SKU: LO.80-1107S
ISBN 9780787769758.
SKU: HL.48188177
Gagneux Reibel Chorus Choeur Et Generateur Ou Orgue Vents Score.
SKU: HL.48186552
UPC: 888680797379. 8.0x11.5x0.22 inches.
Composed in 1980, Ten pieces for Organ by Eugene Gigout is a piece that is widely enjoyed. Featuring the renowned Toccata in B minor which is often played in recitals, a Scherzo in E major can also be found among these pieces. Well-known as an organist, Eugene Gigout was also a composer and one of the main organists in one of Paris' main churches: Saint Augustin. Really good for interpretations, he was also at improvisations..
SKU: GI.G-003061
UPC: 641151030616.
Responding to the pastoral needs of church musicians, Luedecke researched WLP's extensive organ library and edited five volumes of music that are musts for any church organist. Table of Contents Canon on Ave Maris Stella, Raymond Keldermans Christus Vincit, Sr. Mary David Callahan, OSB Deo Gracias, Noël Goemanne Jesu Dulcis-Verbum Supernum, Victor Togni Veni, Veni, Emmanuel, Eugene Englert Ave Maria, Victor Togni Offertory on Regina Caeli, Eugene Hemmer Ave Verum, Sr. Mary David Callahan, OSB Salve Mater, Sr. Mary David Callahan, OSB Three Variations on Puer Nobis Nascitur, Tannis Grimes Ave Maria, Sr. Mary David Callahan, OSB Introduction and Two Versets on Pange Lingua, Edward Diemente  .
SKU: UT.HS-335
ISBN 9790215328532. 9 x 12 inches.
Walter Battison Haynes (1859-1900): Sonata in D minorHugh Blair (1864-1932): Short Sonata in G majorThe organ sonatas of Walter Battison Haynes and Hugh Blair demonstrate a notable peak in the development of the English organ sonata as a work that is musically cohesive. As discussed in The Genesis and Development of an English Organ Sonata (2017), the portfolio approach towards compositions under one title, a sonata, that included sometimes significantly contrasting movements of varying technical difficulty was common during the second half of the nineteenth century not least as a published example of the compositional skill of composers. Whereas these two sonatas join the tradition of works that could be convincingly played on both medium and large instruments and allow for creativity in registration they are also cohesive pieces that could serve in a concert programme. These works join the legacy of English organ sonatas that had an important pedagogical role jointly inherited from Mendelssohn’s very practical and popular approach to the instrument and the continued European legacy of the lesson-sonata tradition whereby in learning a piece you also learned the instrument and vice versa. They are both idiomatically written and musically rewarding pieces that are imbued with the undeniably English harmonic language of the era that was to remain popular for several decades to come.
SKU: M7.DOHR-19026
ISBN 9790202040263.
Mit großer Dankbarkeit blicke ich auf ein Dezennium beglückender Zusammenarbeit mit der Stiftskirche Banz zurück. Zehnmal in Folge war es mit vergönnt, an den Banzer Orgelkonzerten teilzunehmen. Gern nutze ich diesen Anlass, den Veranstaltern im Jahr des 300. Konsekrationsjubiläums mit einem eigenen Beitrag meinen Dank abzustatten. Die so entstandene Liturgische Suite berücksichtigt die katholische Messliturgie in zweierlei Hinsicht. Zum einen werden Lieder aus dem katholischen Gesangbuch Gotteslob verarbeitet. Zum anderen sind mit Präludium, Gabenbereitung, Kommunion und Nachspiel jene Stellen belegt, die eine freiere Gestaltung inner- wie außerhalb einzelner Festkreise gestatten. Das Nachspiel ist dem österlichen Jubel der Gottesmutter Maria gewidmet. Schließlich nutzt die Registrierung und Führung der Manuale die vielfältigen Möglichkeiten der großen Orgel der Banzer Stiftskirche in besonderer Weise. (Lothar Graap).
SKU: UT.HS-334
ISBN 9790215328525. 9 x 12 inches.
Bertram Luard-Selby (1853-1918): First SonataCharles Harford Lloyd (1849-1919): Sonata in D minorThe first sonata of Bertram Luard-Selby and the sonata of Charles Harford Lloyd are examples of works that demonstrate the transitional nature of the maturing English organ sonata. The portfolio approach towards compositions under one title, a sonata, that included sometimes significantly contrasting movements was common during the second half of the nineteenth century. It allowed composers to demonstrate their own compositional skill as well as highlight the tonal capabilities of the developing symphonic organ in England. The sonatas are playable on both small and large instruments and allow for creativity in registration. The technical difficulty varies between movements. As discussed in The Genesis and Development of an English Organ Sonata (2017), the English sonatas had an important pedagogical role jointly inherited from Mendelssohn’s very practical and popular approach to the instrument and the continued European legacy of the lesson-sonata tradition whereby in learning a piece you also learned the instrument and vice versa.
SKU: SU.80101396
Trilogy on B-A-C-H (2017) uses as its musical material a familiar four-note theme: the letters B-A-C-H (the last name of Johann Sebastian Bach) treated as a musical motive: B-flat, A, C, B-natural (H in German note naming). Starting with Bach himself, this theme has been used by a truly enormous number of composers over the centuries. Most B-A-C-H themed works (at least those for organ), tend to be extremely contrapuntal, likely taking their cue from much of Bach's own organ music. This piece explicitly goes in the other direction and use the theme primarily motivically/melodically and as a generating force for the kind of mixed modality that is typical of Cooman's music. The first movement is an energetic march. The second movement is a lyric meditation containing both an arioso and a short quasi-passacaglia, in which the B-A-C-H motive repeats slowly in the pedals. The last movement is a free fantasia: the motive appears both in chorale-like long notes and as a fast, turning figure. Instrumentation: Organ Duration: 12' Composed: 2017 Published by: Zimbel Press.
SKU: BA.BA11230
ISBN 9790006561049. 24 x 30.5 cm inches. Preface: Ripoll, Miguel Bernal / Doderer, Gerhard.
Joan Cabanilles was cathedral organist in Valencia and the towering figure in Spanish organ music of the late 17th century. His brilliant and diverse musical language, rooted in the traditional sounds of Spain, has not managed to reach a large audience outside the Iberian peninsula, although he is often called “a musician of European statureâ€. The aim of this three-volume Urtext edition is to grant access to his most appealing works. To this end, all available sources in the libraries of Astorga, Barcelona, San Lorenzo de el Escoreal, Felanitx/Mallorca, Jaca and Montserrat have been examined and newly evaluated.If Cabanilles’s oeuvre consists primarily of tientos, organ hymns and versets, the third and final volume contains three versos, three pasacalles, two galliards, two toccatas and such special forms as Paseos de tercer tono, Diferencias de FolÃas and a Jácara.„This is an excellent resource for organists interested in exploring this satisfying repertoire.“ (Brian E. Harlow, Journal of the Association of Anglican Musicians 1/2018)
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MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
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