SKU: CY.CC3171

ISBN 9790530111413. 8.5 x 11 in inches.

Mahler composed his 3rd Symphony in the summers of 1893 and 1894 in Steinbach on the Attersee near Salzburg. He spent most of his days those two summers composing in a tiny hut built to his specifications where he could compose in the meadow on the shore of the lake - undisturbed. Movement 5, What The Morning Bell Tells Me includes the voices of women's chorus, children and alto soloist and is a relatively short 4-minute bright rowdy episode, full of laughing voices, bells and angels. Ohad Wand arranged this great music for 12-part Trombone Choir while studying at the Eastman School and it was subsequently beautifully recorded by the Eastman Trombone Choir, directed by Dr. John Marcellus.

SKU: CY.CC2734

Tchaikovsky's iconic Romeo and Juliet Overture is now available as a brilliant arrangement of the entire work for Trombone octet of advanced performers by Alexa Kuberra. The music is grand, sweeping, romantic, with dark tragic tones. The Trombone ensemble is an excellent medium for Shakespeare's and Tchaikovsky's works of genius.

SKU: CY.CC3167

ISBN 9790530111376. 8.5 x 11 in inches.

Motet Komm, Jesu, komm, BWV 229, for double choir, was most likely composed for a funeral written in Leipzig and first performed in 1731-32. It's biblical text was written as a poem by Paul Thymich. Mr. Sauer has done a magnificent job transcribing all six of Bach's choral motets BWV 225-230 for 8-part Trombone Ensemble. This is a major undertaking. All are very worthy additions to the Trombone Ensemble repertoire. This work for 8-part Trombone ensemble is in two movements and about 7 1/2 minutes in length. This music is appropriate for advanced performers. The top two voices have parts supplied in both alto and tenor clef.

SKU: SS.50001520

Partite is a continuous--that is, connected--set of variations on the chorale melody Herzliebster Jesu, was hast do verbrochen translated in some modern hymnals Ah Holy Jesus, how has Thou offended?. The basic form of the work is rather traditional--a theme played by bass trombone preceded by an introduction and followed by a series of variations. A more fundamental aspect, however, is the shape created by a succession of moods: the introduction is questioning, or perhaps questing; the statement of the theme is quiet but troubled; the three variations following become gradually more mocking and sarcastic, but are overcome by the serene and accepting final section, which incorporates one of J.S. Bach's most moving harmonizations of the chorale. Partite was commissioned by the University of Georgia Trombone Choir, Dr. Phillip Jameson, Director. It is dedicated to the memory of Mark A. Lea. Copyright 1987.

SKU: CY.CC3143

ISBN 9790530111116. 8.5 x 11 in inches.

Here is a description of this beautiful work by the composer: Reflection and Celebration for 8-part Trombone Ensemble is a musical homage to a man who was revered for his mentorship, musical intellect and delightful humor. The work opens with a somber melodic solo, capturing the noble spirit of this great mentor. Several repetitive 5-note ascending motives follow which is a symbolic reference to students learning and accomplishing under Conklin's mentorship. The bold fanfare style (in measure 32) is presented to capture the presence and tall stature of Conklin. Finally, Conklin's down-to-earth personality and his infectious humor is referenced (in measure 83). Even the fanfare theme returns in a faster tempo, thus highlighting the frivolity, lightheartedness, and wisdom of this adored music teacher. The music is about 6 1/2 minutes in length and is appropriate for moderately advanced performers.

SKU: CY.CC2849

* The Prelude in E-flat, subtitled “St. Anne” gets its nickname from the similarity of its fugue theme and a hymn tune by William Croft, however, scholars feel there is no realistic connection, as Croft's work was only known in the British Isles.
* Originally written for organ in 1736, this great music is the crowning achievement of a large volume of works for that instrument.
* Mr. Sauer's 11-minute arrangement of this monumental Bach Prelude is brilliantly worked out to the last detail for an 8-part Trombone choir of advanced performers.

SKU: CY.CC3066

ISBN 9790530110430. 8.5 x 11 in inches.

Nuages (Clouds) is the first movement from the orchestral tryptych, Nocturnes written in 1899 and inspired by a series of impressionist paintings by the same name by James Abbot McNeill Whistler. The work is flowing and mysterious and uses the sky as the musical canvas with the slow motion of the clouds floating across with the tones of color from white to dark gray. Randall Malmstrom's unique arrangement for 8-part Trombone Ensemble uses a family of mutes (optional....straight, cup and bucket) to bring out the colors of Debussy's work of genius.

SKU: CY.CC2289

Sonic Mobile by Malcolm Forsyth is a 7 minute work written in 2003 for Trombone Choir in 4 parts with some divisi, so ideally one would wish to have at least 8 performers on the parts. There are no extreme ranges, so this work is suitable for intermedi.

SKU: CY.CC5005

ISBN 9790530110409. 8.5 x 11 in inches.

Barumba is an original composition by former iTromboni Bass Trombonist Kenneth Pearce. It was the very first original composition written for the ensemble. Barumba is a light hearted, playful Bossa Nova which attempts to capture a bit of the droll humour of its composer! This 3-minute composition is scored for 4 Tenor Trombones, 1 Bass Trombone and is suitable for medium-advanced performers. Trombone 1 contains a repeated 16 bar improvised solo and Trombone 3 contains a high D!

SKU: CY.CC2580

Stephansdom is a new composition, descriptive of the iconic St. Stephan's Cathedral in central Vienna. Ryan Diefendorfer wrote this work for the Indiana University Trombone Ensemble for Bass Trombone solo and Trombone Choir (6-part) to be performed by Carl Lenthe at the 2012 Eastern Music Festival. Ryan's work was awarded the winner of the 2012 Eastern Trombone Workshop National Composition Competition.

St. Stephen's Cathedral, also known as Stephansdom, is one of Vienna's most remarkable city icons. Dating back to 1137, Stephandsom towers above the rest of Vienna's skyline and has been a constant presence in the lives of the Viennese for nearly one thousand years. Among the buildings that the Viennese find closest to their hearts, Stephansdom is certainly one of them

I. Groundbreaking
The first movement depicts the troubles that St. Stephen's Cathedral had in getting its groundbreaking as a church. The opening of the piece marks the celebration of the Viennese when St. Stephen's was first constructed in 1137, during the Romanesque era. However, the church faced many issues—from being destroyed by the Babenberg Empire to being decimated by a fire—before the church began its construction in the Gothic style in 1307. The first movement depicts these struggles before resolving to an open chord.


II. Steffl
Steffl, the nickname for Stephansdom's soaring north tower, is one of the characteristics of the cathedral that the Viennese find so endearing. This movement is very upbeat and is meant to portray the excitement shared by the Viennese for this beautiful addition to Stephansdom, which was completed in 1433. Stephansdom's north tower is the tallest structure in Vienna, and distinctly stands out within Vienna's skyline.


III. 1945
As World War II was coming to a close in 1945, Stephansdom's roof caught fire from a neighboring building, destroying large portions of the church. One climax occurs at m.30, which depicts Stephansdom's great bell, the Pummerin, crashing down to the ground. This movement depicts the chaotic nature of the raging fire of 1945.


IV. Anton Pilgrim
Anton Pilgrim was the last, and perhaps most beloved, architect who worked on St. Stephen's Cathedral in the Gothic style. One of his most famous projects was the St. Stephen's organ loft, which is depicted by an opening organ-like canon. The final movement to the piece ends in a chorale-like fashion, demonstrating the Viennese's love for Anton Pilgrim, as well as Stephansdom, one of Vienna's most iconic sights.

This work of 12 minutes in length is appropriate for advanced performers.

SKU: CY.CC2947

ISBN 9790530057667.

Bach's Toccata and Fugue in D minor BWV 565 is possibly the most famous work in the organ repertoire. It was written as early as 1704 while the composer was in his teens, which could explain some of its unusual features. It first appeared in publication in 1833 by way of Felix Mendelssohn.
The first appearance of this work as a transcription and recording for brass came in 1979 by Frederick Mills and the Canadian Brass, becoming an iconic work in the ensemble's repertoire.
Ralph Sauer has had a great deal of success with his transcriptions of Bach's works. This work of about 9 minutes in length for 8-part Trombone Ensemble of advanced performers is brilliantly thought out and can be the cornerstone of a concert program.

SKU: CY.CC3156

ISBN 9790530111239. 8.5 x 11 in inches.

Bach's Motet Singet dem Herrn ein neues Lied (Sing unto the Lord a new song) BWV 225 was first performed in 1727 and the text is based on Psalms 149 and 150. It is written for eight voices of two four-part choirs. Mr. Sauer has done a magnificent job transcribing all six of Bach's choral motets BWV 225-230 for 8-part Trombone Ensemble. This is a major undertaking. All are very worthy additions to the Trombone Ensemble repertoire. This work of three movements is about 13 minutes in length and appropriate for advanced performers. Mr Sauer suggests, Since a complete performance of this Motet is about thirteen minutes in length, any of the three movements may be performed separately. The top voices in each choir have parts supplied in both alto and tenor clef.