SKU: CA.3105814
ISBN 9790007043261. Key: C major. Language: German/English.
The cantata O God, what glut of care and pain BWV 58, which Bach subtitled Dialogus and wrote for the Sunday after New Year, limits itself accordingly to the dialog couple consisting of soprano and bass; further soloists or a choir are not required. In the framing movements, the dialog takes on the form of a chorale arrangement: the soprano presents a cantus firmus whose words are consolingly commented on by the bass. Both the expansive chorale arrangements leave room for an aria which is framed by two recitatives. The cantata was composed for the Sunday after New Year 1727, but the received form is from a subsequent performance that took place six or seven years later. For this performance, Bach not only expanded the instrumentation but also replaced an entire aria. Later, he assigned the cantata to his annual cycle of chorale cantatas, probably due to its high proportion of chorales; this Sunday was missing in that annual cycle as there was no Sunday between New Year and Epiphany in 1725. Score and part available separately - see item CA.3105800.
SKU: CA.3105849
ISBN 9790007206611. Key: C major. Language: German/English.
SKU: CA.3105812
ISBN 9790007043247. Key: C major. Language: German/English.
SKU: CA.3105807
ISBN 9790007043216. Key: C major. Language: German/English.
The cantata O God, what glut of care and pain BWV 58, which Bach subtitled Dialogus and wrote for the Sunday after New Year, limits itself accordingly to the dialog couple consisting of soprano and bass; further soloists or a choir are not required. In the framing movements, the dialog takes on the form of a chorale arrangement: the soprano presents a cantus firmus whose words are consolingly commented on by the bass. Both the expansive chorale arrangements leave room for an aria which is framed by two recitatives. The cantata was composed for the Sunday after New Year 1727, but the received form is from a subsequent performance that took place six or seven years later. For this performance, Bach not only expanded the instrumentation but also replaced an entire aria. Later, he assigned the cantata to his annual cycle of chorale cantatas, probably due to its high proportion of chorales; this Sunday was missing in that annual cycle as there was no Sunday between New Year and Epiphany in 1725. Score available separately - see item CA.3105800.
SKU: CA.3105809
ISBN 9790007043223. Key: C major. Language: German/English.
The cantata O God, what glut of care and pain BWV 58, which Bach subtitled Dialogus and wrote for the Sunday after New Year, limits itself accordingly to the dialog couple consisting of soprano and bass; further soloists or a choir are not required. In the framing movements, the dialog takes on the form of a chorale arrangement: the soprano presents a cantus firmus whose words are consolingly commented on by the bass. Both the expansive chorale arrangements leave room for an aria which is framed by two recitatives. The cantata was composed for the Sunday after New Year 1727, but the received form is from a subsequent performance that took place six or seven years later. For this performance, Bach not only expanded the instrumentation but also replaced an entire aria. Later, he assigned the cantata to his annual cycle of chorale cantatas, probably due to its high proportion of chorales; this Sunday was missing in that annual cycle as there was no Sunday between New Year and Epiphany in 1725. Score and parts available separately - see item CA.3105800.
SKU: HL.347024
UPC: 840126926521. 6.75x10.5x0.019 inches.
Nick Strimple has composed a set of three easy anthems, and lacking in difficulty is absolutely true. But elegant and distinguished also describes these settings of familiar texts. The words by 19th century English poet John Bowring is the least known text, but it is timeless and speaks of God's enduring love. The organ accompaniment contains scrumptious suspensions and resolutions for an anthem that works equally well as a choral piece, a solo, or for unison choir.
SKU: CA.3105813
ISBN 9790007043254. Key: C major. Language: German/English.
SKU: BA.BA07417
ISBN 9790006561469. 27 x 19 cm inches. Text Language: Swedish, English. Preface: Jansson, MÃ¥rten.
“I asked my friend, the poet Einar Askestad, if he could write a poem for me about love between father and son, brothers and God.I felt that these forms of love are seldom sung about. The poem moved me greatly and I have tried to put music to these words which is simple yet full of beauty. In the four movements of this suite-like piece, various aspects of these relationships are conveyed.†(Marten Jansson)“My music is my own and I have never tried to be original. That has always been my motto and I have only tried to use music to express all the feelings which life has to offer. This has led people to describe my music as ‘so sad that it sounds like birds who have lost their wings‘ but also as ‘the happiest classical music that we have ever heard’.My compositions are almost all sacred. They express not only my own faith but also my appreciation and respect for the timeless texts that have been used for centuries and centuries.â€MÃ¥rten Jansson (b. 1965), elected member of the Föreningen svenska tonsättare (the Society of Swedish Composers), graduated from the Royal College of Music, Stockholm (KHM) with an MFA degree in Music Education, Dalcroze Eurhythmics and Voice. For more than ten years he was the music director and conductor of “Carmenâ€, one of the most prominent womens’ vocal ensembles in Sweden. He currently teaches choral conducting and music theory as well as giving vocal tuition at the Bolandgymnasiet and Musikskolan in his home town of Uppsala.
SKU: LO.10-5528S
ISBN 9780787771676.
Verses from Psalm 104 form the text of this celebratory anthem by Eugene Butler. It celebrates the greatness of God as manifested throughout the majesty and splendor of creation.
SKU: LO.10-5198S
ISBN 9780787763633.
Eugene Butler has crafted a striking setting of text from Psalm 36, celebrating the love of God that reaches to the heavens. Beginning grandly and joyfully, the music moves through several contrasting moods to reach a glorious climax before ending with a brief, prayerful coda.
SKU: BT.DHP-1043752-140
English-German-French-Dutch.
Composer Modest Moussorgsky (1839-1881) came from the prosperous environment of Russian nobility. In 1865, after his officer’s education, he joined the guard’s regiment in St. Petersburg. Here he met a number of well-known colleague-composers, including Balakirev, Cui, Rimsky- Korsakov and Borodin. They strived to develop a “classical style†of composing while at the same time retaining a strong Russian influence. His opera Boris Godunov tells the tale of Boris, who with the support of the people, declared himself Tsar, but totally fell short of the role. The opera became popular in the re-orchestrated version produced by Rimsky-Korsakov in 1896. Tohru Takahashi has usedthe beautiful musical themes of this opera in Selections from Boris Godunov - a captivating work for concert band. Moussorgsky’s opera Boris Godunov - gebaseerd op het gelijknamige drama van Aleksandr Pushkin (waarin Boris Godunov zichzelf met steun van het volk uitroept tot tsaar, maar in deze rol compleet tekortschiet) - werd populairin de bewerking die Rimsky-Korsakov in 1896 maakte. De oorspronkelijke partituur van Moussorgsky staat echter vol originele vondsten en vooruitstrevende harmonische, melodische en instrumentale details. Tohru Takahashi gebruiktede prachtige muzikale thematiek van deze opera in Selections from Boris Godunov - een boeiend werk voor harmonieorkest.Sein Meisterwerk, die Oper Boris Godunow, schrieb Mussorgski auf der Grundlage des gleichnamigen Dramas von Alexander Puschkin. In diesem Stück erklärt sich Boris Godunow mit Unterstützung des Volkes selbst zum Zaren, versagt aber kläglich in dieser Rolle. Das Werk ist voll von einzigartigen Ideen und damals sehr innovativen harmonischen, melodischen und instrumentalen Details. Tohru Takahashi verwendete in Selections from Boris Godunov die wunderschönen musikalischen Themen der Oper - ein bezauberndes Werk für Blasorchester.Compositeur essentiellement autodidacte, Modest Moussorgski (1839-1881) descend d’une famille aisée de la noblesse russe. Son chef-d’oeuvre lyrique Boris Godounov est basé sur la tragédie d’Alexandre Pouchkine, dans laquelle Boris Godounov, tsar autoproclamé et soutenu par le peuple faillit son rôle. En 1896, l’opéra connaît le succès dans une version retouchée par Rimski-Korsakov. La version originale de Moussorgski contient cependant des idées uniques, des détails harmoniques, mélodiques et instrumentaux innovateurs. Pour réaliser cette pièce captivante pour Orchestre d’Harmonie, Tohru Takahashi a rassemblé les superbes thèmes musicaux de l’opéra.Compositore essenzialmente autodidatta, Modest Mussorgski (1839-1881) discende da una famiglia agiata della nobilt russa. Il suo capolavoro lirico, Boris Godunov, si basa sulla tragedia di Alexander Puschkin, nella quale Boris Godunov, proclamatosi zar e sostenuto dal popolo, fallisce nel suo ruolo. Nel 1896, l’opera conosce il successo in una versione ritoccata da Rimski Korsakov. La versione originale di Mussorgski contiene idee uniche, dettagli armonici, melodici e strumenti innovativi. Per trascrivere questo brano per banda, Tohru Takahashi ha raccolto i superlativi temi musicali dell’opera.
SKU: BT.DHP-1043752-040
SKU: BT.DHP-1043752-010
Composer Modest Moussorgsky (1839-1881) came from the prosperous environment of Russian nobility. In 1865, after his officer’s education, he joined the guard’s regiment in St. Petersburg. Here he met a number of well-known colleague-composers, including Balakirev, Cui, Rimsky- Korsakov and Borodin. They strived to develop a “classical style†of composing while at the same time retaining a strong Russian influence. His opera Boris Godunov tells the tale of Boris, who with the support of the people, declared himself Tsar, but totally fell short of the role. The opera became popular in the re-orchestrated version produced by Rimsky-Korsakov in 1896. Tohru Takahashi has usedthe beautiful musical themes of this opera in Selections from Boris Godunov - a captivating work for concert band. Moussorgsky’s opera Boris Godunov - gebaseerd op het gelijknamige drama van Aleksandr Pushkin (waarin Boris Godunov zichzelf met steun van het volk uitroept tot tsaar, maar in deze rol compleet tekortschiet) - werd populairin de bewerking die Rimsky-Korsakov in 1896 maakte. De oorspronkelijke partituur van Moussorgsky staat echter vol originele vondsten en vooruitstrevende harmonische, melodische en instrumentale details. Tohru Takahashi gebruiktede prachtige muzikale thematiek van deze opera in Selections from Boris Godunov - een boeiend werk voor harmonieorkest.Sein Meisterwerk, die Oper Boris Godunow, schrieb Mussorgski auf der Grundlage des gleichnamigen Dramas von Alexander Puschkin. In diesem Stück erklärt sich Boris Godunow mit Unterstützung des Volkes selbst zum Zaren, versagt aber kläglich in dieser Rolle. Das Werk ist voll von einzigartigen Ideen und damals sehr innovativen harmonischen, melodischen und instrumentalen Details. Tohru Takahashi verwendete in Selections from Boris Godunov die wunderschönen musikalischen Themen der Oper - ein bezauberndes Werk für Blasorchester.Compositeur essentiellement autodidacte, Modest Moussorgski (1839-1881) descend d’une famille aisée de la noblesse russe. Son chef-d’œuvre lyrique Boris Godounov est basé sur la tragédie d’Alexandre Pouchkine, dans laquelle Boris Godounov, tsar autoproclamé et soutenu par le peuple faillit son rôle. En 1896, l’opéra connaît le succès dans une version retouchée par Rimski-Korsakov. La version originale de Moussorgski contient cependant des idées uniques, des détails harmoniques, mélodiques et instrumentaux innovateurs. Pour réaliser cette pièce captivante pour Orchestre d’Harmonie, Tohru Takahashi a rassemblé les superbes thèmes musicaux de l’opéra.Compositore essenzialmente autodidatta, Modest Mussorgski (1839-1881) discende da una famiglia agiata della nobilt russa. Il suo capolavoro lirico, Boris Godunov, si basa sulla tragedia di Alexander Puschkin, nella quale Boris Godunov, proclamatosi zar e sostenuto dal popolo, fallisce nel suo ruolo. Nel 1896, l’opera conosce il successo in una versione ritoccata da Rimski Korsakov. La versione originale di Mussorgski contiene idee uniche, dettagli armonici, melodici e strumenti innovativi. Per trascrivere questo brano per banda, Tohru Takahashi ha raccolto i superlativi temi musicali dell’opera.
SKU: WD.080689580390
UPC: 080689580390.
Relevant songs, innovative sounds, and a signature style are just some of the reasons your Kidz Worship Choir will love this new project from WORDKIDZ and creator Brian Hitt. Singable, accessible, fun, and full of great ministry opportunities, Praize Jamz is a cutting-edge worship project for children's choir guaranteed to revolutionize and raise your expectations for your children's music ministry.
SKU: WD.080689512094
UPC: 080689512094.
SKU: WD.080689799723
UPC: 080689799723.
SKU: WD.080689874222
UPC: 080689874222.
SKU: GI.G-6051
English, Latin.
Her octavos have been featured in our Choral Subscription Series and in numerous reading sessions. Now, Carol Browning's original compositions are available on CD and cassette! Great for contemporary ensemble, Carol's catchy refrains spark natural assembly participation. The spirited Give Thanks to the Lord, based on Psalm107, is energetic and fun, while O Lord, the Guardian of My Heart offers a prayer of quiet strength. With Grateful Hearts is ideal for Thanksgiving celebrations. But perhaps the best and brightest of this great collection is Ubi Caritas, a stunningly beautiful version of the classic chant text with music and verse texts by Browning. This recording is simply a great new way to become familiar with the works of this rising new composer. Contains one each of the following octavos: Give Thanks to the Lord - Sing a New Song - O Lord, the Guardian of My Life - I Come to You, O God - Benediction - With Grateful Hearts - Fill Us with Your Love, O Lord - God of Our Comings and Goings - Jesus, Lamb of God - If Jesus Wept - Ubi Caritas - Alleluia, Christ Is Risen.
SKU: HL.35008178
UPC: 747510065531. 8.5x11.0x0.022 inches. Hughes/arr.Hopson.
Hal Hopson's hymn concertatos always offer plenty of performance options and flexibility. God of Grace and God of Glory is no exception. A triumphant, majestic song of praise, this octavo could be sung as a choir hymn anthem, or with the congregation as a concertato. The handbells and soprano descant are optional, but add power and might to this glorious choral.
SKU: HP.2985
UPC: 763628129859.
Volume 3 in the Smaller But Mighty Series The eight titles contained in this collection are versatile, musical, and fun. Playable with two, three, or four ringers, these are ideal for socially distant ringing without tables. Perfect for the small ensemble looking for a diverting challenge, or for the larger choir on those Sundays when you're missing members. All the arrangements have been written for the treble clef, F5-F6.
SKU: HP.2959
UPC: 763628129590.
Volume 4 in the Smaller But Mighty Series These 8 arrangements for 8 bells are accessible and beautiful. The piano fills out the harmonies and give a large breadth of sound. The handbell parts contain only 8 bells and can be rung without tables. An accompaniment CD is also available.
SKU: WD.080689544231
UPC: 080689544231.
Ephesians 1:7 says, “In Him, we have redemption through His blood, the forgiveness of sins, in accordance with the riches of God’s grace that lavished on us.” This melodic offering of praise and worship brings to light the truth and foundation of the gospel; we are saved, not by anything we have done, but by the blood of Jesus shed for us on the cross. Perfect for Easter or any time of the year, your church will love singing Tim Paul’s arrangement of Nothing but the Blood.
SKU: HP.C5537C
UPC: 763628955373. Matthew 3:2, Matthew 4:17, Matthew 7:21, James 1:5, 1 Chronicles 22:13, 1 Chronicles 28:20, 2 Chronicles 32:7, Acts 4:13, Acts 4:29, Deuteronomy 31:6-7, Deuteronomy 31:23, Ephesians 2:8-9, Esther 4:14, Hebrews 3:6, James 1:5, Joshua.
Classic hymn Joel Raney pairs the text of this profound hymn with his own original melody and additional words to capture the power and glory of God's grace. The essential elements of this stately anthem call for SATB choir and piano accompaniment, but the addition of organ, handbells, 3 trumpets and percussion makes this an ideal selection for any festive service of praise. The appearance of the hymn tune, CWM RHONDDA, pulls everything together along with the deeply felt refrain: Grant us hearts and hands for service, Lord. On your people pour your holy power! The Instrumental Parts contain a Conductor's Score and parts for Organ, 3-5 octave Handbells, 3 Trumpets in B-flat, and Percussion (Timpani, Suspended Cymbal & Windchimes).
© 2000 - 2024 Home - New realises - Composers Legal notice - Full version
