SKU: MB.30965
ISBN 9781513470849. 8.75x11.75 inches.
Recorder specialist Marcia Diehl presents 41 favorite melodies from the Renaissance and early Baroque periods, each with suggested accompaniment chords. This era of music is particularly attractive on the recorder not only because of its lyrical qualities but also because the recorder was already one of the most popular, accessible instruments of the day.The collection features many dance tunes by Praetorius, Susato, Gervaise and John Playford plus familiar themes like â??Greensleeves,â? â??Drive the Cold Winter Away,â? and Thomas Morleyâ??s â??It Was a Lover and His Lass,â? which may have been used contemporarily onstage with William Shakespeareâ??s As You Like It. The book closes with two pieces by Beatrice de Dia, a trobairitz or female troubadour who wrote songs of courtly love.
SKU: GI.G-M585
English.
This major band method by James O. Frosethhas it all:* Artist performers set musical standards in sound with more than 80 great performanceson CD for every instrument, and one CD lasts for the entire book! Performers include Michael Henoch (Chicago Symphony Orchestra), Randall Hawes, Jeffrey Zook, Sharon Sparrow, Kevin Good (Detroit Symphony Orchestra), Albert Blaser (Cleveland State University), Brian Bowman (Duquesne University), Timothy McAllister (Crane School of Music, SUNY at Potsdam), Steve Houghton (LA percussion recording artist and clinician), Donald Sinta, Richard Beene, Bryan Kennedy, Debra Chodacki, Fritz Kaenzig (University of Michigan), Kristin Beene (Toledo Symphony Orchestra), and Jean Moorehead Libs (Plymouth Symphony Orchestra).* Professional studio backgrounds capture the rich diversity of American music culture with a repertoire of American, Latin American, African, European, and Far Eastern styles.* Music of other times includes 12th-century conductus, 15th-century Dance of the Bouffons, 16th-century French branle, 18th- and 19th-century folk songs and dances, 1940s and '50s jazz, blues, and rock-and-roll.* The repertoire and recorded contexts are motivating, informative, and entirely musical.* Every song includes text, providing information about phrasing, rhythm, style, affect, emotion, history, and culture.* A unique Rhythmic Pattern Dictionary allows students to “look it up†and “listen up.â€* An individualized format allows students to progress at different rates with a “themeand-variation†format.* Ear training and improvisation are integral parts of the lesson format.* A 550+ page teacher's resource edition and musical score provides options galore, including a double CD with “listen and play†exercises for group instruction, supplementary exercises for technical development, and resource material for improvisation and composition. All the resources needed for teaching to the National Standards for Music are provided. (Coordinates with rhythm flashcards)* Book 2 features innovative but optional use of world percussion instruments, as developed by percussion educator Steve Houghton.
SKU: BT.HITPCFLBCD
Un répertoire de douze pièces originales de styles variés, dans des tonalités simples, pour instrumentiste débutant. L'accompagnement piano fourni est de même difficulté que la partie fl te, et permet de jouer plusieurs dès le début de l'apprentissage, ou chez soi avec un orchestre enregistré sur le CD. Existe aussi pour le saxophone, la clarinette et la fl te traversière.
SKU: HL.50499261
ISBN 9790080147344. UPC: 884088949051. 12.0x8.25x0.414 inches. English.
Includes pieces by Janos Bali, Gyorgy Kurtag Jr., Andras Soos, and others. With detailed commentary, photos, and graphics. This book is a proclamation: it calls for artistic thinking that is intellectually liberated, musically appropriate to the material and appealing (that is, community-creating). It is addressed to those who in music do not merely look for the finished product, but are curious about the genesis and possibilities of music... --from book's foreword.
SKU: FZ.5844
ISBN 9790230658447. 22.00 x 31.00 cm inches.
These original publications of Loeillet, Fischer, Haendel and Croft are in facsimile on Fac-similes et Enseignement collection. Loeillet John : XII Solos six for a common flute and six for a german flute with a thorough bass. London, Walsh and Hare, c. 1729. Sonata IV : Largo, Poco Allegro, Adagio, Allegro, Presto. Fischer Johann : Musikalisch Divertissement bestehend in einigen Ouverturen und Suiten mit 2 Stimmen auff Violen/Haubois oder Fleutes douces zu gebrauchen. Dresden, J. Riedeln, 1699/1700. Suite en sol mineur, Ouverture, Air, Menuet, Menuet, Chique, Bourree, Menuet, Menuet. Handel Georg Friedrich : Sonates pour un traversiere, un violon ou hautbois con basso continuo. Amsterdam, Roger, 1727. Sonata XI : Larghetto, Allegro, Siciliana, Allegro. Croft William : Six sonates or solos three for a violin and three for the flute with a thorough bass. London, Walsh and Hare, 1700. Sonata I. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. This facsimile was realized by Susi Mohlmeier and Frederique Thouvenot for recorder. Facsimile of copies from: - British Library of London (England). - Herzog August Library of Wolfenbuttel (Germany). - National Library of Paris (France). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: FZ.5909
ISBN 9790230659093. 22.00 x 31.00 cm inches.
These original publications of Telemann, Dieupart, Mancini and Virgiliano are in facsimile on Fac-similes et Enseignement collection. Telemann Georg Philipp : Essercizii Musici. Hamburg, 1739. Solo 10 : Adagio, Allegro, Adagio, Allegro, Larghetto, Vivace. Dieupart Francois : Six Suittes de Clavessin. Amsterdam, Roger, 1701. 5e Suitte : Ouverture, Allemande, Courante, Sarabande, Gavotte, Menuet en Rondeau, Gigue. Mancini Francesco : XII Solos for a flute or a violin with a thorough bass. London, Walsh and Hare, 1727. Sonate VI : Largo, Allegro,Largo, Allegro. Virgiliano Aurelio : Il Dolcimelo. (s. d. n. l. , ca 1600). Ricercar per Flauto : Cornetto : Violino : Traversa. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. This facsimile was realized by Susi Mohlmeier and Frederique Thouvenot for recorder. Facsimile of copies from: - German National Library of Berlin (Germany). - Herzog August Library of Wolfenbuttel (Germany). - British Library of London (England). - Civico Museo Bibliographico Musicale of Bologna (Italy). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: HL.49003064
ISBN 9780946535033. UPC: 073999259070. 8.0x11.0x0.399 inches. English.
...this work is likely to become a standard work very quickly and is to be recommended to all schools where recorder studies are undertaken (Oliver James,Contact Magazine) A novel and comprehensive approach to transferring from the C to F instrument. 430 music examples include folk and national songs (some in two parts), country dance tunes and excerpts from the standard treble repertoire of Bach, Barsanti, Corelli, Handel, Telemann, etc. An outstanding feature of the book has proved to be Brian Bonsor's brilliantly simple but highly effective practice circles and recognition squares designed to give, in only a few minutes, concentrated practice on the more usual leaps to and from each new note and instant recognition of random notes. Quickly emulating the outstanding success of the descant tutors, these books are very popular even with those who normally use tutors other than the Enjoy the Recorder series.
© 2000 - 2024 Home - New realises - Composers Legal notice - Full version
