SKU: HL.14001122
ISBN 9788759855669. Danish.
ACTIONS, INTERPOLATIONS AND ANALYSES, symphonies for bass-clarinet and large ensemble (1987-90), is what is commonly termed a work in progress. So far Schaathun has completed three of five parts. The is the composer's first large-scale attempt to investigate possible connections between ostensibly unrelated material. Explained in simple terms, it involves taking two of Schaathun's own type of texture (composed by means of different techniques) and letting them rotate around a familiar musical object (in this case a short excerpt from Stravinskij's Symphonies of Wind instruments in which he employs the famous frozen chords). In the course of the piece the elements takes over various characteristics from one another and the form progresses from fairly clear-cut textures to a situation where the various textures are superimposed, creating a dramatic flow. On a more advanced level, the piece is about trying to mediate between different musical textures as metaphors for the different levels of the sound itself. One of the main questions in this context is; What is size in music? Is it possible to take a small chord(i.e. narrow register, few instruments, simple tone colours) and then blow it up (wide register, many instruments, advanced mixtures) in such a way that the listener still perceives it as the same chord? You have simply moved closer to the sound. At any rate, when Schaathun composed the piece, he himself travellig into the sound, as if were viewing a texture from a distance. He then recomposed the same situation and drew closer, and then recompose it a third time and simply get close enough to discover the world of sounds that thus emerged. A world of sounds capable of travelling at a tremendous speed... However, like all concertos, the piece is of course about the individual and his relationship to his surroundings (society). Schaathun has often pondered on the reason for this preoccupation wih solo concertos. The answer derives from his firm conviction that nothing would ever happen if it weren't for the initiative, the Action, of the individual.
SKU: PR.141401040
ISBN 9781491136379. UPC: 680160688913. English. Comments by guests of Soup Kitchen.
This theatrical miniature has carved a unique place in music literature, thanks to many warm hearts and minds. In 2005 the distinguished violinist Kelly Hall-Tompkins started a project called Music Kitchen where the homeless and needy, after a meal provided by a soup kitchen, were treated to a concert performed by some of the best musicians in New York. After these concerts, Hall-Tompkins asked the listeners for comments. This became inspiration for Zwilichâ??s MUSIC KITCHEN INTERPLAY, which includes vocal settings of listenersâ?? comments in musical counterpoint with reworked fragments of her Fantasy for Solo Violin.In 2005 the wonderful violinist, Kelly Hall-Tompkins, started a project called Music Kitchen where needy (often homeless) people, after a meal provided by a Soup Kitchen, were treated to a concert performed by some of the best musicians in New York. After the concerts, Kelly asked the listeners if they had any comments, and she saved these.To celebrate of 10 years of the project, in 2015 Kelly asked a number of composers to write a composition for Music Kitchen. I loved the idea, and I was particularly inspired by the comments that the listeners had made.The premiere of Music Kitchen Interplay featured Kellyâ??s performance, based on my Fantasy for Solo Violin, with audience comments (like â??never been so close to a violinâ?) given voice by the outstanding Bass, Mark Risinger. The music is meant to celebrate the receptiveness and understanding of our fellow humans who, like me, need music to enrich our lives.
SKU: AP.29727
UPC: 038081320731. English.
Performers and audiences alike will enjoy the varied colors and counterpoint in this energetic work. Interplay, as the name implies, features the interaction of various melodic and rhythmic elements arranged above a cello and bass ostinato. Tonalities shift from major to minor adding to the challenge and excitement! (3:30).
SKU: CF.YPS150
ISBN 9781491140505. UPC: 680160628568. 9 x 12 inches. Key: Eb major.
As the title implies, this dynamic new piece from Bill Calhoun is full of interplay between sections of the band, colors of sound, harmonic progressions and even contrasting styles. This piece has a little bit of everything: a fanfare opening, a bold brass melody, lush woodwinds and so much more. You will love the slow, beautiful middle section that will stretch the musicianship of your young band. This piece will be the highlight of your next concert or festival performance.
SKU: AP.29727S
UPC: 038081320748. English.
SKU: CF.YAS19
ISBN 9780825854859. UPC: 798408054854. 8.5 X 11 inches. Key: D major.
Summer Dance is a melodic, up-tempo piece with plenty of musical and technical challenges for every player. Musicians should strive to play it with an energetic yet legato feel. A spirited introduction features an opening melody in the violins and active repeated-note pedal patters in the violas and low strings. An AABA form begins at m.5 and the orchestration is immediately pared down to feature violin I and cello. It then builds again in density to the B section, where a quick dynamic drop allows a question-and-answer melody between the two parts to sing out. In m. 29, the melody is harmonized and a countermelody in violin I introduced. The violins take the melody soaring in octaves in m. 33, as the piece again builds to the B section and suddenly quiets. Measure 55 then provides more question-and-answer interplay, this time for viola and cello, while violin continues with its newly harmonized melody. Summer Dance finishes with a soft recurrence of the opening figure and a build toward a powerful divisi voicing on beat 3 of m. 63, right before the final chord.Summer Dance is a melodic, up-tempo piece with plenty of musical and technical challenges for every player. Musicians should strive to play it with an energetic yetA legato feel. A spirited introduction features an opening melody in the violins and active repeated-note pedal patters in the violas and low strings. An AABA form begins at m.5 and the orchestration is immediately pared down to feature violin I and cello. It then builds again in density to the B section, where a quick dynamic drop allows a question-and-answer melody between the two parts to sing out. In m. 29, the melody is harmonized and a countermelody in violin I introduced. The violins take the melody soaring in octaves in m. 33, as the piece again builds to the B section and suddenly quiets. Measure 55 then provides more question-and-answer interplay, this time for viola and cello, while violin continues with its newly harmonized melody. Summer Dance finishes with a soft recurrence of the opening figure and a build toward a powerfulA divisi voicing on beat 3 of m. 63, right before the final chord.Summer Dance is a melodic, up-tempo piece with plenty of musical and technical challenges for every player. Musicians should strive to play it with an energetic yet legato feel. A spirited introduction features an opening melody in the violins and active repeated-note pedal patters in the violas and low strings. An AABA form begins at m.5 and the orchestration is immediately pared down to feature violin I and cello. It then builds again in density to the B section, where a quick dynamic drop allows a question-and-answer melody between the two parts to sing out. In m. 29, the melody is harmonized and a countermelody in violin I introduced. The violins take the melody soaring in octaves in m. 33, as the piece again builds to the B section and suddenly quiets. Measure 55 then provides more question-and-answer interplay, this time for viola and cello, while violin continues with its newly harmonized melody. Summer Dance finishes with a soft recurrence of the opening figure and a build toward a powerful divisi voicing on beat 3 of m. 63, right before the final chord.Summer Dance is a melodic, up-tempo piece with plenty of musical and technical challenges for every player. Musicians should strive to play it with an energetic yet legato feel.A spirited introduction features an opening melody in the violins and active repeated-note pedal patters in the violas and low strings. An AABA form begins at m.5 and the orchestration is immediately pared down to feature violin I and cello. It then builds again in density to the B section, where a quick dynamic drop allows a question-and-answer melody between the two parts to sing out.In m. 29, the melody is harmonized and a countermelody in violin I introduced. The violins take the melody soaring in octaves in m. 33, as the piece again builds to the B section and suddenly quiets. Measure 55 then provides more question-and-answer interplay, this time for viola and cello, while violin continues with its newly harmonized melody. Summer Dance finishes with a soft recurrence of the opening figure and a build toward a powerful divisi voicing on beat 3 of m. 63, right before the final chord.
About Carl Fischer Young String Orchestra Series
This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:--Occasionally extending to third position--Keys carefully considered for appropriate difficulty--Addition of separate 2nd violin and viola parts--Viola T.C. part included--Increase in independence of parts over beginning levels
SKU: CF.C1233
ISBN 9781491162316. UPC: 680160921065.
First written for string orchestra and later arranged for concert band, Water Reflections by Yukikko Nishimura has now been beautifully scored for full orchestra. In this setting, the gorgeous melodies are expanded with new harmonic depth and rich textures. Lush interplay between winds and strings is enhanced with stately percussion, timpani, and optional harp. The gentle opening melody leads to a faster, joyful middle section that eventually returns to the original lyrical theme.First written for string orchestra and later arranged for concert band, Water Reflections by Yukiko Nishimura has now been beautifully scored for full orchestra. In this setting, the gorgeous melodies are expanded with new harmonic depth and rich textures. Lush interplay between winds and strings is enhanced with stately percussion, timpani, and optional harp. The gentle opening melody leads to a faster, joyful middle section that eventually returns to the original lyrical theme.First written for string orchestra, Water Reflections by Yukiko Nishimura has now been beautifully scored for full orchestra. In this setting, the gorgeous melodies are expanded with new harmonic depth and rich textures. Lush interplay between winds and strings is enhanced with stately percussion, timpani, and optional harp. The gentle opening melody leads to a faster, joyful middle section that eventually returns to the original lyrical theme.
SKU: PR.14440385S
UPC: 680160029907.
A shorter and less stringent work than my two previous quartets (1992 and 1994), the Fourth Quartet is comprised, almost obsessively, of the interplay between two thematic kernels: (1) a 5-note motto, announced at the outset, derived from pitches in my own name; and (2) a brief legato line of expressive sevenths (minor/major), which is itself born out of the first cell. Both of these fragments constantly pervade the entire work, albeit in ever-changing raiment. The piece is extremely classical in design: four movements played without interruption - slow/fast/slow/fast - with the first and third sections alternating declamatory and calmer gestures, and the second and fourth being, in effect, almost variants of each other. Quartet No. 4 is approximately 20 minutes in duration and each movement, as noted, was written in memory of dear friends who passed away during late 1995 and early 1996. The work was completed in April of 1996 in Ormond, Florida and Fairport, New York. --Sydney Hodkinson.A shorter and less stringent work than my two previous quartets (1992 and 1994), the Fourth Quartet is comprised, almost obsessively, of the interplay between two thematic kernels: (1) a 5-note motto, announced at the outset, derived from pitches in my own name; and (2) a brief legato line of expressive sevenths (minor/major), which is itself born out of the first cell. Both of these fragments constantly pervade the entire work, albeit in ever-changing raiment.The piece is extremely classical in design: four movements played without interruption – slow/fast/slow/fast – with the first and third sections alternating declamatory and calmer gestures, and the second and fourth being, in effect, almost variants of each other.Quartet No. 4 is approximately 20 minutes in duration and each movement, as noted, was written in memory of dear friends who passed away during late 1995 and early 1996. The work was completed in April of 1996 in Ormond, Florida and Fairport, New York.—Sydney Hodkinson.
SKU: CF.C1233F
ISBN 9781491162323. UPC: 680160921072.
First written for string orchestra and later arranged for concert band, Water Reflections by Yukikko Nishimura has now been beautifully scored for full orchestra. In this setting, the gorgeous melodies are expanded with new harmonic depth and rich textures. Lush interplay between winds and strings is enhanced with stately percussion, timpani, and optional harp. The gentle opening melody leads to a faster, joyful middle section that eventually returns to the original lyrical theme.First written for string orchestra, Water Reflections by Yukiko Nishimura has now been beautifully scored for full orchestra. In this setting, the gorgeous melodies are expanded with new harmonic depth and rich textures. Lush interplay between winds and strings is enhanced with stately percussion, timpani, and optional harp. The gentle opening melody leads to a faster, joyful middle section that eventually returns to the original lyrical theme.
SKU: AP.47137
UPC: 038081539089. English.
Check out this cool retro-pop tune from the rock band Portugal. The Man that instantly snags the listener with its catchy hook: Oo, I'm a rebel just for kicks now! Listen closely for clever interpolations of the '60s hit Please Mister Postman. This Hot 100 charter achieved #1 status on Billboard magazine's US Alternative Songs and went on to win a 2018 GRAMMY for Best Pop Duo/Group Performance. A bona fide crowd-pleaser!
About Alfred Pop Choral Series
The Alfred Pop Series features outstanding arrangements of songs from the popular music genre. These publications provide exciting, contemporary, and educationally-sound arrangements for singers of all ages, from elementary through high school, to college and adult choirs.
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