SKU: MB.31060M
ISBN 9781513468051. 8.75x11.75 inches.
As aspiring fingerpicking guitarists started expanding their horizons from folk, blues, and ragtime in the 1970s, it was only logical to look towards early jazz tunes as a vast source for new possibilities. For one thing, they could follow the same evolutionary path from ragtime to jazz that had been taken by pianists such as Jelly Roll Morton and Harlem stride players like James P. Johnson and Fats Waller. These musicians all composed in a variety of styles, but their most ambitious piano solos expanded on the classic ragtime format developed by the likes of Scott Joplin, James Scott, and Joseph Lamb, using several strains that usually changed keys at least once. Morton, the self-proclaimed inventor of jazz, would record versions of tunes like King Porter Stomp and The Original Jelly Roll Blues that are similar to straight ragtime performances, and others where there is lots of room left for embellishment and jazz improvisation. The present collection is a bonanza for guitarists who want to tackle advanced arrangements along the lines of ragtime but featuring jazz age harmonies from the playing of Jelly Roll Morton, Louis Armstrong, Bix Beiderbecke, WC Handy, the Original Dixieland Jazz Band and other early jazz legends. The 32 arrangements included are by a wide assortment of guitarists including Ernie Hawkins, Pat Donohue, Lasse Johansson, Duck Baker, Ton Van Bergeyk, Sandy Shalk, Steve McWilliam, and Dorian Henry. Titles include: Oh, You Beautiful Doll, I’ve Got The Blues, High Society, St. Louis Blues, Davenport Blues, Poor Butterfly, Dixie Jass Band One-Step, Memphis Blues, Big Foot Ham, Grandpa’s Spells, The Original Jelly Roll Blues, Midnight Mama, Milenberg Joys, Fizz Water, Back Home in Indiana, Sweet Georgia Brown, Red Wing (An Indian Intermezzo), There’ll Be Some Changes Made, Way Down Yonder In New Orleans, Charleston, Where The Morning Glories Grow, Limehouse Blues, Susie (of the Islands), I Need Some Pettin’, Weather Bird, Cornet Chop Suey, Kansas City Stomps, King Porter Stomp, Jubilee Stomp, Take It Easy, If I Had You, Moonlight Serenade
SKU: MB.22115M
ISBN 9780786696840. 8.75 x 11.75 inches.
Arpeggios are chord notes played one at a time rather than strummed or plucked all together. They are an essential part of great improvising and melody writing because playing chord notes in the right places creates solid melody lines. Chord notes sound more resolved than notes that are chromatic out of the key . Practicing arpeggios will improve your ability to learn melodies, make reading music easier, and develop your tone and picking accuracy. The first part of this book focuses on the basic fingerings of the following six arpeggios: major 7th, major 7th #5 , dominant 7th, minor 7th, minor 7th b5 , and diminished 7th. This book along with its accompanying audio represents a comprehensive guide to all things arpeggio. It delves into traditional applications of arpeggios, as well as how they relate to slash chords, modal music and more. The student will learn about how arpeggios fall over standard chord progressions, as well as how to embellish arpeggios to make them more musical in performance situations. In standard notation and tab. Includes access to online audio.
SKU: HL.114930
ISBN 9781480312579. UPC: 884088876326. 9.0x12.0x0.17 inches.
The revolutionary Hal Leonard Guitar Tab Method (HL00697411) is now available in a Spanish edition.
SKU: BT.RSK200112
ISBN 9781789360875. English.
Rockschool Acoustic Grade 2 is for students who have been learning approximately one year to eighteen months and have established the key basic skills along with solid basic techniques.
The 2019 Acoustic syllabus is a refreshed approach to acoustic guitar. The syllabus features six tracks for each grade that have been meticulously benchmarked to support students as they learn the instrument. At each grade two of the pieces ask the students to perform without backing track, exploring the sound and resonance of their instrument. The remaining tracks are session style backing tracks that include vocal accompaniment. We've also included the vocal melody lines in the gradebooks for students who sing and play at the same time.
SKU: BT.MUSMG0287
German.
Was Sie in diesem Lehrbuch finden werden, sind 50 Begleitungen für die Akustik-Gitarre 50 Begleitungen, die für alle Kenntnisstufen geeignet sind und der Feder berühmter Songwriter und Gitarrenspieler, wie Tim Buckley, TracyChapman, Nick Drake, The Eagles, Bob Dylan, Neil Young, Ben Harper, Jason Mraz u.v.a.m., entspringen. Auch wenn die hier dargebotenen 50 Rhythmiken Ihnen vor allem die Gelegenheit bieten sollen, Ihrer Spiel-Lust zu frönen, sowerden sie Ihnen doch, indem Sie einfach ihrem Beispiel folgen, ganz nebenbei und unbemerkt, die unterschiedlichen, für die Akustik-Gitarre kennzeichnenden Begleittechniken (will hei�en das Akkord- undArpeggiospiel,�bergangs-leersaiten, die geläufigsten rhythmischen Figuren, verschiedene Barré-Klänge, den Umgang mit dem Kapodaster, Open Tunings und einiges andere mehr) beibringen. Die Video-DVD ermöglicht Ihnen, sich die 50Begleitungen anzuhören, aber vor allem anzusehen bei eigentlicher und bei verlangsamter Spielgeschwindigkeit. Sie haben so die Möglichkeit, die richtigen Handgriffe mit den richtigen Fingersätzen rhythmisch im Takt ausführen zulernen(!) Die MP3-CD bietet Ihnen zu jeder Begleitung ein Playalong, was insgesamt 50 ergibt. Diese werden in zwei verschiedenen Tempi abgespielt: im Konzerttempo (bei eigentlicher Spielgeschwindigkeit) und im �bungs-tempo (beiverlangsamter Spielgeschwindigkeit). In dem Playalong bei eigentlicher Spielgeschwindigkeit ist die Gitarre lediglich während des ersten Durchgangs zu hören, dann fällt sie weg, um Ihnen das Feld zu überlassen(!) Die Playalongssind mit Absicht lang gehalten. Jedes davon dauert in etwa 3 bis 4 Minuten, was insgesamt zu 6 h Musizieren führt(!) Auf diese Weise haben Sie genügend Zeit zum �ben und fürs Spielen werden bestmögliche Bedingungen geschaffen.
SKU: MB.31108M
ISBN 9781513469232. 8.75x11.75 inches.
Award-winning blues songwriter and performer Jon Shain brings us his fingerstyle guitar arrangements of some of the earliest blues and rags ever published. W. C. Handy, known as the Father of the Blues, wrote and arranged for piano and voice and sometimes for full ragtime orchestra. Shain has arranged these compositions to be played on guitar, weaving the timeless vocal melodies and bass lines throughout the pieces. Guitar tablature, standard musical notation, and lyrics are all included, along with historical background on each song. Includes access to online audio.
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