SKU: LO.70-2458L

ISBN 9780787779177.

Printed from our digital subscription Lorenz Online, this volume of The Organistâ??s Library contains approximately 30 pieces of music that are satisfying to play but technically accessible and presented in a handy coil-bound format. These moderately challenging pieces for worship services feature hymn-tune settings, arrangements drawn from the classics, and original works. The duration, suggested registration, and common usages are provided for each title.

SKU: HL.44006366

ISBN 9789043102957. UPC: 884088084677. International (more than one language).

The sound of these compositions recalls the zest for life, the passion for adventure and the romance of the pioneer spirit that was young America. 17 songs: Passepied * Trumpet Voluntary * Fuga 1 * Voluntary 1 * Voluntary 2 * Festival Voluntary * Fuga a 3 Voce * Voluntary 3 * Impromptu * Fuga 2 * Legende * Gigue * Fughetta * Trumpet Tune * Postlude * Adeste Fideles * Variations on a Sicilian Folksong.

SKU: HL.14043034

ISBN 9788759829356.

Organisazione Populare Nr.3 Op. 351 was composed by Niels Viggo Bentzon .

SKU: HL.14043033

ISBN 9788759829349.

Organisazione Populare Nr.1 Op. 349 was composed by Niels Viggo Bentzon .

SKU: HL.14027350

6.75x9.75x0.12 inches.

Written for SA choir and organ.

SKU: CA.3105807

ISBN 9790007043216. Key: C major. Language: German/English.

The cantata O God, what glut of care and pain BWV 58, which Bach subtitled Dialogus and wrote for the Sunday after New Year, limits itself accordingly to the dialog couple consisting of soprano and bass; further soloists or a choir are not required. In the framing movements, the dialog takes on the form of a chorale arrangement: the soprano presents a cantus firmus whose words are consolingly commented on by the bass. Both the expansive chorale arrangements leave room for an aria which is framed by two recitatives. The cantata was composed for the Sunday after New Year 1727, but the received form is from a subsequent performance that took place six or seven years later. For this performance, Bach not only expanded the instrumentation but also replaced an entire aria. Later, he assigned the cantata to his annual cycle of chorale cantatas, probably due to its high proportion of chorales; this Sunday was missing in that annual cycle as there was no Sunday between New Year and Epiphany in 1725. Score available separately - see item CA.3105800.