(Creative Movement Activities for Children). By Kate Kuper. Grade PreK - 2. CD and dvd. Published by Heritage Music Press

Edited by David Brody. For violin. Format: fake book. With lead melody, chord names, instructional text and performance notes. Folk, americana and british. 302 pages. 9x12 inches. Published by Oak Publications.

Cello solo

SKU: BR.EB-9357

2 Studies for Solo Violoncello. Composed by Martin Smolka. Solo instruments; stapled. Edition Breitkopf.

Compulsory Piece for the Final Round oft he ARD International Music Competition (Munich, September 2019)

Music post-1945; New music (post-2000). Score. Composed 2019. 16 pages. Duration 9'. Breitkopf and Haertel #EB 9357. Published by Breitkopf and Haertel (BR.EB-9357).

ISBN 9790004188279. 9 x 12 inches.

The sound of the cello in this piece should be foggy like voice of Ella Fitzgerald. Sweet, smooth and pleasant, but at the same time slightly hoarse, rustle, dirty. There are almost only natural harmonics; either single, or in chords (triple-stops) including two natural harmonics, or double-stops of two harmonics. All should be played flautando, sul tasto and molto lasciar vibrare. Flautando and sul tasto should serve in search for the foggy color - harmonics should speak less clear than normally, but more smooth and decent.(Martin Smolka) ,Like Ella' would be suited to a player of a high standard as many harmonics are in higher positions and played as triple-stops. I would recommend ,Like Ella' to an advanced cellist seeking to learn a piece of modern music to add to their concert repertoire.(Mitchell Smith, AUSTA Stringendo)

Compulsory Piece for the Final Round of the ARD International Music Competition (Munich, September 2019).

Choral (3-Part Mixed choir)

SKU: HL.151273

Composed by Marcy Heisler and Zina Goldrich. Arranged by Cristi Cary Miller. Contemporary Choral. Broadway, Concert, Musicals, Show Choir. Octavo. 16 pages. Published by Hal Leonard (HL.151273).

UPC: 888680088453. 6.75x10.5 inches.

This charming musical theatre song is a celebration of global friendship, all with a simple “hola”! Join Lola as she takes a round-the-world musical trip making friends everywhere she goes!

99 Traditional Pieces. Composed by Pete Cooper. Arranged by Pete Cooper. This edition: Saddle stitching. Sheet music with CD. Edition Schott. Diese Ausgabe enthalt 99 traditionelle englische Geigenmelodien. Der Band ist versehen mit Akkorden und Hinweisen zur Bogenfuhrung. Ausserdem ist ihm eine CD von Pete Cooper beigelegt. Folk, Classical, English. Edition/Softcover with CD. 12758. 68 pages. Schott Music #ED12758. Published by Schott Music

Acoustic Guitar Lead and Melody Basics. Fretted. Softcover with CD. Guitar tablature. 64 pages. Published by String Letter Publishing

Conductor

SKU: HL.6400100

Composed by Harold W. Rusch. Intermediate Band Method. Instruction. Softcover. 84 pages. Published by Hal Leonard (HL.6400100).

ISBN 9781495089138. UPC: 073999276053. 9.0x12.0x0.274 inches.

SKU: HL.911071

EAST SOUND RESEARCH. Guitar Pedal. Duration 240 seconds. Hal Leonard #CM0230. Published by Hal Leonard (HL.911071).

UPC: 852940000981. 10.0x5.5x3.0 inches.

The world of music has changed and the world of guitar playing has changed along with it. It is becoming normal to not see the full guitar rigs of the '70s, '80s, and '90s, and instead just see guitar players with minimal systems to achieve their signature sounds. Introducing the Carl Martin Ampster ... from the company that has shone the single analog light down that deep digital tunnel. The Ampster, a single tube driven amp/speaker simulator that can either supplement your amp, or replace it. A fully analog unit with controls that are the same as your amplifier with the addition of a mute switch, a speaker selection switch and a voicing switch. What's more important, the Ampster reacts to your playing in the same way your full size amp does, giving you the same organic feel with zero latency! The Ampster is housed in a solid metal box with the standard EQ (Bass Middle Treble), pre and post volume/gain controls (Master & Gain) plus a Presence Control. There is a Mute Switch for obvious reasons and a Cabinet Switch with an LED Indicator light ( Red for a 2x12 Open Backed Cab, and Green for a 4x12 Closed Back Cab). On the back of the pedal you will find a Ground Lift and a Voicing Switch (a subtle low end cap controlled voicing adjustment). Input, Link (output to your amp or powered speaker) Balanced DI (XLR output to go to a mixing or recording console), a Send and Return for those specific effects that shouldn't be in front of the amp, a Remote Input for use with digital or analog effect controllers like the Carl Martin Octaswitch “The Strip,” and your standard 9v 1A power input. It couldn't be simpler! Plug your guitar straight in, or plug your pedal board into the input jack, choose your output and open your ears to a surprisingly big round clean sound, or by adjusting the Gain, that decidedly British Overdrive sound for which Carl Martin has become so well known. Our test players have fallen in love, telling us the Ampster reacts just like their standard amps, organic and responsive to your playing style or attack. In fact, the Ampster sounds just like a full size amp, but it fits on your pedalboard. Take a look at the videos ... we are certain you will want to take the Ampster for a test drive!