SKU: HL.14041762
9.0x12.0x0.071 inches.
'Romance for violin and piano is a short, reflective piece that exploits the lyrical qualities inherent in the combination. Originally written for a very young but talented violinist, Romance travels through numerous moods andcolours within a continuous musical development of the opening material. At first gentle and reflective with increasing dramatic outbursts outlined by the violin sforzandi and parallel sixths in the piano writing, numerous shortsolo passages in both instruments culminate in a fiery climax. Quickly subsiding into the calmer yet now more melancholy strains of the earlier stages of the piece, the ending is somewhat incomplete. This seems to suggest acontinuous turn of events alluded to in the music.' - Helen GrimeBorn in 1981, Helen studied oboe with JohnAnderson and composition with Julian Anderson and Edwin Roxburgh at the Royal College of Music. She graduated from the BMus course with First Class Honours and completed her Masters with Distinction in 2004. From 2005-07, Helenwas a Legal & General Junior Fellow at the Royal College of Music. In 2003 she won a British Composer Award for her Oboe Concerto, and was awarded the intercollegiate Theodore Holland Composition Prize in 2003 as well as allthe major composition prizes in the RCM. In 2008 she was awarded a Leonard Bernstein Fellowship to study at the Tanglewood Music Center where she studied with John Harbison, Michael Gandolfi, Shulamit Ran and Augusta Read Thomas.Helen has had works commissioned by some of the most established performers and organisations including ENO, London Symphony Orchestra, BCMG, Britten Sinfonia, BBC Scottish Symphony Orchestra and the Tanglewood Music Center.Conductors who have performed her work include Daniel Harding, Oliver Knussen, Pierre Boulez and Yan Pascal Tortelier. Helen is the 2010 recipient of the Lili Boulanger Memorial Fund and Associate Composer of The Halle from the.
SKU: CF.PPS41
ISBN 9781491147047. UPC: 680160904549. 9 x 12 inches.
Emergence is a positive and uplifting composition for the youngest of concert band students that uses only the first six notes of the Bb concert scale. The sheer joy and excitement beginners exhibit from the discovery inherent in learning their instruments is a wonderful thing. This piece was written as a representation of that joy as these young students emerge from their first foray into music and glimpse of the musicians they can become.
SKU: CF.PPS41F
ISBN 9781491147740. UPC: 680160905249. 9 x 12 inches.
SKU: BT.DHP-1064151-010
9x12 inches. English-German-French-Dutch.
Maria durch ein? Dornwald ging (Blest Mary Wanders Through the Thorn) is a traditional German Christmas song. The earliest known version is recorded in the Andernacher Gesangbuch from 1608. Halfway through the nineteenth century it was a regional pilgrimage song in Thüringen, and at the beginning of the twentieth century, the current version was registered in the songbook Zupfgeigenhansl of the German youth movement. Michael Bilkes used the well-known melody to create this attractive arrangement for concert band.Maria durch ein’ Dornwald ging (Maria door een doornwoud trad) is een traditioneel Duits kerstlied. De oudst bekende versie is opgetekend in het Andernacher Gesangbuch uit 1608. Halverwege de negentiende eeuw was heteen regionaal bedevaartslied in Thüringen en aan het begin van de twintigste eeuw werd het in de huidige versie opgenomen in het liedboek Zupfgeigenhansl van de Duitse jeugdbeweging. Maria durch ein’ Dornwald ging heeftal vele arrangeurs ge nspireerd tot het schrijven van koorbewerkingen. Michael Bilkes verwerkte de bekende melodie in een sfeervol arrangement voor harmonieorkest.Maria durch ein’ Dornwald ging ist ein traditionelles deutsches Adventslied, dessen früheste überlieferte Version im Andernacher Gesangbuch von 1608 dokumentiert ist und seither viele Arrangeure zu Bearbeitungen für diverse Instrumentalbesetzungen und Chöre inspiriert hat. Michael Bilkes verwendete die bekannte Melodie für diese gefühlvolle Bearbeitung für Blasorchester. Maria durch ein’ Dornwald ging est un chant de l’Avent allemand publié pour la première fois dans le recueil de cantiques Andernacher Gesangbuch (1608). La version actuelle a été publiée au courant du XXe siècle dans un recueil de chants l’usage du Mouvement allemand de la Jeunesse. Maria durch ein’ Dornwald ging a inspiré de nombreuses adaptations pour Choeur. L’arrangement pour Orchestre d’Harmonie de Michael Bilkes est basé sur la mélodie du chant.Maria durch ein’ Dornwald ging è un canto di Natale tedesco pubblicato per la prima volta nella raccolta di cantici Andernacher Gesanbuch (1608). La versione attuale è stata pubblicata nel corso del XX secolo in una raccolta di canti per il Movimento tedesco della gioventù. Maria durch ein’ Dornwald ging ha ispirato numerosi adattamenti per coro. L’arrangiamento per orchestra di fiati di Michael Bilkes è basato sulla melodia del canto.
SKU: BT.DHP-1064151-140
Maria durch ein? Dornwald ging (Blest Mary Wanders Through the Thorn) is a traditional German Christmas song. The earliest known version is recorded in the Andernacher Gesangbuch from 1608. Halfway through the nineteenth century it was a regional pilgrimage song in Thüringen, and at the beginning of the twentieth century, the current version was registered in the songbook Zupfgeigenhansl of the German youth movement. Michael Bilkes used the well-known melody to create this attractive arrangement for concert band.Maria durch ein’ Dornwald ging ist ein traditionelles deutsches Adventslied, dessen früheste überlieferte Version im Andernacher Gesangbuch von 1608 dokumentiert ist und seither viele Arrangeure zu Bearbeitungen für diverse Instrumentalbesetzungen und Chöre inspiriert hat. Michael Bilkes verwendete die bekannte Melodie für diese gefühlvolle Bearbeitung für Blasorchester. Maria durch ein’ Dornwald ging est un chant de l’Avent allemand publié pour la première fois dans le recueil de cantiques Andernacher Gesangbuch (1608). La version actuelle a été publiée au courant du XXe siècle dans un recueil de chants l’usage du Mouvement allemand de la Jeunesse. Maria durch ein’ Dornwald ging a inspiré de nombreuses adaptations pour Choeur. L’arrangement pour Orchestre d’Harmonie de Michael Bilkes est basé sur la mélodie du chant.Maria durch ein’ Dornwald ging è un canto di Natale tedesco pubblicato per la prima volta nella raccolta di cantici Andernacher Gesanbuch (1608). La versione attuale è stata pubblicata nel corso del XX secolo in una raccolta di canti per il Movimento tedesco della gioventù. Maria durch ein’ Dornwald ging ha ispirato numerosi adattamenti per coro. L’arrangiamento per orchestra di fiati di Michael Bilkes è basato sulla melodia del canto.
SKU: HL.197507
UPC: 888680645953. 6.0x12.25x7.25 inches.
It is believed that the first bongo drums were used in Cuba during the late 19th century. They were used for the music styles called Changui amd Son. This music originated with equal influences from both the African and Spanish cultures that lived in Cuba during that time. It eventually evolved into today's Salsa. Bongos are made of two differently-sized drums that are attached to one another. The larger one is called the “hembra†(meaning female in Spanish) and the smaller one is called the “macho†(meaning male). Tuned to varying pitches, the two are played together to create different tones and rhythms within a musical piece. Children can enjoy playing the IQ Plus Bongos by clamping it between their legs, adjusting the macho to lean against one thigh, hembra angles down against the opposite calf, and start making music by striking the drums with the pads of their fingertips. The bongos are one of the most popular instruments for beginner percussion players as it is one of the easiest to learn. Children will be able to enjoy creating different rhythms and sounds along with other percussion instruments as part of a band, or they can play individually as well! Features: •Constructed of environmentally friendly rubber wood •Equipped with premium buffalo skin heads •Durable and light weight, easy for children to hold and play.
SKU: HL.49018947
ISBN 9790001149686. German.
Heinrich Poos (born 1928) is one of the great German composers of choral music of our time. In his 'Orpheus' cycle, Poos takes up the ancient myth of the singer and poet Orpheus who is a symbol of the power of music. The three-part work is based on texts from classical antiquity, the Middle Ages and the present time which are all dealing with the issue of 'music', texts by Plato, Virgil, Ovid, Shakespeare, Edward Bond. In addition to a powerful choir, the 40-minute work requires a narrator and a differentiated instrumental ensemble.
SKU: BT.DHP-0981286-010
The Baroque is a period of frills and ornaments, wether in architecture, painting or music. An easy melody passes through a variety of arrangements. From brass quintet and different tutti parts, all the sections are in action. Fortified by a drum set and an (optional) electric bass, the piece is given a modern touch and becomes more acceptable to the audience. A follow-up to Rondo Romantica, this piece was composed in December 1997. De barok: een tijdperk van speelsheid in de architectuur, de schilderkunst en de muziek. In dit werk wordt een eenvoudig in het gehoor liggende melodie door veel verschillende arrangementen geleid. Van het koperkwintet tot enkele tuttidelen zijn alle secties in actie. Versterkt door de drumset en de basgitaar krijgt het stuk een moderne touch. Hierdoor wordt het extra aantrekkelijk voor het publiek! In diesem fröhlichen Werk des österreichischen Komponisten Otto M. Schwarz kommt wirklich jede Instrumentengruppe Ihres Blasorchesters zum Zuge. Ein spielerisches Barock-Thema wird durch einen flotten Schlagzeug-Rhythmus unterlegt und wird somit zu einer swingenden Nummer für Ihr nächstes Konzert! Le baroque : un style et une époque marqués par la légèreté qui a investi tous les domaines artistiques (architecture, peinture, musique, etc.). Dans ce morceau, la mélodie simple est jouée plusieurs fois dans des arrangements différents. Tous les pupitres sont sollicités afin que l’on entende aussi bien des tutti que des interventions du quintette de cuivres. La batterie et la guitare basse donnent au morceau une touche moderne très attrayante. Rondo Barocco, qui s’inscrit dans la lignée de Rondo Romantica, est une oeuvre adaptée aux orchestres juniors et aux formations plus expérimentées.Il barocco: uno stile e un’epoca contraddistinti dalla leggerezza che ha infl uenzato tutti i campi artistici (architettura, pittura, musica, ecc.). In questo brano, la semplice melodia è eseguita a più riprese in diversi arrangiamenti. Tutte le sezioni della banda sono sollecitate per far sì che si possano ascoltare vari passaggi in tutti, ma anche degli interventi del quintetto di ottoni. La batteria e la chitarra apportano un tocco moderno ed accattivante. Rondo Barocco è un brano a sicuro effetto che delizier il pubblico.
SKU: BT.DHP-0981286-140
SKU: BT.VOLMB39
ISBN 9788863880373. Italian-French-Spanish.
Suzuki Violin School Volume 3. E’ il 3° volume del Metodo Suzuki dedicato al violino, pubblicato in una nuova edizione, per la prima volta anche in italiano.I temi di studio affrontati sono, in particolare: il progresso attraverso l’ascolto musicale, la tonalization, l’intonazione accurata, lo studio del fraseggio. Sono inclusi esercizi per il vibrato.
About Suzuki Method
The Suzuki Method is based on the principle that all children possess ability and that this ability can be developed and enhanced through a nurturing environment. All children learn to speak their own language with relative ease and if the same natural learning process is applied in teaching other skills, these can be acquired as successfully. Suzuki referred to the process as the Mother Tongue Method and to the whole system of pedagogy as Talent Education. The important elements of the Suzuki approach to instrumental teaching include the following:an early start (aged 3-4 is normal in most countries); the importance of listening to music; learning to play before learning to read; -the involvement of the parent; a nurturing and positive learning environment; a high standard of teaching by trained teachers; the importance of producing a good sound in a balanced and natural way; core repertoire, used by Suzuki students across the world; social interaction with other children. Suzuki students from all over the world can communicate through the language of music.
SKU: BT.BMI15010643
ISBN 9789043147880. English-German-French-Dutch.
This album contains fifteen easy compositions for piano solo, inspired by the city: from honking cars, and dark alleys to imposing skyscrapers…one of the pieces is even based on mobile phone ringtones. The album is aimed at students who have beenplaying the piano for three to four years; the level of difficulty varies for each piece some are slightly easier, or trickier, than the others. Each work has its own specific mood and style, and where possible I have also tried to incorporatevarious techniques or characters within one composition. This music would make a suitable competition selection, as well as appropriate concert or exam pieces.Deze pianobundel bestaat uit vijftien eenvoudige composities voor pianosolo, ge nspireerd op de geluiden van een stad: van toeterende auto’s, duistere stegen tot imposante wolkenkrabbers… Er zit zelfs een werkje bij dat is gebaseerd op gsm-ringtones.Het album is bedoeld voor leerlingen die drie vier jaar piano spelen; de moeilijkheidsgraad varieert per stuk het ene is wat makkelijker of moeilijker dan het andere. Elk werk heeft een specifieke sfeer en stijl, en waar mogelijk heb ik ookgeprobeerd om diverse technieken of karakters in één compositie te verwerken. De muziek is daarom erg geschikt als verplicht werk, en eveneens om te spelen tijdens een concert of examen.Dieses Album enthält 15 leichte Kompositionen für Klavier solo, die von Klängen der Stadt inspiriert wurden: von hupenden Autos und dunklen Gassen bis hin zu imposanten Wolkenkratzern. Ein Stück basiert sogar auf Handyklingeltönen. Das Album richtetsich an Schüler, die seit drei oder vier Jahren Klavier spielen. Der Schwierigkeitsgrad der Stücke ist unterschiedlich manche sind etwas einfacher, manche schwieriger als die anderen Stücke. Jedes Werk hat eine eigene Stimmung und einen speziellenStil. Wo es möglich war, habe ich auch versucht, verschiedene Techniken oder Charaktere innerhalb einer Komposition zu verwenden. Diese Musik eignet sich gut für Wettbewerbe, aber auch als Konzert- oder Prüfungsstücke.Cet album contient quinze compositions faciles pour piano solo, inspirées par les sons d’une ville : des voitures klaxonnantes et ruelles sombres aux gratte-ciels imposants…l’un des morceaux est même basé sur des sonneries de portable. L’album viseles étudiants jouant du piano depuis trois ou quatre ans ; le niveau de difficulté varie entre chaque pièce - certaines sont plus faciles que d’autres. Chaque morceau a son propre ton et style, et, si possible, j’ai aussi essayé d’inclure destechniques et caractères différents par composition. Cette musique est convenable pour des concours, concerts ou examens.
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