Orchestra Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Celesta, Cello, Clarinet 1, Clarinet 2, Contrabass, Cowbell, Flute 1, Flute 2, Flute 3, Gong, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Piccolo, Small Pandeiro, Timpani, Trombone 1 and more.

SKU: CF.O5073

Composed by Marga Richter. BOE. Christmas and Holiday. Large Score. With Standard notation. Composed 1976. 48 pages. Duration 13 minutes. Carl Fischer Music #O5073. Published by Carl Fischer Music (CF.O5073).

ISBN 9780825800634. UPC: 798408000639. 9 X 12 inches. Boe.

Orchestra Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Celesta, Chimes, Clarinet, Clarinet 1, Clarinet 2, Claves, Contrabass, Contrabassoon, Cowbell, Crotales, English Horn, Glockenspiel, Harp, Horn 1, Horn 2, Horn 3, Horn 4, Maracas, Marimba, Oboe 1 and more.

SKU: PR.11641737S

Composed by Steven Stucky. Study Score. 68 pages. Duration 9 minutes. Merion Music #116-41737S. Published by Merion Music (PR.11641737S).

ISBN 9781491136133. UPC: 680160688432.

Son et lumière (“sound and light,” a kind of show staged for tourists at historic sites or famous buildings) is an orchestral entertainment whose subject is the play of colors, bright surfaces, and shimmery textures. I have tried in this music to recapture the élan and immediacy that regular meters and repetitive rhythms make possible—something forbidden during the modernist regime but recently restored in the post-modern work of composers like John Adams, Steve Reich, and others. Throughout its brief nine-minute span, then, the piece is built almost exclusively of short, busy ostinato figures—my attempt, I suppose, to achieve the rhythmic vitality of minimalism, but without giving in to the over-simple harmonic language that usually comes with it.Surprisingly, the musical materials seemed determined to shape themselves into an approximation of nineteenth-century sonata form. We hear an introduction, a first theme (based on triadic broken chords), a second theme (beginning with the flute solo), and a closing theme (led by two piccolos). In a sort of development section, these materials are recombined in new ways; in a recapitulation, both the first and second themes are recalled more or less intact (part of the second is actually repeated quite literally).Then, in the coda, a second surprise: as if another, different music has been lurking all the while behind the shiny surface, the strings now unexpectedly split off from the rest of the orchestra to assert a new, more passionate, more “serious” voice, transcending the external show of sound and light.Son et lumière, commissioned by the Baltimore Symphony Orchestra, was composed between June and December 1988 in Ithaca (N.Y.), in Los Angeles, and at the artists’ colony Yaddo, in Saratoga Springs (N.Y.). David Zinman conducted the first performance in Baltimore on 18 May 1989; André Previn gave the West Coast premiere with the Los Angeles Philharmonic on 18 January, 1990.
Son et lumière (“sound and light,” a kind of show staged for tourists at historic sites or famous buildings) is an orchestral entertainment whose subject is the play of colors, bright surfaces, and shimmery textures. I have tried in this music to recapture the élan and immediacy that regular meters and repetitive rhythms make possible—something forbidden during the modernist regime but recently restored in the post-modern work of composers like John Adams, Steve Reich, and others. Throughout its brief nine-minute span, then, the piece is built almost exclusively of short, busy ostinato figures—my attempt, I suppose, to achieve the rhythmic vitality of minimalism, but without giving in to the over-simple harmonic language that usually comes with it.Surprisingly, the musical materials seemed determined to shape themselves into an approximation of nineteenth-century sonata form. We hear an introduction, a first theme (based on triadic broken chords), a second theme (beginning with the flute solo), and a closing theme (led by two piccolos). In a sort of development section, these materials are recombined in new ways; in a recapitulation, both the first and second themes are recalled more or less intact (part of the second is actually repeated quite literally).Then, in the coda, a second surprise: as if another, different music has been lurking all the while behind the shiny surface, the strings now unexpectedly split off from the rest of the orchestra to assert a new, more passionate, more “serious” voice, transcending the external show of sound and light.Son et lumière, commissioned by the Baltimore Symphony Orchestra, was composed between June and December 1988 in Ithaca (N.Y.), in Los Angeles, and at the artists’ colony Yaddo, in Saratoga Springs (N.Y.). David Zinman conducted the first performance in Baltimore on 18 May 1989; André Previn gave the West Coast premiere with the Los Angeles Philharmonic on 18 January, 1990.

(Eng). By Daniel Pinkham. For SATB (optional soprano, tenor soli), piano (organ) (or with 2 horn, celesta, strings). This edition: vocal score. Photoprint edition - publisher prints this title after order is received. Duration 10'. Published by C.F. Peters

Orchestra Bassoon 1, Bassoon 2, Celesta, Clarinet 1, Clarinet 2, Contrabass, English Horn, Flute 1, Flute 2, Harp, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion, Piano, Piccolo, Timpani, Trombone 1, Trombone 2, Trombone 3, Trumpet 1 and more.

SKU: PR.41641280L

Composed by William Kraft. Large Score. With Standard notation. Theodore Presser Company #416-41280L. Published by Theodore Presser Company (PR.41641280L).

UPC: 680160490851.

Orchestra Bass Clarinet, Bassoon 1, Bassoon 2, Celesta, Cello, Clarinet, Clarinet 2, Contrabass, Contrabassoon, English Horn, Flute 1, Flute 2, Harp, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion 1, Percussion 2, Percussion 3, Percussion 4 and more.

SKU: CF.O5025

Homage to Five Paintings - for Orchestra - Full Score. Composed by Elie Siegmeister. Large Score. With Standard notation. Duration 18 minutes. Carl Fischer Music #O5025. Published by Carl Fischer Music (CF.O5025).

9 X 12 inches.

By Ralph Vaughan Williams (1872-1958). Arranged by David Matthews. For soprano voice solo, SSA chorus, and full orchestra (3 flutes (III doubling piccolo), 3 oboes (III doubling English horn), 3 clarinets (III doubling bass clarinet), 3 bassoons (III doubling contra), 4 horns, 3 trumpets, 3 trombones, tuba, timpani, percussion, celesta, harp, piano, organ, soprano solo, women). Orchestral. Miscellaneous. Study score. 168 pages. Duration 42'. Published by Oxford University Press

Orchestra Banjo 1, Banjo 2, Bass, Bass Clarinet, Bassoon, Celesta, Cello, Clarinet, Electric Bass, Electric Guitar 1, Electric Guitar 2, English Horn, Flute, Harp, Mandolin, Oboe, Organ, Percussion 1, Percussion 2, Piano, Piccolo, Trombone 1, Trombone 2 and more.

SKU: CF.CY3233Y

Origianl Facsimile Edition. Composed by Lukas Foss. Full score (large). With Standard notation. 80 pages. Duration 37 minutes. Carl Fischer Music #CY3233Y. Published by Carl Fischer Music (CF.CY3233Y).

ISBN 9780825890048. UPC: 798408090043. 11 x 14 inches.

...Around the time of the Bicentennial, when I got a commission to write my American Cantata, I found the need to be American again in my music, as I was in my early music. I started to combine my adventurousness of my more recent music with my earlier traditional style. And I found that I could be just as crazy, while being at the same time, to a certain extent, traditional! (excerpted from a Foss interview with classical radio host Bruce Duffie) A manuscript score is now available as custom print, offering a special glimpse into the genesis of this major Foss choral work.

By Theodore Antoniou. For Flute (2), Flute 3/Piccolo, Oboe (2), English Horn, Clarinet (B Flat) (2), Bass Clarinet, Bassoon (2), Contrabassoon, Horn (6), Trumpet (3), Trombone (3), Tuba, Kettledrum, Drums (5), Celesta, Harp, Piano, Strings. Baerenreiter Studienpartituren - Study scores. Study Score. Op. 24. Duration 15'

Narrator & Orchestra (narrator, 2(1).2(1).2(1).2 - 2.2.2.0 - timpani, 2 percussion, harp, celesta; strings)

SKU: SU.90110070

For Narrator & Orchestra. Composed by Michael Abels. Orchestra. Full Score. Composed 1993-94. Duration 37'. Subito Music Corporation #90110070. Published by Subito Music Corporation (SU.90110070).

Text: Leo Lionni.

Four stories by legendary children's author Leo Leonni in settings for narrator and orchestra Contents: 1.Frederick, 2. The Greentail Mouse, 3. Theodore and the Talking Mushroom, 4. Alexander and the Wind-Up Mouse Instrumentation: narrator; 2(1) 2(1) 2(1) 2; 2220; timp, 2perc, hp, cel; str Duration: 37' Text: Leo Lionni Composed: 1993-94 Full Score & Parts: available on rental Published by: Subito Music Publishing NOTE: Movements available separately.

Orchestra 2 Bassoons, 2 Bb Clarinets, 2 Oboes, 2 Trombones, 3 Flutes (2nd doubles Piccolo; 3rd doubles Alto Flute), 3 Trumpets in C, 4 Horns, Bass Trombone, Contrabassoon, Eb Clarinet (doubles Bb Bass Clarinet), English Horn, Harp, Percussion (, Piano/Celesta, Tuba

SKU: PR.41641420L

For Orchestra. Composed by James Matheson. This edition: Corrected April 29, 2002. Premiere: Civic Orchestra of Chicago, conducted by Cliff Colnot; Orchestra Hall, Chicago. Contemporary. Large Score. With Standard notation. Composed August 3 2001. 48 pages. Duration 10 minutes. Theodore Presser Company #416-41420L. Published by Theodore Presser Company (PR.41641420L).

UPC: 680160602032. 11 x 17 inches.