SKU: HL.1311464

UPC: 196288177388. 6.75x10.5x0.036 inches.

According to world-renowned composer and arranger Cedric Dent, his version of “Mary Had a Little Lamb” was originally conceived as a piece for a vocal quartet where vocal jazz meets the traditional choral style (think of the Manhattan Transfer singing an anthem in the traditional choral style). It has since been performed primarily by traditional choral ensembles. The title of the piece, from a familiar nursery rhyme song, ties in with the message of the Advent season: a celebration of the birth of the Messiah - the Lamb of God! Cedric Dent's choral writing is truly impressive, and your choirs will enjoy learning and performing this incredible work.

SKU: HL.1428118

UPC: 196288202240.

“My Lord! What a Morning” follows the tradition of spirituals by opening with a soulful chorus expressing deep sentiment. The verse that ensues not only introduces musical diversity but also serves as the narrative foundation, providing context for the emotional chorus that follows. This structure creates a compelling ABA format: while the A section vividly describes the falling stars, the B section poignantly alludes to the impending second coming of the Son of God as the catalyst behind this celestial event. This piece captures the stark contrast of the B section through staggered vocal entrances, a brisker tempo, and a crescendo culminating in a hauntingly profound chord on the word “underground” in bar 22. This is predominantly an SAB arrangement, occasionally diverging with nuanced vocal splits in the lowest voice part. The juxtaposition of these elements ensures an evocative and captivating performance, painting a vivid musical picture of this spiritual masterpiece.

SKU: HL.1312586

UPC: 196288177586. 6.75x10.5x0.019 inches.

World-class arranger and composer Evelyn Simpson-Curenton brings her broad musical gifts to this exciting, beyond-creative arrangement of the traditional carol Adeste Fideles (O Come All Ye Faithful). This arrangement for choir, organ, and optional congregation will raise the roof in any Holiday celebration that involves singing. It's impressive, especially with the optional parts for orchestra and brass!

SKU: HL.1197756

UPC: 196288134862. 6.75x10.5x0.045 inches.

This expressive work for SATB divisi choir gives smooth lines to the traditional Latin text, taking singers on a journey rich with contrasts of color and expansive chordal harmonies, and at last reaching a sublime statement of release and quiet resolve.

SKU: HL.1197753

UPC: 196288134831. 6.75x10.5x0.029 inches.

“Death, thou art welcome to my arms attended by a thousand charms...” a text that dates back as far as 1818 speaks to the human desire for a peaceful end to life. This new setting by Richard Burchard provides your tenor-bass choir with an exciting and contemporary approach to this rich traditional hymn melody. In typical Burchard fashion, he has beautifully crafted phrases that combine the hymn text, touches of Latin, and a folk-style solo designed to draw attention to the rhythm, melody, and message of the hymn. Looking for that perfect piece with a special soulful appeal? Look no further; accompanied by cello and percussion, here's the ideal candidate, sure to become a choir and audience favorite.

SKU: HL.1312587

UPC: 196288177593. 6.75x10.75x0.019 inches.

Evelyn Simpson-Curenton's accessible setting of “Silent Night” showcases the reflective and serene nature of this traditional Christmas carol, while adding some harmonic “flavor” characteristic of her compositional style. Building from a simple opening, she masterfully combines usison writing and intuitive harmonies with sustained accompaniment to design a delightfully rich setting. Available for orchestra and organ or keyboard, this is a holiday setting you will want to program year after year.