SKU: AP.49618S
ISBN 9781470651350. UPC: 038081572260. English.
Hot House arranged by Mike Kamuf is an exciting swinger on a great jazz standard played at 154 BPM. The distinctive melody is handled by alto 1 and trumpet 2 with written solos for both. It also features a serious sax soli, optional vibes, lead trumpet range to written B-flat above the staff (optional C), plus a powerful shout chorus---all make a first-class chart! (4:34).
SKU: BR.PB-5329
ISBN 9790004210420. 10 x 12.5 inches.
According to the date inscribed in Wolfgang Amadeus Mozart's autograph score, the present mass was composed in March 1780. The instrumental setting (oboes, trumpets and timpani add color and festive splendor to the work) rightly suggests that the work was in all likelihood performed with the Church Sonata K. 336 at the Easter high mass in the Salzburg cathedral. Since Archbishop Hieronymus Count Colloredo wanted the mass text to be treated as succinctly as possible, Mozart offered him a richly orchestrated Missa solemnis in the terse form of a Missa brevis.The brilliant, festive character of the Mass K. 337 is abruptly interrupted by a powerful Benedictus in a harsh A minor, the most striking and revolutionary movement in all of Mozart's Masses, in the strictest contrapuntal style ... (Alfred Einstein). What could have inspired Mozart to such unexpected rigor? But there is another surprise yet: while the dark drama of the Holy Week seems to radiate from this Benedictus, the following Agnus Dei in the distant key of E flat major sounds, with its soprano solo and concertante oboe, bassoon and organ, like a song of thanksgiving filled with the warmth and light of Easter.Other features worth noting are the three unisons between the alto and bass heard at the Deus pater omnipotens in the Gloria (bars 22-32), the a cappella illumination of the words Jesu Christe found a little later (bar 62) and the descending chromaticism evocative of death at the Crucifixus in the Credo. (Incidentally, Mozart had initially planned a different movement for the Credo of this mass, superscribed Tempo di Chiaconna; he wrote out 136 bars but, for some unknown reason, never completed it.)While the Coronation Mass K. 317 of 1779 is one of Mozart's most well-known mass settings, its later composed frllow piece K. 337 - Mozart's last completed mass before the great C minor fragment K. 427 (417a) - has been paid less attention, even though it is an outstanding example of the Mozartian mass type and contains parallels to the Coronation Mass in its disposition and in the structure of its various movements. The score and piano reduction of this new edition were prepared on the basis of the autograph (Osterreichische Nationalbibliothek/Vienna, dass. no. Mus. Hs. 18 97512) and the Salzburg performance material (Staats- und Stadtbibliothek/Augsburg, dass. no. Hl. Kreuz 9). We wish to thank both libraries for putting the source material at our disposal.Franz Beyer, Munich, Spring 1998.
SKU: CY.CC3095
ISBN 9790530110720. 8.5 x 11 in inches.
Bruckner's Ave Maria (WAB 7) written in 1882 for solo alto voice and organ is lush and contains a plainchant section in the middle of the A-B-A form work. Jeff Reynolds' arrangement has added an optional Contrabass part to the bottom of this splendid 4-part work for Trombone ensemble and also added tuning marks to guide performers towards perfect just ensemble tuning. This 3 minute work is appropriate for moderately advanced performers (tenor clef in part 1 and top note is a high B-flat).
SKU: AP.46164
UPC: 038081529028. English.
Yep, it's in 4/4 not 5/4. A clever chart on a super classic that everyone will recognize, young or old. The bossa nova tempo is around 130 BPM and there are written suggested solos for piano and alto sax. Lead trumpet range is to written B-flat above the staff, and an interlude reoccurs to offer contrast. It all works great! Take Five has been skillfully arranged by John Zontek. (4:50).
SKU: HL.44012665
SKU: AP.47504S
UPC: 038081546728. English.
This wonderful jazz standard swings at 160 BPM with the opening melody line played by alto, tenor, trumpet, and trombone. Sample jazz solos are provided for tenor 1, trumpet 2, drums, and the lead trumpet range is up to written B-flat above the staff. Sax solis, a shout chorus, and superb writing throughout create a top-shelf chart.
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