SKU: BT.DHP-1196186-070
ISBN 9789043158084.
‘Bella Ciao’ originated as an Italian folk song, stemming all the way from the late 19th century. Many versions have since appeared over the years, but the song now has a new lease of life owing to a new dance adaption as well as its feature as the theme for the Netflix series ‘La Casa de Papel’, which has inspired Bert van Haagen to create this dynamic arrangement for quartet. ‘Bella Ciao’ is van oorsprong een aansprekend Italiaans volksliedje uit het einde van de 19e eeuw waar in de loop der tijd vele versies van zijn gemaakt. Nu heeft het nieuw leven ingeblazen gekregen in een dancevariant én als themasong bij de Netflixserie La Casa de Papel. Naar aanleiding daarvan creëerde Bert van Haagen dit levendige arrangement voor blazerskwartet. Bella Ciao ist ursprünglich ein italienisches Volkslied aus dem späten 19. Jahrhundert. Im Laufe der Jahre sind zahlreiche Versionen erschienen, aber das Lied ist jetzt durch eine neue Tanzadaption und die Verwendung als Thema für die Netflix-Serie La casa de papel“ (Haus des Geldes“) wieder aufgelebt. Das hat Bert van Haagen dazu inspiriert, dieses neue dynamische Arrangement für Quartett zu schreiben. l’origine, « Bella Ciao » est une chanson populaire italienne qui remonte au XIXe siècle. Elle a fait l’objet de nombreuses versions au fil du temps, mais elle connaît aujourd’hui un regain de popularité gr ce une nouvelle adaptation chorégraphique, ainsi qu’en tant que thème de la série diffusée sur Netflix, La Casa de Papel, qui a incité Bert van Haagen écrire cet arrangement dynamique pour quatuor.
SKU: BT.DHP-1196062-404
ISBN 9789043156127. English-German-French-Dutch.
The concept of the successful Swing Quartets, Jazz Quartets and Groove Quartets publications is now also available in a Christmas edition: Bert Lochs has arranged four traditional Christmas songs in a swing style with combo accompaniment. The Swingin' Christmas Quartets are available for trumpet, flute, clarinet and alto saxophone quartets, and all four versions can be combined to create whichever instrumentation you require. The online audio for each piece contains not only a demo version with a full line-upâ??and a pure playback versionâ??but additionally four versions in which each of the four wind voices is omitted in turn, making them ideal forpractice purposes. Het concept van de succesvolle uitgaven Swing Quartets, Jazz Quartets en Groove Quartets is nu ook toegepast op muziek voor Kerst: Bert Lochs heeft vier traditionele kerstliederen gearrangeerd in swingstijl met combobegeleiding. De Swingin' Christmas Quartets zijn verkrijgbaar voor trompet-, fluit-, klarinet- en altsaxofoonkwartet, en ze kunnen worden gecombineerd in elke samengestelde bezetting. De online audio bevat voor elk stuk niet alleen een volledige demoversie en een meespeelversie, maar ook vier opnamen waarin telkens een van de vier partijen is weggelaten: ideaal om mee te oefenen.Das Konzept der erfolgreichen Ausgaben Swing Quartets, Jazz Quartets und Groove Quartets ist nun auch im weihnachtlichen Gewand verfügbar: Bert Lochs hat vier traditionelle Weihnachtslieder in einem swingenden Stil mit Combo-Begleitung arrangiert. Die Swingin' Christmas Quartets sind verfügbar für Trompeten-, Flöten-, Klarinetten- und Altsaxophonquartett, wobei alle vier Versionen beliebig miteinander kombinierbar sind. Im Online-Audioteil dieser Ausgabe gibt es nicht nur eine Demoversion in voller Besetzung und eine reine Playback-Version, sondern zusätzlich auch Tracks, bei denen je eine der vier Stimmen weggelassen ist, sodass diese zuÃ?bungszwecken dazu gespielt werden kann. Le concept succès des Swing Quartets, Jazz Quartets et Groove Quartets se présente maintenant également en habits de Noël : Bert Lochs a arrangé quatre chants traditionnels de Noël dans un style swingué avec accompagnement de combo. Les Swingin' Christmas Quartets sont disponibles pour quatuors de trompettes, fl tes, clarinettes et saxophones altos, toutes les versions étant combinables entre elles. Dans la partie audio disponible en ligne de cette publication figurent non seulement une version de démonstration avec lâ??instrumentation complète et une version dâ??accompagnement, mais aussi quatre versions dans lesquelles chacune des quatre voix estsupprimée tour de rôle afin de permettre chaque instrumentiste de sâ??entraîner individuellement.
SKU: AP.1-ADV40023
UPC: 805095400236. English.
A Klezmer Wedding is a set of four dances, newly composed but based on traditional models. The Doina is an expressive chant for three successive soloists; it twists and turns with the wailing lament of a shepherd's pipe. Next follows the Hora, a slow Rumanian dance in three with a mood that reflects the wedding's solemn vows. A Chusidl, with a moderate speed and bouncy rhythms, gets the party to the dance floor. The concluding Freylach (happy, but still in a minor key!) takes the bride, groom, and guests to the edge of frenzy. Arranged for four clarinets with optional strings. Compatible with the following arrangements: item #01-ADV6401 (string quartet), item #01-ADV8405 (woodwind quartet), and item #01-ADV8406 (clarinet quartet). Titles include: Doina * Hora * Chusidl * Freylach.
SKU: AP.1-ADV8406
UPC: 805095084061. English.
A Klezmer Wedding by Mike Curtis is a set of four dances, newly-composed but based on traditional models. The Doina is an expressive chant for three successive soloists; it twists and turns with the wailing lament of a shepherd's pipe. Next follows the Hora, a slow Rumanian dance in three with a mood that reflects the wedding's solemn vows. A Chusidl, with a moderate speed and bouncy rhythms, gets the party to the dance floor. The concluding Freylach (happy, but still in a minor key) takes the bride, groom, and guests to the edge of frenzy.
SKU: HL.48182297
UPC: 888680839994. 9.0x12.0x0.183 inches.
â??French composer and conductor, Henri Tomasi (1901-1971) published Three Divertissements for Clarinet Quartet in 1964. As with his other wind compositions, Three Divertissements was well-received by audiences. Tomasi was born in Marseille, but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured into musical studies by his parents, Tomasi dreamed of becoming a sailor, and during the summer, he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However, in 1921, he began his studies at the Paris Conservatoire and went on to become a high profile composer and conductor. Tomasi did not forget his Corsican routes, often incorporating themes of the songs he had learnt during the summers with his Grandmother into his compositions. The Three Divertissements are named; 1) Proceedings, 2) Masquerade, and 3) Rounds. This Tomasi piece is suitable to an advanced Clarinet Quartet, providing an exciting alternative addition to the ensemble repertoire.â?.
SKU: AP.1-ADV8440
UPC: 805095084405. English.
This rhapsody, based on Eastern European music and Klezmer, contains four main themes: a waltz, a dance on asymmetrical rhythms, followed by a slow but expressive movement, and a brilliant finale with Mediterranean influences including an improvisational part.
SKU: BT.DHP-1084457-070
ISBN 9789043129046. 9x12 inches. English-German-French-Dutch.
The American composer George Gershwin (1898-1937) wrote the energetic song I Got Rhythm, with lyrics by his brother Ira Gershwin, in 1930 for the musical Girl Crazy. The story of Girl Crazy takes place in the theatre world of the 1930s. The Gaiety Theater in Deadrock, Nevada, is practically bankrupt, but the rich banker’s son Bobby Child turns things around. His passion for the theatre leads to the customary love vicissitudes and comical intricacies - and a new successful show.I Got Rhythm, now a jazz standard, has been performed over the years by numerous famous and not-so-famous artists. The chord scheme has become so well-known that it has been named rhythm changes, and is oftenused by jazz musicians. Der Jazz-Standard, aus dem das oft zitierte Akkordschema Rhythm Changes stammt, in einer flotten Bearbeitung für vier Klarinette in B. Questo arrangiamento vi permetter di chiudere in bellezza un vostro concerto con uno spumeggiante bis.
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