SKU: OU.9780193413474
ISBN 9780193413474. 10 x 7 inches.
For SATB with divisions, unaccompanied This setting of texts from Cymbeline and The Merchant of Venice, and Sonnet 98, is characterised by inventive textures and vibrant word-setting. The harmonic language is mostly diatonic but never plain, and there are pungent dissonances in the music of evocative power.
About Oxford New Horizons
New Horizons showcases the wealth of exciting, innovative, and occasionally challenging choral music being written today. It encompasses the whole gamut of small-scale choral genres, both secular and sacred, and includes pieces for upper-voice and mixed choirs. With titles by some of the most accomplished choral composers active in Great Britain and abroad, the series introduces new repertoire and fresh talent to a broad spectrum of choirs. New Horizons features composers with growing reputations for quality composition reflecting a strong individual voice. The series is continually expanding and should be the first place to look for attractive and performable contemporary choral music.
SKU: OU.9780193414716
ISBN 9780193414716. 10 x 7 inches.
For SATTBB unaccompanied 'La-bas, dans cette plaine' is a gentle, lilting a cappella arrangement of one of the famous folksongs from the Haute-Auvergne region of France.
SKU: HL.48181756
UPC: 888680862930. 0.059 inches.
?Song to Ladylove? is the second volume of the Don Quixote songs, a set of four songs by Jacques Ibert. Written for Voice and Piano, on a poem by Alexandra Arnoux, it features two verses and a chorus. The lyrics, in French, are about love, and the chorus explains that a day is like a year when you can?t see your lover. The song could be played and sung by intermediate musician. The full series features: 1. Chanson du depart de Don Quichotte / Song for Don Quixotte?s departure 2. Chanson a Dulcinee / Song to Ladylove 3. Chanson du Duc / Duke?s song 4. Chanson de la mort de Don Quixotte / Song for Don Quixotte?s death Jacques Ibert (1890-1962) also composed many symphonic suites, operas and seven orchestras, including 'Angelique' (1926) and 'Divertissement' (1930). He also was in charge of the Accademie de France in the Villa Medicis (Roma) and was later administrator for the Paris Opera..
SKU: ST.PE27
ISBN 9790220222009.
A collection of five cantatas and three vocal duets, plus In a deep vision's intellectual scene ('The Complaint') for two sopranos, bass and continuo, these nine symphony songs are similar in style and structure to their sacred counterparts, the symphony anthems, and include works to texts by Charles Howe, Abraham Cowley and Anon. CONTENTS A Serenading Song (Soft notes, and gently rais'd) - SB solos, 2 treble recorders, instrumental bass and continuo Hark, Damon, hark! - SB solos, 2 violins, 2 treble recorders, instrumental bass and continuo Hark how the wild musicians sing - TTB solos, 2 violins, instrumental bass and continuo How pleasant is this flow'ry plain - ST solos, 2 treble recorders, instrumental bass and continuo If ever I more riches did desire - SSTB solos, 2 violins, instrumental bass and continuo In a deep vision's intellectual scene (The Complaint) - SSB solos, instrumental bass and continuo Oh! what a scene does entertain my sight! - SB solos, violin, instrumental bass and continuo See where she sits (Weeping) - SB solos, 2 violins, instrumental bass and continuo Soft Notes, and gently rais'd (A Serenading Song) - SB solos, 2 treble recorders instrumental bass and continuo The Complaint (In a deep vision's intellectual scene) - SSB solos, instrumental bass and continuo Weeping (See where she sits) - SB solos, 2 violins, instrumental bass and continuo We reap all the pleasures (incomplete) - STB solos, 2 treble recorders, instrumental bass and continuo.
SKU: BT.DHP-1043621-010
Farewell Song has been taken from Der Trompetervon Säckingen by Victor E. Nessler (1841-1890). Thisopera tells the sentimental story of a plain musicianwho is eventually allowed to marry the daughter ofa baron. From the first performance in 1884, thisopera was well liked - not so much because of thestory but because of its musical features. Impressivetrumpet solos, drinking songs and dance scenes werethe ingredients that enthralled audiences throughoutEurope. Today, only the farewell song called JungWerner’s Abschied, also known as Behüt’ dich Gott,has remained an absolute winner. Wil van der Beekhas written a fine arrangement of this entitledFarewell Song. He felt itwas appropriate to entrustthe melody of this song, originally written for tenorvoice, to the baritone or euphonium. Farewell Song stammt aus der einst berühmten Oper Der Trompeter von Säckingen von Victor E. Nessler (1841-1890). Sie erzählt die Geschichte eines einfachen Musikanten, der nach vielen Prüfungen schließlich doch die Tochter eines Barons heiraten darf. Wil van der Beek legt hier eine gelungene Bearbeitung des heute noch sehr populären Abschiedsliedes Jung Werners Abschied, auch bekannt unter dem Titel Behüt' dich Gott, vor. Die sehnsuchtsvolle Melodie - ursprünglich für einen Tenor geschrieben - wird vom sonoren Klang des Euphoniums eindrucksvoll wiedergegeben.
SKU: BT.DHP-1043621-020
SKU: BT.DHP-1043621-140
SKU: CF.CM9635
ISBN 9781491157077. UPC: 680160915637. 6.875 x 10.5 inches. Key: E major. English, English. Abram Joseph Ryan (1838-1886).
Victor Johnson captures the mystery and nuance of the bittersweet poem, Wake Me a Song, by American poet, Abram Joseph Ryan. Nuance, text, and Johnson's rich harmonies paired with intertwining textures make this a noteworthy addition to any program. Also available for SATB Voices (CM9561).About the Author Abram Joseph Ryan was born Matthew Abraham Ryan on February 5, 1838 in Hagerstown, Maryland. As a young man, Ryan and his family moved west St. Louis, Missouri, where he was educated at the Christian Brothers School. He studied for the priesthood at Niagra University in New York State and was ordained a priest in the Vincentian order on November 1, 1856. He taught theology, first at Niagra university and then at the diocesan seminary in Cape Girardeau, Missouri, until the beginning of the war between the states. Father Ryan enlisted in the army on September 1, 1862, and served as a chaplain throughout the conflict, carrying the wounded to safety and performing last rites on the battlefield. His first piece of poetry was inspired by the death of a younger brother while serving in the army. After the war, he established a weekly literary magazine in which most of his poetry was published. He also put out several volumes of poetry, including Father Ryan's Poems and A Crown for Our Queen. Father Ryan died on April 22, 1886 at a Franciscan monastery in Louisville, Kentucky. About the Song Wake Me A Song is an inspired and sensitive setting of the 19th-century poem by Abram Joseph Ryan. It features sweeping melodic lines, rich harmonies, and a flowingly beautiful accompaniment. To master a performance of this selection, singers must perform very expressively, paying close attention to such musical aspects as phrase shaping, the rise and fall of the melodic line, blending and proper intonation between sections. One strategy that could be used to ensure proper phrasing is the idea of Painting the Phrase. The singer should make a motion as if they have a paintbrush in their hand and paint the melodic line and phrase shape as if they are painting with a nice, flowing brush stroke. One could think about painting a rainbow or an arch to show the rise and fall of the line and/or phrase. The director can also show this gesture while conducting to reinforce this concept.About the AuthorAbram Joseph Ryan was born Matthew Abraham Ryan on February 5, 1838 in Hagerstown, Maryland. As a young man, Ryan and his family moved west St. Louis, Missouri, where he was educated at the Christian Brothers School. He studied for the priesthood at Niagra University in New York State and was ordained a priest in the Vincentian order on November 1, 1856. He taught theology, first at Niagra university and then at the diocesan seminary in Cape Girardeau, Missouri, until the beginning of the war between the states.Father Ryan enlisted in the army on September 1, 1862, and served as a chaplain throughout the conflict, carrying the wounded to safety and performing last rites on the battlefield. His first piece of poetry was inspired by the death of a younger brother while serving in the army. After the war, he established a weekly literary magazine in which most of his poetry was published. He also put out several volumes of poetry, including Father Ryan's Poems and A Crown for Our Queen. Father Ryan died on April 22, 1886 at a Franciscan monastery in Louisville, Kentucky.About the SongWake Me A Song is an inspired and sensitive setting of the 19th-century poem by Abram Joseph Ryan. It features sweeping melodic lines, rich harmonies, and a flowingly beautiful accompaniment.To master a performance of this selection, singers must perform very expressively, paying close attention to such musical aspects as phrase shaping, the rise and fall of the melodic line, blending and proper intonation between sections.One strategy that could be used to ensure proper phrasing is the idea of “Painting the Phrase.†The singer should make a motion as if they have a paintbrush in their hand and “paint†the melodic line and phrase shape as if they are painting with a nice, flowing brush stroke. One could think about painting a rainbow or an arch to show the rise and fall of the line and/or phrase. The director can also show this gesture while conducting to reinforce this concept.
SKU: MB.31120M
ISBN 9781513477497. 8.75X11.75 inches.
John Dowland (1563 â?? 1626), a contemporary of both William Shakespeare and Queen Elizabeth I, was recognized as one of the greatest musicians of his time, writing songs, ensemble music and solos for the lute.
Early music has long been part of the classic guitar repertoire and more recently, it has been adopted with enthusiasm by ukulele players. This book presents sixteen of Dowland's most beautiful lute songs that can be performed by ukulele players, with or without a vocalist.
Two versions of each song â?? one easier and another more advancedâ??are offered in both standard notation and tablature for soprano, concert, and tenor ukuleles in re-entrant (gCEA) tuning. Various vocal ensemble renditions of the songs, as well as the authorâ??s video performances of each solo arrangement are available online. For vocalists and their audiences, and for all musicians and songwriters to fully connect with the emotion of the songs, Dowlandâ??s sublime lyrics are also included.
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