SKU: PR.114419290
ISBN 9781491135235. UPC: 680160676118. 9 x 12 inches.
Supported by a major commissioning award from the Serge Koussevitzky Music Foundation in the Library of Congress, my Chinese Folk Dance Suite is written for violin solo and orchestra, and premiered by The Women's Philharmonic with violin soloist Terrie Baune, conducted by Apo Hsu, on March 10, 2001, at Yerba Buena Center For the Arts Theater in San Francisco. Inspired by various Chinese traditional folk dances, I've composed three movements in the suite: 1) Lion Dance. Traditionally, people dance with richly decorated hand made lions, accompanied by percussion ensemble, to celebrate happy occasions and major festivals throughout the country. In the composition, I use Chinese drum and other percussion instruments in the background, to form a dynamic and rhythmic texture responding to the solo part, which imitates the tunes played on the suona (traditional Chinese trumpet). The pitch materials came from traditional Guangdong Music tune and Chaozhou Music tune ; 2) YangKo. Originated in northern China, it's a major folk dance form in mass performance popularized in the country. In YangKo performance, people always play rhythmic patterns on the drums hung around their waists while singing and dancing. In my second movement, I have imagined a warm scene of YangKo dancing in distance. The solo violin plays a sweet and gracious melodic line while all members in the orchestra sing the non-pitch syllables in different layers as the soft background, to imitate the percussion sound which produces the ever going pulse. 3) Muqam. It is a large scale traditional music and dance form from Uygur nationality in Xinjiang province, originated in the 15th century. In my third movement, I keep the meter of seven eight and the melodic style of Muqam music. The fiery dancing gesture cumulates the sustained climax section at the end of the work, after a colorful violin cadenza in both improvisational singing style and polyphonic writing with woven lines. Scored for 2 flutes (2nd doubling piccolo), 2 oboes, 2 clarinets in Bb, 2 bassoons, 4 French horns in F, 2 trumpets in Bb, 3 trombones, percussion 1 (3 congas, low tom-tom, temple block, paddle castanets), percussion 2 (snare drum, 6 small Beijing opera gong, 12 big Beijing opera gong, crotales, tambourine), percussion 3 (suspended cymbal, a pair of 6 Chinese cymbals, bass drum), solo violin, violins I, violins II, violas, cellos and double basses. Duration is about 16 minutes. The work is recorded on Bis [CD-1352] and released in 2003, performed by Cho-Liang Lin and the Singapore Symphony Orchestra, cond. by Lan Shui. Reduction for B-flat soprano saxophone and piano by Wong Tak Chiu (2017) and edited by Chen Yi (2018) The second movement YangKo is premiered by Dr. Wong and Korak Lerpibulchai at the Singapore Saxophone Symposium on 8/13/2017. The American premiere of the saxophone and piano reduction version of Chinese Folk Dance Suite is given by Chi Him Chik and Hao Yin at the Society for American Music National Conference in Kansas City, MO on 3/2/2018.
SKU: CF.YAS226
ISBN 9781491162743. UPC: 680160921492. Key: D major.
Chen Yi’s original A Set of Chinese Folk Songs included ten songs, first arranged for the vocal ensemble Chanticleer to perform with students in the “Singing-in-the-Schools†programs in the 1990's. Taken from a wide range of geographic regions in China, with rich characteristics and expressive contrast, the set has been sung by many choirs around the world in the past thirty years. Three songs from that collection have been thoughtfully arranged into a three-movement suite for intermediate string orchestras, bringing this beautiful Chinese folk music to even more young musicians. The celebratory Fengyang Song is from Anhui province which is popular in the whole country. The lyrical love song Flowing Stream is from Yunnan province in the southwest, and the passionate and vivid Mayila is from the ethnic group known as Kazakhs in the northwest.
SKU: HL.49033087
ISBN 9790001131599. UPC: 884088107635. 8.25x11.5x0.379 inches.
3 (2. auch Picc., 3. auch Picc. u. Altfl.) * 3 (3. auch Engl. Hr.) * 3 (3. auch Bassklar.) * Altsax. * 3 (3. auch Kfg.) - 4 * 3 * Basstrp. * 3 * 1 - P. S. (3 hg. Beck. * chin. Gong * Trinidad Steel Drum * 3 Tamt. * 4 Tomt. * Tamb. * kl. Tr. * gr. Tr. m. Beck. * Kast. * Flex. * Peitsche * Vibr. * Marimba) (7 Spieler) - Hfe. * Cel. * Klav. - Str.
SKU: AP.24735S
UPC: 038081268668. English.
This substantive four-movement suite encompasses several musical styles: legato, swing, march, and more, with a spirited bravura conclusion that students and audiences will love. The contrasting movements include the lyrical River Echoes, the jazzy Railroads, the hard-driving Machines section, and the climactic Traditions finale. Though written to represent central Illinois, each movement references significant events encompassing several periods in U.S. history. Kevin Mixon's River Valley Legacy offers abundant opportunities for cross-curricular instruction with a piece that is sure to be a favorite at your next concert.
SKU: HL.49032768
ISBN 9790001121965. UPC: 884088863036. 8.25x11.75x0.75 inches.
Altpos. * Tenorpos. * Basspos. * Tb. - S. (Tamb. * Trinidad steel drum * chin. Bl. * Peitsche * Flex. * Vibr.) (2 Spieler) - Hfe. - Str. (4 * 0 * 3 * 3 * 1)Orchester II 'Adonis': 3 Ob. (3. auch Engl. Hr.) * 3 Fag. (3. auch Kfg.) - 4 Hr. - S. (P. * 4 Tomt. * 4 Woodbl. * Kast) (2 Spieler) - Cel. - Str. (4 * 0 * 3 * 3 * 1)Orchester III 'Mars': 3 Klar. (2. auch Es-Klar., 3. auch Bassklar.) - 3 Trp. * Basstrp. - S. (P. * 3 hg. Beck. * 3 Tamt. * chin. Gong * kl. Tr. * gr. Tr. m. Beck. * Marimba) (3 Spieler) - Klav. - Str. (4 * 0 * 3 * 3 * 1)Altpos. * Tenorpos. * Basspos. * Tb. - S. (Tamb. * Trinidad steel drum * chin. Bl. * Peitsche * Flex. * Vibr.) (2 Spieler) - Hfe. - Str. (4 * 0 * 3 * 3 * 1)Orchester II 'Adonis': 3 Ob. (3. auch Engl. Hr.) * 3 Fag. (3. auch Kfg.) - 4 Hr. - S. (P. * 4 Tomt. * 4 Woodbl. * Kast) (2 Spieler) - Cel. - Str. (4 * 0 * 3 * 3 * 1)Orchester III 'Mars': 3 Klar. (2. auch Es-Klar., 3. auch Bassklar.) - 3 Trp. * Basstrp. - S. (P. * 3 hg. Beck. * 3 Tamt. * chin. Gong * kl. Tr. * gr. Tr. m. Beck. * Marimba) (3 Spieler) - Klav. - Str. (4 * 0 * 3 * 3 * 1).
SKU: CL.012-1934-02
SKU: CL.012-1934-00
The total spectrum of band color appears in this brilliant composition by the master of this band medium. A beautiful lyric section is surrounded by flashing woodwinds and punctuating brass and percussion in the outer sections. Beautifully cross-cued, but still requires good instrumentation and capable players. Exceptional closing number!
SKU: CL.012-1934-01
SKU: PR.114419280
ISBN 9781491132357. UPC: 680160676125.
Inspired by Chinese tradition, this concerto-like dance suite includes: 1. Lion Dance, 2. YangKo, and 3. Muqam. Each movement draws from melodies and rhythms characteristic of various regions of China many centuries ago. CHINESE FOLK DANCE SUITE is available for violin with full orchestra, or as a recital work with piano.Supported by a major commissioning award from the Serge Koussevitzky Music Foundation in the Library of Congress, Chinese Folk Dance Suite is written for solo violin and orchestra; it was premiered by The Women’s Philharmonic with violin soloist Terrie Baune, conducted by Apo Hsu, on March 10, 2001, at Yerba Buena Center For the Arts Theater in San Francisco.Inspired by various Chinese traditional folk dances, the suite has three movements:I. Lion Dance. Traditionally, people dance with richly decorated hand-made lions, accompanied by percussion ensemble, to celebrate happy occasions and major festivals throughout the country. In this composition, I use Chinese drum and other percussion instruments in the background, to form a dynamic and rhythmic texture responding to the solo part, which imitates the tunes played on the suona (traditional Chinese trumpet). The pitch materials came from the traditional Guangdong tune “Dragon Boat Racing,†and the Chaozhou tune “Lion Playing Ball.â€II. YangKo. Originating in northern China, this is a major folk dance form in mass performance popularized in the country. In YangKo performance, people play rhythmic patterns on the drums hung around their waists while singing and dancing. In the second movement, I imagined a warm scene of YangKo dancing in distance. The solo violin plays a sweet and gracious melodic line while all members of the orchestra sing non-pitched syllables in different layers as the soft background, to imitate the percussion sound which produces the ever-going pulse.III. Muqam. This large-scale music and dance form, from the Uygur nationality in Xinjiang province, originated in the 15th century. My third movement use a 7/8 meter and the melodic style of Muqam music. The fiery dancing gesture culminates in the sustained climax section at the end of the work, after a colorful violin cadenza in both improvisational singing style and polyphonic writing with woven lines.
SKU: HL.49018708
ISBN 9790001175838. 8.25x11.75x0.225 inches.
Jorg Widmann dedicated 'Freie Stucke' to his teacher Wolfgang Rihm on his fiftieth birthday in 2002. The ten pieces for mixed ensemble or orchestra are 'inspired by the wish for concentration and reduction. Each piece focusses on one sound phenomenon (pulse, shaking ground, noise, monophony, overtone structures, etc.). All parts are locked together, however. The ending of each piece is the beginning of the next one. Thus, something disparate becomes something continuously narrated.' (Jorg Widmann)2 (2. auch Picc.) * 1 (auch Engl. Hr.) * 2 (1. auch Bassklar., 2. auch Kb-Klar., beide auch Pedalp.) * 1 (auch Kfg. und Lotosfl.) - 1 * 1 (auch Lotosfl.) * 1 * 0 - S. (I: Crot. * Lotosfl. * Wassergong [kl. Tamt.] * Wassergong [c']* Tamt. * Xylorimba * gr. Tr. * Beck. * Glsp. * 5 Woodbl. * 2 Peking-Oper-Gongs * Trillerpf. * hohes Tomt. * 2 hohe Tamb. * Steel Drum * Rototoms [chrom.] * Buckelgongs; II: Chin. Beck. * 5 Woodbl. * Lotosfl. * Pedalpauke [auch m. schwerem 20-Zoll-Ride-Beck. m. Kuppe aufgelegt] * 5 Beck. * Xylorimba * Peitsche * gr. Tr. * Crot. * Trgl. * Glsp * Flex. * Guiro * Peking-Oper-Gong * Trillerpf. * Rohrengl.) (2 Spieler) - Str. (1 * 1 * 1 * 1 * 1 [Kb. mit 5. Saite H], oder chorisch).
SKU: M7.AST-87
ISBN 9790203800873.
SKU: HL.49045135
ISBN 9790001202121. 8.25x11.75x0.374 inches. French.
Thierry Pecou lasst die untergegangenen Kulturen der Maya und Azteken in einer symphonisch-vokalen Musiksprache wieder auferstehen. Der geschmeidige Jaguar reprasentierte in den vorkolumbianischen Welten nicht nur die Macht des Konigs, er symbolisierte auch den nachtlichen Lauf der Sonne durch die todgeweihte Unterwelt.3 (3. auch Picc.) * 3 (3. auch Engl. Hr.) * 3 (3. auch Bassklar.) * 3 (3. auch Kfg.) - 4 * 3 (3. auch Piccolotrp. in B) * 3 * 1 - P. S. (I: Crot. * Beck. [crash] * hg. chin. Beck. * Tamt. * Bong. * Tomt. * gr. Tr. * chin. Bl. * Holzbl. * Cencerros; II: Crot. * Plattengl. * hg. Beck. * chin. Beck. * Gongs * thai. Gong * Tamt. * Tamt. [gross] * Bong. * Cong. * Tumba * gr. Tr. * Metal Chimes * Teponatzli [hoch]; III: P. * Crot. * geschlagene Beck. * chin. Beck. * gr. Nietenbeck. * thai. Gong * Tamt. * 2 Rahmentr. * gr. Tr. * Teponatzli [mittel]) (3 Spieler) - Str. (16 * 14 * 10 * 8 * 6).
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