| Queen for Piano Duet - Phillip Keveren Series
1 Piano, 4 hands - Intermediate/advanced Hal Leonard
By Queen. Arranged by Phillip Keveren. Piano Duet. Softcover. 48 pages. Publis...(+)
By Queen. Arranged by Phillip
Keveren. Piano Duet.
Softcover. 48 pages. Published
by Hal Leonard
$17.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Orchestral Violinist's Companion, Volumes 1 2 Violin Barenreiter
By Martin Wulfhorst. This edition: 1st printing 2012 edition. Paperback. A compr...(+)
By Martin Wulfhorst. This edition: 1st printing 2012 edition. Paperback. A comprehensive guidebook with hundreds of excerpts. Book. Language: English. 483 pages. Published by Baerenreiter Verlag
$113.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Riders of the Purple Sage: The Opera based on the novel by Zane Grey (Piano/Vocal Score) Opera - Intermediate Schirmer
Opera in 3 Acts for mixed voices (2[1.2/pic] 2 [1.2/Eh] 2 2- 4 2 2 1-tmp 2-hp,...(+)
Opera in 3 Acts for mixed
voices (2[1.2/pic] 2 [1.2/Eh]
2 2- 4 2 2 1-tmp 2-hp, kbd-
str) - Late Intermediate
SKU: EC.8932
Composed by Craig Bohmler.
Instrumental part. E.C.
Schirmer Publishing #8932.
Published by E.C. Schirmer
Publishing
$55.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Best Of 1000 No.1 Hits: Chord Songbook Music Sales | | |
| Piano Concerto No. 1 in D minor Op. 15 Breitkopf & Härtel
Violin 1 (solo: pno - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.OB-3210-15 ...(+)
Violin 1 (solo: pno - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.OB-3210-15 Urtext based on the Brahms Complete Edition of the Gesellschaft der Musikfreunde in Vienna. Composed by Johannes Brahms. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). Solo: pno - 2.2.2.2 - 4.2.0.0 - timp - str. Solo concerto; Romantic. Part. 8 pages. Duration 43'. Breitkopf and Haertel #OB 3210-15. Published by Breitkopf and Haertel (BR.OB-3210-15). ISBN 9790004300695. 10 x 12.5 inches. Johannes Brahms' first Piano Concerto was the fruit of a complex, protracted, and extremely trying creative process. Its origin goes back to a sonata in D minor for two pianos conceived in spring 1854. The impulse for the creation of the main subject was however a shocking event: According to Joseqph Joachim, the theme originated after hearing about Schumanns suicide attempt. A few months earlier, Schumann had revealed Brahms to the musical world in his essay New Paths. In this article, Brahms is extolled as the musician who is called to give expression to the feeling of his times in an ideal fashion. The unusually rapid genesis of the D-minor sonata and its prevailingly dark, monumental mood can be interpreted as an impassioned compositional response to Schumann's suicide attempt. However, the year-long struggle to arrive at the final form of the work should perhaps also be seen in the context of the resounding praise of Schumann's prophetic article. Brahms undoubtly felt a growing inner pressure to live up to the expectations aroused therein.Together with Clara Schumann, Brahms played the three so far existing movements of the sonata, but he was very self-critical. He felt that he had not been able to realize the monumentality he had envisioned, and which Clara Schumann felt, by merely doubling the piano sound. He soon decided to transform the sonata into a symphony (his first orchestral project). However, this idea did not seem to fit his vision either. Only in spring 1855 did he strike upon the definitive solution: a piano concerto. With Brahms as soloist, this concerto premiered in 1859, though he initially had little success. He wrote to Joachim about one of the first performances that the concerto was a brilliant and unmistakable - failure. This hardly surprised Brahms, for he was undoubtedly aware of the newness of the work, which surpassed the expectations of the audience. The work's complex structure and symphonic dimensions, the solo part's rejection of showy, elegant brilliance, and the uniquely Brahmsian orchestral density it maintains throughout; all of these qualities inevitably exasperated audiences at first - until they raised this work to the ranks of the most celebrated concertos of all time. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Billy Joel: Greatest Hits - Vol. 1 and 2 Piano, Vocal and Guitar [Sheet music] - Intermediate Hal Leonard
Performed by Billy Joel. For voice, piano and guitar chords. Format: piano/vocal...(+)
Performed by Billy Joel. For voice, piano and guitar chords. Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics, chord names, guitar chord diagrams and black and white photos. Soft rock and pop rock. 136 pages. 9x12 inches. Published by Hal Leonard.
(11)$24.99 - See more - Buy onlinePre-shipment lead time: 3 to 5 business days | | |
| Modern Band Method – Ukulele, Book 1 Ukulele [Sheet music + Audio access] Hal Leonard
A Beginner's Guide for Group or Private Instruction. Modern Band. Instr...(+)
A Beginner's Guide for Group
or Private Instruction. Modern
Band. Instruction, Method.
Softcover Media Online. 64
pages. Published by Hal
Leonard
$16.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Piano Concerto No. 1 in D minor Op. 15 Breitkopf & Härtel
Double bass (solo: pno - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.OB-3210-27(+)
Double bass (solo: pno - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.OB-3210-27 Urtext based on the Brahms Complete Edition of the Gesellschaft der Musikfreunde in Vienna. Composed by Johannes Brahms. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). EB 6043 is printed in score form; two copies are needed for performance. Have a look into study score PB 3654. Solo concerto; Romantic. Part. 8 pages. Duration 43'. Breitkopf and Haertel #OB 3210-27. Published by Breitkopf and Haertel (BR.OB-3210-27). ISBN 9790004300732. 10 x 12.5 inches. Johannes Brahms' first Piano Concerto was the fruit of a complex, protracted, and extremely trying creative process. Its origin goes back to a sonata in D minor for two pianos conceived in spring 1854. The impulse for the creation of the main subject was however a shocking event: According to Joseqph Joachim, the theme originated after hearing about Schumanns suicide attempt. A few months earlier, Schumann had revealed Brahms to the musical world in his essay New Paths. In this article, Brahms is extolled as the musician who is called to give expression to the feeling of his times in an ideal fashion. The unusually rapid genesis of the D-minor sonata and its prevailingly dark, monumental mood can be interpreted as an impassioned compositional response to Schumann's suicide attempt. However, the year-long struggle to arrive at the final form of the work should perhaps also be seen in the context of the resounding praise of Schumann's prophetic article. Brahms undoubtly felt a growing inner pressure to live up to the expectations aroused therein.Together with Clara Schumann, Brahms played the three so far existing movements of the sonata, but he was very self-critical. He felt that he had not been able to realize the monumentality he had envisioned, and which Clara Schumann felt, by merely doubling the piano sound. He soon decided to transform the sonata into a symphony (his first orchestral project). However, this idea did not seem to fit his vision either. Only in spring 1855 did he strike upon the definitive solution: a piano concerto. With Brahms as soloist, this concerto premiered in 1859, though he initially had little success. He wrote to Joachim about one of the first performances that the concerto was a brilliant and unmistakable - failure. This hardly surprised Brahms, for he was undoubtedly aware of the newness of the work, which surpassed the expectations of the audience. The work's complex structure and symphonic dimensions, the solo part's rejection of showy, elegant brilliance, and the uniquely Brahmsian orchestral density it maintains throughout; all of these qualities inevitably exasperated audiences at first - until they raised this work to the ranks of the most celebrated concertos of all time. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Gig Book (the) No.1 Hits Hal Leonard | | |
| Piano Concerto No. 1 in D minor Op. 15 Breitkopf & Härtel
Violoncello (solo: pno - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.OB-3210-23(+)
Violoncello (solo: pno - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.OB-3210-23 Urtext based on the Brahms Complete Edition of the Gesellschaft der Musikfreunde in Vienna. Composed by Johannes Brahms. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). EB 6043 is printed in score form; two copies are needed for performance. Have a look into study score PB 3654. Solo concerto; Romantic. Part. 8 pages. Duration 43'. Breitkopf and Haertel #OB 3210-23. Published by Breitkopf and Haertel (BR.OB-3210-23). ISBN 9790004300725. 10 x 12.5 inches. Johannes Brahms' first Piano Concerto was the fruit of a complex, protracted, and extremely trying creative process. Its origin goes back to a sonata in D minor for two pianos conceived in spring 1854. The impulse for the creation of the main subject was however a shocking event: According to Joseqph Joachim, the theme originated after hearing about Schumanns suicide attempt. A few months earlier, Schumann had revealed Brahms to the musical world in his essay New Paths. In this article, Brahms is extolled as the musician who is called to give expression to the feeling of his times in an ideal fashion. The unusually rapid genesis of the D-minor sonata and its prevailingly dark, monumental mood can be interpreted as an impassioned compositional response to Schumann's suicide attempt. However, the year-long struggle to arrive at the final form of the work should perhaps also be seen in the context of the resounding praise of Schumann's prophetic article. Brahms undoubtly felt a growing inner pressure to live up to the expectations aroused therein.Together with Clara Schumann, Brahms played the three so far existing movements of the sonata, but he was very self-critical. He felt that he had not been able to realize the monumentality he had envisioned, and which Clara Schumann felt, by merely doubling the piano sound. He soon decided to transform the sonata into a symphony (his first orchestral project). However, this idea did not seem to fit his vision either. Only in spring 1855 did he strike upon the definitive solution: a piano concerto. With Brahms as soloist, this concerto premiered in 1859, though he initially had little success. He wrote to Joachim about one of the first performances that the concerto was a brilliant and unmistakable - failure. This hardly surprised Brahms, for he was undoubtedly aware of the newness of the work, which surpassed the expectations of the audience. The work's complex structure and symphonic dimensions, the solo part's rejection of showy, elegant brilliance, and the uniquely Brahmsian orchestral density it maintains throughout; all of these qualities inevitably exasperated audiences at first - until they raised this work to the ranks of the most celebrated concertos of all time. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Hal Leonard Bass Tab Method Bass guitar [Sheet music + Audio access] Hal Leonard
Combo Edition of Books 1 and 2 with Online Audio. Guitar Tab Method. Instructi...(+)
Combo Edition of Books 1 and 2
with Online Audio. Guitar Tab
Method. Instruction, Method.
Softcover Audio Online. 64
pages. Published by Hal
LeonISBN 9781705141724.
9.0x12.0 inches.
Get started quickly and
easily, and with songs you
want to play! Learn the notes
of the bass with riffs like
"Day Tripper" and "Stand by
Me," reading rhythms and tab
with classics by the Who and
Red Hot Chili Peppers,
fingerstyle and pick
technique with songs like
"Roxanne" and "Low Rider,"
beginning slap technique with
songs like "Higher Ground"
and "Fly Away," and much
more. The method's unique,
well-paced, and logical
teaching sequence will get
students playing more easily
than ever before, and music
from popular artists like the
Beatles, Nirvana, and Green
Day will keep them playing
and having fun. This special
combo edition includes books
one and two of the series
plus online audio access.ard
$19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Piano Concerto No. 1 in D minor Op. 15 Breitkopf & Härtel
Viola (solo: pno - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.OB-3210-19 ...(+)
Viola (solo: pno - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.OB-3210-19 Urtext based on the Brahms Complete Edition of the Gesellschaft der Musikfreunde in Vienna. Composed by Johannes Brahms. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). EB 6043 is printed in score form; two copies are needed for performance. Have a look into study score PB 3654. Solo concerto; Romantic. Part. 12 pages. Duration 43'. Breitkopf and Haertel #OB 3210-19. Published by Breitkopf and Haertel (BR.OB-3210-19). ISBN 9790004300718. 10 x 12.5 inches. Johannes Brahms' first Piano Concerto was the fruit of a complex, protracted, and extremely trying creative process. Its origin goes back to a sonata in D minor for two pianos conceived in spring 1854. The impulse for the creation of the main subject was however a shocking event: According to Joseqph Joachim, the theme originated after hearing about Schumanns suicide attempt. A few months earlier, Schumann had revealed Brahms to the musical world in his essay New Paths. In this article, Brahms is extolled as the musician who is called to give expression to the feeling of his times in an ideal fashion. The unusually rapid genesis of the D-minor sonata and its prevailingly dark, monumental mood can be interpreted as an impassioned compositional response to Schumann's suicide attempt. However, the year-long struggle to arrive at the final form of the work should perhaps also be seen in the context of the resounding praise of Schumann's prophetic article. Brahms undoubtly felt a growing inner pressure to live up to the expectations aroused therein.Together with Clara Schumann, Brahms played the three so far existing movements of the sonata, but he was very self-critical. He felt that he had not been able to realize the monumentality he had envisioned, and which Clara Schumann felt, by merely doubling the piano sound. He soon decided to transform the sonata into a symphony (his first orchestral project). However, this idea did not seem to fit his vision either. Only in spring 1855 did he strike upon the definitive solution: a piano concerto. With Brahms as soloist, this concerto premiered in 1859, though he initially had little success. He wrote to Joachim about one of the first performances that the concerto was a brilliant and unmistakable - failure. This hardly surprised Brahms, for he was undoubtedly aware of the newness of the work, which surpassed the expectations of the audience. The work's complex structure and symphonic dimensions, the solo part's rejection of showy, elegant brilliance, and the uniquely Brahmsian orchestral density it maintains throughout; all of these qualities inevitably exasperated audiences at first - until they raised this work to the ranks of the most celebrated concertos of all time. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Bend Choral SATB SATB divisi, A Cappella Galaxy Music Corporation
Composed by Kyle Pederson. Graduation. Octavo. Galaxy Music Corporation #1.361...(+)
Composed by Kyle Pederson.
Graduation. Octavo. Galaxy
Music Corporation #1.3613.
Published by Galaxy Music
Corporation
$2.65 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Piano Concerto No. 1 in D minor Op. 15 Breitkopf & Härtel
Woodwinds (solo: pno - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.OB-3210-30 ...(+)
Woodwinds (solo: pno - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.OB-3210-30 Urtext based on the Brahms Complete Edition of the Gesellschaft der Musikfreunde in Vienna. Composed by Johannes Brahms. Orchestra; Folder. Orchester-Bibliothek (Orchestral Library). EB 6043 is printed in score form; two copies are needed for performance. Have a look into study score PB 3654. Solo concerto; Romantic. Set of parts. 90 pages. Duration 43'. Breitkopf and Haertel #OB 3210-30. Published by Breitkopf and Haertel (BR.OB-3210-30). ISBN 9790004300749. 10 x 12.5 inches. Johannes Brahms' first Piano Concerto was the fruit of a complex, protracted, and extremely trying creative process. Its origin goes back to a sonata in D minor for two pianos conceived in spring 1854. The impulse for the creation of the main subject was however a shocking event: According to Joseqph Joachim, the theme originated after hearing about Schumanns suicide attempt. A few months earlier, Schumann had revealed Brahms to the musical world in his essay New Paths. In this article, Brahms is extolled as the musician who is called to give expression to the feeling of his times in an ideal fashion. The unusually rapid genesis of the D-minor sonata and its prevailingly dark, monumental mood can be interpreted as an impassioned compositional response to Schumann's suicide attempt. However, the year-long struggle to arrive at the final form of the work should perhaps also be seen in the context of the resounding praise of Schumann's prophetic article. Brahms undoubtly felt a growing inner pressure to live up to the expectations aroused therein.Together with Clara Schumann, Brahms played the three so far existing movements of the sonata, but he was very self-critical. He felt that he had not been able to realize the monumentality he had envisioned, and which Clara Schumann felt, by merely doubling the piano sound. He soon decided to transform the sonata into a symphony (his first orchestral project). However, this idea did not seem to fit his vision either. Only in spring 1855 did he strike upon the definitive solution: a piano concerto. With Brahms as soloist, this concerto premiered in 1859, though he initially had little success. He wrote to Joachim about one of the first performances that the concerto was a brilliant and unmistakable - failure. This hardly surprised Brahms, for he was undoubtedly aware of the newness of the work, which surpassed the expectations of the audience. The work's complex structure and symphonic dimensions, the solo part's rejection of showy, elegant brilliance, and the uniquely Brahmsian orchestral density it maintains throughout; all of these qualities inevitably exasperated audiences at first - until they raised this work to the ranks of the most celebrated concertos of all time. $92.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Really Easy Piano: No.1 Hits Easy Piano Music Sales | | |
| Piano Concerto No. 1 in D minor Op. 15 Breitkopf & Härtel
Violin 2 (solo: pno - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.OB-3210-16 ...(+)
Violin 2 (solo: pno - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.OB-3210-16 Urtext based on the Brahms Complete Edition of the Gesellschaft der Musikfreunde in Vienna. Composed by Johannes Brahms. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). EB 6043 is printed in score form; two copies are needed for performance. Have a look into study score PB 3654. Solo concerto; Romantic. Part. 8 pages. Duration 43'. Breitkopf and Haertel #OB 3210-16. Published by Breitkopf and Haertel (BR.OB-3210-16). ISBN 9790004300701. 10 x 12.5 inches. Johannes Brahms' first Piano Concerto was the fruit of a complex, protracted, and extremely trying creative process. Its origin goes back to a sonata in D minor for two pianos conceived in spring 1854. The impulse for the creation of the main subject was however a shocking event: According to Joseqph Joachim, the theme originated after hearing about Schumanns suicide attempt. A few months earlier, Schumann had revealed Brahms to the musical world in his essay New Paths. In this article, Brahms is extolled as the musician who is called to give expression to the feeling of his times in an ideal fashion. The unusually rapid genesis of the D-minor sonata and its prevailingly dark, monumental mood can be interpreted as an impassioned compositional response to Schumann's suicide attempt. However, the year-long struggle to arrive at the final form of the work should perhaps also be seen in the context of the resounding praise of Schumann's prophetic article. Brahms undoubtly felt a growing inner pressure to live up to the expectations aroused therein.Together with Clara Schumann, Brahms played the three so far existing movements of the sonata, but he was very self-critical. He felt that he had not been able to realize the monumentality he had envisioned, and which Clara Schumann felt, by merely doubling the piano sound. He soon decided to transform the sonata into a symphony (his first orchestral project). However, this idea did not seem to fit his vision either. Only in spring 1855 did he strike upon the definitive solution: a piano concerto. With Brahms as soloist, this concerto premiered in 1859, though he initially had little success. He wrote to Joachim about one of the first performances that the concerto was a brilliant and unmistakable - failure. This hardly surprised Brahms, for he was undoubtedly aware of the newness of the work, which surpassed the expectations of the audience. The work's complex structure and symphonic dimensions, the solo part's rejection of showy, elegant brilliance, and the uniquely Brahmsian orchestral density it maintains throughout; all of these qualities inevitably exasperated audiences at first - until they raised this work to the ranks of the most celebrated concertos of all time. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Exercises for Three Finger Banjo Banjo - Beginner Mel Bay
Composed by Jack Hatfield. Squareback saddle stitch. Book. Published by Mel Bay ...(+)
Composed by Jack Hatfield. Squareback saddle stitch. Book. Published by Mel Bay Publications, Inc (MB.99783).
$24.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Piano Concerto in C minor K. 491 Breitkopf & Härtel
Violin 1 (solo: pno- 1.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.OB-15148-15 ...(+)
Violin 1 (solo: pno- 1.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.OB-15148-15 Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Ernst Herttrich. Stapled. Orchester-Bibliothek (Orchestral Library). In Cooperation with G. Henle VerlagEB 10787 is printed in score form; two copies are needed for performance.Our edition EB 8579 contains Ferrucci Busoni's cadenzas for the Piano Concerto in C majo. Solo concerto; Classical. Part. 8 pages. Duration 28'. Breitkopf and Haertel #OB 15148-15. Published by Breitkopf and Haertel (BR.OB-15148-15). ISBN 9790004342176. 10 x 12.5 inches. Composed under pressure, edited in peace: K. 491In spring 1786 Mozart was under pressure: he had only two weeks between the composition and first performance of the C-minor Piano Concerto K. 491. It is no wonder that the autograph was written very hastily and the piano part occasionally only sketched. Mozart, who played the solo part at the premiere, still thought about it later. During subsequent revisions of the piano part, he caused a certain amount of confusion through corrected versions and parallel versions. Editor Ernst Herttrich thus faced great challenges when preparing the Breitkopf Urtext edition, especially since printed editions were only published posthumously. But since they contain readings that play an important role in the reception of the work, they were included in the new edition as variants. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Piano Concerto in C minor K. 491 Breitkopf & Härtel
Viola (solo: pno- 1.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.OB-15148-19 ...(+)
Viola (solo: pno- 1.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.OB-15148-19 Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Ernst Herttrich. Stapled. Orchester-Bibliothek (Orchestral Library). In Cooperation with G. Henle VerlagEB 10787 is printed in score form; two copies are needed for performance.Our edition EB 8579 contains Ferrucci Busoni's cadenzas for the Piano Concerto in C majo. Solo concerto; Classical. Part. 8 pages. Duration 28'. Breitkopf and Haertel #OB 15148-19. Published by Breitkopf and Haertel (BR.OB-15148-19). ISBN 9790004342190. 10 x 12.5 inches. Composed under pressure, edited in peace: K. 491In spring 1786 Mozart was under pressure: he had only two weeks between the composition and first performance of the C-minor Piano Concerto K. 491. It is no wonder that the autograph was written very hastily and the piano part occasionally only sketched. Mozart, who played the solo part at the premiere, still thought about it later. During subsequent revisions of the piano part, he caused a certain amount of confusion through corrected versions and parallel versions. Editor Ernst Herttrich thus faced great challenges when preparing the Breitkopf Urtext edition, especially since printed editions were only published posthumously. But since they contain readings that play an important role in the reception of the work, they were included in the new edition as variants. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Piano Concerto in C minor K. 491 Breitkopf & Härtel
Basso (cello/double bass) (solo: pno- 1.2.2.2 - 2.2.0.0 - timp - str) SKU: BR...(+)
Basso (cello/double bass) (solo: pno- 1.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.OB-15148-26 Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Ernst Herttrich. Stapled. Orchester-Bibliothek (Orchestral Library). In Cooperation with G. Henle VerlagEB 10787 is printed in score form; two copies are needed for performance.Our edition EB 8579 contains Ferrucci Busoni's cadenzas for the Piano Concerto in C majo. Solo concerto; Classical. Part. 8 pages. Duration 28'. Breitkopf and Haertel #OB 15148-26. Published by Breitkopf and Haertel (BR.OB-15148-26). ISBN 9790004342206. 10 x 12.5 inches. Composed under pressure, edited in peace: K. 491In spring 1786 Mozart was under pressure: he had only two weeks between the composition and first performance of the C-minor Piano Concerto K. 491. It is no wonder that the autograph was written very hastily and the piano part occasionally only sketched. Mozart, who played the solo part at the premiere, still thought about it later. During subsequent revisions of the piano part, he caused a certain amount of confusion through corrected versions and parallel versions. Editor Ernst Herttrich thus faced great challenges when preparing the Breitkopf Urtext edition, especially since printed editions were only published posthumously. But since they contain readings that play an important role in the reception of the work, they were included in the new edition as variants. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Piano Concerto in C minor K. 491 Breitkopf & Härtel
Woodwinds (solo: pno- 1.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.OB-15148-30 ...(+)
Woodwinds (solo: pno- 1.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.OB-15148-30 Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Ernst Herttrich. Folder. Orchester-Bibliothek (Orchestral Library). In Cooperation with G. Henle VerlagEB 10787 is printed in score form; two copies are needed for performance.Our edition EB 8579 contains Ferrucci Busoni's cadenzas for the Piano Concerto in C majo. Solo concerto; Classical. Set of parts. 72 pages. Duration 28'. Breitkopf and Haertel #OB 15148-30. Published by Breitkopf and Haertel (BR.OB-15148-30). ISBN 9790004342213. 10 x 12.5 inches. Composed under pressure, edited in peace: K. 491In spring 1786 Mozart was under pressure: he had only two weeks between the composition and first performance of the C-minor Piano Concerto K. 491. It is no wonder that the autograph was written very hastily and the piano part occasionally only sketched. Mozart, who played the solo part at the premiere, still thought about it later. During subsequent revisions of the piano part, he caused a certain amount of confusion through corrected versions and parallel versions. Editor Ernst Herttrich thus faced great challenges when preparing the Breitkopf Urtext edition, especially since printed editions were only published posthumously. But since they contain readings that play an important role in the reception of the work, they were included in the new edition as variants. $61.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Piano Concerto in C minor K. 491 Breitkopf & Härtel
Piano duets (solo: pno- 1.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.EB-10787 ...(+)
Piano duets (solo: pno- 1.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.EB-10787 Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Ernst Herttrich. Solo instruments; Softcover. Edition Breitkopf. In Cooperation with G. Henle VerlagEB 10787 is printed in score form; two copies are needed for performance.Our edition EB 8579 contains Ferrucci Busoni's cadenzas for the Piano Concerto in C majo. Solo concerto; Classical. Piano reduction. 68 pages. Duration 28'. Breitkopf and Haertel #EB 10787. Published by Breitkopf and Haertel (BR.EB-10787). ISBN 9790201807874. 9.5 x 12 inches. Composed under pressure, edited in peace: K. 491In spring 1786 Mozart was under pressure: he had only two weeks between the composition and first performance of the C-minor Piano Concerto K. 491. It is no wonder that the autograph was written very hastily and the piano part occasionally only sketched. Mozart, who played the solo part at the premiere, still thought about it later. During subsequent revisions of the piano part, he caused a certain amount of confusion through corrected versions and parallel versions. Editor Ernst Herttrich thus faced great challenges when preparing the Breitkopf Urtext edition, especially since printed editions were only published posthumously. But since they contain readings that play an important role in the reception of the work, they were included in the new edition as variants. $29.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Piano Concerto in C minor K. 491 Breitkopf & Härtel
Violin 2 (solo: pno- 1.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.OB-15148-16 ...(+)
Violin 2 (solo: pno- 1.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.OB-15148-16 Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Ernst Herttrich. Stapled. Orchester-Bibliothek (Orchestral Library). In Cooperation with G. Henle VerlagEB 10787 is printed in score form; two copies are needed for performance.Our edition EB 8579 contains Ferrucci Busoni's cadenzas for the Piano Concerto in C majo. Solo concerto; Classical. Part. 8 pages. Duration 28'. Breitkopf and Haertel #OB 15148-16. Published by Breitkopf and Haertel (BR.OB-15148-16). ISBN 9790004342183. 10 x 12.5 inches. Composed under pressure, edited in peace: K. 491In spring 1786 Mozart was under pressure: he had only two weeks between the composition and first performance of the C-minor Piano Concerto K. 491. It is no wonder that the autograph was written very hastily and the piano part occasionally only sketched. Mozart, who played the solo part at the premiere, still thought about it later. During subsequent revisions of the piano part, he caused a certain amount of confusion through corrected versions and parallel versions. Editor Ernst Herttrich thus faced great challenges when preparing the Breitkopf Urtext edition, especially since printed editions were only published posthumously. But since they contain readings that play an important role in the reception of the work, they were included in the new edition as variants.
EB 10787 is printed in score form; two copies are needed for performance. Our edition EB 8579 contains Ferrucci Busoni's cadenzas for the Piano Concerto in C major K. 491. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Broad Strokes Snare drums [Sheet music + CD-ROM] Tapspace Publications
Studies in Style for the Advanced Snare Drummer. Composed by Rick Dior. B...(+)
Studies in Style for the Advanced Snare Drummer. Composed by Rick Dior. Book CD-ROM. 140 pages. Published by Tapspace Publications (TA.TSPB-28).
$35.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Liturgical Fanfares, For Brass Ensemble, Timpani And Drums Leduc, Alphonse
SKU: HL.48181499 Composed by Henri Tomasi. Leduc. Classical. 40 pages. Al...(+)
SKU: HL.48181499 Composed by Henri Tomasi. Leduc. Classical. 40 pages. Alphonse Leduc #AL21123. Published by Alphonse Leduc (HL.48181499). UPC: 888680842659. 9.0x12.0x0.288 inches. French composer and conductor, Henri Tomasi (1901-1971) published Liturgical Fanfares in 1952. As with his other wind compositions, Liturgical Fanfares was well-received by audiences. Tomasi was born in Marseille, but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured into musical studies by his parents, Tomasi dreamed of becoming a sailor, and during the summer he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However, in 1921, he began his studies at the Paris Conservatoire and went on to become a high profile composer and conductor. Tomasi did not forget his Corsican routes, often incorporating themes of the songs he had learnt during the summers with his Grandmother into his compositions. Composed for an unusual instrumentation of Brass Ensemble, Timpani and Drums, Liturgical Fanfares comprises four movements; 1) Annunciation, 2) Gospel, 3) Apocalypse, and 4) Good Friday Procession. This Tomasi piece is suitable to advanced players and provides an exciting, alternative addition to the ensemble repertoire.. $57.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Three Divertissements, For Four Clarinets Clarinet Quartet: 4 clarinets Leduc, Alphonse
SKU: HL.48182297 Composed by Henri Tomasi. Leduc. Classical. 9 pages. Alp...(+)
SKU: HL.48182297 Composed by Henri Tomasi. Leduc. Classical. 9 pages. Alphonse Leduc #AL23411. Published by Alphonse Leduc (HL.48182297). UPC: 888680839994. 9.0x12.0x0.183 inches. â??French composer and conductor, Henri Tomasi (1901-1971) published Three Divertissements for Clarinet Quartet in 1964. As with his other wind compositions, Three Divertissements was well-received by audiences. Tomasi was born in Marseille, but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured into musical studies by his parents, Tomasi dreamed of becoming a sailor, and during the summer, he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However, in 1921, he began his studies at the Paris Conservatoire and went on to become a high profile composer and conductor. Tomasi did not forget his Corsican routes, often incorporating themes of the songs he had learnt during the summers with his Grandmother into his compositions. The Three Divertissements are named; 1) Proceedings, 2) Masquerade, and 3) Rounds. This Tomasi piece is suitable to an advanced Clarinet Quartet, providing an exciting alternative addition to the ensemble repertoire.â?. $30.15 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Dal niente Clarinet Breitkopf & Härtel
Interieur III. Composed by Helmut Lachenmann. World premiere: Nuremberg (Ars ...(+)
Interieur III. Composed by
Helmut Lachenmann. World
premiere: Nuremberg (Ars
nova), June 4, 1970.
Breitkopf and Haertel #EB
9395. Published by Breitkopf
and Haertel
$46.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
Next page 1 31 |