Violin - Grade 3

SKU: AP.50643

Composed by Bob Daisley, Ozzy Osbourne, and Randy Rhoads. Arranged by Mark Wood. Sheet; Solo. Mark Wood Series. Pop; Radio; Rock. Score. 12 pages. Alfred Music #00-50643. Published by Alfred Music (AP.50643).

ISBN 9781470652524. UPC: 038081574974. English.

Crazy Train was co-written by one of Mark Wood's main influences and favorite guitar players, Randy Rhoads, a neo-classical rock guitar player. When Wood discovered him, Rhoads was fully entrenched in the standard rock/blues style, yet had wonderful control of the flourish and esthetic of classical music in his playing. The influence was perfect for Mark Wood, who was an up-and-coming rock violinist at the time.

Full Score

SKU: HL.367910

For Violin and Orchestra Full Score. Composed by Michael Ellison. E.B. Marks. Softcover. 58 pages. Edward B. Marks Music #MP075013. Published by Edward B. Marks Music (HL.367910).

ISBN 9781705140451. UPC: 840126966787. 11.0x17.0x0.456 inches.

Premiere Slovak Radio Orchestra, June 30, 1992, Bratislava, Slovakia, Robert Black, conductor; Lydia Forbes, violin. Henry V is an overture, but with a violin protagonist. This is a concerto, but the density of interaction between soloist and orchestra is far more intense than in any previous work, whether classical or modern. Its form is somewhat analogous to sonata, but it middle sectionbreaks away completely from what has come before into an exhilarating 5-8 ostinato. There is a joy in dissonance here, an embracing of pain, and all the sorrow of existence, as part a Gita-like vision of the horrible, terrifying beauty of men throwing themselves into the slaughter, straining their utmost in a joyous ‘dance’of mud and death. As such, the energy of the piece is compact, and onfirst listen, potentially overwhelming. Metaphors of the individual coming out of a society, being influenced by and then interacting with that society, and then finally leading it are strongly evoked by this work in a non-specific, archetypal way. Winner of Marin Symphony (CA) Composers Symposium Competition (1993).

Solo Violin

SKU: SU.29110060

For Solo Violin. Composed by Wynton Marsalis. Strings, Violin. Unaccompanied. Score. Subito Music Corporation #29110060. Published by Subito Music Corporation (SU.29110060).

1. Sidestep Reel - In 19th Century America, the Afro-Celtic fiddle style was the centerpiece of many a dance. Reels and hornpipes were very popular forms. Their repetitive, even-metered rhythms were easy and fun to dance to, and their infectious singable melodies stayed in the mind and on the tongue. More adventurous fiddlers were given to syncopating on these forms by accenting off beats and by embellishing melodies with oddmetered note groupings. Syncopation is a fundamental rhythmic attitude of jazz and this movement is a celebration of that art. The melodic language is a home-grown concoction of commonality between traditional reels and hornpipes and the Baroque, Ragtime and the quartal concepts of Modern Jazz. 2. As the Wind Goes - the wistful late night song of a lullabye, a campfire song, a ballad...a spiritual. It is sung as if on the wind, yearning to experience once again that which will only ever again live as memory. 3. Jones’ Jig - the Irish Jig, the African 6/8 bell pattern, the shuffle rhythm of jazz and the drum style of Elvin Jones all play around with the relationship of 3 in the time-space of 2. The juxtaposition, negotiation and reconciliation of these opposing rhythmic perspectives create interesting musical relationships all over the globe. 4. Nicola’s Strathspey - In the traditional Strathspey, improvised embellishments, syncopated dotted rhythms and the use of space between notes create expectation, momentum and surprise. These same elements and their effect on the listener are the same in the blues. It seems like a natural marriage. 5. Bye Bye Breakdown - This is good ol’, Saturday night barn dance, hoedown fiddling. It revels in the whining cry of open double stops, in all types of musical onomatopoeia from train sounds to animal calls to country whistling, and in the steady 2/4 rhythm that is as basic as walking. The harmonic framework of several popular fiddle and folk tunes provide a practical grid for the cutting of challenging melodic and rhythmic figures. It is designed to tire fiddler and dancers out. Then we stomp our way home in varying states of delight and disrepair.Solo Violin Duration: 24' Composed: 2018 Published by: Wynton Marsalis (administered by Skayne's Music).

Improvise Like Never Before. Workout!. Composed by Klaus Dickbauer. Score and audio CD. With Standard notation. 44 pages. Universal Edition #UE36667. Published by Universal Edition

Violin Part Only. By Edward Huws Jones. (Violin). Boosey and Hawkes Chamber Music. Size 9x12 inches. 22 pages. Published by Boosey & Hawkes.

(Tunes Songs and Games for Young Players) Composed by Edward Huws Jones. Instructional book/collection for violin or viola and optional keyboard accompaniment. 30 pages. Published by Alfred Publishing.

(Violin). Arranged by Victor LÌ_pez. For Violin. Book; Mixed Instruments - Flexible Instrumentation. U.Play.Plus. Pop/Rock. Grade 2.5; Grade 3. 24 pages. Published by Alfred Music Publishing

Edited by David Brody. For violin. Format: fake book. With lead melody, chord names, instructional text and performance notes. Folk, americana and british. 302 pages. 9x12 inches. Published by Oak Publications.

For Violin, Clarinet and Piano. Composed by Gernot Wolfgang. Chamber music. Wind-piano chamber music. Score and set of parts. Published by Doblinger Music Publishers (DB.07-00365).