SKU: BA.BA05357
ISBN 9790006469055. 31 x 24.3 cm inches. Key: G major.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: HL.49014449
ISBN 9790220107993. UPC: 073999871241. 6.0x9.0x0.246 inches.
SKU: HL.48186820
UPC: 888680882471. 5.5x7.5 inches.
Elegie Op 24 Cello Orchestra.
SKU: HL.48187631
UPC: 888680845322. 5.5x7.5x0.249 inches.
Wolfgang Amadeus Mozart: Symphony No.40, KV550 (PH24) (Orchestra).
SKU: BR.PB-5654
ISBN 9790004215517. 10 x 12.5 inches.
Farewell Tod und Verklarung marks a turning point in Richard Strauss's corpus of tone poems: Even before the November 1889 premiere of his previous work Don Juan, Strauss had finished his third work in this genre. He leads the listener with great clarity through the dying hour of a person who had pursued the highest ideals. The present Urtext edition evaluates for the first time all the corrections that Strauss made in the galley proofs of the work's full score and parts, correlating these to the music text. The preface provides insight into the genesis and reception history, while the detailed Critical Report systematically documents all of the editorial decisions.
SKU: BA.BA04747
ISBN 9790006455270. 31 x 24.3 cm inches. Key: B-flat major. Language: German/English. Preface: Hermann Beck.
Urtext der Neuen Mozart-Ausgabe.
SKU: HL.49001846
ISBN 9790001024433. 9.0x12.0x0.082 inches.
SKU: PE.0300515243
ISBN 9790300515243.
Original item: BB-BB3056-SP.
SKU: AP.47472S
UPC: 038081542034. English.
With lovely harmonies and surprising melodic and mood changes, this piece will be perfect for festivals and to bring any concert to a rousing close. From the contemplative beginning into a mysterious interlude, then a driving melody that moves from 4/4, this piece transitions into an accented segment in C major, a playful pizzicato section, and then closes with the original melody set in 9/8, creating a feeling of coming home. With such a wide variety of settings in one piece, teaching opportunities abound.
SKU: AP.47452S
UPC: 038081548326. English.
J. K. Rowling's Wizarding World is awakened again in this emotionally charged, action-packed medley that includes six musical moments drawn from the soundtrack of Fantastic Beasts: The Crimes of Grindelwald. This arrangement perfectly captures all of the drama.
SKU: AP.44815S
UPC: 038081515526. English.
A true joy to perform and to hear, this timeless George Gershwin piece is perfectly set for strings with optional percussion and arranged by Jerry Brubaker. Composed in 1928, then immortalized in the 1951 movie, it has become a classic. All the highlights are included in just over four minutes. (4:20) This title is available in MakeMusic Cloud.
SKU: GH.GE-11198
A4 inches.
For orchestra.
SKU: HL.49006185
ISBN 9790001067256. UPC: 884088077921. 12.0x16.5x0.153 inches. Latin - English - Italian.
4 (1. u. 2. auch Picc.) * 4 * 3 * Bassklar. * 2 Altsax. * Baritonsax. * 3 * Kfg. - 6 * 4 * 4 * 2 - P. S. (Trgl. * 4 hg. Beck. * 2 Tamt. * Rohrengl. * kl. Tr. * gr. Tr. * 4 Tomt * 2 Gongs * 2 Bong. * jav. Gong * Kuhgl. * Ratsche * Bambusrohr * Glass Chimes * Donnerblech * Peitsche * Clav. * Flex. * Glsp. * Vibr.) (4 Spieler) - Bass-Git. * Hfe. * Cel. * Harm. * Klav. * Org. - Str. (24 * 0 * 10 * 10 * 8).
SKU: AP.43835
UPC: 038081497082. English.
Designed to show two very different aspects of life in the state of Virginia, this programmatic work is a study in musical contrasts. The piece illustrates the contrast between a thriving metropolitan center with an area known for its peaceful beauty. Excellent for cross-curricular study! (3:40).
SKU: AP.46710
UPC: 038081539553. English.
An elegant, beautiful, sophisticated, and lyric piece in C Major, this new work includes melodic content for all, particularly the cellos. With opportunities for practicing shifting and developing musicality, it will suit any concert and is perfect for serious settings. Moment at Angels Landing by Bob Phillips provides great practice in 2nd and 3rd positions for violins and violas as well as 3rd and 4th positions for cellos and basses. There is some upper position work for the 1st violins---presented in divisi, so it is not required of all students. All students will have opportunities to work on a sustained and legato sound with connected bow strokes and sensitive phrasing.
SKU: HL.48187750
UPC: 888680868062. 5.5x7.5x0.34 inches.
W.A. Mozart: Concerto No.24 Pour Piano K.491 C Minor.
SKU: HL.49047172
UPC: 196288143406.
When the 24-year-old Richard Strauss, assistant conductor in Munich, began the composition of his third tone poem in the summer of 1888, he saw himself close to the aspiration prescribed by his mentor Alexander Ritter: to become the successor of Richard Wagner as a musical dramatist. Strauss had already been working on the text of his first opera Guntram for a year and additionally devoted himself to programmatic orchestral works oriented to the musical language of Liszt and Wagner in order to prepare himself compositionally for his new task. With the aid of Strauss and other musicians including Ludwig Thuille and Friedrich Rösch who had been gathering for “Ritter's round table†in Munich between 1886 and 1889, RitterÂ’s intention was to achieve success on a broad front with the New German School following the death of its two protagonists Wagner and Liszt. We do not know whether Ritter and his supporters jointly planned Strauss's compositional path towards opera, determined the subjectsof his prospective tone poems and considered various strategies of their musical realization, but the influence of this group shouldnot be underestimated. It cannot be ruled out that the number of three tone poems was fixed, as was their sequence of composition, which would progressively achieve its zenith in an increasing orientation to Liszt and Wagner. The circle could possibly have also discussed initial links to literary subjects (Macbeth and Don Juan) and ultimately the abstention from this practice in the third and final tone poem. The subject of the work, or rather in StraussÂ’s formulation its “poetic modelâ€, has occasionally been interpreted from an autobiographical aspect. Strauss however did not experience serious illness until May 1891 and once more in June 1892, long after Tod und Verklärung had been composed. Even without an external reason, the material would have been only too attractive for an admirer of Wagner and Liszt like Strauss, not to mention for his mentor Alexander Ritter. The concept of 'death and transfiguration' had already played a central role in LisztÂ’s symphonic poems Tasso and Prometheus.
SKU: BA.BA09176
ISBN 9790006528738. 30 x 23 cm inches. Key: B-flat major.
SKU: HL.48011541
UPC: 073999828214. 5.5x7.5x0.082 inches.
HPS 1270.
SKU: BT.MUSM570204922
English.
For Orchestra (triple winds). Published 1978.
SKU: HL.48022534
UPC: 196288141891. 9.0x12.0x0.081 inches.
For String Orchestra. Piano/Conductor Score.
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