen (Le Livre dâ??Urizen), la loi de fer du monde moderne. Dans The Book ofUrizen - la première symphonie de Jacob de Haan pour Orchestre dâ??Harmonie, Soprano et un récitant - des collages sonores sont utilisés. The Vision, la première partie et The Creation, la deuxième partie de TheBook of Urizen sont disponibles sous le numéro d'éditionsuivant: DHP 1043551. The Web, la troisième partie de The Book of Urizen est disponible sous le numéro d'édition suivant: DHP 1125252. Télécharger lesextraits audio ici: track 4, track 5, track 6
The Book of Urizen è una composizione per banda, soprano solo e voce recitante maschile che utilizza collage sonori dalla connotazione religiosa. Jacob de Haan ha attinto alla sua immensa ispirazione ne The Book of Urizen, un affascinante poema dello scrittore e filosofo mistico inglese William Blake (1757-1827). Ai due primi movimenti The Vision e The Creation, si aggiunge ora il terzo affresco: The Web. Per questo movimento sono disponibili anche le parti per il coro. Soprano e voce narrante utilizzano un microfono e il coro può, se desiderato, anchâ??esso fare utilizzo di microfoni.Per ulteriori informazioni sulle prime due parti, visitateil sito www.dehaske.com. $62.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Piano Junior: Klavierschule 1 Piano solo - Beginner Schott
Die kreative Klavierschule fur Kinder German. Piano Method. German Edition, C...(+)
Die kreative Klavierschule
fur Kinder German. Piano
Method. German Edition,
Classical. Softcover. 88
pages. Schott Music #ED22761.
Published by Schott Music
$17.99 - See more - Buy online | | |
| Wind-drumming Score Wind Quintet And 4 Percussionists (parts On Hire) Orchestra Wilhelm Hansen
Orchestra SKU: HL.14042598 Composed by Poul Ruders. Music Sales America. ...(+)
Orchestra SKU: HL.14042598 Composed by Poul Ruders. Music Sales America. Classical. Softcover. Composed 2013. Edition Wilhelm Hansen #WH31776. Published by Edition Wilhelm Hansen (HL.14042598). ISBN 9788759827482. Programme Note Poul Ruders WIND-DRUMMING WIND-DRUMMING was written in 1979 on a commission from The Danish Percussion Ensemble. The piece is a clash of two kinds of sound-associations, the mystic, exotic impact of Latin-American drumming, and the more well dressed reputation of Western concert-instruments, in this case a wind-quintet (w. electric flute). The two instrumental camps either melt into one soft humming ritual or are split wide apart, the winds tearing their way through the undergrowth of rainforest-drumming. There is more than one way of getting on to WIND-DRUMMING: obviously it is about the confrontation of two incongruent ways of living, a lament on the damage done tothe tropical rainforests of the world by modern civilisation. One can hear it plainly as a direct rhythm-show, a downright number or a joyous homage to the most exiting kind of folkloristic music at all: the carnal spell of the Brazilian Samba. Poul Ruders. $58.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Double Concerto Violin Wilhelm Hansen
Violin, Piano and String Orchestra SKU: BT.WH31276 For Violin, Piano a...(+)
Violin, Piano and String Orchestra SKU: BT.WH31276 For Violin, Piano and String Orchestra. Composed by Hans Abrahamsen. Classical. Score Only. Composed 2011. 62 pages. Edition Wilhelm Hansen #WH31276. Published by Edition Wilhelm Hansen (BT.WH31276). ISBN 9788759821916. English. Commissioned by The Royal Danish Orchestra and The Swedish Chamber Orchestra. Full Score. Ensemble Violin Solo Piano Solo bring a Marimba mallet for playing inside the Piano String Orchestra (6-6-4-4-2) the number of string players may be doubled, 12-12-8-8-4 if doubling the strings then Desk 1 means Desk 1+2, Desk 2 means 3+4 etc. Performance Notes General: The set-up on stage is important, with two Violin groups on each side on the platform: Vilin 1 lefts and Violin 2 right, as seen from the audience 1st Movement : In bar 1 &, 7 the entire string group should adjust their intonation to the Double Basses and their natural harmonics. In the rest of the movement normalintonation should be used. The slow and rhythmical vibrato pulse should follow the accents 2nd Movement : The 10/5 meter is divided into two beats, and the dotted lines show the position of the second beat in each bar 3rd Movement : no comment 4th Movement : The very high harmonics are intended as mostly a high 'airy' sound. The small gliss/portamenti that will invariably occur in the fast shofts of positions are intended. $70.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| German Requiem Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra [Set of Parts] Carus Verlag
(nach Worten der Heiligen Schrift). Composed by Johannes Brahms (1833-1897). For...(+)
(nach Worten der Heiligen Schrift). Composed by Johannes Brahms (1833-1897). For SB vocal soli, SATB choir, piccolo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, 3 timpani, harp, 2 violin, viola, cello, contrabass, [organ]. German title: Ein deutsches Requiem. Requiem, End of the church year, Mourning, death. Complete orchestral parts. Language: German. Op. 45. Duration 70 minutes. Published by Carus Verlag
$372.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Machet Die Tore Weit Choral 3-part SAB Schott
Choral (SAB Choir) SKU: HL.49045655 Barockemotetten Und Kantaten Zur W...(+)
Choral (SAB Choir) SKU: HL.49045655 Barockemotetten Und Kantaten Zur Weihnachtszeit. Edited by Wilfried Fischer. Edition Schott. Choral Collections, Christmas, Christmas Sacred, Christmas/Advent Sacred, Classical. Softcover. 104 pages. Schott Music #ED22804. Published by Schott Music (HL.49045655). ISBN 9783795712327. 7.5x11.0x0.318 inches. With its three-part settings for mixed choir, the Chor zu dritt series is aimed at the large number of choirs which cannot do fulljustice to the mainly four-part choral literature with its division in high and deep male voices.Complementing Vol. 5, O little Townof Bethlehem, the choir expert Wilfried Fischer continues his successful series with Christmas music in Vol. 6, Machet die Tore weit. Baroque cantata settings and motets for the Christmas season by renowned composers like Bach and Telemann were arranged for three-part choir, some with accompaniment. These arrangements enable choirs with a small number of male voices to sing even large-scale works in Christmas concerts. Content J.S. Bach: Gloria in excelsis Deo J.S. Bach: Vom Himmel hoch, da komm ich her Bach: Freut euch, liebe Christen all G.F. Handel: Halleluja G.P. Telemann; Wie schon leuchtet der Morgenstern G.P. Telemann: Ehre sei Gott in der Hohe D. Buxtehude: In dulci jubilo V. Lubeck: Willkommen, susser Brautigam A. Hammerschmidt: Machet die Tore weit A.M. Brunckhorst: Sollten wir uns heut' nicht freuen A.M. Brunckhorst: Ehre sei Gott in der Hohe W.C. Briegel: Stimmet Hosianna an P.F. Buchner: O, welch ein Jubel H. Schutz: Also hat Gott die Welt geliebt H. Schutz: Dank sagen wir alle Anonymus: Ich will den Namen Gotte loben A. Gumpelzhaimer: Gloria sei dir gesungen G.P. Telemann: Ich will den Herrn loben allezeit. $23.99 - See more - Buy online | | |
| Ein Hauch von Unzeit Cello Breitkopf & Härtel
Cello solo SKU: BR.EB-9074 (Plainte sur la perte de la reflexion music...(+)
Cello solo SKU: BR.EB-9074 (Plainte sur la perte de la reflexion musicale). Composed by Klaus Huber. Edited by Michael Bach. Arranged by Michael Bach. Solo instruments; stapled. Edition Breitkopf. You will need a copy of BG 1002 for each player to perform the version for variable instrumentation (BG 1004). Music post-1945; New music (post-2000). Score. Composed 1972. 12 pages. Duration 20'. Breitkopf and Haertel #EB 9074. Published by Breitkopf and Haertel (BR.EB-9074). ISBN 9790004179499. 9 x 12 inches. World premieres:I version for flute: Wiesbaden, 1972II version for piano: Nyon, 1972III version for var. insts.: Cologne, May 29, 1976VI version for accordeon: Fribourg, June 25, 1987VIII version for violoncello Tokyo: October 14, 1989X version for organ: Stuttgart, March 28, 2018This work (A Breath of the Untimely) was first written for solo Flute and dedicated to Aurele Nicolet. Its bears the subtitle Lament on the Loss of Musical Thought - some Madrigals for Solo Flute or Flute with any other Instruments. This serves as a playing instruction but doubles at the same time as an outmoded programme: it refers back to the musical origin of the opening lamenting motif, a tradition which was once of its time but is not of our time - namely the Lamento genre which gave the title to the Chaconne in Purcell's opera Dido and Aeneas. Almost simultaneously I wrote a second version for Piano (for Piano one-and-a-half hands), which already formulates possible approaches for the performer, in some detail, to the indicated, quasi-canonic version of the piece in the programme. The multiple version Ein Hauch von Unzeit III realizes a concrete version of a formal state which floats between strict canon and aleatoric principles: each of the musicians who are spread throughout the hall introduces their own idiomatic translation of the flute part. And so the music exists, omnipresent, not only spatially throughout the hall, but also formally in a sort of fluctuating simultaneity. For that reason, it was my express wish to any potential interpreter that they should construct entirely their own version of the piece. A healthy number of musicians have responded to my suggestion - versions of the piece have now been made for guitar (Cornelius Schwehr, Gunther Schneider), accordion (Hugo Noth), double bass (Fernando Grillo), violin (Hansheinz Schneeberger), viola, violoncello, and double bass (trio basso, Koln), violoncello (Michael Bach), trombone (Andrew Digby) and, created by myself, a sung version for voice (to words by Georg Wilhelm Friedrich Hegel und Max Bense), and for viola.The most important requirement for the whole piece is absolute stillness, which should as far as possible emanate from the performer. The pauses are occasionally in this respect the most important element. These may, if one can find the necessary stillness, become very long.Ein Hauch von Unzeit (A Breath of the Untimely) - time almost dissolves!(Klaus Huber, 1989/2014 - translation: David Alberman)CD:Jean-Luc Menet (Bass flute)CD Traversieres 120.270Jean-Luc Menet (fl)CD STR 37039Bibliography:Zimmermann, Heidy: Zeitgestaltung im Kompositionsprozess bei Klaus Huber - dargestellt anhand von Skizzen, in: Mnemosyne. Zeit und Gedachtnis in der europaischen Musik des ausgehenden 20. Jahrhunderts, hrsg. von Dorothea Redepenning und Joachim Steinheuer, Saarbrucken: Pfau 2006, S. 90-109
World premiere: VIII version for violoncello Tokyo: October 14, 1989. $30.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Ein Hauch von Unzeit Organ Breitkopf & Härtel
Organ SKU: BR.EB-9300 (Plainte sur la perte de la reflexion musicale)<...(+)
Organ SKU: BR.EB-9300 (Plainte sur la perte de la reflexion musicale). Composed by Klaus Huber. Arranged by A. Digby and M. Sattelberger. Solo instruments; stapled. Edition Breitkopf. World premieres: I version for flute: Wiesbaden, 1972. Music post-1945; New music (post-2000). Score. Composed 1972. 20 pages. Duration 20'. Breitkopf and Haertel #EB 9300. Published by Breitkopf and Haertel (BR.EB-9300). ISBN 9790004187647. 9 x 12 inches. World premieres:I version for flute: Wiesbaden, 1972II version for piano: Nyon, 1972III version for var. insts.: Cologne, May 29, 1976VI version for accordeon: Fribourg, June 25, 1987VIII version for violoncello Tokyo: October 14, 1989X version for organ: Stuttgart, March 28, 2018This work (A Breath of the Untimely) was first written for solo Flute and dedicated to Aurele Nicolet. Its bears the subtitle Lament on the Loss of Musical Thought - some Madrigals for Solo Flute or Flute with any other Instruments. This serves as a playing instruction but doubles at the same time as an outmoded programme: it refers back to the musical origin of the opening lamenting motif, a tradition which was once of its time but is not of our time - namely the Lamento genre which gave the title to the Chaconne in Purcell's opera Dido and Aeneas. Almost simultaneously I wrote a second version for Piano (for Piano one-and-a-half hands), which already formulates possible approaches for the performer, in some detail, to the indicated, quasi-canonic version of the piece in the programme. The multiple version Ein Hauch von Unzeit III realizes a concrete version of a formal state which floats between strict canon and aleatoric principles: each of the musicians who are spread throughout the hall introduces their own idiomatic translation of the flute part. And so the music exists, omnipresent, not only spatially throughout the hall, but also formally in a sort of fluctuating simultaneity. For that reason, it was my express wish to any potential interpreter that they should construct entirely their own version of the piece. A healthy number of musicians have responded to my suggestion - versions of the piece have now been made for guitar (Cornelius Schwehr, Gunther Schneider), accordion (Hugo Noth), double bass (Fernando Grillo), violin (Hansheinz Schneeberger), viola, violoncello, and double bass (trio basso, Koln), violoncello (Michael Bach), trombone (Andrew Digby) and, created by myself, a sung version for voice (to words by Georg Wilhelm Friedrich Hegel und Max Bense), and for viola.The most important requirement for the whole piece is absolute stillness, which should as far as possible emanate from the performer. The pauses are occasionally in this respect the most important element. These may, if one can find the necessary stillness, become very long.Ein Hauch von Unzeit (A Breath of the Untimely) - time almost dissolves!(Klaus Huber, 1989/2014 - translation: David Alberman)CD:Jean-Luc Menet (Bass flute)CD Traversieres 120.270Jean-Luc Menet (fl)CD STR 37039Bibliography:Zimmermann, Heidy: Zeitgestaltung im Kompositionsprozess bei Klaus Huber - dargestellt anhand von Skizzen, in: Mnemosyne. Zeit und Gedachtnis in der europaischen Musik des ausgehenden 20. Jahrhunderts, hrsg. von Dorothea Redepenning und Joachim Steinheuer, Saarbrucken: Pfau 2006, S. 90-109
World premiere: Stuttgart, Hospitalkirche, March 28, 2018. $39.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
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