(Bass Play-Along Volume 44). By Megadeth. For Bass. Bass Play-Along. Softcover with CD. Guitar tablature. 64 pages. Published by Hal Leonard

Flute, piano

SKU: BR.EB-8285

Composed by York Holler. Solo instruments; Softcover. Edition Breitkopf. World premiere Cologne, February 26, 1984. Music post-1945. Score. Composed 1979. 20 pages. Duration 10'. Breitkopf and Haertel #EB 8285. Published by Breitkopf and Haertel (BR.EB-8285).

ISBN 9790004176016. 9 x 12 inches.

World premiere Cologne, February 26, 1984 For me, one of the most interesting aspects of composition is to draw the most varied consequences from one and the same musical idea. Thus my pieces Umbra, Mythos, Resonance and Moments Musicaux, for all their disparity, form a group of works in that they are based on a common Klanggestalt, a 34-note melodic-harmonic structure from whose formal basis the overall shape of the piece is derived by projection. I have called the method 'Gestalt composition', Thus there are 12 clearly differentiated formal characters or motives, which appear frequently in irregular sequence and are variously interconnected. The 'bell' motives play a special role here: the piano part frequently bears the instruction quasi Campane, Campanelli, Campane grandi.(York Holler, translated by Niall Hoskin)

World premiere Cologne, February 26, 1984.

Children's Choir, Flute, 2 Trumpets, 2 Violins, Viola, Cello/Contrabass, Synthesizer, Keyboard - Level 3

SKU: CA.1241919

Operetta. Composed by Rainer Bohm. Carus book series: More music books. Complete orchestral parts. Musicals for children, Songs for children, Secular choral music. Set of Orchestra Parts. Duration 60 minutes. Carus Verlag #CV 12.419/19. Published by Carus Verlag (CA.1241919).

Language: German. Text: Timm, Gabriele. Text by Gabriele Timm.

Rosalia, the youngest of the King's five daughters, is a very bright but unruly child. One day, when she lets her fathers orb fall into the well while juggling, the scheming Prime Minister smells his chance, marble statues come to life, little frogs dance the Can-Can, and the King needs Aspirin again. Rosalia rescues the day when she picks up a huge slimy frog and throws him against the wall as punishment for his impertenance. This simple act has the most amazing consequences ... Score and parts available separately - see item CA.1241900.

By Camila Cabello. Piano/Vocal/Guitar Artist Songbook. Cuban, Latin, Pop. Softcover. 72 pages. Published by Hal Leonard

By Megadeth. For Bass. Bass Recorded Versions Persona. Softcover. Guitar tablature. 144 pages. Published by Hal Leonard

TTBB choir, piano accompaniment - Early intermediate

SKU: GI.WW1759

Composed by Traditional Song/arr. John Wykoff. Arranged by John Wykoff. Concert, School. Cameron LaBarr. Classical. Octavo. 8 pages. Walton Music #WW1759. Published by Walton Music (GI.WW1759).

UPC: 785147018766. English. Text Source: Traditional Song. Traditional Song.

This hilarious folk song is arranged here for TTBB choir and piano. The story of the lazy farmer and the consequences for his laziness will likely connect with your tenors and basses. Expertly arranged, making this a great teaching piece that works well in concert settings.

Voice and piano (Soli: SBar(T) - 1(picc.A-fl).1(cor ang).1(Ebclar.Bclar).0. - 1.1.2.0. - perc - hp - pno - str: 1.1.1.1.1.)

SKU: BR.DV-6140

Scenes for 2 Singers and 15 Instrumentalists. Composed by Udo Zimmermann. Voice; Softbound. Deutscher Verlag. World premiere: Hamburg, February 27, 1986DV 1140 awarded the German Music Edition Prize. Opera; Music theatre; Music post-1945; New music (post-2000). Piano/Vocal Score. Composed 1984/85. 140 pages. Duration 75'. Deutscher Verlag fur Musik #DV 6140. Published by Deutscher Verlag fur Musik (BR.DV-6140).

ISBN 9790200460230. 13.5 x 10.5 inches.

Translation: Engl. (S. Wadsworth) (1988) / (Norbert Rubesaat) (1993); French (Jean-Pierre Wurtz) (1997) Place and time: Jail Munchen-Stadelheim, in the hour before the execution on 22nd February 1943 Characters: Sophie Scholl (soprano) / Hans Scholl (baritone or tenor) >>Weisse Rose<< (White Rose) was the name of the resistance group to which Hans and Sophie Scholl belonged. Udo Zimmermann's composition is characterized by the varying structure of its scenes: dramatic, visionary scenes, e.g. the remembered wartime experiences on the front, Sophie's anxiety about the removal of the children and the wish to see her parents one last time, contrast with contemplative monologues that are intended to provide insights into the individual's particular situation. The composer interweaves into the structure of the piece dream sequences with sudden bursts of anxiety that are not triggered by the execution that is about to take place but by the consequences of one's own actions. The result is a deliberate fusion of the various parts into one another. More than 100 different productions prove that the topic is as important as ever and that the work is both artistically rewarding and practicable. Udo Zimmermann About the piece Two young people, the siblings Sophie and Hans Scholl, are in a prison cell, one hour before they are to be put to death by their fascist executioners. Their christian convictions and sense of responsibility gave them the courage to put up resistance, resistance against the lies, the contempt for humanity and all human values. Sophie and Hans Scholl took their stand in the full knowledge that they were taking a deadly risk. They would simply not have been able to live with their feelings of shame had they not grasped the chance of fighting for what they believed in, even though it was a dangerous thing to do. Memories of past events, doubts, hopes and fears, justification of deeds and an acceptance of death, all these things happen and move in, and between, these two people during this representation of the hour before death. The orchestra provides a psycho-physical shorthand of their inner mental state. Musical effects and gestures search for their identity in human behaviour. The moments of stillness and silence provide moments of musical tension, which are just as powerful as the eruptions of fear and desperation. CDs: Gabriele Fontana (soprano), Lutz-Michael Harder (tenor), Instrumentalensemble, cond. Udo Zimmermann CD Orfeo C 162 871 Grazyna Szklarecka (soprano), Frank Schiller (tenor), musica viva-ensemble dresden, cond. Udo Zimmermann CD Berlin Classics Eterna BC 0120 060-2 CD (excerpts): Gabriele Fontana (soprano), Lutz-Michael Harder (tenor), Ein Instrumentalensemble, cond. Udo Zimmermann CD BMG 74321 73628 2 Bibliography : Kornel , Attila: ,,Tief unter uns nur Schweigen - Die Asthetik der Stille in Udo Zimmermanns Kammeroper ,,Weisse Rose, in: Die Tonkunst 11 (2017), pp. 368-377. Rheinlander , Matthias: Im Osten nichts Neues? Ostalgie ohne Kitsch am Beispiel von Udo Zimmermanns Oper Die weisse Rose, in: Musik und Unterricht, Heft 73 (2003), pp. 34-40.

World premiere: Hamburg, February 27, 1986DV 1140 Awarded the German Music Edition Prize.

Bass Clarinet

SKU: HL.48025211

Bass Clarinet Solo. Composed by Brett Dean. Boosey & Hawkes Chamber Music. Classical. Softcover. 8 pages. Duration 600 seconds. Bote & Bock #M202536957. Published by Bote & Bock (HL.48025211).

UPC: 196288133391. 9.0x12.0x0.067 inches.

With his opera Hamlet, which premiered in Glyndebourne in 2017, the composer Brett Dean added a new, modern analysis to the certainly numerous artistic ones of the famous subject - with enormous success, as the press reviews and many subsequent stage productions attested. The composer's and his librettist Matthew Jocelyn's fruitful examination of Shakespeare's text material yielded both the full-length opera and several concertante “by-products”: And once I played Ophelia for soprano and string quartet, From Melodious Lay, an orchestral poem with solo soprano and solo tenor, the suite Gertrude Fragments for mezzo-soprano and guitar, and Confessio for solo bass clarinet. Confessio describes an appearance by Hamlet's uncle Claudius: In the castle chapel he deliversa short monologue – rather a reflection than a prayer or confession. Claudius reveals to himself the deep fear of the consequences of his murderous deed - and a vague, though hardly justifiable, hope for mercy.

Baritone Voice and Piano - Intermediate

SKU: FP.FMJ02

Composed by John Manduell. Sheet Music and Books. Songs for baritone voice and piano, inspired by Sir John Manduell’s long-standing love of French renaissance verse. Classical. Vocal Score. Forsyths Publications #FMJ02. Published by Forsyths Publications (FP.FMJ02).

ISBN 9790570503896.

A wonderfully balanced and yet contrasting set of songs for baritone voice and piano, inspired by Sir John Manduell’s long-standing love of French renaissance verse.

In the first, perhaps the most often quoted of Ronsard's poems, the poet invites young Mignonne to come and look at the purple rose and to realise that her beauty like the rose's will fade all too soon. Du Bellary's poem is redolent of late summer heat and haze as the thresher of the title calmly pursues his work. The Marot is a brief exercise in courteous mockery as the poet chides his ailing lady upon her gastronomic self-indulgence and warns her of the inevitable consequences upon her figure.

Finally published in 2013, Trois Chansons is one of the of the composer’s earliest surviving works, written while he was studying with the late Sir Lennox Berkely as a postgraduate student at the Royal Academy of Music. The first performance was given by Beverley Humphreys at the Royal Academy of Music in 1956.